| Photos (See all 179 | slideshow) | Videos (see all 17) |
Directed by | |||
| Tim Burton | |||
Writing credits(WGA) | ||
| Roald Dahl | (book) | |
| John August | (screenplay) | |
Produced by | |||
| Bruce Berman | .... | executive producer | |
| Graham Burke | .... | executive producer | |
| Liccy Dahl | .... | executive producer (as Felicity Dahl) | |
| Katterli Frauenfelder | .... | co-producer | |
| Derek Frey | .... | associate producer | |
| Brad Grey | .... | producer | |
| Patrick McCormick | .... | executive producer | |
| Lorne Orleans | .... | producer (IMAX version) | |
| Michael Siegel | .... | executive producer | |
| Richard D. Zanuck | .... | producer | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Philippe Rousselot | (director of photography) | ||
Film Editing by | |||
| Chris Lebenzon | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Alex McDowell | |||
Art Direction by | |||
| David Allday | |||
| François Audouy | (as Francois Audouy) | ||
| Matthew Gray | |||
| Sean Haworth | |||
| James Lewis | |||
| Andy Nicholson | (as Andrew Nicholson) | ||
| Kevin Phipps | (senior art director) | ||
| Stuart Rose | |||
| Leslie Tomkins | (supervising art director) | ||
Set Decoration by | |||
| Peter Young | |||
Costume Design by | |||
| Gabriella Pescucci | |||
Production Management | |||
| Steve Harvey | .... | unit manager | |
| Nikolas Korda | .... | unit production manager | |
| Bill LaBorde | .... | production supervisor: Atlanta | |
| Jessie Thiele | .... | post-production supervisor | |
| Barbara Russo | .... | post-production executive (uncredited) | |
Art Department | |||
| Yasmin Al-Naib | .... | art department assistant | |
| Robert Allen | .... | construction staff assistant | |
| Robert Allen | .... | construction buyer | |
| Chris Baker | .... | concept art/storyboards | |
| Ravi Bansal | .... | concept illustrator | |
| Celia Barnett | .... | specialist researcher | |
| Lolly Batty | .... | supervising sculptor | |
| Otis A. Bell | .... | supervising plasterer laborer (as Otis Bell) | |
| Brian Best | .... | props | |
| Alice Biddle | .... | draughtsperson | |
| Andrea Borland | .... | draughtsperson: CAD | |
| Tim Browning | .... | junior draughtsman | |
| Dean Budd | .... | chargehand painter's laborer | |
| Dan Burke | .... | art department assistant | |
| Daniel Burke | .... | art department assistant | |
| Bill Bush | .... | supervising plasterer | |
| Neal Callow | .... | draughtsman | |
| Neal Callow | .... | stand-by art director: second unit | |
| Anthony Caron-Delion | .... | assistant art director | |
| Joe Cassar | .... | standby carpenter | |
| James Clyne | .... | concept artist: opening title sequence | |
| Ben Collins | .... | junior draughtsperson | |
| Keith Connolly | .... | painter | |
| Steve Cook | .... | chargehand plasterer (as Steven Cook) | |
| Guy Cope | .... | rigger | |
| Andrea Couch | .... | junior draughtsman | |
| John Davey | .... | painter: HOD | |
| Russell Delany | .... | chargehand stagehand (as Russell Delaney) | |
| Luc Desmarchelier | .... | visual development artist | |
| Martin Duffy | .... | carpenter | |
| David Edwards | .... | supervising carpenter | |
| Lee Edwards | .... | supervising carpenter | |
| Priscilla Elliott | .... | art department researcher | |
| James Enright | .... | propshop model maker | |
| Andy Evans | .... | construction manager (as Andrew Evans) | |
| Mimsy Farmer | .... | sculptor | |
| Gavin Fitch | .... | draughtsman | |
| Darren Fitzsimons | .... | sculptor | |
| Dan Frye | .... | prop moulder | |
| James Gemmill | .... | head scenic artist | |
| Lavinia Glynn-Jones | .... | art department coordinator | |
| Bruce Gordon | .... | supervising sculptor | |
| Peter Graffham | .... | head rigger | |
| Monika Gray | .... | assistant to designer | |
| John Greaves | .... | storyboard artist | |
| Ian Green | .... | assistant construction manager | |
| Emma Hanson | .... | sculptor | |
| Shane Harford | .... | dressing props | |
| John Harris | .... | supervising plasterer | |
| Ralph Harrison | .... | chargehand carpenter | |
| Jane Harwood | .... | draughtsperson | |
| Toby Hawkes | .... | senior prop modeler | |
| Kathy Heaser | .... | assistant art director: graphics | |
| Michelle Hosier | .... | art department assistant | |
| Robert Jackson | .... | carpenter | |
| David Ned Kelly | .... | carpenter | |
| Jim Kerr | .... | supervising carpenter | |
| Michael King | .... | assistant set decorator | |
| Michael King | .... | production buyer | |
| Robert Langridge | .... | chargehand stagehand | |
| Warren Lever | .... | carpenter | |
| Elizabeth Loach | .... | model maker | |
| Emma Lovell | .... | art department assistant | |
| Jake Lunt | .... | animatronics design & illustration | |
| Tony Marks | .... | carpenter | |
| Glenn Marsh | .... | propmaker | |
| Paul Marsh | .... | prop modeller | |
| Andrew Mash | .... | supervising carpenter | |
| Paul Anthony McGill | .... | architectural illustrator | |
| Stephen McGregor | .... | carpenter | |
| Richard Mills | .... | prop sculptor | |
| Joe Monks | .... | supervising painter | |
| Jonathan Moore | .... | sculptor | |
| Ian Murray | .... | rigger | |
| Michael O'Callaghan | .... | chargehand plasterer | |
| Harriet Orman | .... | assistant set decorator | |
| Julie Pitt | .... | draughtsperson: prop making | |
| Andy Pledger | .... | chargehand stagehand | |
| John Pledger | .... | carpenter: HOD (as John Gary Pledger) | |
| Francis Poirier | .... | sculptor: HOD | |
| Kenneth Powell | .... | plasterer | |
| Dermot Power | .... | conceptual artist | |
| Ben Procter | .... | illustrator | |
| Adam Rashbrook | .... | stagehand | |
| Clifford Rashbrook | .... | hod stagehand | |
| Tyrone Reed | .... | stagehand | |
| Wil Rees | .... | production illustrator | |
| Tony Roberts | .... | rigger | |
