A law student becomes a lieutenant during World War II, is captured and asked to defend a black prisoner of war falsely accused of murder.
Director:
Writers:
Awards:
- 1 win & 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
| Bruce Willis | ... |
Col. William A. McNamara
|
|
| Colin Farrell | ... |
Lt. Thomas W. Hart
|
|
| Terrence Howard | ... |
Lt. Lincoln A. Scott
|
|
| Cole Hauser | ... |
Staff Sgt. Vic W. Bedford
|
|
| Marcel Iures | ... |
Col. Werner Visser
|
|
| Linus Roache | ... |
Capt. Peter A. Ross
|
|
| Vicellous Shannon | ... |
Lt. Lamar T. Archer
|
|
| Maury Sterling | ... |
Pfc. Dennis A. Gerber
|
|
| Sam Jaeger | ... |
Capt. R.G. Sisk
|
|
| Scott Michael Campbell | ... |
Cpl. Joe S. Cromin
|
|
| Rory Cochrane | ... |
Sgt. Carl S. Webb
|
|
| Sebastian Tillinger | ... |
Pvt. Bert D. 'Moose' Codman
|
|
| Rick Ravanello | ... |
Maj. Joe Clary
|
|
| Adrian Grenier | ... |
Pvt. Daniel E. Abrams
|
|
| Michael Weston | ... |
Pfc. W. Roy Potts
|
|
| Jonathan Brandis | ... |
Pvt. Lewis P. Wakely (scenesDeleted)
|
|
| Joe Spano | ... |
Col. J.M. Lange
|
|
| Sam Worthington | ... |
Cpl. B.J. 'Depot' Guidry
|
|
| Brad Hunt | ... |
Pvt. G.H. 'Cookie' Bell
|
|
| Rúaidhrí Conroy | ... |
Cpl. D.F. Lisko
|
|
 |
Tony Devlin | ... |
Pvt. Donald W. West
|
| Michael Landes | ... |
Maj. M.F. Giannetti
|
|
|
|
David Barrass | ... |
Maj. Hans Fussel
|
| Gary Gold | ... |
McNamara's Aide
|
|
| Danny Babington | ... |
Pvt. S.T. Engler
|
|
| Holger Handtke | ... |
Maj. Johann Wirtz
|
|
|
|
Grey Williams | ... |
Pvt. R.S. Croutch
|
| René Ifrah | ... |
Pvt. T.S. Krasner
|
|
|
|
Steve Sarossy | ... |
Lt. M.K. Adams
|
| Rocky Marshall | ... |
Capt. Robert M. Swann
|
|
| Christian Kahrmann | ... |
MP Sergeant
|
|
| Jim Boeven | ... |
MP Sergeant
|
|
| Dan van Husen | ... |
Boxcar Sergeant
|
|
|
|
Georg Vietje | ... |
Morning Guard
|
|
|
Lukás Kantor | ... |
Cranky Corporal
|
|
|
Jakub Zdenek | ... |
Delousing Private
|
| Jan Nemejovský | ... |
Spike Guard
|
|
|
|
Jan Marsík | ... |
Tower Sentry
|
| Bohumil Svarc | ... |
Nighttime Appel Guard
|
|
| Jirí Maria Sieber | ... |
Kooler Guard
(as Jirí M. Sieber)
|
|
| Dugald Bruce-Lockhart | ... |
Capt. Lutz
|
|
|
|
Richard Kardhordó | ... |
Barracks 27 POW
|
|
|
Jan Jakubec | ... |
Lowly Guard
|
|
|
Karel Belohradský | ... |
Guard
|
| Jan Tesarz | ... |
Guard
|
|
|
|
Radek Kuchar | ... |
Guard
|
|
|
Martin Kohout | ... |
Guard
|
|
|
Vladimír Kulhavý | ... |
Guard
|
|
|
Martin Cízek | ... |
Guard
|
|
|
Alan T. Ward | ... |
Barracks 22 Officer
|
| Stephen Fisher | ... |
Barracks 22 Officer
|
|
|
|
Dan Brown | ... |
Barracks 22 Officer
(as Daniel Fleischer-Brown)
|
|
|
Peter Varga | ... |
Russian POW
|
|
|
Jan Dostál | ... |
Russian POW
|
|
|
Vít Herzina | ... |
Russian POW
|
|
|
Michael Beran | ... |
Pvt. Pugh
|
| Joel Sugerman | ... |
Unnamed GI
|
|
| Rest of cast listed alphabetically: | |||
| Grant George | ... |
Pvt. MacAllister (uncredited)
|
|
| Ted Hollis | ... |
German Officer (uncredited)
|
|
| Jaroslav Vundrle | ... |
American soldier (uncredited)
|
|
Directed by
| Gregory Hoblit | ||
Written by
| John Katzenbach | ... | (novel) |
| Billy Ray | ... | (screenplay) and |
| Terry George | ... | (screenplay) |
Produced by
| Stephen J. Eads | ... | associate producer (as Stephen Eads) |
| David Foster | ... | producer |
| Wolfgang Glattes | ... | executive producer |
