Jane Schoenbrun’s “I Saw The TV Glow,” out in limited theaters now, is about teenagers Maddy (Brigette Lundy-Paine) and Owen (Justice Smith), who bond over a “Buffy the Vampire Slayer”-style TV show, “The Pink Opaque.” As they continue to get more into the lore of the television show, the edges blur between the reality of their lives and “The Pink Opaque.”
Schoenbrun has described “Buffy” as a pivotal show for them while they were growing up, so creating their version of that felt like giving their 13-year-old self a gift. So getting “The Pink Opaque” just right was monumental.
The premise of “The Pink Opaque,” like most ’90s shows, is perfectly silly and immediately nostalgic. Isabel (Helena Howard) and Tara (Snail Mail’s Lindsay Jordan) meet at summer camp and realize they have an ancient, psychic connection. When camp ends, the two are able to meet on a...
Schoenbrun has described “Buffy” as a pivotal show for them while they were growing up, so creating their version of that felt like giving their 13-year-old self a gift. So getting “The Pink Opaque” just right was monumental.
The premise of “The Pink Opaque,” like most ’90s shows, is perfectly silly and immediately nostalgic. Isabel (Helena Howard) and Tara (Snail Mail’s Lindsay Jordan) meet at summer camp and realize they have an ancient, psychic connection. When camp ends, the two are able to meet on a...
- 5/9/2024
- by Kerensa Cadenas
- Indiewire
Exploring the Depths of Adolescence and Nostalgia in I Saw the TV Glow In 2024, I Saw the TV Glow emerges as a profound narrative that resonates deeply, unveiling the complexities of youth and nostalgia. Directed by Jane Schoenbrun, known for their distinctive narrative style, this film encapsulates the haunting and often misleading lenses of childhood memories accentuated by television. The narrative focuses around Owen and Maddy, portrayed by Justice Smith and Brigette Lundy-Paine respectively, who find solace in a mysterious TV show. Within its spectral glow, they confront issues far beyond their adolescent stirrings, exploring deep-seated gender identity and
The post Review of I Saw the TV Glow Movie first appeared on TVovermind.
The post Review of I Saw the TV Glow Movie first appeared on TVovermind.
- 5/8/2024
- by Steve Delikson
- TVovermind.com
With We’re All Going to the World’s Fair, Jane Schoenbrun crafted an unsettling yet deeply affecting portrayal of alienation in the internet age.
Backed by A24, their sophomore feature, I Saw the TV Glow, explores similar themes of dysphoria through a wider scope without sacrificing the personal resonance.
I spoke with Schoenbrun about how the movies complement one another, recreating the 1990s on film, their love of Buffy the Vampire Slayer, and more.
Bloody Disgusting: In your own words, what’s I Saw the TV Glow about?
It’s a movie about these two kids [played by Justice Smith and Brigette Lundy-Paine] stuck in the suburbs who are obsessed with the kind of TV I was obsessed with when I was a kid stuck in the suburbs, which was a trend specific to maybe the era that the movie takes place in, which is the 1990s. It’s a TV show [titled The Pink Opaque] in...
Backed by A24, their sophomore feature, I Saw the TV Glow, explores similar themes of dysphoria through a wider scope without sacrificing the personal resonance.
I spoke with Schoenbrun about how the movies complement one another, recreating the 1990s on film, their love of Buffy the Vampire Slayer, and more.
Bloody Disgusting: In your own words, what’s I Saw the TV Glow about?
It’s a movie about these two kids [played by Justice Smith and Brigette Lundy-Paine] stuck in the suburbs who are obsessed with the kind of TV I was obsessed with when I was a kid stuck in the suburbs, which was a trend specific to maybe the era that the movie takes place in, which is the 1990s. It’s a TV show [titled The Pink Opaque] in...
- 5/8/2024
- by Alex DiVincenzo
- bloody-disgusting.com
“I Saw the TV Glow” is a film that will have you searching for the soundtrack on your ride home from the theater. It’s an assembly of incredible tracks that collectively capture the emotional journey of Owen (Justice Smith) growing up in a suburban world where he can’t be his true self.
“Music was such a formative part of my teenage years and remains such a formative part of my life,” director Jane Schoenbrun said when they were on an upcoming episode of the Filmmaker Toolkit podcast to discuss “I Saw the TV Glow.” “It just made sense that this very teenage movie needed a classic teenage soundtrack.”
The writer/director started with an ambitious plan: Ask their favorite modern bands to write songs for the film’s fictional 1990s TV show, “The Pink Opaque,” which becomes Owen’s obsession after new friend Maddy (Brigette Lundy-Paine) introduces it to him.
“Music was such a formative part of my teenage years and remains such a formative part of my life,” director Jane Schoenbrun said when they were on an upcoming episode of the Filmmaker Toolkit podcast to discuss “I Saw the TV Glow.” “It just made sense that this very teenage movie needed a classic teenage soundtrack.”
The writer/director started with an ambitious plan: Ask their favorite modern bands to write songs for the film’s fictional 1990s TV show, “The Pink Opaque,” which becomes Owen’s obsession after new friend Maddy (Brigette Lundy-Paine) introduces it to him.
- 5/8/2024
- by Chris O'Falt
- Indiewire
Writer/Director Jane Schoenbrun’s I Saw the TV Glow is one of this year’s most talked-about horror movies, and we want you to be a part of the discourse. A24 is offering early sneak previews in select cities across the country ahead of its nationwide release on May 17th.
Screenings are taking place in the following cities…
Austin, TX Boston, Ma Chicago, Il Los Angeles, CA New York City, NY San Francisco, CA
Reserve your tickets while they’re still available.
Meagan Navarro wrote in her Sundance review for Bd, “I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.” Meagan continues, “Schoenbrun delivers a singular vision of arthouse horror that entrances for its fevered dream style and insanely cool imagery.”
Justice Smith (Jurassic World Dominion) and Brigette Lundy-Paine (Bill & Ted Face the Music,...
Screenings are taking place in the following cities…
Austin, TX Boston, Ma Chicago, Il Los Angeles, CA New York City, NY San Francisco, CA
Reserve your tickets while they’re still available.
Meagan Navarro wrote in her Sundance review for Bd, “I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.” Meagan continues, “Schoenbrun delivers a singular vision of arthouse horror that entrances for its fevered dream style and insanely cool imagery.”
Justice Smith (Jurassic World Dominion) and Brigette Lundy-Paine (Bill & Ted Face the Music,...
- 5/8/2024
- by Michael Roffman
- bloody-disgusting.com
I Saw the TV Glow.Jane Schoenbrun understands the cursed records of suburban memory. Their films—A Self-Induced Hallucination (2018), We’re All Going to the World’s Fair (2021), and now I Saw the TV Glow (2024)—construct imagined archives from cultural ephemera, like internet lore, YouTube videos, and television shows. These pieces of world-building distort the concept of the transition timeline—a series of images that tracks the effects of Hormone Replacement Therapy—by undercutting the sincerity of the so-called transition “journey” with displays of disappointment and dysphoria. Whether searching for information about ghosts, ghouls, or gender, Schoenbrun’s characters struggle to self-actualize. In I Saw the TV Glow (2024), the cul-de-sacs are covered in chalk hieroglyphs for a séance with the people we might have been. Around every corner lies a new monster of the week: longing, loneliness, horniness.Other artists have used imagined archives as a way to examine desire, projection, and gender.
