Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for over 10 years.
Callum Keith Rennie
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Waking up in a bathroom, two men, Adam and Dr. Lawrence Gordon, discover they have been captured by the infamous Jigsaw Killer. The men must escape before time runs out, otherwise, they will face the deadly consequences.Written by
The surveillance camera footage of Adam and Dr. Gordon was shot separately and spliced together during post-production, which is the reason for the strange angle of the two characters in the footage. See more »
(at around 14 mins) After Adam searches in the toilet bowl, his hand is covered in brown, slimy water. However, after he removes the lid from the cistern, his hand is completely clean, and he clearly used his other hand to remove the hacksaws from the water. See more »
Help! Someone help me! Is someone there? Hey! Oh shit, I'm probably dead.
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The opening title ripples like it was underwater. See more »
The uncut version has been released on DVD in the UK and the US. It is eight seconds longer than the R-rated version. The additional shots included a close-up of the body on the bathroom floor, additional forensic photos, a short segment of Paul running through the "Razor Wire Maze", and Amanda sifting through the intestines looking for the key to the "Reverse Bear Trap". See more »
Since "Nattevagten" I have not seen a thriller that has kept me on the edge of my seat as well as "Saw". Right from the beginning this original story sucks you in and doesn't let you go until the very end. Thrillers as gripping as this one have become extremely rare in times like these, where people have seen almost everything and can guess any twist during the first half of the movie. With "Saw" James Wan and Leigh Whannell, the creative heads behind this project, set new standards. Think you're hard-boiled? Think again and watch "Saw", a movie that will creep you out and surprise you beyond your expectations.
"Saw" has been advertised as the new "Se7en" and while both movies are definitely in the same tradition, "Saw" does a much better job at actually being creepy. Jigsaw is the most gruesome killer the cinema has seen in a loooong time. Wan and Whannel really came up with a monster that has no peer. Where many movies drift into ridiculousness trying to establish the villain as an almost superhuman evil being, "Saw" does never get anywhere near that trap. Sure, the cops are depicted way too stupid and the killer is unrealistically smart, outshining each and every opponent with his perfect plans, but hey, "Se7en" and "Silence Of The Lambs" didn't care too much about realism, either, did they?
"Saw" does have some flaws. Those sped-up tracking shots have just been used too many times by now, the structure of the script is weird and jumps from one period of time to another, some characters' lines are a bit clichéd. However, considering that this movie was made in only 18 days by two independent filmmakers with literally no budget at all, it's really inappropriate to be petty about technical subtleties, when Wan and Whannel came up with such an original and stirring movie.
I can't remember the last time I've been surprised by a movie's final twist, but "Saw" has an ending that I didn't see coming at all. This thriller is the most original piece of independent film-making since "Cube". I'm really looking forward to seeing how Wan and Whannell's career develops after this fine sleeper.
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