Blade Runner (1982)

Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to Earth seeking their maker.

Director:

Ridley Scott

Writers:

Hampton Fancher (screenplay), David Webb Peoples (screenplay),

Stars:

Harrison Ford, Rutger Hauer, Sean Young

Top 250 #122 | Nominated for 2 Oscars. Another 10 wins & 15 nominations.

Cast

Cast overview, first billed only:
Harrison Ford	...	Rick Deckard
Rutger Hauer	...	Roy Batty
Sean Young	...	Rachael
Edward James Olmos	...	Gaff
M. Emmet Walsh	...	Bryant
Daryl Hannah	...	Pris
William Sanderson	...	J.F. Sebastian
Brion James	...	Leon Kowalski
Joe Turkel	...	Dr. Eldon Tyrell
Joanna Cassidy	...	Zhora
James Hong	...	Hannibal Chew
Morgan Paull	...	Holden
Kevin Thompson	...	Bear
John Edward Allen	...	Kaiser
Hy Pyke	...	Taffey Lewis

Storyline

In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specializes in terminating replicants. Originally in retirement, he is forced to re-enter the force when four replicants escape from an off-world colony to Earth.

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Plot Keywords:

replicant | blade runner | future | cyberpunk | retirement | 

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Taglines:

Man Has Made His Match... Now It's His Problem

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Genres:

Drama | Sci-Fi | Thriller

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Motion Picture Rating (MPAA)

Rated R for violence

Details

Official Sites:

Official Facebook Warner Bros [France]

Country:

USA Hong Kong UK

Language:

English German Cantonese Japanese Hungarian

Release Date:

25 June 1982 (USA)

Also Known As:

Istrebljivač

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

$6,150,002 (USA) (25 June 1982)

Gross:

$1,445,283 (USA) (28 March 2008)

Company Credits

Production Co:

Ladd Company, The, Shaw Brothers, Warner Bros.

Technical Specs

Runtime:

117 min

Sound Mix:

70 mm 6-Track (70 mm prints) Dolby Stereo (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Exasperated crews often referred to the film as "Blood Runner".

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Goofs

In the scene where Rachel pulls down her hair, while in Deckard's apartment after the Leon fight, her hair goes from straight, to very curly. If her hair was truly that curly, the she would have had to pull her hair straight back and very tightly into a bun, in order for her to hide her curly hair. If her hair had been "straightened" with some form of cosmetics or salon treatment, it would have stayed straight after she let her hair down.

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Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.

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Crazy Credits

In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background.

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Connections

Referenced in Phenomenon (1996)

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Soundtracks

"Tales of the Future"
(uncredited)
Written by Vangelis
Performed by Demis Roussos

User Reviews

Timeless

What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal "dark" sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium. I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. 9/10.