Welcome back to the Weekend Warrior, your weekly look at the new movies hitting theaters this weekend, as well as other cool events and things to check out.
This Past Weekend:
Yikes. What a terrible weekend we just had, not only for the new movies released but also for the Weekend Warrior’s predictions. Clint Eastwood and Tom Hanks’ Sully won its second weekend in a row with just under $22 million, but as far as the new movies, neither Lionsgate’s Blair Witch nor Universal’s Bridget Jones’s Baby did very well, putting the last nail in the coffin (hopefully) for sequels/remakes trying to play upon nostalgia that just isn’t there. (Good luck to the Rings movie opening next month!) Blair Witch ended up with $9.6 million to take second place and both Bridget Jones’s Baby and Oliver Stone’s Snowden ended up with around $8 million, so...
This Past Weekend:
Yikes. What a terrible weekend we just had, not only for the new movies released but also for the Weekend Warrior’s predictions. Clint Eastwood and Tom Hanks’ Sully won its second weekend in a row with just under $22 million, but as far as the new movies, neither Lionsgate’s Blair Witch nor Universal’s Bridget Jones’s Baby did very well, putting the last nail in the coffin (hopefully) for sequels/remakes trying to play upon nostalgia that just isn’t there. (Good luck to the Rings movie opening next month!) Blair Witch ended up with $9.6 million to take second place and both Bridget Jones’s Baby and Oliver Stone’s Snowden ended up with around $8 million, so...
- 9/21/2016
- by Edward Douglas
- LRMonline.com
Exclusive: Deadline can exclusively reveal that Bill Hader is narrating the feature documentary Beaver Trilogy Part IV, a meta-movie centered on cult director Trent Harris that’s set to come full circle when it premieres Friday night at the Sundance Film Festival.
Director Brad Besser’s new docu explores Utah filmmaker Harris’ years-long obsession with the story of Groovin’ Gary, an enigmatic performer from Beaver, Utah. The two met by chance in a parking lot in 1979 and Harris started filming, resulting in the cult documentary The Beaver Kid, a study in hopes and dreams highlighted by Gary’s performance in drag singing Olivia Newton-John’s “Please Don’t Keep Me Waiting.” A distraught Gary shot himself soon after the first film, but survived.
The film went on to earn cult status on the underground circuit, where fans traded VHS tapes of Harris’ once-in-a-lifetime film and the subsequent shorts he made re-creating it,...
Director Brad Besser’s new docu explores Utah filmmaker Harris’ years-long obsession with the story of Groovin’ Gary, an enigmatic performer from Beaver, Utah. The two met by chance in a parking lot in 1979 and Harris started filming, resulting in the cult documentary The Beaver Kid, a study in hopes and dreams highlighted by Gary’s performance in drag singing Olivia Newton-John’s “Please Don’t Keep Me Waiting.” A distraught Gary shot himself soon after the first film, but survived.
The film went on to earn cult status on the underground circuit, where fans traded VHS tapes of Harris’ once-in-a-lifetime film and the subsequent shorts he made re-creating it,...
- 1/20/2015
- by Jen Yamato
- Deadline
Here's the latest Austin and Texas film news.
The Austin Film Society has teamed up with The Nature Conservancy to present a screening of Hanna Ranch, a documentary about a fourth-generation cattle ranch in Colorado, tonight at 7:30 pm at the Marchesa Hall. In more Afs news, the nonprofit recently announced the participants of this year's Artist Intensive, a workshop for emerging narrative feature writer-directors in Austin with projects in various stages of development or pre-production. Filmmaking husband/wife team Julia Halperin's and Jason Cortlund's La Barracuda (Jordan's interview), Stephen Belyeu's and Gregory Day's The Father, filmmaker-musicians Karen Skloss's and Jay Tonne Jr.'s The Honor Farm and local filmmaker Clay Liford's Slash (an expansion of his short of the same name; Debbie's interview) were selected by the programming committee of Afs's board of directors. Each writer-director team will be matched with mentors who will...
