The well-known little village from the Asterix and Obelix-comic books is in trouble: It is the last place not controlled by Rome. When Tax collector Claudius Incorruptus does not get his ... See full summary »
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
When Willy Wonka decides to let five children into his chocolate factory, he decides to release five golden tickets in five separate chocolate bars, causing complete mayhem. The tickets start to be found, with the fifth going to a very special boy, called Charlie Bucket. With his Grandpa, Charlie joins the rest of the children to experience the most amazing factory ever. But not everything goes to plan within the factory. Written by
Having had such trouble in casting Grandpa Joe - Tim Burton offered the part to David Kelly when the two first met when Kelly was visiting Pinewood studios for a wardrobe fitting on another movie. David Kelly says the whole process took 3 minutes. See more »
The "Golden Ticket" is placed on the back side (smooth side) of the chocolate bar before the wrapping, however, when opened, the Golden Ticket appears on the top side (the "printed side") of the bar. See more »
This is a story of an ordinary little boy named Charlie Bucket. He was not faster, or stronger, or more clever than other children. His family was not rich or powerful or well-connected; in fact, they barely had enough to eat. Charlie Bucket was the luckiest boy in the entire world. He just didn't know it yet.
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At the very end of the movie the WB logo comes up followed by the giggling of the Oompa Loompas See more »
If Tim Burton's out there I just want to thank him for bringing the spirit of the book's original illustrations to the screen. He even matched the facial expressions to the drawings, especially in the case of Charlie's family. Charlie himself looks like one of the drawings, and the Bucket house is so much like the illustrations it caused me to realize that Burton is as visual as any movie director can be. (Recent editions feature the work of a different illustrator. I'm talking about the illustrations from the 1960s. The difference between the older illustrations and the newer ones is the older ones feature a lot of cross-hatching. I imagine the older illustrations are still available, especially in a hardcover, but you'll need to search the net.) I don't know how he did it, but he got the facial expressions of Charlie's family and of Mike Teavea's father down perfectly. He also absorbed Dahl's sense of humor. The opening fifteen minutes or so, in which the winners of the golden tickets are announced one by one, really get Roald Dahl's sense of the ridiculous. I think Burton's addition of Wonka's childhood story fits well, although I'll agree that the way this is resolved is not completely in Dahl's spirit. Even in the resolution, however, Burton maintains sly humor. It is well-acted by everybody. I'd like to say that Julia Winter, who plays Veruca Salt, has turned in a truly well-observed comedic performance. Depp converts the novel's jaunty, precise Wonka into a quirky one, but it works well, because, as in the novel, Wonka's endearing traits contrast with the fact that he's a tyrant. Roald Dahl gets a rap for his cynicism, and this movie softens his message a bit. Dahl is a bit like Orwell. Both of them point out that man, given power, will exploit his fellow human beings. CHARLIE AND THE CHOCOLATE FACTORY the movie is not quite as dark as the book. But it comes very, very close.
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