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Directed by | |||
| Sharon Maguire | |||
Writing credits | ||
| Helen Fielding | (novel) | |
| Helen Fielding | (screenplay) and | |
| Andrew Davies | (screenplay) and | |
| Richard Curtis | (screenplay) | |
Produced by | |||
| Tim Bevan | .... | producer | |
| Jonathan Cavendish | .... | producer | |
| Liza Chasin | .... | co-producer | |
| Eric Fellner | .... | producer | |
| Helen Fielding | .... | executive producer | |
| Debra Hayward | .... | co-producer | |
| Peter McAleese | .... | line producer | |
Original Music by | |||
| Patrick Doyle | |||
Cinematography by | |||
| Stuart Dryburgh | (director of photography) | ||
Film Editing by | |||
| Martin Walsh | |||
Casting by | |||
| Michelle Guish | |||
Production Design by | |||
| Gemma Jackson | |||
Art Direction by | |||
| Paul Cross | |||
| David Warren | (supervising art director) | ||
Set Decoration by | |||
| Shirley Lixenberg | |||
Costume Design by | |||
| Rachael Fleming | |||
Makeup Department | |||
| Carmel Jackson | .... | makeup artist | |
| Graham Johnston | .... | chief hair designer | |
| Graham Johnston | .... | chief makeup designer | |
| Lorna McGowan | .... | makeup artist | |
| Laura McIntosh | .... | additional makeup artist | |
| Martine Randall | .... | makeup assistant: additional photography | |
| Emma Sheldrick | .... | additional makeup artist | |
| Rebecca Walker | .... | makeup assistant: additional photography | |
| Vanessa White | .... | makeup designer: additional photography | |
Production Management | |||
| Brian Donovan | .... | production supervisor | |
| Jeanette Haley | .... | post-production supervisor | |
| Em. L. Muslin | .... | production manager: second unit (as Em Muslin) | |
| Claire Tovey | .... | unit manager | |
| Michelle Wright | .... | executive in charge of production: Working Title Films (uncredited) | |
Second Unit Director or Assistant Director | |||
| Spencer Dodd | .... | co-third assistant director | |
| Fiona Gosden | .... | third assistant director: second unit (as Fi Gosden) | |
| Anya Gripari | .... | third assistant director: second unit | |
| Guy Heeley | .... | first assistant director: second unit | |
| Ben Howard | .... | third assistant director: additional photography | |
| Jon Howe | .... | third assistant director: second unit (as John Howe) | |
| Davina Johnson | .... | first assistant director: second unit | |
| David Mack | .... | first assistant director: second unit | |
| Finn McGrath | .... | second assistant director | |
| Chris Myers | .... | third assistant director: second unit | |
| Ed Raymond | .... | third assistant director (as Eddie Raymond) | |
| Stuart Renfrew | .... | first assistant director | |
| Mary Soan | .... | first assistant director: additional photography | |
| Cilla Ware | .... | second unit director | |
| Marc Wolff | .... | director: aerial unit | |
| Melanie Dicks | .... | first assistant director: second unit (uncredited) | |
| Melanie Dicks | .... | second unit director (uncredited) | |
Art Department | |||
| Paul Ball | .... | painter: additional photography (as Paul Bale) | |
| Ray Bell-Chambers | .... | carpenter: additional photography (as Ray Bell Chambers) | |
| Robert Betts | .... | stand-by painter | |
| Bruce Bigg | .... | props master | |
| Peter Bigg | .... | storeman | |
| Lee Biggs | .... | carpenter: additional photography | |
| Alan Chesters | .... | construction manager | |
| Leigh Chesters | .... | carpenter | |
| Jane Clark | .... | storyboard artist | |
| Fergus Clegg | .... | production buyer | |
| Andrea Couch | .... | art department assistant: additional photography | |
| Graham Dale | .... | props: additional photography (as Graham Date) | |
| Michael Davis | .... | carpenter: additional photography | |
| Ciaran Donnelly | .... | carpenter | |
