Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
The candy recipes of the goody shops have been stolen by the Goody Bandit, and many animals are out of business. While the police are chasing the criminal, there is a mess at Granny's house... See full summary »
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation. Written by
Jon Reeves <firstname.lastname@example.org>
The song played by Daffy and Donald Duck in the Ink and Paint Club is the Second Hungarian Rhapsody by Franz Liszt, a song featured in numerous cartoons, including the Oscar winning Tom & Jerry short The Cat Concerto (1947) and the Bugs Bunny Merrie Melodie, Rhapsody Rabbit (1946). See more »
When Eddie Valiant sits on the back of the trolley car, the overhead power grid is visible and connected to the car. When he gets off, the connector rods are sticking up into thin air with no grid anywhere. See more »
Mommy's going to the beauty parlor, darling, but I'm leaving you with your favorite friend, Roger. He's going to take very, very good care of you, because if he doesn't... HE'S GOING BACK TO THE SCIENCE LAB.
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There are no opening credits after the title has been shown. See more »
Watching this for the umpteenth time, I am struck by how much this movie resembles Brazil (1985). What, you will say, that was a grim and serious story set in a horrible dystopia. Ah, yes, but one of its main satirical weapons was its over-the-top humour.
Well, Roger Rabbit inverts the formula. We seem to have a zany cartoon comedy. but underlying this is a story about racism and genocide. The cartoon characters, who coexist with humans, are shown as a tolerated subordinated race, good for "singing and dancing and running and jumping". They are called "Toons", which resembles another epithet that used to be a nasty name for black people. And the "solution" is exactly that - a solution of benzene and acetone that will exterminate the Toons by dissolving them.
Both movies are set in something that resembles the 1940's, which gives lots of opportunity for spoofing films noir of the sort that Bogart et al. used to make.
How could something so serious be funny? The best comedy is just a hare's breadth (sorry, couldn't resist) removed from tragedy, which is why Hogan's Heroes is so funny while Disney comedies fall flat from gooey sentiment. Kids love Roger Rabbit, and that should be the ultimate test of whether it's comic or not.
It still amazes me how many grown-ups fail to perceive the underlying message of tolerance and understanding. Perhaps they don't want to...
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