| Steve Rogers | .... | dressing props | |
| Neil Ross | .... | concept artist (as Neil Campbell Ross) | |
| Terry Royce | .... | props | |
| Lee Sandales | .... | assistant set decorator | |
| Tino Schaedler | .... | conceptual illustrator | |
| Jamie Shelley | .... | chargehand painter | |
| David Smith | .... | chargehand stagehand | |
| Richard Smith | .... | prop sculptor | |
| Robert Stannage | .... | set builder | |
| Gert Stevens | .... | concept artist | |
| Tobias James Tomkins | .... | art department assistant (as Tobias Tomkins) | |
| Tobias James Tomkins | .... | props hand (as Tobias Tomkins) | |
| Mark Topping | .... | property maker | |
| Tim Wake | .... | carpenter | |
| Terry Wells Jr. | .... | assistant property master | |
| Jake Wells | .... | chargehand dressing prop | |
| Laurence Wells | .... | chargehand props | |
| Terry Wells | .... | property master (as Terry Wells Sr.) | |
| Ian Whiteford | .... | greensman | |
| Tom Whitehead | .... | draughtsman | |
| Tim Wildgoose | .... | prop modeller | |
| Darrell Williams | .... | chargehand plasterer | |
| Kate Williams | .... | construction staff assistant | |
| Mark Williams | .... | supervising stagehand (as Mark Williams) | |
| Carl Wilson | .... | modeller | |
| Zoe Wilson | .... | properties coordinator | |
| Robert Wishart | .... | supervising carpenter | |
| Jeff Woodbridge | .... | carpenter | |
| Helen Xenopoulos | .... | draughtsperson | |
| Jacob Yocum | .... | sfx props | |
| Chris Barber | .... | art department assistant (uncredited) | |
| Julian Caldow | .... | concept illustrator (uncredited) | |
| Mick Chubbock | .... | plasterer (uncredited) | |
| James Cowley | .... | sculptor (uncredited) | |
| Daren Dochterman | .... | conceptual artist (uncredited) | |
| Achilleas Gatsopoulos | .... | props (uncredited) | |
| Thomas S. Hammock | .... | art department intern (uncredited) | |
| Thomas Jones | .... | foam technician (uncredited) | |
| Jody King | .... | assistant sculptor (uncredited) | |
| Claire Levinson | .... | assistant set decorator (uncredited) | |
| Claire Levinson | .... | stand-by set decorator (uncredited) | |
| David London | .... | prop modeller (uncredited) | |
| Conor O'Gorman | .... | art assist (uncredited) | |
| William Overstall | .... | prop modeller (uncredited) | |
| Ian Zawadzki | .... | painter (uncredited) | |
Sound Department | |||
| Tom Barrow | .... | sound maintenance | |
| Alexander Beddow | .... | adr recordist | |
| Steve Boeddeker | .... | sound designer | |
| Christian Bourne | .... | boom operator | |
| Oliver Brierley | .... | assistant foley engineer | |
| Sandy Buchanan | .... | adr recordist | |
| Peter Burgis | .... | foley artist | |
| Martin Cantwell | .... | sound effects editor | |
| Vincent Cosson | .... | assistant sound re-recording mixer | |
| Tony Currie | .... | adr editor | |
| Tony Currie | .... | dialogue editor | |
| Tony Dawe | .... | production sound mixer | |
| Andie Derrick | .... | foley artist | |
| André Dias | .... | dubbing mixer (sound designer) | |
| Nathan Duncan | .... | second assistant sound editor | |
| Richard Fettes | .... | sound editor | |
| Phil Freudenfeld | .... | sound studio technician (as Phillip Mark Freudenfeld) | |
| Peter Gleaves | .... | adr mixer | |
| Arthur Graley | .... | assistant foley mixer | |
| Steve Hancock | .... | sound studio technician | |
| Alistair Hawkins | .... | first assistant sound editor | |
| Nigel Heath | .... | foley mixer | |
| Philip Jenkins | .... | studio assistant | |
| Gareth John | .... | boom operator: second unit | |
| Tom Johnson | .... | sound re-recording mixer (as Thomas Johnson) | |
| Alex Joseph | .... | foley supervisor | |
| Eddy Joseph | .... | supervising sound editor | |
| Alex Kingsbury | .... | boom operator: second unit | |
| Neil Kingsbury | .... | sound mixer: second unit | |
| Emma Meaden | .... | playback operator | |
| Colin Ritchie | .... | supervising dialogue editor | |
| James Seddon | .... | dolby consultant | |
| Michael Semanick | .... | sound re-recording mixer | |
| Carlos Solis | .... | sound re-recording mixer: foreign language versions | |
| John Warhurst | .... | sound effects editor | |
| Keenan Wyatt | .... | sound technician | |
| Denise Yarde | .... | sound assistant | |
| Harry Barnes | .... | sound editor (uncredited) | |
| Simon Chase | .... | foley editor (uncredited) | |
| Rob Killick | .... | sound studio technician (uncredited) | |
| Barney Pratt | .... | ProTools playback (uncredited) | |
| Matthew Share | .... | sound (uncredited) | |
Special Effects by | |||
| Vince Abbott | .... | animatronic design supervisor | |
| Vanessa Bastyan | .... | animatronic designer | |
| Tansy Bouttell | .... | special effects | |
| Paul Brady | .... | special effects technician | |
| Ben Broadbridge | .... | special effects crew | |
| Max Brown | .... | special effects technician: first unit | |
| Andy Bunce | .... | senior special effects technician | |
| Julian Butterfield | .... | special effects technician: workshop | |
| Helen Christie | .... | animatronic fabricator | |
| Gary Cohen | .... | senior special effects technician | |
| Ryan Conder | .... | special effects technician: workshop | |
| Sam Conway | .... | senior special effects technician | |
| Garry Cooper | .... | special effects technician | |
| Maria Cork | .... | animatronic technician | |
| Allan Croucher | .... | senior special effects model maker | |
| Dave Crownshaw | .... | snow effects supervisor | |
| Neil Davies | .... | lead senior special effects supervisor: second unit (as Neil Davis) | |
| Keith Dawson | .... | special effects technician: first unit | |
| Michael Dawson | .... | special effects assistant supervisor | |
| Stuart Digby | .... | senior special effects technician: workshop coordination | |
| Jody Eltham | .... | special effects assistant | |