| Tommy Dowdalls | .... | stand-by carpenter (as Thomas Dowdalls) | |
| Martin Duffy | .... | carpenter | |
| Andy Evans | .... | construction manager: additional photography | |
| Kate Fletcher | .... | trainee set decorator | |
| Michael Gunner | .... | supervising painter | |
| Peter Hasler | .... | dressing props | |
| Joe Hawthorne | .... | carpenter (as Jo Hawthorne) | |
| Peter Hazler | .... | props: additional photography | |
| Peter Hooper | .... | dressing props | |
| Paul Inglis | .... | assistant art director | |
| Peter Kane | .... | painter laborer | |
| David Ned Kelly | .... | supervising carpenter (as David Kelly) | |
| Carol Kupisz | .... | graphic designer | |
| Andrew Mash | .... | carpenter: additional photography | |
| Terence Meadows | .... | stagehand | |
| Richard Mills | .... | props: additional photography | |
| Colin Moody | .... | graphics: additional photography | |
| James Muir | .... | stand-by stagehand | |
| Shana Nieberg-Suschitzky | .... | assistant art director | |
| John Pledger | .... | carpenter: additional photography (as John Gary Pledger) | |
| Todd Quattromini | .... | stand-by props | |
| Ian Richards | .... | master scenic carpenter: additional photography | |
| Simon Robilliard | .... | carpenter | |
| Nina Ross | .... | art department runner | |
| Mike Standish | .... | set decorator/buyer: additional photography | |
| Warren Stickley | .... | chargehand stand-by props | |
| Paul Turner | .... | props: additional photography | |
| Sophie Tyler | .... | assistant set decorator: additional photography | |
| Tim Wake | .... | scenic carpenter: additional photography | |
| Josephine Warne | .... | set dressers assistant | |
| John Watt | .... | stand-by carpenter | |
| Michael Webb | .... | chargehand stagehand | |
| Mark Williams | .... | stagehand: additional photography | |
| Bradley Woodbridge | .... | scenic painter: additional photography | |
| Kevin Woodhouse | .... | art department assistant | |
| Robert Allen | .... | stagehand (uncredited) | |
| Howard Weaver | .... | scenic artist (uncredited) | |
Special Effects by | |||
| David Harris | .... | special effects supervisor | |
| Jude Harris | .... | special effects assistant | |
| Darren May | .... | special effects assistant | |
| Dave Crownshaw | .... | snow effects supervisor (uncredited) | |
| Graham Hills | .... | special effects technician (uncredited) | |
| Martin 'Marty' McLaughlin | .... | snow effects technician (uncredited) | |
| David 'Pinkie' Thomas | .... | snow effects technician (uncredited) | |
Visual Effects by | |||
| Adrian Banton | .... | compositing artist: Double Negative | |
| Simon Burley | .... | engineer: Double Negative | |
| Hannah Cassell | .... | The Digital Weaselettes: Double Negative | |
| Ian Chisholm | .... | chief engineer: Double Negative | |
| Frazer Churchill | .... | visual effects supervisor: Double Negative | |
| Ciaran Crowley | .... | compositing artist: Double Negative | |
| Darren De'Ath | .... | camera operator: rostrum camera, General Screen Enterprises | |
| Dimitri Delacovias | .... | matte painting supervisor: Double Negative | |
| Michael Bruce Ellis | .... | main titles designer: Double Negative (as Michael Ellis) | |
| Gavin Graham | .... | programming/animation: Double Negative | |
| Pete Hanson | .... | studio manager: Double Negative | |
| John Hardwick | .... | compositing artist: Double Negative | |
| Matthew Holben | .... | visual effects producer: Double Negative | |
| Garrett Honn | .... | compositing artist: Double Negative | |
| Alex Hope | .... | visual effects producer: Double Negative | |
| Drew Jones | .... | visual effects executive producer: CFC | |
| Colin Laski | .... | digital effects supervisor: General Screen Enterprises | |
| Steve MacPherson | .... | technical operations manager: Double Negative (as Steve Macpherson) | |