The Austin Film Society has teamed up with The Nature Conservancy to present a screening of Hanna Ranch, a documentary about a fourth-generation cattle ranch in Colorado, tonight at 7:30 pm at the Marchesa Hall. In more Afs news, the nonprofit recently announced the participants of this year's Artist Intensive, a workshop for emerging narrative feature writer-directors in Austin with projects in various stages of development or pre-production. Filmmaking husband/wife team Julia Halperin's and Jason Cortlund's La Barracuda (Jordan's interview), Stephen Belyeu's and Gregory Day's The Father, filmmaker-musicians Karen Skloss's and Jay Tonne Jr.'s The Honor Farm and local filmmaker Clay Liford's Slash (an expansion of his short of the same name; Debbie's interview) were selected by the programming committee of Afs's board of directors. Each writer-director team will be matched with mentors who will...
- 6/2/2014
- by Jordan Gass-Poore'
- Slackerwood
Last month while at Sundance Film Festival, I spoke with local filmmaker Kat Candler -- seen above at the Sundance 2014 premiere -- about directing her feature film Hellion. which makes its regional debut in the Festival Favorites section at SXSW on Sunday, March 9, at the Topfer Theatre at Zach. Check out my Sundance review of Hellion here.
This was the third year in a row that Candler and Austin producer Kelly Williams (Cinema Six, Pit Stop) made the trip to Park City in support of their film projects. In 2012, the filmmakers attended the fest for the premiere of the short version of Hellion. Last year, the gripping dramatic short film Black Metal debuted at Sundance and was even selected for the Sundance Festival's online Screening Room. Williams also received a fellowship to the 2013 Sundance Creative Producing Lab, where selected producers receive creative and strategic support as well as direct funding for development and production.
This was the third year in a row that Candler and Austin producer Kelly Williams (Cinema Six, Pit Stop) made the trip to Park City in support of their film projects. In 2012, the filmmakers attended the fest for the premiere of the short version of Hellion. Last year, the gripping dramatic short film Black Metal debuted at Sundance and was even selected for the Sundance Festival's online Screening Room. Williams also received a fellowship to the 2013 Sundance Creative Producing Lab, where selected producers receive creative and strategic support as well as direct funding for development and production.
- 2/24/2014
- by Debbie Cerda
- Slackerwood
Film on Tap is a column about the many ways that beer (or sometimes booze) and cinema intersect in Austin.
The 80th anniversary of the repeal of Prohibition was marked earlier this month with special events at local bars and brewpubs. Local PBS station Klru re-aired the 2011 Ken Burns three-part documentary Prohibition. Directed by Burns and Lynn Novick, this fascinating series documents the contributing factors of Victorian-age morality and events that led to the passage of the 18th Amendment that prohibited alcohol.
If you missed the rebroadcast of Prohibition, you can watch this well-crafted documentary on Netflix or iTunes. Prohibition is also available to rent at both locations of Vulcan Video.
Rogness Brewing Company offers a monthly film event at the brewery, and the featured film on Saturday, December 21 is indie comedy Cinema Six, which was filmed in Central Texas. Mark Potts wrote and directed this humorous film, and I'm...
The 80th anniversary of the repeal of Prohibition was marked earlier this month with special events at local bars and brewpubs. Local PBS station Klru re-aired the 2011 Ken Burns three-part documentary Prohibition. Directed by Burns and Lynn Novick, this fascinating series documents the contributing factors of Victorian-age morality and events that led to the passage of the 18th Amendment that prohibited alcohol.
If you missed the rebroadcast of Prohibition, you can watch this well-crafted documentary on Netflix or iTunes. Prohibition is also available to rent at both locations of Vulcan Video.
Rogness Brewing Company offers a monthly film event at the brewery, and the featured film on Saturday, December 21 is indie comedy Cinema Six, which was filmed in Central Texas. Mark Potts wrote and directed this humorous film, and I'm...
- 12/17/2013
- by Debbie Cerda
- Slackerwood
Five new films open in Austin this week, but all have tepid reviews. But not to worry, film fans: For the rest of the year, terrific special screenings are piling up like presents stacked under a Christmas tree. (Or grievances aired around a Festivus pole, or whatever symbols are part of your holiday tradition, if indeed you have one, and it's fine if you don't. Whatever your holiday tradition -- or lack thereof -- the always-inclusive folks at Slackerwood wish you happiness. Or not, if you prefer unhappiness.)