| Benjamin M. Esterson | .... | special effects technician | |
| Terry Flowers | .... | senior special effects technician | |
| Alexander Gunn | .... | lead senior special effects supervisor: first unit | |
| Gustav Hoegen | .... | animatronic designer | |
| Mark Holdcroft | .... | modeller | |
| John Humphreys | .... | sculptor | |
| Mark Hunter | .... | senior animatronics technician | |
| Vincent Jenkins | .... | model maker | |
| David Johns | .... | snow effects technician | |
| Harriet Johnson | .... | animatronic designer | |
| Terry Jones | .... | animatronic model designer | |
| Nigel Kirk | .... | model painter | |
| Jason Leinster | .... | special effects wire supervisor | |
| Matt Lewis | .... | special effects technician | |
| Ruben Marcos | .... | model & prop maker | |
| David McGeary | .... | special effects technician | |
| Martin 'Marty' McLaughlin | .... | senior snow effects technician | |
| Brian Morrison | .... | special effects design engineer | |
| Chris Motjuoadi | .... | special effects | |
| Alan Murphy | .... | fabrication supervisor | |
| Katie Newitt | .... | animatronic and special make-up effects coordinator | |
| Sam Nicholson | .... | animatronics technician | |
| Nigel Nixon | .... | senior special effects technician: chocolate preparation | |
| Stephen Paton | .... | senior special effects technician (as Steve Paton) | |
| James Payton | .... | snow technician | |
| Dave Poole | .... | senior special effects technician (as David Poole) | |
| Del Reid | .... | snow effects technician | |
| Matthew Roberts | .... | special effects technician | |
| David Sculley | .... | model maker: miniatures | |
| Keith Shannon | .... | special effects technician | |
| Kate Alexandra Smith | .... | mould maker | |
| David 'Pinkie' Thomas | .... | snow effects technician | |
| Peter Tindall | .... | model maker: miniatures | |
| Neil Toddy Todd | .... | special effects | |
| David Watson Jr. | .... | special effects technician | |
| Simon Webber | .... | sculptor | |
| Hayley J. Williams | .... | special effects technician | |
| Joss Williams | .... | special effects supervisor | |
| Victoria Williams | .... | special effects technician | |
| Kenny Wilson | .... | model mold shop supervisor: Neal Scanlan Studios | |
| Greg Winter | .... | model painter | |
| Chris Clarke | .... | models and miniature engineering (uncredited) | |
| Neil Murray | .... | special effects wireman (uncredited) | |
| Bryan Stanislas | .... | special effects crew (uncredited) | |
| Dawn Stewart | .... | prosthetics trainee (uncredited) | |
| Amanda Ward | .... | mold maker (uncredited) | |
Visual Effects by | |||
| Victor Aguirre | .... | video operator: Digital Domain | |
| Andrew Ainscow | .... | model maker | |
| Nicolas Aithadi | .... | CG supervisor: MPC | |
| Amaan Akram | .... | digital artist | |
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Jerry Andrews | .... | motion control operator | |
| Laya Armian | .... | visual effects coordinator: Warner Bros | |
| Chris Armsden | .... | render wrangler: MPC | |
| Joe Arnold | .... | match mover: Cinesite Europe | |
| Rosie Ashforth | .... | animator: Framestore CFC | |
| Nicholas Atkinson | .... | visual effects coordinator: Warner Bros | |
| Jonathan Attenborough | .... | lighting/rendering technical director | |
| Andrew Baggarley | .... | data wrangler: MPC | |
| Dimitri Bakalov | .... | lead animator: Cinesite Europe | |
| Richard Baker | .... | digital compositor: MPC | |
| Mark Bakowski | .... | digital compositor | |
| Peter Baldwin | .... | senior technical director: chocolate simulation software | |
| Craig Bardsley | .... | animator: Framestore CFC | |
| Giacomo Bargellesi | .... | digital artist: Framestore CFC | |
| Judy Barr | .... | roto/prep artist | |
| Angela Barson | .... | compositing supervisor: MPC | |
| Tim Baxter | .... | film recording | |
| Sebastien Beaulieu | .... | sequence supervisor | |
| Lyse Beck | .... | digital compositor | |
| Susanne Becker | .... | digital compositor | |
| Graham Bell | .... | motion capture lead: MPC | |
| Kieran Belshaw | .... | digital film recordist | |
| Jeffrey Benoit | .... | pre-visualization artist: title design, AsylumFX | |
| Rodrigo Bernardo | .... | technical support: Framestore CFC | |
| Mark Beverton | .... | senior modeler | |
| Hitesh Bharadia | .... | lighting technical director: Cinesite Europe | |
| Paul Birkett | .... | digital rotoscope artist | |
| Robert Bloom | .... | senior DMR artist (as Rob Bloom) | |
| Brendan Body | .... | animator: Framestore CFC | |
| Roger Bolton | .... | digital compositor: MPC London | |
| Jennifer Bowes | .... | model unit | |
| Andre Brizard | .... | digital compositor: MPC | |
| Steve Brooke Smith | .... | camera assistant: model unit | |
| Wendell Bruno | .... | assistant DMR editor (IMAX version) | |
| Andrew Bull | .... | motion control previz artist | |
| Andrew Bunday | .... | render wrangler | |
| Simon Bunker | .... | software technical director: Cinesite Europe | |
| Shannan Burkley | .... | matte painter | |
| Greg Butler | .... | CG supervisor: MPC | |
| Kevin Campbell | .... | software developer | |
| Craig Cannon | .... | scanning and recording operator: Digital Domain | |
| Nick Cannon | .... | head of technology: MPC | |
| Jordi Cardus | .... | color and lighting technical director: MPC | |
| Marco Carpagnano | .... | animation supervisor: digy-guys | |
| Tom Carrick | .... | technical animator: MPC | |
| Martin 'Smoke' Carroll | .... | digital artist | |
| Federico Cascinelli | .... | animator: Framestore CFC | |
| Chas Cash | .... | technical director: Cinesite Europe | |
| Frederic Cervini | .... | lighting technical director: MPC | |
| Martin Chamney | .... | lead previs artist: Nvizage | |
| Andrew Chapman | .... | CG lighting artist: Framestore CFC | |
| Alessandro Cioffi | .... | compositor | |