| Fay McConkey | .... | visual effects producer: Double Negative | |
| Neil Miller | .... | scanning & recording: Double Negative | |
| Janice Mordue | .... | title designer: end credits, General Screen Enterprises | |
| Mark Nelmes | .... | digital effects supervisor: CFC | |
| Mike Pope | .... | compositing artist: Double Negative | |
| Martin Preston | .... | technical director: Double Negative | |
| Paul Riddle | .... | compositing artist: Double Negative | |
| John Seymour | .... | visual effects editor: Double Negative | |
| Sarah Soulsby | .... | compositing artist: Double Negative | |
| Clare Tinsley | .... | The Digital Weaselettes: Double Negative | |
| Andrew Wilkin | .... | optical cameraman: General Screen Enterprises (as Andy Wilkin) | |
| Robin Aristorenas | .... | lead digital effects artist: Double Negative (uncredited) | |
| Hal Couzens | .... | visual effects coordinator: Double Negative (uncredited) | |
| Tabitha Dean | .... | visual effects editorial: CFC (uncredited) | |
| Julia Egerton | .... | digital lab: CFC (uncredited) | |
| Ian Fellows | .... | digital paint artist: CFC (uncredited) | |
| Darrel Griffin | .... | data wrangler: CFC (uncredited) | |
| Andy Hague | .... | visual effects editorial: CFC (uncredited) | |
| Robert Hall | .... | digital paint artist: CFC (uncredited) | |
| Henrik Hoffgaard | .... | digital lab: CFC (uncredited) | |
| Jan Hogevold | .... | head of digital lab: CFC (uncredited) | |
| Merrin Jensen | .... | digital lab: CFC (uncredited) | |
| Roz Lowrie | .... | visual effects editorial: CFC (uncredited) | |
| Scott Marriott | .... | digital paint artist: CFC (uncredited) | |
| Dominic Sidoli | .... | visual effects line producer: CFC (uncredited) | |
| Matthew Twyford | .... | compositing artist: CFC (uncredited) | |
| Corrina Wilson | .... | digital paint artist: CFC (uncredited) | |
Stunts | |||
| Dani Biernat | .... | stunt double: Renee Zellweger | |
| Peter Brayham | .... | stunt coordinator | |
| Abbi Collins | .... | stunt performer | |
| Dean Forster | .... | stunt double: Hugh Grant | |
| Joss Gower | .... | stunt double: Colin Firth | |
| Seon Rogers | .... | stunt performer | |
| Nick Wilkinson | .... | stunt performer | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Chloe Emmerson | .... | casting director: additional photography (as Chloe Emerson) | |
| Gaby Kester | .... | casting assistant (as Gabby Kester) | |
Costume and Wardrobe Department | |||
| Siobhan Avis | .... | costume: second unit | |
| Martin Chitty | .... | wardrobe assistant | |
| Fiona Coutts | .... | costume assistant: additional photography | |
| Sheridan Jones | .... | additional wardrobe assistant | |
| Carlo Manzi | .... | costumer | |
| Steven Noble | .... | assistant costume designer | |
| Michael O'Brien | .... | additional wardrobe assistant | |
| Kate Towns | .... | wardrobe assistant | |
| Natalie Ward | .... | wardrobe supervisor | |
| Allison Wyldeck | .... | additional wardrobe assistant (as Alison Wyldeck) | |
| Celia Yau | .... | wardrobe trainee | |
| Paul Yeowell | .... | costume assistant: additional photography | |
Editorial Department | |||
| Cilla Beirne | .... | conforming editor | |
| Chris Boyle | .... | post-production runner | |
| Alastair Grimshaw | .... | first assistant editor | |
| Peter Hunt | .... | color timer | |
| Paul Knight | .... | additional editor | |
| Paul Knight | .... | first assistant editor | |
| Keith Lowes | .... | conforming editor | |
| Steve Maguire | .... | first assistant editor | |
| Steve Harrow | .... | post-production consultant (uncredited) | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| Lawrence Ashmore | .... | orchestrator | |
| John Bell | .... | orchestrator | |
| Sophie Cornet | .... | assistant music editor | |
| Tonia Davall | .... | musician contractor | |