- 5/7/2024
- MUBI
Four months of horror releases down, eight to go! With our 2024 Horror Preview, we’re looking ahead at some of the other horror movies we can’t wait to check out this year. For now, we’re only including movies that have a known release date, so films like the remakes/reboots of The Toxic Avenger and Witchboard are currently absent because they don’t have a release date yet, even though they’re likely to show up at some point in 2024. Here we go:
I Saw The TV Glow – Now Playing
JoBlo’s own Chris Bumbray wasn’t a fan of I Saw the TV Glow (which is coming our way from A24 and We’re All Going to the World’s Fair director Jane Schoenbrun) when he saw it at the Sundance Film Festival, giving it a 5/10 review (you can read it at This Link) where he said the movie...
I Saw The TV Glow – Now Playing
JoBlo’s own Chris Bumbray wasn’t a fan of I Saw the TV Glow (which is coming our way from A24 and We’re All Going to the World’s Fair director Jane Schoenbrun) when he saw it at the Sundance Film Festival, giving it a 5/10 review (you can read it at This Link) where he said the movie...
- 5/7/2024
- by Cody Hamman
- JoBlo.com
The Transgender Film Center has unveiled the first-ever Career Development Lab cohort.
Eight creatives working in film and TV were selected by the nonprofit, which focuses on advancing the work of transgender film creators, to participate in this intensive 12-week career accelerator supported by Netflix’s Fund for Creative Equity. “Our mission is to bring more trans-made stories to the world, and we designed the lab to address the root of the opportunity, by helping more transgender creators find career success in TV and film,” said Tfc executive director Sav Rodgers in a statement.
The 2024 class is comprised of Amanda Cruz Gonzalez, Elliott Feliciano, Alexandra Grey, Sir Lex Kennedy, Sepi Mashiahof, Xoai Pham, Ingrid Raphaël and Georden West. They were selected from a pool of hundreds of initial applications through a process that evaluated their potential, readiness, need and values alongside work samples, career histories and personal essays.
“We had...
Eight creatives working in film and TV were selected by the nonprofit, which focuses on advancing the work of transgender film creators, to participate in this intensive 12-week career accelerator supported by Netflix’s Fund for Creative Equity. “Our mission is to bring more trans-made stories to the world, and we designed the lab to address the root of the opportunity, by helping more transgender creators find career success in TV and film,” said Tfc executive director Sav Rodgers in a statement.
The 2024 class is comprised of Amanda Cruz Gonzalez, Elliott Feliciano, Alexandra Grey, Sir Lex Kennedy, Sepi Mashiahof, Xoai Pham, Ingrid Raphaël and Georden West. They were selected from a pool of hundreds of initial applications through a process that evaluated their potential, readiness, need and values alongside work samples, career histories and personal essays.
“We had...
- 5/6/2024
- by Abbey White
- The Hollywood Reporter - Movie News
L-r: We’re All Going To The World’s Fair; Jane Schoenbrun; I Saw The TV GlowScreenshot: Utopia/YouTube, Photo: Kristina Bumphrey/Shutterstock, A24
“This isn’t the Midnight Realm, Maddy. It’s just the suburbs.”
I didn’t watch We’re All Going To The World’s Fair—I felt it.
“This isn’t the Midnight Realm, Maddy. It’s just the suburbs.”
I didn’t watch We’re All Going To The World’s Fair—I felt it.
- 5/6/2024
- by Emma Keates
- avclub.com
Mpx launching Cannes sales on rom-com ‘Books & Drinks’ from ‘Pepe’ producer Pablo Lozano (exclusive)
Motion Picture Exchange (Mpx) has boarded worldwide sales on the romantic comedy Books & Drinks from the producer of Berlinale Competition entry Pepe and starring Jackson Rathbone from the Twilight Saga.
Rathbone plays David, the owner of a struggling bookstore in New York City who learns he has inherited a house in the Dominican Republic from the father he never knew.
David plans to sell the residence but his life is turned upside-down when he visits the Caribbean and meets his realtor, Maria, played by Nashla Bogaert. Clara Lago also stars.
Geoffrey Cowper directed the Veranera Films production from a screenplay by Josep Ciutat.
Rathbone plays David, the owner of a struggling bookstore in New York City who learns he has inherited a house in the Dominican Republic from the father he never knew.
David plans to sell the residence but his life is turned upside-down when he visits the Caribbean and meets his realtor, Maria, played by Nashla Bogaert. Clara Lago also stars.
Geoffrey Cowper directed the Veranera Films production from a screenplay by Josep Ciutat.
- 5/6/2024
- ScreenDaily
When Universal decided to jump on the first weekend of May, a slot normally taken up by Marvel’s popular superhero movies, they were hoping the combo of “Barbenheimer” stars, Ryan Gosling and Emily Blunt, would make “The Fall Guy” a huge early summer hit. That’s not what happened. Read on for the weekend box office report.
Going into the weekend, “The Fall Guy” had everything going for it, from two of the biggest Oscar-nominated stars from 2023’s biggest blockbusters – one who recently hosted “Saturday Night Live” to great success – plus reviews had been great going back to its premiere at the SXSW Film and TV Festival. Universal even screened the movie for exhibitors (i.e. theater owners) at the annual CinemaCon to get excitement going for the start of the summer movie season.
On Friday, Universal opened “The Fall Guy” nationwide into 4,002 theaters, another indicator that many were expecting a huge hit,...
Going into the weekend, “The Fall Guy” had everything going for it, from two of the biggest Oscar-nominated stars from 2023’s biggest blockbusters – one who recently hosted “Saturday Night Live” to great success – plus reviews had been great going back to its premiere at the SXSW Film and TV Festival. Universal even screened the movie for exhibitors (i.e. theater owners) at the annual CinemaCon to get excitement going for the start of the summer movie season.
On Friday, Universal opened “The Fall Guy” nationwide into 4,002 theaters, another indicator that many were expecting a huge hit,...
- 5/5/2024
- by Edward Douglas
- Gold Derby
With ”The Fall Guy” (Universal), summer 2024 box office didn’t kick off; it just sort of happened. It opened to $28.5 million, a 52 percent drop from last year with “Guardians of the Galaxy Vol. 3.” Hopefully, that will be the last precipitous weekend drop (aside from the inevitable “Barbie”/”Oppenheimer” July weekend of $310 million).
This $76 million domestic weekend is bad, but “The Fall Guy” shortfall is worse. Estimates were broad, but worst-case scenarios predicted $30 million. The Ryan Gosling action rom-com had all the earmarks of audience appeal. Whatever its possible limitations — and a $130 million budget — that’s a terrible look to start the summer.
Despite good reviews, Gosling’s momentum, director David Leitch’s proven box office success, the usually lucrative playdate, and a decent A- Cinemascore, “The Fall Guy” opened to only a little more than $3 million above “Civil War” (A24), April’s best opener.
“The Kingdom of the Planet...
This $76 million domestic weekend is bad, but “The Fall Guy” shortfall is worse. Estimates were broad, but worst-case scenarios predicted $30 million. The Ryan Gosling action rom-com had all the earmarks of audience appeal. Whatever its possible limitations — and a $130 million budget — that’s a terrible look to start the summer.
Despite good reviews, Gosling’s momentum, director David Leitch’s proven box office success, the usually lucrative playdate, and a decent A- Cinemascore, “The Fall Guy” opened to only a little more than $3 million above “Civil War” (A24), April’s best opener.
“The Kingdom of the Planet...
- 5/5/2024
- by Tom Brueggemann
- Indiewire
The Fall Guy, Universal’s romantic action comedy starring Ryan Gosling as a stunt man and Emily Blunt as a tentpole director, kicked off summer slightly below expectations on an estimated $28.5m to lead North American box office.
The film had been forecast to open in the low $30m range and Universal executives are looking at the long play and will hope it gathers momentum powered by word of mouth and an A- CinemaScore result.
Costing a reported $130m, it will need to pick up speed, just as director and former stuntman David Leitch’s previous film Bullet Train did...
