In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specializes in terminating replicants. Originally in retirement, he is forced to re-enter the force when four replicants escape from an off-world colony to Earth. Written by
Graeme Roy <firstname.lastname@example.org>
Batty paraphrases William Blake's poem "America - a Prophecy" when he appears in Chew's laboratory. The original phrasing from the poem is "Fiery the Angels rose, and as they rose deep thunder roll'd around their shores: indignant burning with the fires of Orc." See more »
When Deckard is talking to the snake vendor. You can see through the glass that each characters dialog does not match their mouth movements. This is true in all versions of the film, except the Workprint. Even in 2007 "Final Cut", the obviousness of the error has been reduced, but if you look closely, you can still see that the audio doesn't quite match the visual. See more »
Female announcer over intercom:
Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
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In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »
An incredibly beautiful-looking film as one would expect with director Ridley Scott
But it's almost like an art movie, the first science-fiction art film It's a futuristic film beautifully put together It's really impeccably made by one of the great visionary directors And you really saw a future that looked very different from the future you had seen before A future that looked very believable like the visual-effects shots of the flying car going over a futuristic city The fight sequence doesn't prepare you for the traumatic emotional side that there is in the film, it leaves you sort of broken
There is a beautiful, delicate emotional great scene that I remember when I first saw the movie I'm in the theater and I'm so drawn in what Rutger Hauer's doing I'm so drawn in by what the theme of the movie has brought us to The magnificent moment where he is letting go of life And in those last moments of letting go of life he's really learned to appreciate life to the point where he spares Deckard's life, and where he's even holding a white dove because he just wants to have something that's alive in his hands It's an amazing sort of crescendo that's going and there's Rutger saying: "I've seen things you people wouldn't believe. All these moments will be lost in time like tears in rain." Hauer puts all the things that are so amazing about people: sense of poetry, sense of humor, sense of sexuality, sense of the kid, sense of soul
Scott brought out the best qualities in his performers He coaxed and very gently manipulated performances from his actors that in some instances I think they've rarely topped You feel the story, you feel the emotions of the characters and you will be lost in the middle of this wild world, you know, it's so rich and it's painful I mean it's a very bluesy, dark story and told very compassionately
The overpopulation, the sort of crowd scenes is so rich and varied and there's such an extreme detail designing the magazine covers, designing the look of the punks, the Hare Krishnas, the biological salesman, everything is designed You have just Piccadilly Circus punks walking by You have a sense of layers in that society That is one of those things that you see again and again The city landscape with the big billboards à la Kyoto or Tokyo Scott was able to create the look based on what goes on in various cities all over the world Whether it is Tokyo, Kyoto or Beijing or Hong Kong or whatever, you're right in "Blade Runner" country
"Blade Runner," to me, embodies the elegance, the power, and the uniqueness of a film experience It's the most classical, beautiful, purest movie-making writing and then the film-making itself is The images and the sound and the music, it's pure cinema Ridley came out with an amazing, brilliantly executed future of an absolute dystopia The intensity of his perfectionism on "Blade Runner" made the movie This is a master at his best
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