The Fury of a Patient Man (2016)
Tarde para la ira (original title)Reference View | Change View
- TV-MA
- 1h 32min
- Crime, Drama
- 15 Feb 2017 (USA)
- Movie
A hard-working single mother and wife of a getaway driver who is about to be released is approached by an unassuming and gentle man, completely unaware though of his inscrutable and utterly impelling motives.
Director:
Writers:
Awards:
- 32 wins & 30 nominations.
- See more »
Photos and Videos
Cast
| Antonio de la Torre | ... |
Jose
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| Luis Callejo | ... |
Curro
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| Ruth Díaz | ... |
Ana
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| Raúl Jiménez | ... |
Juanjo
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| Manolo Solo | ... |
Santi
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Font García | ... |
Julio
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| Pilar Gómez | ... |
Pili
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| Alicia Rubio | ... |
Carmen
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Gaizka Ardanaz | ... |
Toñín
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Luna Martín | ... |
Sara
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| Chani Martín | ... |
Marcelo
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Enrique de la Torre | ... |
Luismi
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Inma Sancho | ... |
Charo
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Paco Benjumea | ... |
Taxista
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Berta Hernández | ... |
Novia Jose
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Alfonso Blanco | ... |
Enano Jacín
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Juan Doñate | ... |
Tío Grandote
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Ramiro Alonso | ... |
Mariano
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| Chema Adeva | ... |
Médico
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| Chema del Barco | ... |
Recepcionista
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Juan Vinuesa | ... |
Chaval 6
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Directed by
| Raúl Arévalo | ||
Written by
| Raúl Arévalo | ... | (screenplay) & |
| David Pulido | ... | (screenplay) |
Produced by
| Beatriz Bodegas | ... | executive producer / producer |
| Sergio Díaz Bermejo | ... | line producer |
Music by
| Vanessa Garde | ||
| Lucio Godoy | ||
Cinematography by
| Arnau Valls Colomer | ||
Editing by
| Ángel Hernández Zoido | ||
Editorial Department
| Lucía Carrero Rodríguez | ... | post-production coordinator |
| Lara de Gracia | ... | Deliverables / post production assistant |
| Xavi G. Pereiro | ... | assistant editor (as Javier González) |
| Miguel P. Gilaberte | ... | digital intermediate colorist |
| Pablo Suárez | ... | negative processing |
Production Design by
| Antón Laguna | ||
Costume Design by
| Cristina Rodríguez | ||
| Alberto Valcárcel | ||
Makeup Department
| Yolanda Aguera | ... | reinforcement makeup/hair |
| Esther Guillem | ... | makeup and hair |
| Piluca Guillem | ... | makeup and hair |
| Marta Arce | ... | make up reinforcement (uncredited) |
Production Management
| Israel Mendoza | ... | unit production manager |
| Fiore T. Lyubomirova | ... | assistant production manager |
Second Unit Director or Assistant Director
| José Camacho | ... | third assistant director (as Jose Camacho) |
| Borja Leyva | ... | second assistant director |
| Olga Navarro | ... | third assistant director |
| José Ramón Otegui | ... | assistant director |
| Álvaro Riesgo | ... | additional assistant director |
Art Department
| Julián Esteban | ... | on-set props (as Julian Esteban) |
| Armando Fernández | ... | props |
| Serafín González | ... | assistant decorator |
| Andrew Hollis | ... | art intern |
| Paco Juez | ... | property master |
| Clemente Rivas | ... | assistant props |
| Oscar Troitiño | ... | props |
| Tanis Villar | ... | assistant props |
Sound Department
| Tamara Arévalo | ... | sound |
| Miguel Barbosa | ... | foley artist |
| Juan Dibarboure | ... | boom operator |