There is, of course, the expected onslaught of holiday film screenings this week. The Alamo Drafthouse offers its usual eclectic mix of holiday movies, from the traditionally warm and fuzzy (It's a Wonderful Life) to the anti-sentimental (the slasher flick Black Christmas, with a live appearance by Margot Kidder) to Jette and Chip's favorite holiday tradition, Harold and Kumar Go to White Castle.
There is, of course, the expected onslaught of holiday film screenings this week. The Alamo Drafthouse offers its usual eclectic mix of holiday movies, from the traditionally warm and fuzzy (It's a Wonderful Life) to the anti-sentimental (the slasher flick Black Christmas, with a live appearance by Margot Kidder) to Jette and Chip's favorite holiday tradition, Harold and Kumar Go to White Castle.
- 11/30/2012
- by Don Clinchy
- Slackerwood
So have you bought your tickets to see Cinema Six yet on Friday night at Blue Starlite Urban Drive-In? As you might remember, Slackerwood and Austin Film Society are presenting the Austin premiere of Cinema Six, and we'd love to see you there at Austin Studios. So would Mark Potts, one of the filmmakers, who will be at the screening and will hold one of his infamous post-film Q&A sessions. Who knows what he might do? Who knows who else might be there from the Central Texas-shot movie? Show up and find out.
But wait, there's more: You can buy a double-feature ticket and see both Cinema Six and A Movie To Be Named Later. Josh Frank at Blue Starlite has kept this title a surprise even from us! But he promises something good that we won't want to miss.
Blue Starlite is currently running an Early Bird Special...
But wait, there's more: You can buy a double-feature ticket and see both Cinema Six and A Movie To Be Named Later. Josh Frank at Blue Starlite has kept this title a surprise even from us! But he promises something good that we won't want to miss.
Blue Starlite is currently running an Early Bird Special...
- 11/27/2012
- by Jette Kernion
- Slackerwood
Our "Holiday Favorites" series in 2011 was so popular and fun that we're bringing it back again. Slackerwood contributors, Austin filmmakers and other local film community friends will all be sharing their favorite holiday movies from now until the end of the year.
Filmmaker Mark Potts doesn't live in Austin, but he shot his latest feature film, Cinema Six, in Austin and Lockhart with a lot of local cast and crew. Slackerwood and Austin Film Society are co-hosting the Austin premiere of Cinema Six on Friday, November 30 at 8 pm at Blue Starlite (tickets still available!).
Here's Mark's description of a movie that's perfect to watch this weekend:
Planes, Trains & Automobiles is the only film set around Thanksgiving* and while I'm almost certain that's true, I don't care enough to Google it.** But to me, it's a film that transcends the holiday and can be watched at any time of the year.
Filmmaker Mark Potts doesn't live in Austin, but he shot his latest feature film, Cinema Six, in Austin and Lockhart with a lot of local cast and crew. Slackerwood and Austin Film Society are co-hosting the Austin premiere of Cinema Six on Friday, November 30 at 8 pm at Blue Starlite (tickets still available!).
Here's Mark's description of a movie that's perfect to watch this weekend:
Planes, Trains & Automobiles is the only film set around Thanksgiving* and while I'm almost certain that's true, I don't care enough to Google it.** But to me, it's a film that transcends the holiday and can be watched at any time of the year.
- 11/23/2012
- by Jette Kernion
- Slackerwood
I'm so happy to be able to tell you that Slackerwood is coordinating with Blue Starlite Urban Drive-In to host the Austin premiere of the Central Texas-shot indie comedy Cinema Six later this month.
The movie will screen on Friday, November 30 at 8 pm at the Blue Starlite setup at Austin Studios. Cinema Six co-writer/director Mark Potts will be attending the event, and I'm willing to bet other local cast and crew will be there as well.
We're giving away several tickets at the end of this article. Keep reading.
If you missed the giveaway, buy tickets now through the Blue Starlite website, either to drive in with your car and watch the movie, or to walk-in with your blanket or lawn chair and watch it that way. It's going to be the end of November in Austin, so it might be chilly (like 60 degrees, brrrr!) if you're walking in...
The movie will screen on Friday, November 30 at 8 pm at the Blue Starlite setup at Austin Studios. Cinema Six co-writer/director Mark Potts will be attending the event, and I'm willing to bet other local cast and crew will be there as well.
We're giving away several tickets at the end of this article. Keep reading.
