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Blade Runner (1982)

 -  Sci-Fi | Thriller  -  25 June 1982 (USA)
8.2
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Ratings: 8.2/10 from 394,056 users   Metascore: 88/100
Reviews: 1,112 user | 259 critic | 10 from Metacritic.com

A blade runner must pursue and try to terminate four replicants who stole a ship in space and have returned to Earth to find their creator.

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(screenplay), (screenplay) (as David Peoples) , 1 more credit »
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Title: Blade Runner (1982)

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Top 250 #135 | Nominated for 2 Oscars. Another 10 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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John Edward Allen ...
Hy Pyke ...
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Storyline

In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specializes in terminating replicants. Originally in retirement, he is forced to re-enter the force when four replicants escape from an off-world colony to Earth. Written by Graeme Roy <gsr@cbmamiga.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

The original cut of the futuristic adventure. [Director's Cut] See more »

Genres:

Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Release Date:

25 June 1982 (USA)  »

Also Known As:

Dangerous Days  »

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

$6,150,002 (USA) (25 June 1982)

Gross:

$27,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Ridley Scott initially toyed with the idea of setting the film in the fictional city of San Angeles; as if San Francisco and Los Angeles had become one massive population center. This idea was used in Demolition Man (1993). See more »

Goofs

During the fight scene between Deckard and Leon there's a point where Deckard gets thrown into the windshield of a car. However, when he is thrown and still in the air you can clearly see the windshield is already smashed with the imprint of his body, before he ever hits the actual glass. According to Paul Sammon however, this is not a goof - the window is broken because the car is supposed to be a derelict, not due to a continuity error. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »

Connections

Referenced in Star Wars: Episode I - The Phantom Menace (1999) See more »

Soundtracks

Tales of the Future
(uncredited)
Written by Vangelis
Performed by Demis Roussos
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Timeless
14 July 2005 | by (Canada) – See all my reviews

What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal "dark" sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium. I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. 9/10.


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