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Blade Runner (1982)

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A blade runner must pursue and try to terminate four replicants who stole a ship in space and have returned to Earth to find their creator.

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(screenplay), (screenplay) (as David Peoples) | 1 more credit »
Popularity
324 ( 244)
Top Rated Movies #135 | Nominated for 2 Oscars. Another 11 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
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John Edward Allen ...
Hy Pyke ...
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Storyline

In the futuristic year of 2019, Los Angeles has become a dark and depressing metropolis, filled with urban decay. Rick Deckard, an ex-cop, is a "Blade Runner". Blade runners are people assigned to assassinate "replicants". The replicants are androids that look like real human beings. When four replicants commit a bloody mutiny on the Off World colony, Deckard is called out of retirement to track down the androids. As he tracks the replicants, eliminating them one by one, he soon comes across another replicant, Rachel, who evokes human emotion, despite the fact that she's a replicant herself. As Deckard closes in on the leader of the replicant group, his true hatred toward artificial intelligence makes him question his own identity in this future world, including what's human and what's not human. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

A chilling, bold, mesmerizing, futuristic detective thriller. See more »

Genres:

Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

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Details

Country:

| |

Release Date:

25 June 1982 (USA)  »

Also Known As:

Dangerous Days  »

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend:

$6,150,002 (USA) (25 June 1982)

Gross:

$27,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Although for many years Harrison Ford refused to talk about the film, he did contribute to the 2007 DVD documentary Dangerous Days: Making Blade Runner (2007), claiming he has reconciled with Ridley Scott and made his peace with the film. In fact, Ford says the thing he remembers most is not the grueling shoot or the arguments with his director, but being forced to record the voiceover which executive producers Jerry Perenchio and Bud Yorkin insisted be in the film. Ford doesn't actually mention any names, but in discussing the voiceover which was used in the theatrical cut, he says it was written by "clowns". In actual fact, Darryl Ponicsan was initially hired to write it, but his version was tossed out. Then Roland Kibbee was hired and his version is the one that was used. According to David Peoples and Hampton Fancher, who had become close friends, when they first saw the film, they each thought the other had written it, and despite the fact that they both hated it, they told one another they loved it for fear of insulting the other's feelings. See more »

Goofs

As Batty and Leon approach Chew's eye shop and are passed by a group of cyclists, the end of the city street set on the back lot, including clear sky beyond it, is visible. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

The opening credits sequence features a detailed, dictionary-style definition of the word Replicant. See more »

Connections

Referenced in Dungeons & Dragons (2000) See more »

Soundtracks

Tales of the Future
(uncredited)
Written by Vangelis
Performed by Demis Roussos
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Timeless
14 July 2005 | by (Canada) – See all my reviews

What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal "dark" sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium. I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. 9/10.


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