His credits with the Sydney Theatre Company include:
Astrov in Chekhov's "Uncle Vanya" (2010), John in "Riflemind" by Andrew Upton
(2007), Ibsen's "Hedda Gabler" (2004, also NYC), Henry in "The Real Thing" by Tom Stoppard
(2003), Webster's "The White Devil" (2000), Bernard in "Arcadia" by Tom Stoppard
(1994), "Three" (1993), Irwin in "The Secret Rapture" by David Hare
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6' 2" (1.88 m)
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I do love working in Australia. Generally, the budgets are smaller, the crews are smaller and generally you work at a fast pace. That gives you energy. At the end of the day, you've worked a lot but you don't feel tired. On the big ones, you sit around a lot. That really saps your energy.
Has suffered from epileptic seizures since he was age 13. Because of this, he made the decision early on not to drive and he has never had a driver's license. In a 2006 interview, Weaving noted he hasn't suffered a seizure in years, but is still reluctant to get a driver's license because "I'm so used to not driving, I'm scared of what I'd do.".
Often plays sinister villains or anti-heroes