| Kirsty Clark | .... | digital compositor (as Kirsty Lamb) | |
| Isabel Cody | .... | cg modeler | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Hayley Collins | .... | roto/prep artist: MPC | |
| Grant Connor | .... | digital effects artist | |
| Laurent Cordier | .... | senior modeler/texturer: Cinesite Europe | |
| Alfonso Cottier | .... | 3D Modeller: MPC | |
| Alexandra Coxon | .... | model unit coordinator: Cinesite Europe | |
| Brenda Coxon | .... | model unit producer: Cinesite Europe | |
| Tyson Cross | .... | technical director: Cinesite | |
| Kate Cuffin | .... | compositor: FrameStore-CFC | |
| Steve Cullingford | .... | animation layout | |
| Mike Cusack | .... | animator: MPC | |
| Philipp Danner | .... | digital effects artist: Cinesite | |
| Luan Davis | .... | roto/prep artist: MPC | |
| Nick Davis | .... | visual effects supervisor | |
| Merche Delgado | .... | senior texturer/technical director: Cinesite Europe | |
| Ciaran Devine | .... | lead CG effects artist: MPC | |
| Candace Di Talamo | .... | color & lighting technical director | |
| Yann Doray | .... | digital artist | |
| Kerry Downing | .... | visual effects editorial: Framestore CFC | |
| Peter Doyle | .... | supervising digital colourist | |
| Paul Driver | .... | data operative | |
| Stefan Drury | .... | visual effects coordinator: MPC | |
| Stefan Drury | .... | visual effects line producer | |
| Laura Dubsky | .... | digital scanning and recording: Cinesite | |
| Catherine Duncan | .... | visual effects producer: Cinesite Europe | |
| Dan Duran | .... | digital artist (as Daniel Walton) | |
| Mike Eames | .... | animation supervisor: Framestore CFC (as Michael Eames) | |
| Dave Early | .... | digital matte painting supervisor: Cinesite | |
| Jonathan East | .... | render wrangler: Cinesite | |
| Scott Edelstein | .... | 3D integration lead: Digital Domain | |
| Michael Elson | .... | head of production: MPC | |
| Michael Elson | .... | visual effects production supervisor: MPC | |
| Sean Andrew Faden | .... | digital artist | |
| Ian Fellows | .... | lead compositor | |
| David Fish | .... | lighting technical director: MPC | |
| Paul Flanagan | .... | animator: effects and lighting artist, MPC | |
| Ben Flatter | .... | visual effects coordinator: Cinesite Europe | |
| Mark O. Forker | .... | visual effects supervisor: Digital Domain | |
| Ron Frankel | .... | lead previs artist: Proof, UK | |
| Jack Geckler | .... | pre-viz animator | |
| Danny Geurtsen | .... | digital artist: Framestore CFC | |
| David Gibbons | .... | digital matte painter | |
| Matthew Gidney | .... | lead technical director: MPC | |
| Jami Gigot | .... | modeler/technical director: Cinesite Europe | |
| Peter Godden | .... | matchmove artist | |
| Richard Gomes | .... | digital effects artist | |
| Lisa Gonzalez | .... | matchmove artist: MPC | |
| Jon Graham | .... | previs artist: Proof | |
| Jonathan Edward Graham | .... | previs artist | |
| José Granell | .... | model unit supervisor: Cinesite | |
| Elysia Greening | .... | roto/prep artist: MPC | |
| Lewis Guarniere | .... | data wrangler: MPC | |
| Alex Guri | .... | compositor | |
| John Haddon | .... | lead software developer | |
| Alexis Hall | .... | technical director: Cinesite Europe | |
| Yan Hammond | .... | motion control operator | |
| Qian Han | .... | roto/prep artist | |
| Ryan Harrington | .... | texturer/technical director: Cinesite Europe | |
| Peter Hartwig | .... | technical director | |
| Nic Hatch | .... | previs supervisor: Proof UK | |
| Adrian Hedgecock | .... | visual effects coordinator: MPC | |
| Sandro Henriques | .... | roto/prep Artist: Cinesite | |
| Alex Hessler | .... | render support | |
| Alex Hessler | .... | technical support: Framestore CFC | |
| Grant Hewlett | .... | technical director: Cinesite Europe | |
| Jeremy Hey | .... | digital artist | |
| Matt Hicks | .... | CG supervisor: MPC | |
| Martin Hobbs | .... | visual effects production supervisor: MPC | |
| Michael Hobbs | .... | modeler | |
| Charity Hobbs-Wood | .... | model unit | |
| Kay Hoddy | .... | roto/prep artist | |
| Robin Hollander | .... | digital compositor | |
| Greg Howe-Davies | .... | roto/prep artist | |
| Pete Howlett | .... | digital compositor | |
| Roberto Hradec | .... | shader writer: MPC | |
| Matt Hughes | .... | CG lighting artist: Framestore CFC | |
| Antony Hunt | .... | model unit executive producer: Cinesite | |
| David Hyde | .... | technical director: Cinesite Europe | |
| Kenneth Ibrahim | .... | senior lighter: opening title sequence, Asylum | |
| Marco Iozzi | .... | color & lighting artist | |
| Todd Isroelit | .... | visual effects producer: Digital Domain | |
| Zoe Izzard | .... | data operator | |
| Zoe Izzard | .... | digital film recordist | |
| Evan Jacobs | .... | digital department manager: Digital Domain | |
| Matthew Jacques | .... | technical assistant | |
| Gemma James | .... | data operative | |
| Suzanne Jandu | .... | digital compositor | |
| Chas Jarrett | .... | visual effects supervisor: MPC | |
| Lorraine Johnson | .... | digital scanning and recording producer: Cinesite | |
| Simon Johnson | .... | digital scanning and recording: Cinesite | |
| Helen Judd | .... | visual effects coordinator: Cinesite Europe | |
| Olivier Junquet | .... | lead effects technical director | |
| Barry Kane | .... | rendering technical director | |
| Mel Kangleon | .... | lead digital colourist: Warner Bros. (as Melissa Kangleon) | |
| Piotr Karwas | .... | animation lead | |
| Matt Kasmir | .... | digital compositor | |
| Tim Ketzer | .... | lighting technical director: MPC (as Tim 'Eagle-Eye' Ketzer) | |
| Uzma Khalid | .... | digital effects artist | |
| Sevendalino Khay | .... | digital matte painter: Cinesite Europe Ltd | |
| Lucy Killick | .... | visual effects producer: Framestore CFC | |