| Patricia Graf | ... | associate producer |
| Gregory Hoblit | ... | producer |
| David Ladd | ... | producer |
| Arnold Rifkin | ... | producer |
Music by
| Rachel Portman | ||
Cinematography by
| Alar Kivilo | ||
Editing by
| David Rosenbloom | ||
Editorial Department
| Julian Andraus | ... | assistant editor |
| Jill Bogdanowicz | ... | digital film colorist |
| Jeremy Bradley | ... | apprentice editor |
| Gary Burritt | ... | negative cutter |
| Dave Lee | ... | colorist: dailies additional photography |
| Ben Oh | ... | editorial production assistant |
| Gregory Plotkin | ... | first assistant editor |
| Richmond Riedel | ... | assistant editor |
| Valance Eisleben | ... | high definition editorial services (uncredited) |
| Jim Passon | ... | color timer (uncredited) |
| John Quinn | ... | post-production assistant (uncredited) |
Casting By
| Deborah Aquila | ||
| Jessica Horáthová | ||
Production Design by
| Lilly Kilvert | ||
Art Direction by
| Martin Kurel | ||
| John Warnke | ... | supervising art director |
Set Decoration by
| Patrick Cassidy | ||
Costume Design by
| Elisabetta Beraldo | ||
Makeup Department
| Paul Engelen | ... | key makeup artist |
| Melissa Lackersteen | ... | makeup artist |
| Ivana Nemcova | ... | hair stylist |
| Radek Petr | ... | hair stylist |
| Gerald Quist | ... | makeup artist: Bruce Willis (as Jerry Quist) |
| Rene Stejskal | ... | special makeup effects artist |
| Milan Vlcek | ... | key hair stylist |
| Eva Vyplelová | ... | key makeup artist (as Eva Vytlelová) |
| Michael White | ... | key hair stylist |
| Marlene D. Williams | ... | hair stylist: Bruce Willis (as Marlene Williams) |
Production Management
| Wolfgang Glattes | ... | unit production manager |
| Ales Komárek | ... | executive in charge of production |
| Ondrej Nerud | ... | production manager: second unit |
| Ondrej Slama | ... | production manager |
| Petr Splichal | ... | unit manager |
Second Unit Director or Assistant Director
| Jeff J.J. Authors | ... | first assistant director (as Jeffrey Steven Authors) |
| Darrin Brown | ... | second second assistant director |
| Penny Charter | ... | second assistant director |
| Petr Drozda | ... | assistant director |
| Oldrich Mach | ... | first assistant director: second unit |
| Jirí Ostry | ... | first assistant director |
| Douglas Plasse | ... | second assistant director (as Doug Plasse) |
| Frantisek Rezek | ... | second assistant director |
| David Rosenbloom | ... | second unit director |
| Jan Strasik | ... | assistant director: second unit |
| Janet Zdyb | ... | third assistant director |
Art Department
| Jakub Berdych | ... | stand-by painter |
| Steve Brennan | ... | on-set dresser |
| Marketa Dowling | ... | assistant art department coordinator (as Marketa Puzmanova) |
| Elizabeth Flaherty | ... | art department coordinator |
| David Gulick | ... | property master |
| Tomas Hais | ... | set dresser |
| Pavel Hemmy | ... | lead man |
| Roman Illovsky | ... | assistant art director |
| Klara Kralova | ... | props interpreter (as Klara Holubova) |
| Dita Lampová | ... | set designer |
| Tomás Lehovec | ... | stand-by props |
| P.K. MacCarthy | ... | storyboard artist |
| Zdenek Maska | ... | construction foreman |
| Jirí Matolín | ... | construction coordinator |
| Stefan Mily | ... | set dresser |
| Cesar Orozco | ... | propmaker |
