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Rosemary's Baby (1968)

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A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.

Director:

Roman Polanski

Writers:

Ira Levin (novel), Roman Polanski (screenplay)
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Popularity
958 ( 85)
Won 1 Oscar. Another 9 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mia Farrow ... Rosemary Woodhouse
John Cassavetes ... Guy Woodhouse
Ruth Gordon ... Minnie Castevet
Sidney Blackmer ... Roman Castevet
Maurice Evans ... Hutch
Ralph Bellamy ... Dr. Sapirstein
Victoria Vetri ... Terry (as Angela Dorian)
Patsy Kelly ... Laura-Louise
Elisha Cook Jr. ... Mr. Nicklas (as Elisha Cook)
Emmaline Henry ... Elise Dunstan
Charles Grodin ... Dr. Hill
Hanna Hertelendy Hanna Hertelendy ... Grace Cardiff (as Hanna Landy)
Phil Leeds ... Dr. Shand (as Philip Leeds)
D'Urville Martin ... Diego
Hope Summers ... Mrs. Gilmore
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Storyline

Desirous of starting a family, the young Catholic housewife, Rosemary Woodhouse, and her struggling actor husband, Guy, move into the Bramford, New York's iconic building which brims with unpleasant stories of obscure dwellers and ghastly occurrences. Before long, the young couple is befriended by their elderly and somehow eccentric next-door neighbours, Roman and Minnie Castevet--and shortly after--Rosemary unexpectedly gets pregnant. However, little by little, as the inexperienced mother becomes systematically cut off from her circle and friends, alarming hints of a well-planned and sinister conspiracy will begin to emerge, enfolding Rosemary in a shroud of suspicion and mental agony. In the end, why is everyone so conveniently eager to help; furthermore, why is Guy allowing it? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

Pray for Rosemary's Baby. See more »

Genres:

Drama | Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 October 1968 (France) See more »

Also Known As:

Rosemary's Baby See more »

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Box Office

Budget:

$2,300,000 (estimated)

Gross USA:

$33,395,426, 31 December 1969
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

As with The Stepford Wives critics have read this as a polemic about sexism in society; and about women being abused and mistreated. It's also a metaphor for the physical horrors of pregnancy. See more »

Goofs

Towards the very end, a man is shooting photographs with a Pentax 35mm camera. Each time he advances the shutter, the rewind knob does not turn, indicating there is no film in the camera. See more »

Quotes

Roman Castevet: I think we're offending Rosemary...
Rosemary Woodhouse: I wasn't offended, really I wasn't.
Roman Castevet: You're not religious, my dear, are you?
Rosemary Woodhouse: I was brought up a Catholic... now, I don't know.
See more »

Connections

Referenced in Half in the Bag: Gone Girl and Annabelle (2014) See more »

Soundtracks

Lullaby
(uncredited)
Composed by Krzysztof Komeda
Sung by Mia Farrow
See more »

Frequently Asked Questions

See more »

User Reviews

One of the ultimate horror classics
2 May 2001 | by Vince-5See all my reviews

Every bit of acclaim that Rosemary's Baby has earned is totally deserved. The Dakota, located at 72nd and Central Park West, is the perfect setting for the demonic events; all that rich Gothic detail in the heart of Manhattan provides the perfect atmosphere, serving as a dark fairy-tale world of its own within the modern setting. Roman Polanski knows this and utilizes it brilliantly, opening the film with stunning aerial shots of the skyline and focusing in on the ornate castle amongst the skyscrapers and tenements.

The acting is fantastic, particularly Mia Farrow, who is the only person I can envision as Rosemary. Her fine-boned fragility makes her the ideal target for terror. She goes from obliviousness to suspicion to fear to near madness without showing a seam, and we as the audience are with her all the way. And Mia is given a run for her money by the delightful Ruth Gordon, a comical yet sinister presence popping in on a deliberate schedule with pale green drinks and sandpapery advice. She's scary because we know her--a batty old broad with a seemingly sweet nature beneath her caustic surface. That such a person could possibly be a vessel of evil is a thoroughly unnerving concept.

Unnerving is the proper adjective for the entire movie. Unnerving, eerie, and penetratingly frightening in a very subtle manner. The subtlety is key, since a more explicit treatment would've spoiled everything. As the tension heightens, we feel what Rosemary feels: Curiosity, then vague suspicion, then paralyzing terror at the final revelation. At all times, the movie retains its dignity, from the opening and closing shots of the building to the flourishing title script to the beautiful music. Even on TV, this picture can chill you to the bone. The best big-budget horror movie of all time.


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