| Tom Kluyskens | .... | CG fluid effects technical director | |
| Ryan Knowles | .... | data operator | |
| Arek Komorowski | .... | digital artist | |
| Dean Koonjul | .... | digital compositor: MPC | |
| Paul Ladd | .... | visual effects coordinator: Warner Bros | |
| Debbie Langford | .... | motion capture artist: MPC | |
| Anders Langlands | .... | shader writer | |
| Kimberly Lashbrook | .... | digital compositor | |
| Colin Laski | .... | animator: effects and lighting artist, MPC | |
| Kirsty Lawlor | .... | digital compositor | |
| Chris Lawrence | .... | CG lighting artist: Framestore CFC | |
| Sian Lawson | .... | biomechanist | |
| Christopher Learmonth | .... | visual effects editor: Cinesite | |
| Philippa Leathers | .... | data operator | |
| Tim Ledbury | .... | lead CG modeller: MPC | |
| Erik Lee | .... | CG animator: Asylum | |
| John Lee | .... | senior model maker | |
| Bonnie Lemon | .... | digital producer: Digital Domain | |
| Philippe Leprince | .... | CG lighting artist: Framestore CFC | |
| Bruno Lesieur | .... | lead lighting technical director: Cinesite Europe | |
| Luke Letkey | .... | digital compositor | |
| Didier Levy | .... | digital artist | |
| Jarrod Linton | .... | previs | |
| Bryan Litson | .... | match move technician: MPC | |
| Benjamin Loch | .... | camera technical director | |
| Benjamin Loch | .... | matchmover: Framestore CFC | |
| Thomas Loeder | .... | digital compositor | |
| Mark Alan Loso | .... | compositor | |
| Sam Lucas | .... | modeler: Cinesite Europe | |
| Andrew Lyons | .... | digital artist | |
| Alex MacDonald | .... | cablecam operator | |
| Hugh Macdonald | .... | software/digital compositor: MPC | |
| Simon Maddocks | .... | digital artist | |
| Angela Magrath | .... | digital artist | |
| Jay Mallet | .... | motion control cameraman | |
| Rebecca Manning | .... | technical support: Framestore CFC | |
| Gary Marshall | .... | motion capture assistant: MPC | |
| Zebedee Massey | .... | visual effects match mover | |
| Sean Mathiesen | .... | logistics lead: Oompa loompa | |
| Matthew Maude | .... | lead software technical director: Cinesite Europe | |
| Marian Mavrovic | .... | digital compositor | |
| Alan McCabe | .... | render wrangler: MPC | |
| Jolene McCaffrey | .... | lead compositor: MPC | |
| Oliver McCluskey | .... | technical support | |
| Nathan McGuinness | .... | senior visual effects supervisor: opening sequence, Asylum | |
| Robert McInnis | .... | 2d manager: Digital Domain | |
| Alasdair McNeill | .... | roto/prep artist | |
| Dan McRae | .... | digital artist: Framestore CFC | |
| Jan Meade | .... | projectionist: Cinesite | |
| Tony Meister | .... | visual effects | |
| Stuart Messinger | .... | visual effects coordinator: MPC | |
| Adrian Metzelaar | .... | compositor: Framestore CFC | |
| Ellie Meure | .... | compositor: Framestore CFC | |
| Andy Middleton | .... | texture artist supervisor: MPC | |
| Jessica Millar | .... | crowd simulation technical director (as Jessica Braun) | |
| Jon Miller | .... | head of tracking | |
| Jon Miller | .... | tracking lead: Cinesite Europe | |
| Derek Milner | .... | color timing and paint | |
| Paolo Mitton | .... | matchmover: Framestore CFC | |
| Kevin Modeste | .... | animator: Cinesite Europe | |
| Ray Moody | .... | motion control operator | |
| Rafael Morant | .... | matte painter: MPC | |
| Fernanda Moreno | .... | animator: Cinesite Europe | |
| Ben Morgan | .... | digital compositor | |
| Karl Morgan | .... | focus puller: model unit | |
| Saybian Morgan | .... | lighting technical director: MPC | |
| Ben Morris | .... | CG supervisor: Framestore CFC | |
| Matthew Muntean | .... | character rigging supervisor: MPC | |
| Stuart Nelhams | .... | visual effects film editorial: MPC | |
| Elliot Newman | .... | digital artist | |
| Roxanne Newsham | .... | crowd simulation technical director | |
| Andrew Nicholas | .... | digital compositor | |
| Noel O'Malley | .... | digital scanning and recording: Cinesite | |
| Conor O'Mara | .... | technical support | |
| Mike O'Neill | .... | CG lighting artist: Framestore CFC | |
| Cenay Oekmen | .... | digital artist | |
| Artemis Oikonomopoulou | .... | technical director: Cinesite Europe | |
| Matthew Packham | .... | digital compositor | |
| Paul George Palop | .... | lighting technical director lead: Digital Domain | |
| Maurizio Parimbelli | .... | animator: Framestore CFC | |
| Stephane Paris | .... | CG modeling supervisor: MPC (as Stephane 'Taz' Paris) | |
| Michael Parkin | .... | model maker | |
| Michael Parkin | .... | sculptor | |
| Jim Parsons | .... | compositor | |
| Steve Parsons | .... | digital artist: Framestore CFC | |
| Isaac Partouche | .... | motion capture supervisor: MPC | |
| Tom Partridge | .... | visual effects editorial: Framestore CFC | |
| Lorna Paterson | .... | visual effects coordinator: Framestore CFC | |
| Aleksandar Pavlovic | .... | digital artist | |
| Arnaud Pecqueur | .... | texture artist | |
| Geoff Pedder | .... | lighting technical director | |
| Claire Pegorier | .... | digital effects artist | |
| Peter Pelisek | .... | IMAX: DMR artist | |
| Craig Penn | .... | animator: Framestore CFC | |
| Venetia Penna | .... | digital scanning and recording: Cinesite | |
| Nikki Penny | .... | visual effects producer | |
| Daniel Pettipher | .... | production manager: Cinesite | |
| Adrian Pinder | .... | cloth artist: MPC | |
| Stuart Pitcher | .... | digital compositor | |
| George Plakides | .... | digital artist | |
| George Plakides | .... | technical director: Cinesite Europe | |
| Darren Poe | .... | compositing supervisor: Digital Domain | |
| Tristan Porter | .... | roto/prep artist: MPC | |
| Andrew Proctor | .... | model maker | |
| Andres Puente | .... | lead animator | |
| Stefan Putz | .... | technical support: Framestore CFC | |
| Samy Ben Rabah | .... | programmer: Framestore CFC | |