The film had been forecast to open in the low $30m range and Universal executives are looking at the long play and will hope it gathers momentum powered by word of mouth and an A- CinemaScore result.
Costing a reported $130m, it will need to pick up speed, just as director and former stuntman David Leitch’s previous film Bullet Train did...
- 5/5/2024
- ScreenDaily
A24’s I Saw The TV Glow beamed out one of the best limited openings of the year as the specialty market shows signs of life after a dreary April.
The ‘90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun. It’s the helmer’s second outing after We’re All Going To The World’s Fair established them as an edgy new voice. The film, which premiered at Sundance, saw multiple sold-out Q&As over the weekend with strong reviews and exit polls. Expands into selected top markets this weekend with a continued rollout to follow.
Produced by Emma Stone under her Fruit Tree Banner, it follows a teenager named Owen (Justice Smith) trying to make it through life in the suburbs. The weirdness starts when his older classmate (Brigette Lundy-Paine) introduces him...
The ‘90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun. It’s the helmer’s second outing after We’re All Going To The World’s Fair established them as an edgy new voice. The film, which premiered at Sundance, saw multiple sold-out Q&As over the weekend with strong reviews and exit polls. Expands into selected top markets this weekend with a continued rollout to follow.
Produced by Emma Stone under her Fruit Tree Banner, it follows a teenager named Owen (Justice Smith) trying to make it through life in the suburbs. The weirdness starts when his older classmate (Brigette Lundy-Paine) introduces him...
- 5/5/2024
- by Jill Goldsmith
- Deadline Film + TV
Being an independent film fan is full of surprises, as each slate of festival releases brings a new wave of emerging filmmakers, breakout stars, and established actors playing against type in bold films. But it’s hard to imagine that even the biggest cultural omnivore could have predicted that 2024 would spark a renaissance in Fred Durst’s acting career.
The Limp Bizkit frontman, who helped pioneer the nu metal genre throughout the ’90s by combining hip-hop and rock on albums with poetic titles like “Three Dollar Bill, Y’all,” and “Chocolate Starfish and the Hot Dog Flavored Water,” has been a sporadic presence in movies for the past quarter century. Aside from a handful of small roles in the 2000s, he’s best known to cinephiles as the director of “The Fanatic,” the infamous 2019 stalker thriller starring John Travolta as an autistic man named Moose that somehow manages to be more offensive than it sounds.
The Limp Bizkit frontman, who helped pioneer the nu metal genre throughout the ’90s by combining hip-hop and rock on albums with poetic titles like “Three Dollar Bill, Y’all,” and “Chocolate Starfish and the Hot Dog Flavored Water,” has been a sporadic presence in movies for the past quarter century. Aside from a handful of small roles in the 2000s, he’s best known to cinephiles as the director of “The Fanatic,” the infamous 2019 stalker thriller starring John Travolta as an autistic man named Moose that somehow manages to be more offensive than it sounds.
- 5/5/2024
- by Christian Zilko
- Indiewire
“I’d direct an Agent Smith origin story,” Jane Schoenbrun tossed out on X, formerly known as Twitter, on the morning of April 3. The shout-out to the AI antagonist of “The Matrix” was posted in the hours after Warner Bros. announced a fifth film in the science-fiction franchise, with writer-director Drew Goddard taking the reins from series creators Lana and Lilly Wachowski, who both came out as trans after the release of the original trilogy.
“I was always kind of like, ‘Oh, they would probably let me do a “Matrix” movie, if I asked.’ Because trans,” jokes Schoenbrun, who identifies as nonbinary and uses they/them pronouns. The director keeps a casual tone, but their interest in Agent Smith is enthusiastic and thoughtful.
“‘The Matrix’ is very in conversation with trans themes that my work is also interested in: this feeling of unreality that can be a potent metaphor for...
“I was always kind of like, ‘Oh, they would probably let me do a “Matrix” movie, if I asked.’ Because trans,” jokes Schoenbrun, who identifies as nonbinary and uses they/them pronouns. The director keeps a casual tone, but their interest in Agent Smith is enthusiastic and thoughtful.
“‘The Matrix’ is very in conversation with trans themes that my work is also interested in: this feeling of unreality that can be a potent metaphor for...
- 5/4/2024
- by J. Kim Murphy
- Variety Film + TV
Chicago – The 2024 Chicago Critics Film Festival is off and running, and the third day – Sunday, May 5th – screens and the 30th Anniversary of a modern classic and a highly anticipated upcoming release. “I Saw the TV Glow” by Jane Schoenbrun and “Little Women” (the 1994 version) anchor a full day of cinema heroics. For the full schedule, info and tickets, click Ccff May 5th. For individual films, click titles below.
30th Anniversary, Little Women
Little Women
Photo credit: ChicagoCriticsFilmFestival.com
Based on the classic 1868 novel about love, family and the female spirit, Louisa May Alcott tells the domestic saga of the March family in post-Civil War America with a cast that includes Winona Ryder, Susan Sarandon, Clare Danes, Christian Bale, Kirsten Dunst, Gabriel Byrne, Samantha Mathis, Eric Stoltz and Trini Alvarado.
Capsule Review: Greta Gerwig’s 2019 re-imagining aside, the 1994 version – directed by Gillian Armstrong – of the oft-filmed classic combines the elements...
30th Anniversary, Little Women
Little Women
Photo credit: ChicagoCriticsFilmFestival.com
Based on the classic 1868 novel about love, family and the female spirit, Louisa May Alcott tells the domestic saga of the March family in post-Civil War America with a cast that includes Winona Ryder, Susan Sarandon, Clare Danes, Christian Bale, Kirsten Dunst, Gabriel Byrne, Samantha Mathis, Eric Stoltz and Trini Alvarado.
Capsule Review: Greta Gerwig’s 2019 re-imagining aside, the 1994 version – directed by Gillian Armstrong – of the oft-filmed classic combines the elements...
- 5/4/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Unveiling the Engrossing World of I Saw the TV Glow The captivating allure of I Saw the TV Glow, helmed by the visionary director Jane Schoenbrun, has taken cinema by storm. Utilizing an evocative 1990s backdrop, Schoenbrun crafted a film that not only resonates deeply with audiences but also explores the nostalgia and escapism through its emotionally charged narrative. In I Saw the TV Glow, viewers follow Owen, depicted brilliantly by Justice Smith, and Maddie, played by Brigette Lundy-Paine. These two suburban strangers find solace and understanding through a fictional supernatural series called The Pink Opaque. Mirroring real-life struggles and
The post I Saw the TV Glow Explored: A Cinematic Journey into Escapism and Nostalgia first appeared on TVovermind.
The post I Saw the TV Glow Explored: A Cinematic Journey into Escapism and Nostalgia first appeared on TVovermind.
- 5/4/2024
- by Steve Delikson
- TVovermind.com
“The Fall Guy” is swinging into theaters this weekend, as are the indie masterpieces “I Saw the TV Glow” and “Evil Does Not Exist.” Fortunately, a handful of fun and intriguing titles are also hitting digital platforms, including a dynamic documentary about a rock ‘n’ roll linchpin.
The contender to watch this week: “Catching Fire: The Story of Anita Pallenberg”
No, this isn’t a “Hunger Games” sequel. Anita Pallenberg was an actress, a New York It Girl, and a denizen of Andy Warhol’s Factory, but she is best known as an associate of the Rolling Stones. She dated founder Brian Jones and, later, guitarist Keith Richards, with whom she had three children. Some people have called her the band’s muse. Pallenberg’s life was not always as glamorous as it sounds, though, and directors Alexis Bloom and Svetlana Zill mine her highs and lows for a compelling...
