If HBO’s “The Last of Us” wins the Special Visual Effects Emmy, it will be for pulling off the horrifying Kansas City clicker horde and bloater attack toward the end of Episode 5. That’s where Joel (Pedro Pascal), Ellie (Bella Ramsey), Henry (Lamar Johnson), and Sam (Keivonn Woodard) heroically escape the escalating battle in the cul-de-sac, in which Kathleen (Melanie Lynskey), Perry (Jeffrey Price) and her militia are attacked by hundreds of swarming clickers and the bloater: the biggest and baddest of the Cordyceps-infected victims.
Wētā FX did the creature work on the CG clickers and bloater (led by animation supervisor Dennis Yoo), in addition to the gunfire, destruction, and explosions, including the fiery sink-hole from which the creatures emerge. All told, it was close to 400 VFX shots.
“We had different stages of infection within that sequence,” Wētā VFX supervisor Simon Jung told IndieWire. “So there were runners: that...
Wētā FX did the creature work on the CG clickers and bloater (led by animation supervisor Dennis Yoo), in addition to the gunfire, destruction, and explosions, including the fiery sink-hole from which the creatures emerge. All told, it was close to 400 VFX shots.
“We had different stages of infection within that sequence,” Wētā VFX supervisor Simon Jung told IndieWire. “So there were runners: that...
- 8/7/2023
- by Bill Desowitz
- Indiewire
Chicago – In the latest HollywoodChicago.com Hookup: Film, we have 60 pairs of advance-screening IMAX movie passes up for grabs to the new film “Mortal Engines” starring Hugo Weaving, Hera Hilmar and Robert Sheehan!
“Mortal Engines,” which opens on Dec. 14, 2018 and is rated “PG-13,” also stars Jihae, Ronan Raftery, Leila George, Patrick Malahide and Stephen Lang from director Christian Rivers and writers Fran Walsh, Philippa Boyens and Peter Jackson based on the book by Philip Reeve.
To win your free passes to “Mortal Engines” courtesy of HollywoodChicago.com, just get interactive with our social media widget below. That’s it! This screening is on Tuesday, Dec. 11, 2018 at 7 p.m. in downtown Chicago. The more social actions you complete, the more points you score and the higher yours odds of winning! Completing these social actions only increases your odds of winning; this doesn’t intensify your competition!
Deadline: Entries can continue being submitted through Tuesday,...
“Mortal Engines,” which opens on Dec. 14, 2018 and is rated “PG-13,” also stars Jihae, Ronan Raftery, Leila George, Patrick Malahide and Stephen Lang from director Christian Rivers and writers Fran Walsh, Philippa Boyens and Peter Jackson based on the book by Philip Reeve.
To win your free passes to “Mortal Engines” courtesy of HollywoodChicago.com, just get interactive with our social media widget below. That’s it! This screening is on Tuesday, Dec. 11, 2018 at 7 p.m. in downtown Chicago. The more social actions you complete, the more points you score and the higher yours odds of winning! Completing these social actions only increases your odds of winning; this doesn’t intensify your competition!
Deadline: Entries can continue being submitted through Tuesday,...
- 12/10/2018
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Opening in St. Louis on December 14, 2018, is Mortal Engines.
Enter for your chance to win two free passes to the St. Louis advance screening. The theatrical sneak preview will be on December 11 at 7pm.
Add you name and email in our comments section below.
No Purchase Required. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.
Hundreds of years after civilization was destroyed by a cataclysmic event, a mysterious young woman, Hester Shaw (Hera Hilmar), emerges as the only one who can stop London — now a giant, predator city on wheels — from devouring everything in its path. Feral, and fiercely driven by the memory of her mother, Hester joins forces with Tom Natsworthy (Robert Sheehan), an outcast from London, along with Anna Fang (Jihae), a dangerous outlaw with a bounty on her head.
Enter for your chance to win two free passes to the St. Louis advance screening. The theatrical sneak preview will be on December 11 at 7pm.
Add you name and email in our comments section below.
No Purchase Required. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.
Hundreds of years after civilization was destroyed by a cataclysmic event, a mysterious young woman, Hester Shaw (Hera Hilmar), emerges as the only one who can stop London — now a giant, predator city on wheels — from devouring everything in its path. Feral, and fiercely driven by the memory of her mother, Hester joins forces with Tom Natsworthy (Robert Sheehan), an outcast from London, along with Anna Fang (Jihae), a dangerous outlaw with a bounty on her head.
- 12/3/2018
- by Movie Geeks
- WeAreMovieGeeks.com
“War for the Planet of the Apes” from Weta Digital could well be on its way to the elusive VFX Oscar after winning four Ves trophies Tuesday night at the Beverly Hilton (including the top feature prize). Christopher Nolan’s “Dunkirk” won for supporting VFX, Pixar’s “Coco” earned four awards (including VFX for animation), and “Game of Thrones” took home five awards (including VFX for TV).