| Patrick Doyle | .... | orchestrator | |
| Michael Higham | .... | music editor (as Mike Higham) | |
| Perry Montague Mason | .... | orchestra leader (as Perry Montague-Mason) | |
| Andy Richards | .... | songs mixer | |
| Maggie Rodford | .... | score producer: Air-Edel Associates Ltd | |
| James Shearman | .... | music conductor | |
| James Shearman | .... | orchestrator | |
| Tony Stanton | .... | music preparation | |
| Nick Wollage | .... | music mixer | |
| Nick Wollage | .... | music recordist | |
| Glen Ballard | .... | music producer (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Transportation Department | |||
| Paul Brosnan | .... | driver (as Paul Brosnon) | |
| Ian Coote | .... | driver | |
| Nick 'Nocker' Curson | .... | driver (as Nocker) | |
| Peter Devlin | .... | driver: Mr. Grant | |
| Keith Fenwick | .... | driver | |
| Ronald Green | .... | driver (as Ron Green) | |
| Peter Harvey | .... | driver | |
| John Hollywood | .... | driver: Mr. Firth | |
| Ian Johnson | .... | driver | |
| Matthew Lloyd | .... | driver | |
| Roger Lupton | .... | driver | |
| Ian Maskell | .... | driver | |
| Dean Moran | .... | driver | |
| John Nichol | .... | driver | |
| Mark Richards | .... | driver: Ms. Zellweger | |
| Garry Saunders | .... | driver: grip truck (as Gary Saunders) | |
| Peter Scorah | .... | driver: camera car | |
| Kevin Stanley | .... | driver | |
| Darren Thackeray | .... | driver: Ms. Maguire | |
| Paul Venezia | .... | driver | |
Other crew | |||
| Vicki Allen | .... | floor runner: additional photography (as Vicky Allen) | |
| Jules Baker-Smith | .... | production clearance assistant | |
| Joanna Bates | .... | accounting assistant (as Jo Bates) | |
| Kellie Belle | .... | product placement manager | |
| Linda Benson | .... | production runner: additional photography | |
| Barbara Berkery | .... | voice and dialogue coach | |
| Emma Brown | .... | production daily | |
| Emma Brown | .... | production runner | |
| Natalie Brown | .... | floor runner | |
| Emily Bullock | .... | assistant coordinator | |
| Adam Coop | .... | utility stand-in | |
| Katie Cooper | .... | assistant: Tim Bevan, Working Title | |
| Sarah Critchley | .... | script clearance | |
| Juliette Dow | .... | assistant: Tim Bevan, Working Title | |
| Charles Edwards | .... | clearance researcher | |
| Wendy Ellerker | .... | production accountant | |
| Beth Elliott | .... | floor runner: second unit | |
| Karen Fayerty | .... | nurse | |
| Emma Freud | .... | script editor | |
| Benjamin Greenacre | .... | location manager: helicopter unit (as Ben Greenacre) | |
| Mark Gutteridge | .... | double: Mr. Firth | |
| Laura Gwynne | .... | continuity: second unit | |
| Tarn Harper | .... | post-production accountant | |
| Rachel Holroyd | .... | head of business affairs: Working Title | |
| Christopher Hughes | .... | floor runner: second unit (as Chris Hughes) | |
| Kathy Hughes | .... | script supervisor: additional photography | |
| Paul Jackson | .... | health and safety | |
| Aliza James | .... | assistant: Eric Fellner, Working Title | |
| Kathryn Lowrie | .... | assistant: Sharon Maguire | |
| Alison Mahoney | .... | choreographer | |
| Stacy Mann | .... | unit publicist | |
| Fry Martin | .... | assistant accountant | |
| Danny McGrath | .... | crowd coordinator | |
| Jeanette McGrath | .... | assistant script supervisor | |
| Ingrid Mende | .... | production secretary | |
| George Mizen | .... | production runner | |
| Angela Morrison | .... | chief operating officer: Working Title | |
| Hermione Ninnim | .... | production coordinator | |
| Stephen Norinder | .... | floor runner: second unit (as Stephan Norinder) | |
| Stephen North | .... | safety coordinator (as Steve North) | |
| Stephen North | .... | safety engineer (as Steve North) | |
| Nick Oliver | .... | location assistant | |
