In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
God has abandoned Heaven. It's 1985: the Reagans are in the White House and Death swings the scythe of AIDS. In Manhattan, Prior Walter tells Lou, his lover of four years, he's ill; Lou bolts. As disease and loneliness ravage Prior, guilt invades Lou. Joe Pitt, an attorney who is Mormon and Republican, is pushed by right-wing fixer Roy Cohn toward a job at the Justice Department. Both Pitt and Cohn are in the closet: Pitt out of shame and religious turmoil, Cohn to preserve his power and access. Pitt's wife Harper is strung out on Valium, aching to escape a sexless marriage. An angel invites Prior to be a prophet in death. Pitt's mother and Belize, a close friend, help Prior choose. Written by
The miniseries script is based on two Broadway plays, "Angels in America: Millennium Approaches" and "Angels in America: Perestroika" and both won the Tony Award for the Best Plays of 1993 and 1994 respectively. "Angels in America: Millennium Approaches" opened at the Walter Kerr Theatre on May 4, 1993 and ran for 367 performances. "Angels in America: Perestroika," opened at the Walter Kerr Theatre on November 23, 1993 and ran for 217 performances. Both plays were written by by Tony Kushner who also wrote the scripts for the miniseries. Jeffrey Wright won the 1994 Tony Award for Best Featured Actor in a Play for "Angels in America: Perestroika" and recreated his roles in this TV production. See more »
When Belize puts the "goop" on Prior, in one shot Prior's hospital gown is off his shoulder, in the next, its completely on. See more »
I don't understand this. If I didn't ever see you before, and I don't think I did, then I don't think you should be here in this hallucination because in my experience the mind which is where hallucinations come from shouldn't be able to make anything up that wasn't there to start with that didn't enter it from experience from the real world. Imagination can't create anything new can it? It only recycles bits and pieces from the world and reassembles them into visions. Am I making sense right ...
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Sometimes, as in the case of this mini-series, all the right elements come together to produce one of the best achievements in American television.
We can be thankful to Tony Kushner for the magnificent play in which this is based. We can give thanks to Mike Nichols for his vision on the possibilities of the material and for assembling and directing the best talent of this generation.
This is such a compelling drama that it would be very hard to get it from one's mind any time soon. The tragedy of AIDS is seen through the playwright eyes. Mr. Kushner presents us different stories that have the same thing in common, basically. He never passes judgment about what caused these people to be afflicted by the disease.
Kudos to an enormous talented cast as they get lost in their roles and in the story. Everything seems real, even though it is fiction.
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