The contender to watch this week: “Catching Fire: The Story of Anita Pallenberg”
No, this isn’t a “Hunger Games” sequel. Anita Pallenberg was an actress, a New York It Girl, and a denizen of Andy Warhol’s Factory, but she is best known as an associate of the Rolling Stones. She dated founder Brian Jones and, later, guitarist Keith Richards, with whom she had three children. Some people have called her the band’s muse. Pallenberg’s life was not always as glamorous as it sounds, though, and directors Alexis Bloom and Svetlana Zill mine her highs and lows for a compelling...
- 5/4/2024
- by Matthew Jacobs
- Gold Derby
It’s been a rough few weeks for indies but May is here with a handful of hopefuls looking to rev up the market — from A24’s buzzy I Saw The TV Glow to Ryusuke Hamaguchi’s Venice award-winning Evil Does Not Exist. A documentary about Anita Pallenberg featuring Scarlett Johansson hits theaters, with a French animated sci-fi set on Mars, and a Flannery O’Conner biopic by Ethan Hawke.
I Saw The TV Glow is written and directed by Jane Schoenbrun (We’re All Going To The World’s Fair) and produced by Emma Stone under her Fruit Tree Banner. The horror-thriller that gripped Sundance (Deadline review called it a “trippy gut punch”) then SXSW follows a teenager named Owen trying to make it through life in the suburbs. The weirdness starts when his classmate introduces him to a mysterious late-night TV show, a vision of a supernatural world beneath their own.
I Saw The TV Glow is written and directed by Jane Schoenbrun (We’re All Going To The World’s Fair) and produced by Emma Stone under her Fruit Tree Banner. The horror-thriller that gripped Sundance (Deadline review called it a “trippy gut punch”) then SXSW follows a teenager named Owen trying to make it through life in the suburbs. The weirdness starts when his classmate introduces him to a mysterious late-night TV show, a vision of a supernatural world beneath their own.
- 5/3/2024
- by Jill Goldsmith
- Deadline Film + TV
With highly anticipated titles “The Fall Guy” and “I Saw the TV Glow” hitting theaters this weekend and a slew of studio blockbusters following in the coming weeks, the summer movie season is officially upon us. But studio slates look thinner this year than in the past, as strikes prevented many titles from wrapping production in 2023. But streaming services remain a reliable content source for anyone with a movie itch that the latest releases just aren’t scratching. And this month’s additions to the Netflix film library are no exception.
The streaming giant is rolling out Jerry Seinfeld’s long-awaited Pop-Tarts movie “Unfrosted” as its highest-profile release of the month. The comedy is flanked by a robust collection of repertory titles that should satisfy a variety of film tastes.
Keep reading for seven new movies hitting Netflix in May 2024.
The streaming giant is rolling out Jerry Seinfeld’s long-awaited Pop-Tarts movie “Unfrosted” as its highest-profile release of the month. The comedy is flanked by a robust collection of repertory titles that should satisfy a variety of film tastes.
Keep reading for seven new movies hitting Netflix in May 2024.
- 5/3/2024
- by Christian Zilko
- Indiewire
Watch the full episode above or listen to it below.
On this week’s “Screen Talk,” co-hosts Ryan Lattanzio and Anne Thompson review new releases “The Fall Guy” (Universal), “Wildcat” (Oscilloscope), and “I Saw the TV Glow” (A24). While they both enjoyed David Leitch’s latest stunt-fest, starring Ryan Gosling as a movie stuntman and Emily Blunt as his director and ex-girlfriend, Thompson said the movie set in Sydney was well-mounted but a tad shallow and cartoony, while Lattanzio said it was not a challenging movie in any way, and that a series of showdowns and battles pile on at the end. Box office projections are all over the map, from $25-50 million. Upbeat word of mouth should carry the day.
Despite lukewarm Sundance reactions to Ethan Hawke’s “Wildcat” — which the actor-director-writer (“Blaze”) crafted specifically for his daughter, actress Maya Hawke, who plays Southern writer Flannery O’Connor — both Lattanzio and Thompson admired the movie,...
On this week’s “Screen Talk,” co-hosts Ryan Lattanzio and Anne Thompson review new releases “The Fall Guy” (Universal), “Wildcat” (Oscilloscope), and “I Saw the TV Glow” (A24). While they both enjoyed David Leitch’s latest stunt-fest, starring Ryan Gosling as a movie stuntman and Emily Blunt as his director and ex-girlfriend, Thompson said the movie set in Sydney was well-mounted but a tad shallow and cartoony, while Lattanzio said it was not a challenging movie in any way, and that a series of showdowns and battles pile on at the end. Box office projections are all over the map, from $25-50 million. Upbeat word of mouth should carry the day.
Despite lukewarm Sundance reactions to Ethan Hawke’s “Wildcat” — which the actor-director-writer (“Blaze”) crafted specifically for his daughter, actress Maya Hawke, who plays Southern writer Flannery O’Connor — both Lattanzio and Thompson admired the movie,...
- 5/3/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
Writer/Director Jane Schoenbrun’s feature debut, We’re All Going to the World’s Fair, captured the isolating nature of online culture via creepypasta horror through non-narrative, visual storytelling. Schoenbrun continues that core theme of dysphoria in their sophomore effort, I Saw the TV Glow, now armed with a bigger budget that allows the filmmaker to get even more personal while evolving their voice and visual style to an intoxicating degree. I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.
I Saw the TV Glow charts the life of Owen (Justice Smith) over multiple decades, initially introduced as an early teen (Ian Foreman) in 1996. Owen is a dysphoric and friendless outcast until he bumps into a slightly older student and fellow outcast, Maddy (Brigette Lundy-Paine), at his high school. The pair quickly bond...
I Saw the TV Glow charts the life of Owen (Justice Smith) over multiple decades, initially introduced as an early teen (Ian Foreman) in 1996. Owen is a dysphoric and friendless outcast until he bumps into a slightly older student and fellow outcast, Maddy (Brigette Lundy-Paine), at his high school. The pair quickly bond...
- 5/3/2024
- by Meagan Navarro
- bloody-disgusting.com
Ian Sweet, the recording project of Jilian Medford, has shared a new cover of Broken Social Scene’s classic indie tune “Anthems for a Seventeen Year Old Girl.” Stream the song below.
Medford’s version of the track begins by tapping into the undefined nostalgia of the 2002 original, complete with atmospheric synths and vocal effects. As the song continues, massive guitar chords open the instrumental up and Medford’s emotive vocals jump to the forefront of the mix.
“Broken Social Scene’s music has always felt like the equivalent of a hug, and I think at some point everyone has to have *that* moment with ‘Anthems For A Seventeen Year-Old Girl,’” she said of the track. “It so poignantly nails the difficulty of trying to exist within the moment of being a teenager while you’re simultaneously looking towards the inevitable transitions looming on the horizon. You want to cry…...
Medford’s version of the track begins by tapping into the undefined nostalgia of the 2002 original, complete with atmospheric synths and vocal effects. As the song continues, massive guitar chords open the instrumental up and Medford’s emotive vocals jump to the forefront of the mix.
“Broken Social Scene’s music has always felt like the equivalent of a hug, and I think at some point everyone has to have *that* moment with ‘Anthems For A Seventeen Year-Old Girl,’” she said of the track. “It so poignantly nails the difficulty of trying to exist within the moment of being a teenager while you’re simultaneously looking towards the inevitable transitions looming on the horizon. You want to cry…...
- 5/2/2024
- by Jonah Krueger
- Consequence - Music
What was done many years ago may find its way back to the modern cinema, and brand new movies and shows drawing their inspiration from the cult classic don’t cease to prove it.
With all numerous and versatile horror films hitting cinemas every month, it doesn’t come as a surprise that literally all of them borrowed something very peculiar from other thrilling, yet successful stories.