| Abraham F. Apresa | ... | assistant sound editor (as Abraham Fernández) / assistant sound editor: trailer (as Abraham Fernández) |
| Pelayo Gutiérrez | ... | sound editor |
| Ana Belén Martín | ... | sound producer |
| Alberto Ovejero | ... | sound editor / sound mixer |
| Andrea Paralta | ... | assistant re-recording mixer / assistant sound editor |
| Diego S. Staub | ... | foley mixer (as Diego Staub) |
| Pedro Sánchez Alonso | ... | sound |
| Guillermo Soler Peñalba | ... | boom operator (uncredited) |
Special Effects by
| Iker de la Calle | ... | special effects technician (as Iker de la Calle Latasa) |
| Raúl Romanillos | ... | special effects |
Visual Effects by
| Alicia Abril Carrera | ... | digital restoration |
| Sara Barberán | ... | visual effects |
| Helmuth Barnert | ... | visual effects supervisor |
| Álvaro Carbajosa | ... | cg artist |
| Raquel De La Haza | ... | visual effects editor |
| Josu Díaz Vitoria | ... | compositor / credits / digital compositor |
| Carmen García Sánchez | ... | compositor / visual effects artist (as Carmen García) |
| Miguel González Familiar | ... | visual effects producer |
| Eduardo Jiménez Abad | ... | visual effects producer (as Eduardo Jiménez) |
| Carolina Redondo | ... | visual effects coordinator |
| Carlos Téllez López | ... | compositor |
Stunts
| Adrián de Cea | ... | stunts |
| Natalia Espadas | ... | stunts (as Natalia Tejero) |
| Jesús Hernández | ... | stunts |
| Alejandro López Estacio | ... | stunts (as Alejandro López) |
| Eduardo Moratilla | ... | stunts |
| Abian Padrón | ... | stunts |
| Ricardo Rocca | ... | stunts |
| Brandy Rodríguez | ... | stunts (as Ildebrando Rodríguez) |
| César Solar | ... | stunts |
| Cuco Usín | ... | stunt coordinator / stunts |
Camera and Electrical Department
| Roberto Borjas Ponce | ... | gaffer (as Roberto Borjas) |
| Daniel Davó | ... | electrician |
| Gaizko Fanarraga | ... | first assistant camera |
| Julio Fernández Santa | ... | key grip |
| Olaf Guembe | ... | second assistant camera |
| Elías M. Félix | ... | second assistant camera: "b" camera (as Elías Martínez) |
| Pablo Marco | ... | electrician |
| Juan Carlos Marqués | ... | electrician |
| Iñigo Olea | ... | first assistant camera: "b" camera |
| Ramon Palacios-Pelletier | ... | still photographer (as Ramón Palacios) |
| Manolo Pavón | ... | still photographer |
| Carlos Rigo | ... | camera trainee |
| Jaime Serrat | ... | video assist |
| Fran Soto | ... | electrician / grip |
| Shaun de Ponte | ... | workflow supervisor: Romania (uncredited) |
| Adrián Fernández | ... | grip (uncredited) |
Casting Department
| Iván Armesto | ... | extras casting director |
| Marcelo Cortazzo | ... | extras coordinator (uncredited) |
Costume and Wardrobe Department
| Pilar Feijóo | ... | costume intern |
| María Ángeles Gil | ... | seamstress |
| Consuelo Salvador | ... | costume intern |
Music Department
| Daniel Casares | ... | musician: song "Quiero" |
| Vanessa Garde | ... | music producer |
| Paquito González | ... | musician: song "Quiero" |
| Carlos Grillo | ... | musician: song "Quiero" |
| Ian Kagey | ... | pro-tools |
| Londro | ... | musician: song "Quiero" |
| Rosa Marchena | ... | music coordinator |
| Carol Marín | ... | recording engineer: song "Quiero" |
| Diego Montoya | ... | musician: song "Quiero" |
| Guillermo Ruiz Carmona | ... | musician: song "Quiero" |
Script and Continuity Department
| Glòria Blanes | ... | script supervisor (as Gloria Blanes) |
Additional Crew
| Patricia Alcolea | ... | production assistant |
| Alexandre Bourg | ... | publicity assistant |
| Patricia Echevarría | ... | marketing director |
| Marin Leo Jankovic | ... | marketing and publicity: Croatia |
| Romuald Lagoude | ... | delivery manager |
| Elena Maeso | ... | production assistant |
| Laura Marroquín | ... | production assistant |
| Rafa Martínez | ... | marketing and creative services |
| Raquel Mendiguren | ... | production assistant |
| Miguel Peñas Otegui | ... | production assistant (as Miguel Peñas) |
| Vivien Quetglas | ... | production coordinator |
| César Rojo | ... | production accountant |
| Gloria Rúa | ... | production assistant |
| Fernando Ramos | ... | design producer (uncredited) |
