When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
A group of delinquents are sent to clean the Blackwell Hotel. Little do they know reclusive psychopath Jacob Goodnight (Jacobs) has holed away in the rotting hotel. When one of the teens is captured, those who remain -- a group that includes the cop who put a bullet in Goodnight's head four years ago -- band together to survive against the brutal killer.
Michael J. Pagan
On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
In the 70's, the boy Billy is born with yellow skin due to a lever disease and his dysfunctional mother rejects him. Later he witnesses his mother and her lover killing his beloved father and burying him in the basement of their house, and he is locked in the attic alone along his childhood. When he is a teenager, he is sexually abused by his mother and she has a baby girl called Agnes. During Christmas, the deranged Billy escapes from his imprisonment, kills his mother and stepfather and blinds one eye of Agnes. He is declared insane and his sister is sent to an orphanage. In the present days, Billy escapes from the Clark Sanatorium to spend Christmas with his family. Meanwhile, his former house is the Delta Alpha Kappa sorority house in the campus of the Clement University, and the housemother and the sisters Kelli Presley, Dana, Lauren Hannon, Megan, Heather, Megan Helms, Melissa and Eve Agnew are preparing the house for Christmas party in a stormy night while Clair Crosby is in ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Actress Ariana Dubynin did a lot of ADR for the screaming in the scenes when the girls were being killed. See more »
When Billy stabs his stepfather in the eye, the blade comes out of the back of his head with the eye facing pupil-out, although that could not happen if the blade went through his eye. See more »
I'm really not okay with any of this. I mean, buying a Christmas present for a serial killer?
No. You see, serial killers murder repeatedly for sexual thrill. Billy Lenz was a spree killer - dude just fucking lost it.
See more »
The final credits include the message "Goodbye, Shirley," in tribute to composer Shirley Walker, a frequent collaborator with director Glen Morgan. Walker passed away in November 2006, before "Black Christmas"' release. See more »
Waltz of the Snowflakes
(from "The Nutcracker")
Music by Pyotr Ilyich Tchaikovsky (as Piotr Ilich Tchaikovsky)
Courtesy of Megatrax Production Music, Inc.
By Arrangement with Arts Music / Megatrax See more »
Well, call me old school, but to say that this movie was as good or better than the original is confounding and appalling. Scanning some of the comments, I find it interesting that some folks downgrade the original 1974 version because it leaves loose ends, and the new one explains things. I will say that the remake does provide a back story on the killer lacking in the original, but that doesn't make it any better. Quite the contrary. Another slash and gore bore.
The subtle atmospheric dread and suspense BC 1974 in the old version, while not great, is vastly superior. It is hard to improve on one of the best of the genre, and the original Black Christmas certainly belongs near the top. It did influence Halloween, When A Stranger Calls, Friday the 13th I and other classics of a few years later and is as good or better than all of them.
The 2006 version belongs near the back of the rental area at your local DVD store. Watch it on cable some night, but for those who have seen neither, ignore the new version and find a copy of the old one to buy or rent. You'll be better served for your DVD dollar.
A final editorial comment: I have yet to see a 200X horror film remake that came close to the original in spite of all the FX technology.....e.g. The Haunting. No, the Thirteen Ghosts remake was better, but only because the old Castle version was so cheap and campy. One man's opinion is that the Black Christmas remake would have been better not made. Final Destination I (at least) was quite unusual and quality in this genre.
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