It’s not exactly the case of Jane Schoenbrun’s upcoming A24 horror-thriller I Saw The TV Glow, there’s something in there that actually derives from the 1997 cult supernatural drama. You still may not notice it though.
Speaking to IndieWire ahead of the movie’s theatrical release, Schoenbrun revealed that the storyline of the upcoming thriller’s main character Owen was partially inspired by Buffy the Vampire Slayer’s season 6 episode called Once More With Feeling.
In there, the famous supernatural show...
With all numerous and versatile horror films hitting cinemas every month, it doesn’t come as a surprise that literally all of them borrowed something very peculiar from other thrilling, yet successful stories.
It’s not exactly the case of Jane Schoenbrun’s upcoming A24 horror-thriller I Saw The TV Glow, there’s something in there that actually derives from the 1997 cult supernatural drama. You still may not notice it though.
Speaking to IndieWire ahead of the movie’s theatrical release, Schoenbrun revealed that the storyline of the upcoming thriller’s main character Owen was partially inspired by Buffy the Vampire Slayer’s season 6 episode called Once More With Feeling.
In there, the famous supernatural show...
- 5/2/2024
- by benjamin-patel@startefacts.com (Benjamin Patel)
- STartefacts.com
Have you ever loved a TV show? Like, really loved it, to the point where your identity became wrapped up in it, where you engaged in life-or-death debates over characters and story arcs, strongest seasons and best episodes? Where the minutiae and the mythology of it became something between a shorthand language and a shared secret?
Jane Schoenbrun has; judging from their new film I Saw the TV Glow, their small-screen obsession of choice was the exact same as ours in the late ’90s, Buffy the Vampire Slayer. (Big up Sunnydale,...
Jane Schoenbrun has; judging from their new film I Saw the TV Glow, their small-screen obsession of choice was the exact same as ours in the late ’90s, Buffy the Vampire Slayer. (Big up Sunnydale,...
- 5/2/2024
- by David Fear
- Rollingstone.com
Caroline Polachek has unveiled “Starburned and Unkissed,” her original contribution to the absolutely stacked soundtrack for Jane Schoenbrun and A24’s new film, I Saw the TV Glow.
Produced by Polachek alongside A.G. Cook, “Starburned and Unkissed” is cathartic, noisy, and anthemic — the distorted electric guitar that drops in the song’s chorus is so visceral that it feels alien to the sun-soaked ecstasy of Polachek’s last album, Desire, I Want to Turn Into You. A press release notes that “Starburned and Unkissed” features prominently in the film, and the song’s grungy hue mirrors the film’s eerie, psychological horror backdrop. Stream the track below.
“Starburned and Unkissed” is the third single released in advance of I Saw the TV Glow soundtrack following Florist’s “Riding Around in the Dark” and yeule’s rendition of Broken Social Scene’s “Anthems for a Seventeen-Year Old Girl.” The 15-song Ost...
Produced by Polachek alongside A.G. Cook, “Starburned and Unkissed” is cathartic, noisy, and anthemic — the distorted electric guitar that drops in the song’s chorus is so visceral that it feels alien to the sun-soaked ecstasy of Polachek’s last album, Desire, I Want to Turn Into You. A press release notes that “Starburned and Unkissed” features prominently in the film, and the song’s grungy hue mirrors the film’s eerie, psychological horror backdrop. Stream the track below.
“Starburned and Unkissed” is the third single released in advance of I Saw the TV Glow soundtrack following Florist’s “Riding Around in the Dark” and yeule’s rendition of Broken Social Scene’s “Anthems for a Seventeen-Year Old Girl.” The 15-song Ost...
- 5/2/2024
- by Paolo Ragusa
- Consequence - Music
Visit Films, New Story close French sale on Cannes Directors’ Fortnight entry ‘Good One’ (exclusive)
In an early deal Visit Films has licensed French rights to New Story on India Donaldson’s Cannes Directors’ Fortnight selection Good One.
Donaldson’s feature debut premiered in Sundance and follows 17-year-old Sam on a weekend backpacking trip in the Catskills as she contends with the competing egos of her father and his oldest friend.
Newcomer Lily Colias stars alongside James Le Gros and Danny McCarthy.
Graham Mason, Diana Irvine, Wilson Cameron, and Donaldson served as producers. Sarah Winshall’s (I Saw the TV Glow) Smudge Films, and Neil Champagne, Veronica Diaferia and Sara Eolin of Tinygiant served as executive producers.
Donaldson’s feature debut premiered in Sundance and follows 17-year-old Sam on a weekend backpacking trip in the Catskills as she contends with the competing egos of her father and his oldest friend.
Newcomer Lily Colias stars alongside James Le Gros and Danny McCarthy.
Graham Mason, Diana Irvine, Wilson Cameron, and Donaldson served as producers. Sarah Winshall’s (I Saw the TV Glow) Smudge Films, and Neil Champagne, Veronica Diaferia and Sara Eolin of Tinygiant served as executive producers.
- 5/2/2024
- ScreenDaily
If you purchase an independently reviewed product or service through a link on our website, Rolling Stone may receive an affiliate commission.
You hear that? ? Summer movie season is about to begin. If it has an official kickoff date it’s Friday, May 3, which marks the debut of The Fall Guy, the first big, multiplex-friendly blockbuster of a season surprisingly (refreshingly?) light on the superhero fare that’s defined it for the past decade or so. May has a ton of must-see titles, from Anne Hathaway’s The Idea of You...
You hear that? ? Summer movie season is about to begin. If it has an official kickoff date it’s Friday, May 3, which marks the debut of The Fall Guy, the first big, multiplex-friendly blockbuster of a season surprisingly (refreshingly?) light on the superhero fare that’s defined it for the past decade or so. May has a ton of must-see titles, from Anne Hathaway’s The Idea of You...
- 5/1/2024
- by Keith Phipps
- Rollingstone.com
As May arrives, that means summer is here, at least for movies. And it means the theatrical rollout of tentpoles and blockbuster event films, which start out strong this year with the romantic-comedy actioner “The Fall Guy.” It’s a big month for major releases both for the bigger budgeted features but also for indie films that have gained strong word of mouth through festival selections. “I Saw the TV Glow” and “Furiosa” are both worthy of major attention, the former having garnered raves out of its Sundance premieres.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
Elsewhere, as always, there’s a bit of something for everyone.
Continue reading 13 Films To See In May: ‘Furiosa,’ ‘Fall Guy,’ ‘Apes’ ‘Hit Man’ & More at The Playlist.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
Elsewhere, as always, there’s a bit of something for everyone.
Continue reading 13 Films To See In May: ‘Furiosa,’ ‘Fall Guy,’ ‘Apes’ ‘Hit Man’ & More at The Playlist.
- 5/1/2024
- by Ally Johnson
- The Playlist
Justice Smith and Brigette Lundy-Paine in I Saw the TV GlowImage: A24
This review was originally published on March 11, 2024, as part of our coverage of the 2024 South By Southwest film festival.
You will never be as obsessed with anything as an adult the way you were in your teenage years.
This review was originally published on March 11, 2024, as part of our coverage of the 2024 South By Southwest film festival.
You will never be as obsessed with anything as an adult the way you were in your teenage years.
- 5/1/2024
- by Matthew Jackson
- avclub.com
Exclusive: Helena Howard (Madeline’s Madeline), Bella Thorne (Divinity), Zión Moreno (Gossip Girl), Chloe Cherry (Euphoria) and Sophia Ali (Uncharted) have wrapped production on Find Your Friends, a thriller marking the feature directorial debut of actor-filmmaker Izabel Pakzad.