If you missed the giveaway, buy tickets now through the Blue Starlite website, either to drive in with your car and watch the movie, or to walk-in with your blanket or lawn chair and watch it that way. It's going to be the end of November in Austin, so it might be chilly (like 60 degrees, brrrr!) if you're walking in...
- 11/7/2012
- by Jette Kernion
- Slackerwood
Founded by actor and director Robert Redford in 1981, the nonprofit organization Sundance Institute is not only recognized internationally for its annual film festival in Park City, Utah, but also for its artistic development programs for directors, screenwriters, producers, film composers, playwrights and theatre artists. The organization has supported critically acclaimed film projects including Born into Brothels, Amreeka, An Inconvenient Truth, Angels in America and many more.
Eleven projects were selected for the Sundance Creative Producing Labs this year, held from July 30 - August 3. The selected producers receive creative and strategic support through the year as well as fellowships for direct funding of development and production. Two of the Fellows selected are in Austin, Texas -- producer Kelly Williams (Hellion, Cinema Six), former Austin Film Festival Program Director and Director of Programming of Forth Worth's Lone Star International Film Festival; and producer/director/cinematographer Pj Raval (Trouble the Water, Trinidad). Find out more after the jump.
Eleven projects were selected for the Sundance Creative Producing Labs this year, held from July 30 - August 3. The selected producers receive creative and strategic support through the year as well as fellowships for direct funding of development and production. Two of the Fellows selected are in Austin, Texas -- producer Kelly Williams (Hellion, Cinema Six), former Austin Film Festival Program Director and Director of Programming of Forth Worth's Lone Star International Film Festival; and producer/director/cinematographer Pj Raval (Trouble the Water, Trinidad). Find out more after the jump.
- 7/19/2012
- by Debbie Cerda
- Slackerwood
While not all films mentioned below are necessarily guaranteed future place among the Sundance Film Festival elite, it’s certainly a step in the right direction for the filmmakers and more importantly the producers backing the future of independent film. Among the eleven project participants below selected for the annual Creative Producing Labs and Creative Producing Summit (July 30 – August 3) in the Feature Film category we find such names as future superstars in Summer Shelton (she worked with Ramin Bahrani) and receives the first ever Bingham Ray Creative Producing Fellow, Tory Lenosky (worked as an assistant to Jay Van Hoy and Lars Knudsen) and Lucas Joaquin (second unit producer for Beasts of the Southern Wild). Here is the full press release below.
Feature Film Creative Producing Lab
The Feature Film Creative Producing Lab is a five-day Lab where narrative feature film producers work with an accomplished group of Creative Advisors to develop their creative instincts,...
Feature Film Creative Producing Lab
The Feature Film Creative Producing Lab is a five-day Lab where narrative feature film producers work with an accomplished group of Creative Advisors to develop their creative instincts,...
- 7/18/2012
- by Eric Lavallee
- IONCINEMA.com
Don Swaynos‘ Six Hundred and Forty-One Slates is one of those genius short films that makes one wonder why nobody had ever thought to make it before. It is, on the surface, a simple construct of exactly what the title says — the deletable clapper takes of every scene shot for the feature-length comedy Cinema Six.
But it’s not just a slap-dash compilation. Swaynos gives the short a snappy rhythm, knowing when to pause for humorous effect and when to speed things up right when the concept seems too repetitive. It’s not just the idea that makes the short so loveable, it’s the execution.
Cinema Six is a feature-length comedy written and directed by Mark Potts & Cole Selix; and was produced by Swaynos, Nick Tankersley and Kelly Williams. It was, if you couldn’t tell, also edited in full by Swaynos. (However, the film was originally titled Splice of Life,...
But it’s not just a slap-dash compilation. Swaynos gives the short a snappy rhythm, knowing when to pause for humorous effect and when to speed things up right when the concept seems too repetitive. It’s not just the idea that makes the short so loveable, it’s the execution.
Cinema Six is a feature-length comedy written and directed by Mark Potts & Cole Selix; and was produced by Swaynos, Nick Tankersley and Kelly Williams. It was, if you couldn’t tell, also edited in full by Swaynos. (However, the film was originally titled Splice of Life,...
