The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation. Written by
Jon Reeves <email@example.com>
A "prequel" with the working title "Toon Platoon" never got out of the developmental stage. See more »
After Roger blows his nose on the handkerchief, it's obvious R. K. Maroon didn't grab the handkerchief out of his hand. It appears he was reaching down to get the handkerchief. However, Maroon's handkerchief would have presumably been dirtied by Roger's tears and nose blowing. A person would normally try to retrieve such a handkerchief by taking it gingerly by a place presumed to be unspoiled. This reaction is further verified by the fact that Maroon immediately places the handkerchief in the wastebasket. See more »
Mommy's going to the beauty parlor, darling, but I'm leaving you with your favorite friend, Roger. He's going to take very, very good care of you, because if he doesn't... HE'S GOING BACK TO THE SCIENCE LAB.
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At the end of the credits: "Daffy Duck, Yosemite Sam, Tweetie Bird, Bugs Bunny, Sylvester, Porky Pig, Acme, and all other Warner Bros. characters are trademark of Warner Brothers Inc. Copyright 1988 Warner Bros. Inc. used by permission." See more »
"Who Framed Roger Rabbit?" appears to be a film for the kiddies on first glance, but this is a somewhat complicated murder mystery that never gets old or dull. The animated title character has been framed and now he is out to clear his name with the help of a human detective (Bob Hoskins). Robert Zemeckis cemented his ability to make a film with this winner. The special effects, which are remarkable, never detract from the story and in the end they add a great dimension to this fine motion picture. Overlooked in 1988, but the best film from that weak year. 5 stars out of 5.
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