Others to appear in the film include Chris Bauer (The Wire), Jake Manley (The Order), Israel Broussard (Happy Death Day), Harrison Sloan Gilbertson (Oppenheimer), and Blaine Kern III (Accused).
Izabel Pakzad
Written by Pakzad, Find Your Friends watches as Amber and her four best girlfriends take a trip to escape the L.A. bubble and cut loose in Joshua Tree for the weekend. But upon arrival, they quickly realize the locals don’t want them there. As the hostile environment escalates, our girls are disparaged by their aggressive neighbor, dismissed by the cops, and, it seems, even being stalked by some local men. But as her friends uncover Amber’s past trauma,...
Others to appear in the film include Chris Bauer (The Wire), Jake Manley (The Order), Israel Broussard (Happy Death Day), Harrison Sloan Gilbertson (Oppenheimer), and Blaine Kern III (Accused).
Izabel Pakzad
Written by Pakzad, Find Your Friends watches as Amber and her four best girlfriends take a trip to escape the L.A. bubble and cut loose in Joshua Tree for the weekend. But upon arrival, they quickly realize the locals don’t want them there. As the hostile environment escalates, our girls are disparaged by their aggressive neighbor, dismissed by the cops, and, it seems, even being stalked by some local men. But as her friends uncover Amber’s past trauma,...
- 4/30/2024
- by Matt Grobar
- Deadline Film + TV
Seven years after the premiere of “Twin Peaks: The Return,” and the third season of David Lynch’s small-town-turned-cosmic nightmare is still reverberating for a new generation of filmmakers.
So it’s apt that Jane Schoenbrun’s “I Saw the TV Glow,” a suburban lucid dream of a movie about how the media we consume can then consume us, feels like the first film to truly capture the dread and dissonance of Lynch’s reinvention — a series that was itself a comment on how you can truly never go home again, and how rose-colored memories become warped and monstrous by the passage of time.
“I Saw the TV Glow” follows Owen (Justice Smith), a gloomy New Jersey teen obsessed with a YA TV series called “The Pink Opaque,” about two physically apart teen girls who share a psychic connection that could help them defeat a moon-faced monster called Mr. Melancholy.
So it’s apt that Jane Schoenbrun’s “I Saw the TV Glow,” a suburban lucid dream of a movie about how the media we consume can then consume us, feels like the first film to truly capture the dread and dissonance of Lynch’s reinvention — a series that was itself a comment on how you can truly never go home again, and how rose-colored memories become warped and monstrous by the passage of time.
“I Saw the TV Glow” follows Owen (Justice Smith), a gloomy New Jersey teen obsessed with a YA TV series called “The Pink Opaque,” about two physically apart teen girls who share a psychic connection that could help them defeat a moon-faced monster called Mr. Melancholy.
- 4/29/2024
- by Ryan Lattanzio
- Indiewire
“I Saw the TV Glow” director Jane Schoenbrun finally celebrated their second feature at the film’s New York City premiere on Wednesday, April 24, in partnership with Rooftop Films. But “I Saw the TV Glow” first premiered back in January at Sundance, under the banner of A24, and with Emma Stone and Dave McCary’s production company Fruit Tree.
“I sent it to [Fruit Tree] and a couple other people, and they were like, ‘Hey, we wanna work with you,'” Schoenbrun told IndieWire. “Then I got a call from Emma Stone who was like, ‘Thank you so much for your business,’ and I was like, ‘You’re welcome!'”
The visually striking film follows two teens who are obsessed with a disturbing young adult TV show that, once canceled, starts to bleed into reality for the characters. David Ehrlich wrote in IndieWire’s review that the film “marries the queer radicality...
“I sent it to [Fruit Tree] and a couple other people, and they were like, ‘Hey, we wanna work with you,'” Schoenbrun told IndieWire. “Then I got a call from Emma Stone who was like, ‘Thank you so much for your business,’ and I was like, ‘You’re welcome!'”
The visually striking film follows two teens who are obsessed with a disturbing young adult TV show that, once canceled, starts to bleed into reality for the characters. David Ehrlich wrote in IndieWire’s review that the film “marries the queer radicality...
- 4/29/2024
- by Vincent Perella
- Indiewire
The return of a fan favorite franchise, the critically acclaimed new movie from a modern day genre visionary, and a slasher from the perspective of the Jason Voorhees-like killer.
It’s all headed our way in the coming weeks. And it’s only the tip of the iceberg…
Here’s all the new horror releasing in theaters and at home in May 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
I Saw The TV Glow – May 3 (Limited), May 17 (Wide)
Fresh off the haunting and singularly creepy indie We’re All Going to the World’s Fair, Jane Schoenbrun is back with A24‘s I Saw the TV Glow, releasing only in theaters May 3.
In I Saw the TV Glow, “Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious TV show — a vision of a supernatural world beneath their own.
It’s all headed our way in the coming weeks. And it’s only the tip of the iceberg…
Here’s all the new horror releasing in theaters and at home in May 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
I Saw The TV Glow – May 3 (Limited), May 17 (Wide)
Fresh off the haunting and singularly creepy indie We’re All Going to the World’s Fair, Jane Schoenbrun is back with A24‘s I Saw the TV Glow, releasing only in theaters May 3.
In I Saw the TV Glow, “Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious TV show — a vision of a supernatural world beneath their own.
- 4/29/2024
- by John Squires
- bloody-disgusting.com
Front: I Saw The TV Glow (A24); Back: Unfrosted (John P. Johnson/Netflix)Graphic: The A.V. Club
Films releases have been, let’s say, uneven in 2024: we’re finally seeing premieres for movies delayed by Covid, the writers’ strike, and the actors’ strike, in addition to whatever else the...
Films releases have been, let’s say, uneven in 2024: we’re finally seeing premieres for movies delayed by Covid, the writers’ strike, and the actors’ strike, in addition to whatever else the...
- 4/29/2024
- by Jen Lennon, Jacob Oller, Saloni Gajjar, Mary Kate Carr, Emma Keates, Matt Schimkowitz, Cindy White, and Drew Gillis
- avclub.com
“I Saw the TV Glow” is a new live-action, ‘psychological horror-thriller’ produced by Emma Stone for writer/director Jane Schoenbrun, starring Justice Smith, Brigette Lundy-Paine, Ian Foreman, Helena Howard, Fred Durst and Danielle Deadwyler, opening May 3, 2024 in theaters:
“…two teenagers bond over a television series. But after it is mysteriously canceled, reality begins to blur…”
Click the images to enlarge…...
“…two teenagers bond over a television series. But after it is mysteriously canceled, reality begins to blur…”
Click the images to enlarge…...
- 4/28/2024
- by Unknown
- SneakPeek
Debating the horror genre’s artistic value is tacky. Measuring its success by the box office can be just as boring. But I’d bet you a head-start in a chase sequence that those metrics still steer how Hollywood talks about its longest-surviving obsession at many prestige events.
Not so at The Overlook Film Festival: a community-minded summit that fundamentally reinforced my belief in scary movies and the types of people who make, critique, promote, and protect them.
Co-founded by Landon Zakheim and Michael Lerman in 2013, the annual event started out of Colorado as The Stanley Film Festival, honoring Kubrick before expanding to encompass the horror genre more generally. After a brief stint in Oregon The Overlook Film Festival made its permanent home in New Orleans, Louisiana. That’s “the most haunted city in America” if you ask event organizers, but only the third most haunted if you’re going...
Not so at The Overlook Film Festival: a community-minded summit that fundamentally reinforced my belief in scary movies and the types of people who make, critique, promote, and protect them.