The “Apes” finale, directed by Matt Reeves, benefited from a Shakespearean performance from Andy Serkis as Caesar, with Weta working its wizardry in much harsher conditions for the performance-captured animation. Not surprisingly, “Apes” additionally won for Caesar, the effects simulations for the thrilling avalanche, and compositing. However, although both “Rise” and “Dawn” captured Ves prizes, neither won the Oscar, so “War” is not a certainty in its race with “Blade Runner 2049.”
Speaking of which, Denis Villeneuve’s “Blade Runner” sequel won two...
The “Apes” finale, directed by Matt Reeves, benefited from a Shakespearean performance from Andy Serkis as Caesar, with Weta working its wizardry in much harsher conditions for the performance-captured animation. Not surprisingly, “Apes” additionally won for Caesar, the effects simulations for the thrilling avalanche, and compositing. However, although both “Rise” and “Dawn” captured Ves prizes, neither won the Oscar, so “War” is not a certainty in its race with “Blade Runner 2049.”
Speaking of which, Denis Villeneuve’s “Blade Runner” sequel won two...
- 2/14/2018
- by Bill Desowitz
- Indiewire
Last night, the Visual Effects Society handed out their awards at their annual gathering. It was mainly a good night for The Jungle Book, which took the top prize, known as Outstanding Visual Effects in a Photoreal Feature. It beat back Doctor Strange, Fantastic Beasts and Where to Find Them, Miss Peregrine’s Home For Peculiar Children, and Rogue One: A Star Wars Story, while at the Academy Awards, it’ll be up against Deepwater Horizon, Doctor Strange, Kubo and the Two Strings, and Rogue One: A Star Wars Story. It was an expected win, but one that was eagerly awaited to try and figure out the Oscar category of Best Visual Effects. The Jungle Book ended up with five prizes in total, easily besting the rest of the bunch. As mentioned above, this top award ties directly into the Visual Effects category at the Oscars. Nine out of the...
- 2/8/2017
- by Joey Magidson
- Hollywoodnews.com
“The Jungle Book” is on its way to VFX Oscar gold after getting five Ves nods Tuesday night at the Beverly Hilton. “Rogue One,” the “Star Wars” standalone, however, came away empty-handed after receiving seven nominations.
Innovative Disney hybrid “The Jungle Book” won for outstanding feature, King Louie’s animated performance, virtual cinematography, effects simulations, and compositing.
Laika’s Oscar-nominated “Kubo and the Two Strings” earned VFX animation props, “Deepwater Horizon” took supporting VFX and model work for Industrial Light & Magic, and “Game of Thrones: Battle of the Bastards” continued its TV dominance.
Disney’s “Moana” grabbed two animation awards (created environment and simulations), Pixar won for Hank’s animated performance, and Marvel’s “Doctor Strange” won for its New York City environment
The Ves Visionary Award went to Victoria Alonso, producer and Marvel Studios Evp of physical production. Five-time Oscar winner Ken Ralston (“Return of the Jedi” and “Who Framed Roger Rabbit?...
Innovative Disney hybrid “The Jungle Book” won for outstanding feature, King Louie’s animated performance, virtual cinematography, effects simulations, and compositing.
Laika’s Oscar-nominated “Kubo and the Two Strings” earned VFX animation props, “Deepwater Horizon” took supporting VFX and model work for Industrial Light & Magic, and “Game of Thrones: Battle of the Bastards” continued its TV dominance.
Disney’s “Moana” grabbed two animation awards (created environment and simulations), Pixar won for Hank’s animated performance, and Marvel’s “Doctor Strange” won for its New York City environment
The Ves Visionary Award went to Victoria Alonso, producer and Marvel Studios Evp of physical production. Five-time Oscar winner Ken Ralston (“Return of the Jedi” and “Who Framed Roger Rabbit?...
- 2/8/2017
- by Bill Desowitz
- Indiewire
“Nothing needs justification less than entertainment, but a movie planned only to entertain that fails has no justification.” That’s Pauline Kael, in one of those many bon mots of hers that seeks intuitive agreement over critical response. As with other of her grand pronouncements, my reply, upon actual reflection, is “Speak for yourself.” Her language about planning aside, the sentence carries the implication of a position she took throughout her career: that there are movies that do nothing but entertain. Myself, I’ve never seen one. From Tsai Ming-liang to James Cameron, a movie that entertains always carries with it—brazenly or subtly—further elements of fascination, things worth parsing beyond the issue of pleasure. I won’t argue that Steven Spielberg’s 2011 CGI film The Adventures of Tintin contains a story of any profundity, nor that it’s a significant intervention in the culture, nor that it brought me to tears.
- 5/5/2015
- by Mike Archibald
- MUBI
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