| Barbara Sandberg | ... | art department assistant (as Barbara Bryndova) |
| Iva Vacková | ... | construction foreman |
| David Voborsky | ... | assistant art director |
| Jiri Zucek | ... | assistant property master |
Sound Department
| Christopher Barron | ... | digital transfer |
| Jessica Bellfort | ... | assistant supervising sound editor (as Jessica Rankin) |
| Tom Bellfort | ... | supervising sound editor |
| Steve Boeddeker | ... | re-recording sound mixer (as Stephen Boedekker) / sound designer (as Stephen Boedekker) |
| Karen Brocco | ... | dialogue assistant |
| Lindakay Brown | ... | dialogue editor (as LindaKay Brown) |
| Tim Burby | ... | digital transfer |
| Lisa Chino | ... | assistant supervising sound editor |
| John Countryman | ... | digital transfer |
| Chris Dibble | ... | sound engineer |
| Edwin Dunkley | ... | video services (as Ed Dunkley) |
| Tony Eckert | ... | foley mixer |
| Simon Geanuer | ... | assistant sound engineer |
| Jonathan Greber | ... | digital transfer |
| David C. Hughes | ... | sound effects editor (as David Hughes) |
| David Hunter | ... | digital editorial services |
| Noah Katz | ... | digital editorial services |
| Mike Lane | ... | client services |
| Joanna Laurent | ... | foley editor (as Joey Laurent) |
| Kyrsten Mate | ... | sound effects editor (as Kyrsten Commogilo) |
| Marilyn McCoppen | ... | adr editor |
| Frank 'Pepe' Merel | ... | foley mixer |
| Steve Morris | ... | engineering services |
| Eva Napolean | ... | client services (as Eva Napoleon) |
| Gordon Ng | ... | client services |
| Colin O'Neill | ... | assistant effects editor |
| Steve Pellut | ... | assistant sound engineer |
| David M. Ronne | ... | production sound mixer (as David Ronne) |
| Renee Russo | ... | client services |
| Jurgen Scharpf | ... | mix technician |
| Robert Shoup | ... | foley editor (as Bob Shoup) |
| Jan Skala | ... | cable person |
| Daniel Sperry | ... | dolby sound consultant (as Dan Sperry) |
| Erich Stratmann | ... | sound effects editor |
| Gary Summers | ... | re-recording sound mixer |
| Dennie Thorpe | ... | foley artist |
| John Torrijos | ... | video services (as John 'J.T.' Torrijos) |
| Jana Vance | ... | foley artist |
| Cary Weitz | ... | boom operator |
| Gwendolyn Yates Whittle | ... | dialogue/adr supervisor |
| James Bannon | ... | adr looping (uncredited) |
| Roberto Cappannelli | ... | re-recording mixer (uncredited) |
| Brian Magerkurth | ... | sound re-recordist (uncredited) |
| George Peterson Jr. | ... | sound re-recordist (uncredited) |
| Steve Romanko | ... | sound: role TBA (uncredited) |
| Ronald G. Roumas | ... | sound re-recordist (uncredited) |
| Kent Sparling | ... | mix technician (uncredited) |
| Greg Steele | ... | adr mixer (uncredited) |
Special Effects by
| Jaroslav Kolman | ... | special effects technician |
| Martin Kubricht | ... | special effects crew |
| Martin Kulhanek | ... | special effects technician (as Martin Kulhánek) |
| Ondrej Nierostek | ... | special effects technician |
| Martin Oberlander | ... | special effects technician |
| Pavel Sagner | ... | special effects coordinator |
| Jaroslav Stolba | ... | special effects foreman |
| Jirí Vater | ... | special effects technician |
| Jirí Vojtech | ... | special effects technician |
Visual Effects by
| William L. Arance | ... | 3d modeler |
| Jill Bogdanowicz | ... | digital colorist: Cinesite |
