Xena, a mighty Warrior Princess with a dark past, sets out to redeem herself. She is joined by small town bard, Gabrielle. Together they journey the ancient world and fight for the greater good against ruthless Warlords and Gods.
"In every generation there is a chosen one... she alone will stand against the vampires, the demons and the forces of darkness. She is the slayer." Buffy Summers knows this tale by heart, and no matter how hard she tries to be just a "normal girl", she can not escape from her destiny... Thankfully, she is not alone in her quest to save the world, as she has the help of her friends, the hilarious (and surprisingly quite effective) evil-fighting team called "The Scooby Gang". Together, Buffy & co. will slay their demons, survive one apocalypse after another, attend high school and college... and above all, understand that growing up can truly be Hell sometimes... literally.Written by
Faith was designed to fulfill the archetype of a nemesis in the classical sense, serving as the dark mirror to Buffy: similar but opposite to the hero. Marti Noxon described Faith in terms of "the road not taken," a vision of what Buffy might have become if her life's circumstances were different. While developing the character, Marti Noxon took inspiration from Elektra Natchios of Marvel Comics. See more »
Throughout out the series, it's clear that the actors/actresses portraying teenagers are actually in their 20s+. This is done as to not interfere with the schooling of real teenagers and to give the general viewing audience who are teenagers themselves someone they can look up to. See more »
I know you like me. I've seen you looking at my breasts.
No offense, but when a guy does that, it just means his eyes are open.
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During seasons 6 and 7, the ones that took place on the UPN network, the final shot of the opening credits shows Sarah Michelle Gellar, as in all the previous seasons. The difference is that rather than those images being that of Buffy, they were of facsimiles of the Buffy character. For the majority of Season 6 the final image of the opening credits was of the Buffy Bot shortly before Glory ripped its head off and Season 7's image was of the First Evil, pretending to be Buffy while manipulating Spike. For some fans this plays to the idea that Buffy was somehow not the same after having been resurrected at the beginning of Season 6 through the end of the series run. See more »
In the UK, the BBC managed to get 16:9 widescreen versions of Buffy episodes from season 4 on. These are broadcast in anamorphic widescreen on all digital TV platforms and 14:9 on analogue. The UK DVDs are also presented 16:9 widescreen. In the original US airings and on the US DVDs, the aspect ratio is 4:3 for all episodes except "Once More With Feeling," which is 16:9 everywhere. See more »
Very often, when you find a particularly negative review of Buffy the Vampire Slayer, you find someone whose glancing opinion bounces off the surface "appearance" of the show and does not delve into the actual substance therein. Frequently, they are people who haven't really seen enough episodes to form a well thought-out opinion on the series, the content, and the characters as a whole--especially, people who have only seen a few eps from season one. Season one is the most shallow end of the series. It really gives you no clue as to what the series ends up being. Believe me, it gets more intense and complicated and dark as it goes on. If you decide to give it a try, I suggest checking out a handful of episodes from season three on before passing judgment. Some good examples are S3--The Wish, Helpless, Doppelgangland, S4--Something Blue, Hush and Restless, S5--Fool for Love, Triangle, Weight of the World, The Gift (I'd also say The Body but that one gives too much away) S6--Bargaining, Tabula Rasa, Older and Far Away, S7--Beneath You, Selfless, Conversations With Dead People, The Killer In Me, Get It Done (I'd say Chosen but it's the series finale which also would give too much away).
About the show itself--Buffy is the antithesis of the "pretty-blond-victim" who runs from the "psycho ax-murderer" in horror films past--the girl who always twisted her ankle and fell in her attempt to get away. How many times did we see that scene and feel just a little bit disgusted with the victim for not even trying to fight back? How many times did we see that scene and feel disgusted with the directors for typing female victims in this way over and over again? Buffy, herself, isn't the "traditional" feminist TV icon. Many of those are women who have forfeited the ultra-feminine symbols of their gender--love, compassion and vulnerability in order to maintain equal footing with men. Buffy doesn't do this. Buffy embraces those symbols in one hand and hones and wields them to fight evil in the other.
The show appears as a bubble-gum program, aimed at teens and while it's fan-base is largely younger viewers (teens-twenties), it's major themes profoundly confront the more mature ideas of good vs. evil, life and death, friendship, religion, the soul and the true meanings of power and love in such a way that is rarely addressed in current entertainment. It challenges the traditional ideas of religion as being an "institution" and asserts that it is something to be lived, that real love requires self-sacrifice, that true friendship requires far-reaching forgiveness, that true power is rooted in love and compassion and that good and evil, while in shades of gray can still be defined.
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