Co-founded by Landon Zakheim and Michael Lerman in 2013, the annual event started out of Colorado as The Stanley Film Festival, honoring Kubrick before expanding to encompass the horror genre more generally. After a brief stint in Oregon The Overlook Film Festival made its permanent home in New Orleans, Louisiana. That’s “the most haunted city in America” if you ask event organizers, but only the third most haunted if you’re going...
- 4/27/2024
- by Alison Foreman
- Indiewire
2024 may end up a banner year in horror thanks to “Nosferatu,” “MaXXXine,” “Cuckoo,” “I Saw The TV Glow,” and “In A Violent Nature.” But Paramount is banking one of its premier genre entries will find an audience on its streamer, Paramount+. That’s right, the “Rosemary’s Baby” prequel “Apartment 7A” will premiere on the streamer instead of a theatrical release.
Continue reading ‘Apartment 7A’: ‘Rosemary’s Baby’ Prequel Starring Julia Garner To Premiere On Paramount+ This Fall at The Playlist.
Continue reading ‘Apartment 7A’: ‘Rosemary’s Baby’ Prequel Starring Julia Garner To Premiere On Paramount+ This Fall at The Playlist.
- 4/26/2024
- by Ned Booth
- The Playlist
The summer season is upon us and, per each year, we’ve dug beyond studio offerings to present an in-depth look at what should be on your radar. From festival winners of the past year to selections coming straight from Cannes to genre delights to, yes, a few blockbuster spectacles, there’s more than enough to anticipate.
Check out our picks below and return for monthly updates as more is sure to be added to the calendar. Release dates are for theatrical openings unless otherwise noted.
The Contestant (Clair Titley; May 2 on Hulu)
If some of today’s reality shows can feel out-of-hand for what they put their contestants through, nothing compares to one of the first to ever hit the air. In 1988, aspiring comedian Tomoaki Hamatsu (aka Nasubi) got the “opportunity” to take part in a game show without knowing any of the parameters, resulting in him being placed...
Check out our picks below and return for monthly updates as more is sure to be added to the calendar. Release dates are for theatrical openings unless otherwise noted.
The Contestant (Clair Titley; May 2 on Hulu)
If some of today’s reality shows can feel out-of-hand for what they put their contestants through, nothing compares to one of the first to ever hit the air. In 1988, aspiring comedian Tomoaki Hamatsu (aka Nasubi) got the “opportunity” to take part in a game show without knowing any of the parameters, resulting in him being placed...
- 4/24/2024
- by The Film Stage
- The Film Stage
Sundance Film Festival is heading to London again this summer and the programme is full of cinematic goodies. More below.
The days are getting lighter, the sun is shining ever so slightly more now and we’ve packed away our thickest wool jumpers, although we still need some thick socks. That must mean one thing and one thing only.
Sundance Film Festival: London is almost upon us.
Some might say summer is coming too, but we’re mostly excited for Sundance London, which has just revealed their full programme for this year’s festival. The festival brings a fine selection of films which originally premiered at the Sundance Film Festival in January, in Park City, Utah. The crème de la crème, so to speak.
The festival will open on 6 June with a screening of Kneecap, Rich Peppiatt’s Irish-language film and draw to a close on 9 June with Sean Wang...
The days are getting lighter, the sun is shining ever so slightly more now and we’ve packed away our thickest wool jumpers, although we still need some thick socks. That must mean one thing and one thing only.
Sundance Film Festival: London is almost upon us.
Some might say summer is coming too, but we’re mostly excited for Sundance London, which has just revealed their full programme for this year’s festival. The festival brings a fine selection of films which originally premiered at the Sundance Film Festival in January, in Park City, Utah. The crème de la crème, so to speak.
The festival will open on 6 June with a screening of Kneecap, Rich Peppiatt’s Irish-language film and draw to a close on 9 June with Sean Wang...
- 4/23/2024
- by Maria Lattila
- Film Stories
The line-up for the Sundance Film Festival: London 2024 edition includes surreal comedy Sasquatch Sunset, Chiwetel Ejiofor’s Rob Peace and A24 horror I Saw The TV Glow.
The festival takes place at London’s Picturehouse Central from June 6-9, and will present 11 feature films that premiered at the US edition of Sundance in January.
Sasquatch Sunset is directed by David and Nathan Zellner and stars Riley Keough and Jesse Eisenberg. It follows a family of sasquatch - hairy, human-like mythical creatures from the northwestern US - over a year. Ejiofor also stars in biographical drama Rob Peace, which is based on Jeff Hobbs’ bestselling book.
The festival takes place at London’s Picturehouse Central from June 6-9, and will present 11 feature films that premiered at the US edition of Sundance in January.
Sasquatch Sunset is directed by David and Nathan Zellner and stars Riley Keough and Jesse Eisenberg. It follows a family of sasquatch - hairy, human-like mythical creatures from the northwestern US - over a year. Ejiofor also stars in biographical drama Rob Peace, which is based on Jeff Hobbs’ bestselling book.
- 4/23/2024
- ScreenDaily
Four months into 2024, and it’s already shaping up to be an exceptionally strong year for cinematography, with several standout films that represent the art form at its apex. Perhaps what’s most welcome about these films is their variety, not only in terms of genre and tone but also budget and position in the marketplace. From the studio system, we have Greig Fraser’s extraordinary work on “Dune: Part Two,” which doubles down on the ambition and tactile detail of Fraser’s work on its predecessor (for which he justly received an Academy Award) to create one of the most flat-out beautiful epics since the glory days of David Lean. From the world of low-budget, independent filmmaking, we have “I Saw the TV Glow,” where cinematographer Eric Yue designs a meticulous and expressive visual corollary for his protagonist’s inner state.
Somewhere in between “Dune” and “I Saw the TV Glow...
Somewhere in between “Dune” and “I Saw the TV Glow...
- 4/20/2024
- by Jim Hemphill and Chris O'Falt
- Indiewire
Max announced on Friday that the acclaimed wrestling drama The Iron Claw from Cannes and Sundance prize-winning filmmaker Sean Durkin (Martha Marcy May Marlene) will begin streaming exclusively on the platform through its output deal with distributor A24 on May 10.
Based on a true story, The Iron Claw follows the rise and fall of the Von Erich family, a dynasty of wrestlers who made a huge impact on the sport from the 1960s to the present day. The film specifically hones in on the supposed “Von Erich curse,” which would see one Von Erich brother after another meet their untimely end, leaving just Kevin Von Erich (Zac Efron) left.
Written and directed by Durkin, the film also stars Jeremy Allen White, Harris Dickinson, Holt McCallany, Maura Tierney and Lily James, among others. A24 financed the pic alongside Access Entertainment and BBC Films. In addition to A24, producers included Tessa Ross,...
Based on a true story, The Iron Claw follows the rise and fall of the Von Erich family, a dynasty of wrestlers who made a huge impact on the sport from the 1960s to the present day. The film specifically hones in on the supposed “Von Erich curse,” which would see one Von Erich brother after another meet their untimely end, leaving just Kevin Von Erich (Zac Efron) left.
Written and directed by Durkin, the film also stars Jeremy Allen White, Harris Dickinson, Holt McCallany, Maura Tierney and Lily James, among others. A24 financed the pic alongside Access Entertainment and BBC Films. In addition to A24, producers included Tessa Ross,...
- 4/19/2024
- by Matt Grobar
- Deadline Film + TV
Justice Smith, last seen in Dungeons & Dragons: Honor Among Thieves, and The Holdovers breakout Dominic Sessa are ready to take over the magic stage.
The duo have closed deals to join Barbie actress Ariana Greenblatt in Now You See Me 3, Lionsgate’s latest installment of its heist-with-magicians thrillers.
The trio are the newcomers to the caper, with original cast members Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco and Morgan Freeman expected to reprise their roles as thieving illusionists.