| Patrick Bonneau | ... | assistant colorist |
| Shawn Broes | ... | digital mastering editor |
| Jeff Christopherson | ... | digital imaging engineer |
| Chadd B. Cole | ... | pre-visualization |
| Clay Dale | ... | visual effects |
| Vince Di Meglio | ... | pre-visualization |
| Victor DiMichina | ... | imaging supervisor: Pixel Magic |
| Scott Dougherty | ... | visual effects producer: Cinesite |
| Harry Eisenstein | ... | pre-visualization |
| Jim Gorman | ... | digital compositor |
| Mike Hardison | ... | cg supervisor: Pixel Magic |
| Bonnie Kanner | ... | executive producer: Pixel Magic |
| Christopher Keith | ... | visual effects coordinator: Los Angeles (as Christopher L. Keith) |
| Kevin Kipper | ... | digital artist |
| Vincent Lavares | ... | digital asset manager: Cinesite |
| George Macri | ... | visual effects producer: Pixel Magic |
| James Madigan | ... | visual effects location assistant: Prague |
| Michelle Massie | ... | visual effects production manager |
| Don Mccoy | ... | digital artist |
| Ray McIntyre Jr. | ... | visual effects supervisor: Pixel Magic |
| Sal Migliore | ... | assistant colorist |
| Brad Moylan | ... | digital compositor: Pixel Magic |
| Patrick Murphy | ... | digital compositor: Pixel Magic |
| Terry Naas | ... | visual effects artist |
| Daniel Naulin | ... | digital effects artist (as Dan Naulin) |
| Ray Scalice | ... | general manager: Pixel Magic |
| Payam Shohadai | ... | visual effects supervisor: BWVFX |
| Neal Sopata | ... | digital artist |
| John T. Van Vliet | ... | visual effects supervisor |
| Kevin VanHook | ... | pre-visualization |
| Juan Carlos Vargas | ... | visual effects (as Juan Vargas) |
| Todd Vaziri | ... | compositing supervisor: OCS/Freeze Frame/Pixel Magic [us] |
| Steve Wright | ... | digital compositor: Cinesite |
| Chris Zapara | ... | digital artist |
| Jim Gorman | ... | 3D modeler (uncredited) |
| Fred Jimenez | ... | 2D technical assistant (uncredited) |
| Antonio Torres | ... | digital artist: checking & retouching, Cinesite (uncredited) |
Stunts
| Pavel Cajzl | ... | stunts |
| Bud Davis | ... | stunt coordinator |
| Petr Drozda | ... | additional stunt coordinator |
| Michal Grün | ... | stunt performer |
| Rene Hajek | ... | stunts (as Renné Hájek) |
| Romana Hajkova | ... | assistant stunt coordinator |
| Petr Hnetkovský | ... | utility stunts (as Petr Hnetkovsky) |
| Jan Holicek | ... | stunts |
| Jiri Horky | ... | stunts (as Jirka Horký) / stunts |
| Dusan Hyska | ... | stunts |
| Jindrich Klaus | ... | stunts (as Jindra Klaus) |
| Ladislav Lahoda | ... | additional stunt coordinator |
| Robert Lahoda | ... | stunts (as Robin Lahoda) |
| Miroslav Lhotka | ... | stunts |
| Ivan Mares | ... | stunts |
| David Motl | ... | stunts |
| Pavel Myslik | ... | stunts |
| Jaroslav Peterka | ... | stunts |
| Jaroslav Psenicka | ... | stunts (as Jarda Psenicka) |
| Jiri Simberský | ... | stunt double |
| Jirka Simberský | ... | stunts |
| Leo Stransky | ... | stunt performer |
Camera and Electrical Department
| Andy Arnautov | ... | gaffer |
| Radek Beran | ... | video assist operator |
| Václav Cermak | ... | rigging gaffer |
| Milan Chadima | ... | director of photography: second unit |
| Karel Charvat | ... | dolly grip |
| Murray Close | ... | still photographer |
| Andreas Crawford | ... | dolly grip (as Andy Crawford) |