- 7/13/2012
- by Mike Everleth
- Underground Film Journal
“Cinema Six”
Directors: Mark Potts, Cole Selix
Writers: Mark Potts, Cole Selix
Starring: John Merriman, Mark Potts and Brand Rackley
“Cinema Six” is the definition of average, which is strange considering it was probably the most pumped film at the festival. You couldn’t walk an inch in the press lounge without stepping on one of their little yellow adverts. To begin with, it’s obviously Mark Potts’ first film, as narratively, it’s derivative of so many other, better, things. A lot of the emotional ennui that the filmmakers are trying to convey about working at a movie theater, particularly one that feels so run down and little visited – something that, yes, I can currently attest to as a popcorn pusher in my spare time – are culled from “Clerks” in a way that’s a little too far in the direction of laziness rather than homage. Its attempts at...
Directors: Mark Potts, Cole Selix
Writers: Mark Potts, Cole Selix
Starring: John Merriman, Mark Potts and Brand Rackley
“Cinema Six” is the definition of average, which is strange considering it was probably the most pumped film at the festival. You couldn’t walk an inch in the press lounge without stepping on one of their little yellow adverts. To begin with, it’s obviously Mark Potts’ first film, as narratively, it’s derivative of so many other, better, things. A lot of the emotional ennui that the filmmakers are trying to convey about working at a movie theater, particularly one that feels so run down and little visited – something that, yes, I can currently attest to as a popcorn pusher in my spare time – are culled from “Clerks” in a way that’s a little too far in the direction of laziness rather than homage. Its attempts at...
- 5/11/2012
- by Henry J. Baugh
- The Moving Arts Journal
There’s something about working at a movie theater that just sucks you in; although the pay is crappy and the customers are damn near unbearable, people can spend years of their lives shoveling popcorn, cleaning up vomit, and losing the best years of their lives. I should know, as I’ve been a theater employee for eight years. Cinema Six, from co-directors Mark Potts and Cole Selix, has a total grasp on the motivations of a movie theater employee: yes, it’s a crappy job, but it’s easy and it’s safe. To leave is to be forced to grow up and do something meaningful with your lives, to take that next step. By staying, you can put maturity off and avoid the harsh realities of adulthood. But while Cinema Six gets the mind of movie theater employees, as a movie, running at a mere 79 minutes, it comes...
- 4/17/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
The full lineup for the Dallas International Film Festival, which runs April 12-22 this year, was announced late last week. The films to be screened in Big D include more than a few movies with local and state connections. Here are the ones we found -- let us know if we're missing anything.
America's Parking Lot (Don's review)
Austin actor/filmmaker Jonny Mars shot this documentary about die-hard Dallas Cowboy tailgaters and the impact of the changing economics of pro football games. (Debbie's interview)Bindlestiffs
In this 2012 Slamdance Audience Award winner, three high schoolers decide to head to the inner city to live out the plot of The Catcher in the Rye ... except none of them has read the book. Young director Andrew Edison grew up in Houston and currently hails from Austin.Cinema Six
Filmed last year in Lockhart, this film is a narrative about three friends who work at a small-town movie theater.
America's Parking Lot (Don's review)
Austin actor/filmmaker Jonny Mars shot this documentary about die-hard Dallas Cowboy tailgaters and the impact of the changing economics of pro football games. (Debbie's interview)Bindlestiffs
In this 2012 Slamdance Audience Award winner, three high schoolers decide to head to the inner city to live out the plot of The Catcher in the Rye ... except none of them has read the book. Young director Andrew Edison grew up in Houston and currently hails from Austin.Cinema Six
Filmed last year in Lockhart, this film is a narrative about three friends who work at a small-town movie theater.
- 3/20/2012
- by Elizabeth Stoddard
- Slackerwood
Occasionally, Austin Cinematic Limits is going to post interviews with key players in Austin’s film community. It might be common knowledge that there is a rich pool of directors in Austin, but there are also a ton of fantastic actors, cinematographers, composers, animators, make-up artists, and other cinematic people with whom we also want to converse. Maybe — just maybe — we will gain a better understanding of why all of these talented people have chosen to live and work in Austin rather than Los Angeles or New York City. We are starting with producer Kelly Williams — partly because there are only a handful of producers who actually live and work in Austin, but also because he is currently juggling so many great projects. Since resigning from his role as Film Program Director at the Austin Film Festival in June 2011, Williams has already produced Kat Candler’s Hellion (premiered at Sundance 2012), the anthology film Holiday Road (premiered at...