Plot details are being kept up a sleeve but the new feature will once again delve into the world of the illusionists and the bickering and sneaky quartet known as the Four Horsemen while introducing audiences to a new generation of magicians.
Ruben Fleischer will be sitting in the director’s chair when cameras roll. Eric Warren Singer, Seth Grahame-Smith and Mike Lesslie wrote the script while Bobby Cohen and Alex Kurtzman produce.
The duo have closed deals to join Barbie actress Ariana Greenblatt in Now You See Me 3, Lionsgate’s latest installment of its heist-with-magicians thrillers.
The trio are the newcomers to the caper, with original cast members Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco and Morgan Freeman expected to reprise their roles as thieving illusionists.
Plot details are being kept up a sleeve but the new feature will once again delve into the world of the illusionists and the bickering and sneaky quartet known as the Four Horsemen while introducing audiences to a new generation of magicians.
Ruben Fleischer will be sitting in the director’s chair when cameras roll. Eric Warren Singer, Seth Grahame-Smith and Mike Lesslie wrote the script while Bobby Cohen and Alex Kurtzman produce.
- 4/16/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
The People's Joker.In The People’s Joker (2022), Vera Drew makes her feverish entrance into the cluttered morass of the DC Comics cinematic multiverse by bursting through a trapdoor. Having garnered recognition as an Emmy-nominated television editor for outré comedians such as Tim Heidecker, Eric André, Sacha Baron Cohen, and Tim Robinson, Drew serves as director, co-writer, editor, lead actress, and cosmic prankster for her cinematic debut. The anarchic DIY spectacle, recently released theatrically after two years in intellectual-property limbo, mines the contradictory supervillain mythologies of the Joker to narrate Drew’s journey of self-discovery as a trans woman in the fractious world of alternative comedy. After Warner Bros. sent a cryptic letter of disapproval regarding the film’s flagrant recontextualization of the Batman franchise a day before its debut at the 2022 Toronto International Film Festival, it was pulled from the program. Drew and her battalion of masked vigilantes have commandeered...
- 4/16/2024
- MUBI
“Dream Team,” the most recent film from directing duo Lev Kalman and Whitney Horn has been acquired by Yellow Veil Pictures ahead of its international sales launch at Marche du Film.
Yellow Veil has acquired worldwide sales rights and North American distribution rights to “Dream Team,” which just held its U.S. premiere at the Los Angeles Festival of Movies after world premiering at the International Film Festival Rotterdam. The company plans to release the film domestically later this year.
According to its official synopsis, “Dream Team” is “an absurdist homage to ’90s basic cable TV thrillers, which follows the episodic escapades of two hot Interpol agents who uncover an international, interspecies mystery.”
“Dream Team” stars Esther Garrel (“Call Me by Your Name”) and Alex Zhang Hungtai (“I Was a Simple Man”). Executive producers include Sarah Winshall (“I Saw the TV Glow”), Pierce Varous (“The Feeling That the Time for Doing Something Has Passed...
Yellow Veil has acquired worldwide sales rights and North American distribution rights to “Dream Team,” which just held its U.S. premiere at the Los Angeles Festival of Movies after world premiering at the International Film Festival Rotterdam. The company plans to release the film domestically later this year.
According to its official synopsis, “Dream Team” is “an absurdist homage to ’90s basic cable TV thrillers, which follows the episodic escapades of two hot Interpol agents who uncover an international, interspecies mystery.”
“Dream Team” stars Esther Garrel (“Call Me by Your Name”) and Alex Zhang Hungtai (“I Was a Simple Man”). Executive producers include Sarah Winshall (“I Saw the TV Glow”), Pierce Varous (“The Feeling That the Time for Doing Something Has Passed...
- 4/10/2024
- by Ellise Shafer
- Variety Film + TV
When I was 9 years old, I was obsessed with the Disney Channel monster-of-the-week series, "So Weird." The show centered on a strong-willed teenage girl named Fiona "Fi" Phillips (Cara DeLizia) who used the power of information gathered from online research to help make sense of ghosts, monsters, folk legends, and other supernatural occurrences that seemed to follow her and her rockstar mom while they traveled the country on her comeback tour.
I wasn't yet a teenager and I certainly didn't own a laptop, but I could feel deep in my bones that I was just like Fi Phillips, and often fantasized what it would be like to live her life. Sometimes, the wind would blow a little too strong as I walked home from school or I'd hear a disembodied voice that was probably the result of my own imagination, and the line between my favorite TV show and my own life would blur.
I wasn't yet a teenager and I certainly didn't own a laptop, but I could feel deep in my bones that I was just like Fi Phillips, and often fantasized what it would be like to live her life. Sometimes, the wind would blow a little too strong as I walked home from school or I'd hear a disembodied voice that was probably the result of my own imagination, and the line between my favorite TV show and my own life would blur.
- 4/8/2024
- by BJ Colangelo
- Slash Film
There was only one line to get into the first event of the inaugural Los Angeles Festival of Movies, a fact that confused quite a few ticketholders who have grown accustomed to expedited entry at film festivals. As the crowd gathered outside of Vidiots, the hip movie theater/video rental store in Eagle Rock, a very patient usher kept reassuring everyone that there wasn’t a secret entrance for VIPs or press or friends of filmmakers that anybody was missing out on.
Everyone was on the same level as they entered the screening of Jane Schoenbrun’s “I Saw the TV Glow,” creating an aura of egalitarianism that extended to the entire evening. While some festivals go to great lengths to shield their marquee talent from crowds, Schroenbrun and “I Saw the TV Glow” stars Justice Smith and Brigette Lundy-Paine mingled by the bar in the theater lobby before everyone filed into their seats.
Everyone was on the same level as they entered the screening of Jane Schoenbrun’s “I Saw the TV Glow,” creating an aura of egalitarianism that extended to the entire evening. While some festivals go to great lengths to shield their marquee talent from crowds, Schroenbrun and “I Saw the TV Glow” stars Justice Smith and Brigette Lundy-Paine mingled by the bar in the theater lobby before everyone filed into their seats.
- 4/5/2024
- by Christian Zilko
- Indiewire
For once, the global film festival circuit is in perilous waters while Los Angeles — the city that Hollywood built, but can’t seem to retain a film festival — is hosting a vital resurgence of year-round screening series and niche festivals created in pursuit of love, not money.
This weekend (April 4-7) brings the inaugural Los Angeles Festival of Movies (Lafm), operating in three venues far east of the 405: Eagle Rock’s Vidiots, Filipinotown’s 2220 Arts + Archives, and Chinatown’s Now Instant Image Hall.
The LA cinephile scene is meanwhile thriving elsewhere, too. American Cinematheque returned to its gorgeously refurbished Egyptian Theatre in November and just announced a new documentary film festival, This Is Not a Fiction, to usher in its 40th anniversary. Plus, Quentin Tarantino’s emblematic, century-old, single-screen Vista Theater reopened, playing new releases like “The Zone of Interest” and “Dune: Part Two” as well as 35mm and...
This weekend (April 4-7) brings the inaugural Los Angeles Festival of Movies (Lafm), operating in three venues far east of the 405: Eagle Rock’s Vidiots, Filipinotown’s 2220 Arts + Archives, and Chinatown’s Now Instant Image Hall.
The LA cinephile scene is meanwhile thriving elsewhere, too. American Cinematheque returned to its gorgeously refurbished Egyptian Theatre in November and just announced a new documentary film festival, This Is Not a Fiction, to usher in its 40th anniversary. Plus, Quentin Tarantino’s emblematic, century-old, single-screen Vista Theater reopened, playing new releases like “The Zone of Interest” and “Dune: Part Two” as well as 35mm and...
- 4/4/2024
- by Ritesh Mehta
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.