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Blade Runner (1982)

R  |   |  Sci-Fi, Thriller  |  25 June 1982 (USA)
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Ratings: 8.2/10 from 423,289 users   Metascore: 88/100
Reviews: 1,136 user | 287 critic | 10 from

A blade runner must pursue and try to terminate four replicants who stole a ship in space and have returned to Earth to find their creator.



(screenplay), (screenplay) (as David Peoples) , 1 more credit »
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Top 250 Movies #133 | Nominated for 2 Oscars. Another 11 wins & 15 nominations. See more awards »



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Cast overview, first billed only:
Kevin Thompson ...
John Edward Allen ...
Hy Pyke ...


In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specializes in terminating replicants. Originally in retirement, he is forced to re-enter the force when four replicants escape from an off-world colony to Earth. Written by Graeme Roy <>

Plot Summary | Plot Synopsis


A Futuristic Vision Perfected [2007 Final Cut] See more »


Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:




| |

Release Date:

25 June 1982 (USA)  »

Also Known As:

Dangerous Days  »

Box Office


$28,000,000 (estimated)

Opening Weekend:

$6,150,002 (USA) (25 June 1982)


$27,000,000 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(70 mm prints)| (35 mm prints)



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The trash seen throughout J.F. Sebastian's apartment building is referred to in Philip K. Dick's novel as "kipple" - defined as a massing of small, useless, discarded items such as gum wrappers and matchbooks. In the novel, Sebastian gives Pris a prolonged lecture on the nature of kipple and how it seems to self-multiply, and how he can't rid his world of it. See more »


When Deckard takes out the VK machine to test Rachel, he mimes the action. The machine is already on the table. See more »


[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
See more »

Crazy Credits

In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »


Referenced in Jack-Jack Attack (2005) See more »


One More Kiss Dear
Written by Peter Skellern
Performed by Vangelis
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The Last Great Noir
10 February 2007 | by (Phoenix, AZ, United States) – See all my reviews

This is a film that is so deep, rich, and multi-layered, it may require more than one viewing to fully absorb the brilliance of what you've just seen. At first glance, it can be a bit slow. It's told in a classic film noir fashion, so this is to be expected. Director Ridley Scott seems to want to savor every shot, and an astute audience will be able to sense this.

Now, I say the film is told in a classic Noir style, but this can be misleading. There is no Humphrey Bogart in Blade Runner, snapping off brilliant one-liners once a second. Only hopeless people, in many ways victims of the merciless world of which they are all a part. Deckard is a typically downbeat protagonist, a hard-boiled cynical leading man with a weakness for heavy drinking. The plot is a mystery in name only, as the audience is allowed to know what Roy Batty, Pris and Leon are all up to before Deckard ever finds out. This only lends to the dread and inevitability of the film, lending further to its pervasive gloom. There is no final scene at the end where the bold detective puts all the pieces together and says "Ah-Ha!". Instead, we find Rick Deckard questioning his own existence and drinking away his constant doubts, all the while embroiled in a romantic relationship with someone he's sworn to kill.

Blade Runner requires audience participation, particularly in the Director's Cut, which is entirely devoid of some rather necessary exposition provided by the Original Cut's much-maligned voice-over. Certain facts will not be clear even at the end of the film, requiring personal interpretation in order to be appreciated fully. Other facts will be given away in much more subtle ways than in most modern cinema, such as through visual cues and tenuous dialogue.

Finally, visually, this movie is quite simply a science fiction triumph. It looks better than modern computer effects in every way that counts. Superimposed special effect objects don't give off that unnatural, clearly computer-generated "Lord of the Rings" sheen common in today's effects-driven blockbusters. This, of course, is because Blade Runner - while a gorgeous movie - is not effects driven in the least. Rather, it is a visually driven story that doesn't rely on special effects. This is an important distinction to make in today's Hollywood.

"Touch of Evil" really wasn't the last of the Great Film Noirs!

154 of 215 people found this review helpful.  Was this review helpful to you?

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About the whole 'is Deckard a Replicant' discussion marco-rodi-228-192246
Was Roy justified in murdering Tyrell? Jeepthang03
Proof Deckard is a Replicant? ferencegrizzal
Why on earth does Deckard travel without backup? CoinBiter
So probably the best movie ever made only gets 8.2 on IMDB? paulfranciscook
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