In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
God has abandoned Heaven. It's 1985: the Reagans are in the White House and Death swings the scythe of AIDS. In Manhattan, Prior Walter tells Lou, his lover of four years, he's ill; Lou bolts. As disease and loneliness ravage Prior, guilt invades Lou. Joe Pitt, an attorney who is Mormon and Republican, is pushed by right-wing fixer Roy Cohn toward a job at the Justice Department. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and access. Pitt's wife Harper is strung out on Valium, aching to escape a sexless marriage. An angel invites Prior to be a prophet in death. Pitt's mother and Belize, a close friend, help Prior choose. Written by
The miniseries script is based on two Broadway plays, "Angels in America: Millennium Approaches" and "Angels in America: Perestroika" and both won the Tony Award for the Best Plays of 1993 and 1994 respectively. "Angels in America: Millennium Approaches" opened at the Walter Kerr Theatre on May 4, 1993 and ran for 367 performances. "Angels in America: Perestroika," opened at the Walter Kerr Theatre on November 23, 1993 and ran for 217 performances. Both plays were written by by Tony Kushner who also wrote the scripts for the miniseries. Jeffrey Wright won the 1994 Tony Award for Best Featured Actor in a Play for "Angels in America: Perestroika" and recreated his roles in this TV production. See more »
When Belize puts the "goop" on Prior, in one shot Prior's hospital gown is off his shoulder, in the next, its completely on. See more »
It saddens me to read some of the negative reviews of this film adaptation of Kushner's brilliant Pulitzer and Tony-winning play. I guess some people simply can't see past their bigotry. (I find it revealing that most of the negative reviews appear to be written by people who clearly have no idea that Roy Cohn was a real person, and I bet they never heard of the Rosenberg's either.)
I was lucky enough to see the Broadway production of Angels with the original cast, and it was without question the highlight of my 25 years of theatre-going. While I prefer the stage version over the film (I usually do), Nichol's film does an outstanding job of capturing the brilliance of Kushner's script.
Personally, I believe that Pacino gives the performance of his career, and Streep is amazing in her three roles. The other performances are quite solid as well.
This film not only won a record 11 Emmys, taking the award for Outstanding Miniseries and all four acting trophies, it also won those same awards at the Golden Globe presentations plus four SAG acting awards. In short, it won practically every award it possibly could.
I often have my Theatre 101 students read this play. I now look forward to being able to show scenes from the film version as well.
Obviously, I recommend this film highly.
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