God has abandoned Heaven. It's 1985: the Reagans are in the White House and Death swings the scythe of AIDS. In Manhattan, Prior Walter tells Lou, his lover of four years, he's ill; Lou bolts. As disease and loneliness ravage Prior, guilt invades Lou. Joe Pitt, an attorney who is Mormon and Republican, is pushed by right-wing fixer Roy Cohn toward a job at the Justice Department. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and access. Pitt's wife Harper is strung out on Valium, aching to escape a sexless marriage. An angel invites Prior to be a prophet in death. Pitt's mother and Belize, a close friend, help Prior choose. Written by
The telephone number Roy calls in the hospital, 202-244-3116 is the telephone number of a DC area movie theatre. See more »
View of Jacob Javits Plaza (Federal Plaza) is shown. However, the park design that used the curved benches wasn't installed until 1992 when the film takes place in 1985 See more »
Maybe I am a prophet. Not just me, all of us who are dying now. Maybe we've caught the virus of prophecy... Be still, toil no more. Maybe the world has driven God from heaven and incurred the angel's wrath. I believe I've seen the end of things, and having seen I'm going blind as prophets do; it makes a certain sense to me. And if I hate heaven my only resistance is to run.
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Being a citizen of the UK, I was (thanks to my own rabid impatience, and the extreme generosity of an American gentleman/IMDB user!) granted an advance screening of this television miracle.
Ignore ANY of the ignorant reviews on here. Close your mind off to them! This work is nothing short of miraculous. The complexity of it is mind blowing. The acting is earth shatteringly compelling. The direction is mesmerising. The intelligence, profundity and eloquence of this absolute masterpiece simply cannot be denied by anyone! It is on the level of Shakespeare! Astonishing ... I have never seen anything like it.
It's a mere ten minutes since I finished watching the second part, and I remain consumed by the images and words of what I have just seen and so it shall remain for days. Works like these are few and far between and I am not exaggerating when I say that viewing ANGELS was such an intense experience, I felt almost embarrassed by the privilege.
Overall, ANGELS is (thematically and in a plot sense) endlessly complex. As a 22 year old English girl, I wouldn't even pretend to grasp the subtlties of the entire piece, and admit to ignorance regarding much of its political/social context. But none of these factors prevented me engaging with a HUMAN drama that spoke directly to me even when I wasn't sure what it was saying! This is not a work to be seen only by gay audiences, only by religious people ... it is to be seen by EVERYONE. ANGELS is, to me, solid proof of my belief that art can explain, enrich, open up and change the world. And it brings people together. I know this may sound hopelessly utopian, but ANGELS really does cast such a spell on one!
I write this review out of intense gratitude and admiration for every single person involved in bringing this masterpiece to the screen. I feel that my life has been enriched by seeing and it and I shall now be passing on the tape to every person I know ... this is life changing stuff and I know I shall take the eloquence of ANGELS with me wherever I go in life. It really is that amazing! To watch this was a privilege, to have been involved with it must be unthinkably wonderful.
ANGELS beats any film ever to win a Best Picture Oscar into a corner. If this were released in cinemas the world would not know what had hit it! I will conclude by saying it again ... this is once-in-a-lifetime viewing. Just see it and make up your own mind. And if you find yourself hating it... you need to ask yourself why, because that says more about you than it does about this!
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