- 2/20/2012
- by Don Simpson
- FilmSchoolRejects.com
The Dallas International Film Festival has announced 15 of the films in its 2012 lineup, and not only does Texas make a great showing, but Austin is well represented. I'm hoping to attend the festival this year, the selections look so good so far. Some notable non-Texas films include Lawrence Kasdan's Darling Companion, which has former Austinite Mark Duplass in the cast; The Brooklyn Brothers Beat the Best, the directorial debut of actor Ryan O'Nan (The Dry Land), and Takashi Shimizu's Tormented.
Cinema Six, the latest feature from filmmakers Mark Potts and Cole Selix (S&M Lawn Care), will have its world premiere at the festival, which takes place from April 12-22 (corrected from original text). Jenn and I visited the set in Lockhart last year (when the movie was called A Splice of Life). The filmmakers aren't from Austin, but many of their cast and crew are: producer Kelly Williams,...
Cinema Six, the latest feature from filmmakers Mark Potts and Cole Selix (S&M Lawn Care), will have its world premiere at the festival, which takes place from April 12-22 (corrected from original text). Jenn and I visited the set in Lockhart last year (when the movie was called A Splice of Life). The filmmakers aren't from Austin, but many of their cast and crew are: producer Kelly Williams,...
- 2/20/2012
- by Jette Kernion
- Slackerwood
As Austin’s filmmaking community migrates back to Austin from the snowy slopes of Park City, everyone is anxiously awaiting to hear whether or not their latest film(s) has been accepted into the 2012 South By Southwest Film Festival (March 9-17, 2012). According to SXSW, ”no news is good news! If you haven’t heard from [SXSW] yet it means your film is still in the running.” All filmmakers will be sent notification one way or another by Thursday, February 9, 2012. What are my predictions (and hopes) on the local front for SXSW 2012? Well, I do not want to start rumors, but I am fairly certain that the Zellner Brothers’ Kid-Thing will be getting a regional premiere at SXSW 2012 — that is, after they celebrate their European premiere at Berlinale (February 9-19, 2012)! Also, Kat Candler’s short film Hellion is as close to a sure-thing as SXSW applicants can get. But if I was a praying man, I...
- 1/31/2012
- by Don Simpson
- FilmSchoolRejects.com
Last year the Slackerwood gang declared it the Year of (Chris) Doubek, seeing the local actor everywhere in numerous films. This year it seems to be the Year of Merriman, even if several of the movies in which he appears won't hit screens until next year.
If you played the six-degree game, you'd have plenty of degrees left over to connect to John Merriman in the Austin and indie film scene. He's acted in at least six feature films in the last year, including You Hurt My Feelings and An Ordinary Family, which are playing Austin Film Festival this week. He's also in the cast of the upcoming Pictures of Superheroes, Cinema Six, The Man from Orlando and Loves Her Gun, all shot locally this year. Merriman has been in countless shorts including his own Sleep Study (co-written and co-directed by Kerri Lendo), which played Aff last year, and Scott Rice...
If you played the six-degree game, you'd have plenty of degrees left over to connect to John Merriman in the Austin and indie film scene. He's acted in at least six feature films in the last year, including You Hurt My Feelings and An Ordinary Family, which are playing Austin Film Festival this week. He's also in the cast of the upcoming Pictures of Superheroes, Cinema Six, The Man from Orlando and Loves Her Gun, all shot locally this year. Merriman has been in countless shorts including his own Sleep Study (co-written and co-directed by Kerri Lendo), which played Aff last year, and Scott Rice...
- 10/20/2011
- by Jenn Brown
- Slackerwood
Yes, we have another set visit for you. Jette and I braved the Texas highways to go all the way to Lockhart to visit the production of the latest Singletree Productions comedy, A Spice of Life. It was a tough drive, and Jette and I had to recuperate before getting to the set by stopping by Smitty's for some barbecue. So yeah, later on we had to explain why we smelled like smoke. It's like crack, but better. But that's not why we were there. No, we were there to see some moviemaking.
read more...
read more...
- 2/28/2011
- by Jenn Brown
- Slackerwood
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.