| Matt Redhead | .... | digital artist | |
| Matt Redhead | .... | technical director: Cinesite Europe | |
| David Reynolds-Lacey | .... | cablecam operator | |
| Linda Ricci Jacobs | .... | roto/prep artist | |
| Mark Richardson | .... | digital compositor: MPC | |
| Rob Richardson | .... | render support | |
| Michael Ridgwell | .... | digital artist | |
| Christian Roberton | .... | visual effects producer: MPC | |
| Gary Roberts | .... | motion capture | |
| John Roberts-Cox | .... | CG supervisor: Cinesite Europe | |
| Aled Robinson | .... | visual effects editor: MPC | |
| D. Eric Robinson | .... | DMR artist: Imax | |
| Dave Robinson | .... | systems engineer | |
| Duncan Robson | .... | matchmover: Framestore CFC | |
| Craig Edward Rogers Jr. | .... | film recording | |
| Campbell Rose | .... | senior compositor: Cinesite | |
| Jean-Paul Rovela | .... | lighting technical director | |
| Craig Rowe | .... | compositor: Framestore CFC | |
| Sue Rowe | .... | visual effects supervisor: Cinesite | |
| Richard Sandoval | .... | lighting technical director: Asylum | |
| Mark Sanger | .... | visual effects editor: Warner Bros | |
| Todd Sarsfield | .... | digital color grader | |
| Alexander Savenko | .... | software technical director: Cinesite Europe | |
| Gunther Schatz | .... | digital visual effects artist | |
| Eduardo 'Lalo' Schmidek | .... | digital artist: MPC | |
| Jakob Schmidt | .... | technical director: MPC | |
| Tom Schultz | .... | match mover: Digital Domain: | |
| Jörg Schulz-Gerchow | .... | digital compositor: Cinesite | |
| Andrew Schwartz | .... | senior compositor: MPC | |
| Marko Schöbel | .... | modeler: Cinesite Europe | |
| Michele Sciolette | .... | digital artist: Cinesite | |
| Denis Scolan | .... | digital compositor: Cinesite | |
| Dan Seddon | .... | senior technical director: Framestore CFC | |
| Thrain Shadbolt | .... | sequence supervisor: Cinesite | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Chris Shaw | .... | supervisor: visual effects unit | |
| David Short | .... | character rigger: Framestore CFC | |
| Tom Sinden | .... | model maker | |
| Brad Smith | .... | render I/O administrator | |
| Marc Smith | .... | camera/body tracking | |
| Marc Smith | .... | matchmover: Framestore CFC | |
| Drew Solodzuk | .... | DMR editor (IMAX version) | |
| Tess Spaulding | .... | system administrator | |
| Sally Spencer | .... | visual effects coordinator: MPC | |
| Serge Sretschinsky | .... | CG supervisor | |
| Simon Stanley-Clamp | .... | visual effects supervisor: Cinesite | |
| Dottie Starling | .... | digital effects supervisor: Title Sequence: Asylum | |
| Kev Stenning | .... | laser scanning | |
| Alexander L. Stephan | .... | technical director: effects animation | |
| Andy Stevens | .... | visual effects editor: MPC | |
| Jamie Stevenson | .... | visual effects executive producer: Asylum | |
| Marc Stevenson | .... | digital artist | |
| Rainer Stolle | .... | digital artist | |
| Nigel Stone | .... | director of photography: model unit | |
| Julien Stuart-Smith | .... | lighting technical director: MPC | |
| James Studdart | .... | research & development | |
| Greg Stuhl | .... | CG models: opening credit sequence, Asylum Visual Effects | |
| David Sudd | .... | matchmove supervisor: MPC | |
| Lee F. Sullivan | .... | technical director: MPC | |
| Steve Switaj | .... | motion control operator | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Giuseppe Tagliavini | .... | roto/prep supervisor: MPC | |
| Fin Teo | .... | character artist | |
| Fin Teo | .... | digital artist | |
| George Theophanous | .... | motion control camera | |
| Bill Thomas | .... | model maker | |
| Bill Thomas | .... | sculptor | |
| Christopher Thomas | .... | visual effects artist | |
| Ben Thompson | .... | model/creature technical director: MPC | |
| Jon Thum | .... | visual effects supervisor: Framestore CFC | |
| Becky Timons | .... | model maker | |
| Steve Tizzard | .... | digital compositor: MPC | |
| Jensen Toms | .... | lighting technical director | |
| Gavin Toomey | .... | compositing supervisor: Framestore CFC | |
| Richard Touch | .... | carpenter: model unit | |
| Sanju Travis | .... | digital compositor: MPC | |
| Nigel Trevessey | .... | model workshop supervisor: Cinesite Europe | |
| Davide Tromba | .... | look development/color & lighting | |
| Matthew Twyford | .... | compositor: Framestore CFC | |
| Mario Ucci | .... | digital artist | |
| Gert Van Dermeersch | .... | digital compositor | |
| Paola Varvaro | .... | digital artist | |
| Rainy Venne | .... | DMR artist: IMax | |
| Attila Veress | .... | digital scanning & film recording | |
| Mathieu Vig | .... | animator: Framestore CFC | |
| Holger Voss | .... | motion capture lead: Cinesite Europe | |
| Holger Voss | .... | technical director: Cinesite Europe | |
| Manuel Voss | .... | digital compositor | |
| Oskar Wahlberg | .... | CG lighting artist: MPC | |
| Karen Wand | .... | digital compositor | |
| Amanda Ward | .... | modeller | |
| Roland Watson | .... | digital resources manager: MPC | |
| Neil Weatherley | .... | CG lighting artist: Framestore CFC | |
| Ollie Weigall | .... | film assistant | |
| Jeff Werner | .... | visual effects producer | |
| Andrew Whitehurst | .... | CG lighting supervisor: Framestore CFC | |
| Sheila Wickens | .... | lead compositor: MPC (as Sheila Gorman) | |
| Melissa Widup | .... | DMR artist: Imax | |
| Stephen Willey | .... | systems engineer | |
| Gina Willis | .... | visual effects coordinator: Warner Bros. | |
| Robert A. Willis | .... | digital film recordist | |
| Angie Wills | .... | visual effects producer: Cinesite Europe | |
| Chris Wilson | .... | render wrangler: MPC | |
| Corrina Wilson | .... | compositor: Framestore CFC | |
| James Winnifrith | .... | assistant visual effects editor | |
