A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A young man is accidentally sent thirty years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
In the futuristic year of 2019, Los Angeles has become a dark and depressing metropolis, filled with urban decay. Rick Deckard, an ex-cop, is a "Blade Runner". Blade runners are people assigned to assassinate "replicants". The replicants are androids that look like real human beings. When four replicants commit a bloody mutiny on the Off World colony, Deckard is called out of retirement to track down the androids. As he tracks the replicants, eliminating them one by one, he soon comes across another replicant, Rachel, who evokes human emotion, despite the fact that she's a replicant herself. As Deckard closes in on the leader of the replicant group, his true hatred toward artificial intelligence makes him question his own identity in this future world, including what's human and what's not human. Written by
Ridley Scott has always maintained that the film is a piece of entertainment, nothing more. In fact, when he met Philip K. Dick during the post production process, he specifically told Dick that he was uninterested in "making an esoteric film." See more »
During the fight scene between Deckard and Leon there's a point where Deckard gets thrown into the windshield of a car. However, when he is thrown and still in the air you can clearly see the windshield is already smashed with the imprint of his body, before he ever hits the actual glass. According to Paul Sammon however, this is not a goof - the window is broken because the car is supposed to be a derelict, not due to a continuity error. See more »
Female announcer over intercom:
Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »
The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »
Dark, deep, uncertain, unsettling imagine the most beautiful nightmare you've ever had this is Blade Runner (1982).
Ridley Scott's Blade Runner is a brilliantly crafted science fiction film that not only touches upon, but bravely plunges into deep philosophical questions, making it simply ten times more important than any film of its genre. I love it not only for the initial feeling it gives, but because of its perseverance none of the visuals, themes or technology feel dated but as deep, gripping and current as ever. It is timeless beauty with huge doses of emotion.
Set in 2019 Los Angeles, Blade Runner zooms in on the eerily-lit, urban streets of the city and follows Richard Deckard superbly played by Harrison Ford who brings an exquisite moral ambiguity to his character a special policeman who tracks down and terminates artificially-created humans called replicants, who have escaped from an Off-World colony and made their way to earth and need to be stopped. The things Deckard encounters on his detective journey raise many philosophical questions like: Who is really a replicant? Are replicants really bad? If replicants are bad, when why did we go to such lengths with our technology to create them? Are replicants really humans? Is Deckard a hero? This truly is a film that demands subsequent discussion and its ambiguous ending leave a haunting and eerie feeling.
In spite of a rich glaze of science fiction and futurism coating this adventure, there are distinct film noir elements present primarily in the bluish haze that the film is seen through and its gritty urban atmosphere. Whoever thought of this combination is a genius. Since it is all about technology, it fits then that Blade Runner features a ridiculous amount of product placement, especially from Atari. In any other film, this would have felt out-of-place but here it is simply perfect. The score by Vangelis is strangely gripping when combined with the striking cinematography of the film.
Blade Runner deserves credit, celebration and remembrance for it is simply an excellent film.
10 out of 10 (and I don't just throw this grade out like SOME people)
363 of 463 people found this review helpful.
Was this review helpful to you?