Thanks
| Irene Anula | ... | the director wishes to thank |
| Iñaki Ardanaz | ... | the director wishes to thank |
| Roberto Bodegas | ... | the producers wish to thank |
| Javier Cámara | ... | the director wishes to thank |
| José Antonio Félez | ... | the director wishes to thank |
| Esther García | ... | the director wishes to thank |
| Pedro Hermosilla | ... | the director wishes to thank |
| La Húngara | ... | special thanks |
| Melina Matthews | ... | the director wishes to thank |
| Curro Novallas | ... | the director wishes to thank |
| Pepe Ocio | ... | the director wishes to thank |
| Manolo Pavón | ... | the director wishes to thank |
| Miguel Poveda | ... | special thanks |
| Canco Rodríguez | ... | the director wishes to thank |
| Alicia Rubio | ... | the director wishes to thank |
| Diego San José | ... | the director wishes to thank (as Diego San Jose) |
| David Serrano | ... | the director wishes to thank |
| José Manuel Sospedra | ... | the producers wish to thank |
| José Manuel Soto | ... | special thanks |
| Daniel Sánchez Arévalo | ... | the director wishes to thank |
| Juan Vinuesa | ... | the director wishes to thank |
Production Companies
Distributors
- ARP Sélection (2017) (France) (theatrical)
- BIM Distribuzione (2017) (Italy) (theatrical)
- Cinéart (2017) (Belgium) (theatrical)
- Cinéart (2017) (Netherlands) (theatrical)
- Entertainment One (2016) (Spain) (theatrical)
- The Klockworx (2017) (Japan) (theatrical)
- Weird Wave (2017) (Greece) (theatrical)
- Film1 (2018) (Netherlands) (tv) (limited)
- Netflix (2017) (Australia) (video) (VOD)
- Netflix (2017) (Japan) (video) (VOD)
- Twin Pics (2017) (Netherlands) (DVD)
Special Effects
Other Companies
- Carger (messenger service)
- Comesa Catering (catering)
- Deluxe 103 (sound post-production)
- Deluxe Spain (sound post-production)
- Efe-X (special effects)
- Equipos Profesionales Cinematográficos (EPC) (camera equipment provided by)
- Fintage CAM (collection account management)
- Free your mind (color grading)
- Free your mind (post-production)
- Free your mind (visual effects)
- Generaluz (grip and lighting equipment)
- Grip Crew (grip and lighting equipment)
- José Luis Fernández (sound equipment)
- Laserfilm (subtitles)
- Lux Light Team Valencia (grip and lighting equipment)
- Oasis (post-production facilities)
- Peris Costumes (wardrobe)
- Personal 7 (extras)
- Porteria de Jorge Juan, La (press office)
- Recent Spanish Cinema (programming)
- Risk Media Group (insurances)
- Serviatrezzo (art department services)
- Sound Troop (foley studio)
- Tecnitrán Comunicaciones (walkies)
- The Stunt Club (stunt team)
- Vázquez Hermanos (art department services)
Storyline
| Plot Summary |
In a squalid working-class cafe located in a barrio somewhere in Madrid, hard-working single mother Ana struggles to make ends meet as a bartender, living a simple and routine life with her only son. Patiently, for the past eight long years, Ana has been waiting for her criminal boyfriend Curro's release, while in the meantime, the unassuming and gentle Jose has already become a regular customer spending a lot of time in her cafe, quite obviously in fond of her. And then, one day, Curro is finally released, still violent and resentful after his long-lasting incarceration, threatening not only Ana's peace but also her tentative and fragile romance with Jose. Eventually, having no other choice but to escape, Ana will accept Jose's offer to live with her son in his secluded cottage, completely unaware though of quiet Jose's inscrutable and utterly impelling motives. Written by Nick Riganas |
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | EUR1,200,000 (estimated) |
Did You Know?
| Trivia | The very particular voice that Manolo Solo uses to play his character was developed as a joke in rehearsals, but director Raúl Arévalo liked it so much that ask him to use it in the movie. See more » |
| Goofs | At around 01h04 when Curro goes out to pick up the car, when he is about to get in, crew is visible by reflection in the back of the car. See more » |
| Movie Connections | Remade as The Fury of a Patient Man. See more » |
| Soundtracks | Quiero See more » |