| Oliver Winwood | .... | data wrangler: MPC | |
| Matthias Wittmann | .... | character animator | |
| Christine Wong | .... | digital compositor | |
| Pat Wong | .... | digital compositor | |
| Mike Woodhead | .... | visual effects match mover | |
| Lisa Woodland | .... | digital compositor | |
| Yuichiro Yamashita | .... | lighting | |
| Anna Yamazoe | .... | render wrangler: Cinesite | |
| Aviv Yaron | .... | 2D technical director: Cinesite | |
| Florian Zachau | .... | compositor: Cinesite Europe | |
| Matthias Zeller | .... | character rigger: Framestore CFC | |
| Keith Barton | .... | production support: Cinesite (uncredited) | |
| Mike Bryant | .... | data I/O: Cinesite (uncredited) | |
| Lee Chidwick | .... | digital I/O (uncredited) | |
| Fiona Chilton | .... | visual effects producer: Framestore CFC (uncredited) | |
| Kevin Culhane | .... | rigger: Asylum (uncredited) | |
| Tiffany Cullum | .... | 3D manager: Cinesite (uncredited) | |
| Barney Curnow | .... | digital matte painter (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| James Eggleton | .... | digital I/O: Cinesite Europe (uncredited) | |
| Anna Ford | .... | bidding coordinator: Cinesite (uncredited) | |
| Thomas Guerrier | .... | visual effects (uncredited) | |
| Claas Henke | .... | compositor: Asylum (uncredited) | |
| Balazs Kiss | .... | digital texture artist: MPC (uncredited) | |
| Michael Lori | .... | lead tracker (uncredited) | |
| James McKeown | .... | props modeler (uncredited) | |
| Danielle Nadal | .... | digital I/O (uncredited) | |
| Scott Ross | .... | general manager: Digital Domain (uncredited) | |
| Alex Rutherford | .... | modelmaker (uncredited) | |
| Chris B. Schnitzer | .... | visual effects production supervisor: Warner Bros. (uncredited) | |
| Jamshed Soori | .... | visual effects (uncredited) | |
| Richard Symons | .... | prop maker (uncredited) | |
Stunts | |||
| Siobhan Coughlin | .... | stunt performer (as Siobhan Coughlan) | |
| David Cronnelly | .... | stunt performer (as Dave Cronnelly) | |
| Jim Dowdall | .... | stunt coordinator (as James Dowdall) | |
| Rick English | .... | stunt performer | |
| Cecily Fay | .... | stunt performer (as Cecily Fay Harris) | |
| Paul Hornsby | .... | stunt assistant | |
| Jason Hunjan | .... | utility stunts | |
| Eunice Huthart | .... | stunt performer | |
| Sid Karne | .... | stunts | |
| Ian Kay | .... | stunt performer | |
| Kai Martin | .... | stunt performer | |
| Tina Maskell | .... | stunt performer | |
| Len Woodcock | .... | stunt performer (as Lenny Woodcock) | |
| Steen Young | .... | stunt performer | |
| Richard Bradshaw | .... | additional stunt coordinator (uncredited) | |
| Nicholas Daines | .... | stunt double: Deep Roy, Stunts (uncredited) | |
| Ray De-Haan | .... | stunts (uncredited) | |
| Luke Kearney | .... | stunts (uncredited) | |
Animation Department | |||
| Jane Karen | .... | lip sync | |
| Matthew Hackett | .... | animation director: main titles, Asylum (uncredited) | |
Casting Department | |||
| Beth Charkham | .... | supporting casting director | |
| Marty Cherrix | .... | additional local casting (as Marty Keener Cherrix) | |
| Deborah Maxwell Dion | .... | casting: kids, USA | |
| Jennifer Halpern | .... | casting associate: New York | |
| Lucy Tudhope | .... | casting assistant | |
Editorial Department | |||
| Todd Baillere | .... | post-production consultant | |
| Joseph Bond | .... | first assistant editor | |
| Catrin Cooper | .... | post-production assistant | |
| Emma Gaffney | .... | first assistant editor | |
| Grace Lan | .... | technical operations supervisor: digital color grading and digital intermediate | |
| Katie Reynolds | .... | post-production coordinator | |
| Julie Saegert | .... | apprentice editor | |
| Lisa Thompson | .... | assistant editor | |
| Natasha Westlake | .... | post-production assistant | |
| Niklas Aldergren | .... | digital intermediate systems administrator (uncredited) | |
| Simon Harris | .... | assistant editor: Synxspeed (uncredited) | |
Music Department | |||
| Bill Abbott | .... | music editor | |
| Steve Bartek | .... | supervising orchestrator | |
| Patricio Castillo | .... | musician | |
| Chris Cozens | .... | auricle control systems | |
| Bruce Fowler | .... | orchestrator | |
| Isobel Griffiths | .... | orchestra contractor | |
| Roland Heap | .... | assistant scoring engineer | |
| Michael Higham | .... | music editor (as Mike Higham) | |
| Robert Houston | .... | assistant scoring engineer | |
| Ernest Lee | .... | music score programmer | |
| Julian Littman | .... | music instructor | |
| Marc Mann | .... | supervising score programmer | |
| Sam Okell | .... | assistant scoring engineer | |
| Shie Rozow | .... | music editor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Edgardo Simone | .... | orchestrator | |
| David Slonaker | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Noah Scot Snyder | .... | score programmer (as Noah Snyder) | |
| Sam Southwick | .... | assistant music editor | |
| Jake Walker | .... | musician | |
| Rick Wentworth | .... | conductor | |
| Jonathan Williams | .... | musician: cello | |
| Dave Foster | .... | music preparation (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Transportation Department | |||
| Peter Devlin | .... | transport coordinator | |
| Chris Hammond | .... | driver: minibus | |
| Michael Phelan | .... | driver: Richard Zanuck, London | |
| Stuart Rose | .... | art director: action vehicles | |
| Harry Taylor | .... | driver: Patrick McCormick | |
Other crew | |||
| Michael Alexander | .... | head animal trainer | |
| Carolyn Allen | .... | set tutor | |
| Celia Barnett | .... | researcher | |
| Brenda Berrisford | .... | assistant: Mr. Zanuck | |
| Karen Birtchnell | .... | assistant accountant | |
| Matthew Bovington | .... | accounts trainee | |
| Sarah Brook | .... | assistant accountant | |