| Harriet Perry | .... | assistant: Sharon Maguire | |
| Eve Petcher | .... | clearance researcher assistant | |
| Pat Rambaut | .... | script supervisor | |
| Adam Richards | .... | location manager | |
| Simon Rogers | .... | floor runner: second unit (as Simon Rodgers) | |
| David Seaton | .... | location manager: helicopter unit | |
| Sheeraz Shah | .... | legal advisor: Working Title | |
| Sarah Shepherd | .... | location assistant | |
| Anthony Stagles | .... | location runner | |
| Emily Stewart | .... | company coordinator: Working Title | |
| Luke Sweetland | .... | floor runner: second unit | |
| Ron Taylor | .... | laboratory contact | |
| Carol Thompson | .... | script supervisor | |
| Lara Thompson | .... | assistant: Eric Fellner, Working Title | |
| Julian Tomlin | .... | finance director: Working Title | |
| Nicola Waltham | .... | stand-in: Ms. Zellweger | |
| Sarah Wheale | .... | assistant: Jonathan Cavendish (as Sarah-Jane Wheale) | |
| Melinda Whiting | .... | double: Ms. Zellweger | |
| Polly Wilby | .... | post-production accountants assistant | |
| Sarah Jane Wright | .... | production executive: Working Title | |
| Wayne Docksey | .... | animal master (uncredited) | |
| Sarah Griggs | .... | floor runner (uncredited) | |
| Darren Harrison | .... | runner (uncredited) | |
| Darren Helman | .... | location assistant (uncredited) | |
| Adam Samuelson | .... | louma crane technician (uncredited) | |
| Daniel Shepherd | .... | assistant to producers (uncredited) | |
| Natalie Street | .... | floor runner (uncredited) | |
| Sara Woodhatch | .... | assistant: Hugh Grant (uncredited) | |
Thanks | |||
| Ben Hillier | .... | thanks | |
| Tracey MacLeod | .... | thanks | |
| Mary Maguire | .... | thanks | |
| Patrick Maguire | .... | thanks | |
| Gavin Maude | .... | thanks | |
| Mark Muller | .... | thanks | |
| Kevin O'Shea | .... | thanks | |
| Anand Tucker | .... | thanks | |
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| Bridget Jones: The Edge of Reason | Love Actually | Croupier | On Her Majesty's Secret Service | The Heart of Me |
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Being a long time fan of the BJD books (three years and counting), I had nothing but high hopes for the movie version. I was lucky enough to get into a sneak preview last night, and I was not disappointed. The movie, like the book, has the most hilarious lines and moments, and each of the actors portrayed their characters so well you couldn't imagine anyone else in that part. Renee Zellweger IS Bridget, there is just no arguing it. No other actress could have pulled off what Renee did in this movie. Hugh Grant makes for an excellent Daniel, who is completely two faced and has a smarmy sort of charm that makes you want him just as badly as Bridget does. Colin Firth is a superb Mark Darcy, but that was a given because the character was practically written with him in mind - as all avid BJD readers know, Mark Darcy's character is a play on the Mr. Darcy Firth portrayed in Pride and Prejudice.
Some of the more hardcore fans of the book may be disappointed with all the missing jokes and scenes, but to film the entire book would have left us with a 10 hour movie. The writers did an excellent job distilling the essence of the novel, and the finished product has all the charm and wit of the original. The audience, many of whom I'm sure have never read the book (and many of whom, surprisingly, were male), laughed nonstop throughout the film, and everyone seemed to enjoy it thoroughly. As for those of us who have read it, I do believe that this is one of those rare book-to-movie jobs that was really spot-on, and everything that was noticeably changed in the process only makes the movie better. So go see it, it's hands-down one of the best movies of 2001 so far.