| Julie Burnham | .... | construction nurse | |
| Hannah Capron | .... | location assistant | |
| Leah Chalk | .... | health and safety | |
| Mel Churcher | .... | dialect coach: adr | |
| Nikki Clapp | .... | script supervisor | |
| Sarah Clark | .... | publicist | |
| Andrew Cooke | .... | studio manager | |
| Cristiano D'Urso | .... | accounts trainee | |
| Nick Daubeny | .... | location manager | |
| Robert Dawson | .... | title designer: main title sequence | |
| Christi Dembrowski | .... | executive assistant: Mr. Depp | |
| Stephen Deuters | .... | support staff: Johnny Depp | |
| Enfys Dickinson | .... | manager | |
| Jake Edmonds | .... | health and safety coordinator | |
| Laurence Edwards | .... | second crane technician | |
| Tina Ellis | .... | assistant accountant | |
| Nick Embery | .... | assistant to producer | |
| Chloe-Miranda Finch | .... | production runner | |
| John Findley | .... | location manager: Atlanta (as John Findley III) | |
| Maria Fitzgerald | .... | accounting assistant | |
| Christine Fry | .... | set tutor | |
| Andy Garner | .... | special makeup effects artist / puppeteer | |
| Clare Glass | .... | set runner | |
| Giles Harding | .... | set production assistant | |
| Elaine Harrison | .... | assistant accountant | |
| Oliver Hazell | .... | floor runner: second unit (2008) | |
| Paul Hitchcock | .... | production consultant | |
| Alexander Hodgson | .... | production assistant | |
| Chris Hopkins | .... | audio/video systems engineer | |
| Jonathan Hopkins | .... | production assistant | |
| Mark Hopkins | .... | set runner | |
| Phil Hounam | .... | location manager | |
| Harriet Howe | .... | additional set runner | |
| Francesca Jaynes | .... | choreographer | |
| Rafal Kaniewski | .... | digital engineer | |
| Robert Karn | .... | production assistant | |
| Lisa-Kim Ling Kuan | .... | first assistant accountant | |
| Patrick Kwok | .... | senior DMR artist (IMAX version) | |
| Miranda Marks | .... | assistant production coordinator | |
| Caroline McFarlane-Watts | .... | motion capture actress | |
| James McLaren | .... | production runner | |
| Christophe Meslin | .... | head of systems | |
| Juliet Morris | .... | daily floor runner | |
| Ali Moshref | .... | post-production accounts | |
| Boo Motjuoadi | .... | assistant to unit production manager | |
| Simon Murton | .... | illustrator: concept | |
| Hermione Ninnim | .... | production coordinator | |
| David O'Connor | .... | support staff: Mr. Burton | |
| David O'Reilly | .... | location manager | |
| Vanraaj Padhaal | .... | pa. | |
| Vanraaj Padhaal | .... | production assistant | |
| Dan Palmer | .... | effects accountant | |
| Laura Parazaider | .... | assistant: Brad Grey | |
| David Parker | .... | production assistant | |
| Andrea Payne | .... | runner: model unit | |
| Berenice Percival | .... | assistant: Patrick McCormick | |
| Benjamin Perkins | .... | chaperone | |
| Maggie Phelan | .... | production accountant | |
| Silke Sander | .... | production assistant (as Silke Folkens) | |
| Jonathan Scott | .... | second assistant production coordinator | |
| Rick Senat | .... | production consultant | |
| Samuel Sharpe | .... | staff assistant | |
| Emma Short | .... | assistant accountant | |
| Sally Jo Sousa | .... | animal trainer: squirrels | |
| Michael Stapleton | .... | location security | |
| Chantelle Stoffel | .... | floor runner | |
| Suzy Strawn | .... | studio teacher | |
| Anna Tennant | .... | animal trainer | |
| Anton Thompson McCormick | .... | double | |
| Kevin Trehy | .... | production executive | |
| Louise Wade | .... | script supervisor: second unit | |
| Donald H. Walker | .... | financial consultant | |
| Susan Weeks | .... | set tutor | |
| Lane Wooder | .... | production assistant: Atlanta | |
| Keenan Wyatt | .... | support staff: Mr. Depp | |
| Eileen Yip | .... | set production assistant | |
| Dean Zanuck | .... | production executive | |
| Robert Boas | .... | i/o support (uncredited) | |
| Hannah Brown | .... | production assistant (uncredited) | |
| Jennifer Evans | .... | animal administrator (uncredited) | |
| Christopher Hutchins | .... | production secretary (uncredited) | |
| Darren O'Connell | .... | production assistant (uncredited) | |
| Rikin Parekh | .... | white model maker (uncredited) | |
| Ceri Thomas | .... | runner (uncredited) | |
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| The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Arthur and the Invisibles | Big Fish | 8½ | Speed Racer |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
I, like many others loved the original Willy Wonka and the Chocolate Factory. I felt connected with Charlie, and I felt as if I was the one inheriting the Factory. It was a classic, but by today's standards it looks very outdated. The main problem with Burtons "adaptation" of the book, was I felt he went for style over substance. Sure, this one looks better, the factory and elevator are superb, but this just ISN'T a good movie AT ALL. The oompa loopas in this one are all the same lame person(Deep Roy), and I was very upset over that, seeing as I loved the "Oompa Loopa Doo Ba Dee Doo, I've got a Brand new puzzle for you" songs, NOT the dreadful "songs" in this one. I just couldn't get into the children at all, Veruca was poorly done, same with Mike Teevee, Violet. I didn't buy Deep for 1 second as Wonka, not 1. He was just annoying, humorless, and creepy. Grandpa Joe sucked in this one for sure. There wasn't one scene where I thought that there was a reason for remaking it except for money. Then there's this pointless sub-plot with Wonka and his father. The point is, even though Mel Stuart's version steered away from the book, it made for a MUCH BETTER movie. DO NOT see this one expecting a well done movie at all, in fact it is quite the contrary.