| Gary Dagg | ... | key grip (as Gary L. Dagg) |
| Klaus Fuxjäger | ... | camera operator |
| Jiri Gazda | ... | second company grip |
| Ivo Gresak | ... | grip |
| Jiri Horych | ... | electrician |
| Lukas Jaromersky | ... | rigging electrician |
| Igor Jelen | ... | rigging gaffer: second unit |
| Jimmy E. Jensen | ... | first assistant camera: "a" camera (as Jimmy Jensen) |
| Borivoj Klecka | ... | best boy |
| Filip Majer | ... | camera loader |
| David Mamula | ... | video assist operator |
| Antonin Marik | ... | first assistant camera (as Antonín Marík Ack) |
| John Marzano | ... | aerial director of photography |
| Sebastian Meuschel | ... | camera operator |
| John J. Moers | ... | cinematographer: Super 16mm documentary crew |
| Michael B. Moers | ... | documentary |
| Zdenek Mrkvicka | ... | second assistant camera |
| Jan Rehanzl | ... | grip: Czech Republic |
| Monty Rowan | ... | camera operator |
| Nick Shuster | ... | second assistant camera |
| Glyn Williams | ... | first assistant camera: aerial unit (as J. Glyn Williams) |
| Marc Wolff | ... | camera pilot |
| Bradley Patrick | ... | marketing/publicity portraits (uncredited) |
Casting Department
| Gary Davy | ... | casting: UK |
| Kelly O'Brien | ... | casting associate |
| Nicole Sage | ... | casting assistant |
| Horst D. Scheel | ... | additional casting: Germany |
| Jennifer L. Smith | ... | casting assistant |
| Tricia Wood | ... | casting associate |
Costume and Wardrobe Department
| Jill Avery | ... | costumer |
| Iva Bártová | ... | costumer |
| Peter De Brabander | ... | costume supplier |
| Jirina Eisenhamerova | ... | costumer |
| Miroslav Fantys | ... | costumer |
| Joe Hobbs | ... | military costumer |
| Lenka Koutková | ... | costume assistant |
| Michal Krejca | ... | costume maker / textile artist |
| Liba Malerova | ... | extras costumer |
| Vera Mirová | ... | costume supervisor |
| Dan Moore | ... | key costumer |
| Patricie Palmer | ... | set costumer (as Patricie Soptenková) |
| Katerina Polanska | ... | costumer (as Katerina Polanská) |
| Dagmar Pomajbikova | ... | personal costumer: Mr. Bruce Willis |
| Ladislav Procházka | ... | costumer |
| Dasa Pávková | ... | costumer |
| Adrian Simmons | ... | costumer |
| Jitka Svecova | ... | costumer (as Jitka Svecová) |
| Dita Valentinova | ... | costume interpreter |
Location Management
| David Antol | ... | location assistant |
| Jiri Krejcir | ... | location manager |
| Andrea Pugner | ... | location assistant (as Andrea Pugnerová) |
| Vladimir Seiml | ... | assistant location manager |
Music Department
| Bill Abbott | ... | music editor |
| David Arch | ... | piano |
| Jeff Atmajian | ... | orchestrator |
| Richard Bissill | ... | musician: French horn |
| Simon Changer | ... | score assistant engineer |
| Chris Cozens | ... | auricle control systems |
| Chris Dibble | ... | engineer |
| Paul Englishby | ... | music arranger: song "Der Fuehrer's Face" |
| Simon Geanuer | ... | assistant engineer |
| Gary Gold | ... | producer: song "Der Fuehrer's Face" |
| George Hamer | ... | orchestral contractor |
| Denise Okimoto | ... | assistant music editor |
| Steve Pellut | ... | assistant engineer |
| Graham Sibley | ... | musician: tuba |
| David Snell | ... | conductor |
| Rachel Bolt | ... | musician: viola (uncredited) |
| Cathy Duncan | ... | music executive mgm (uncredited) |
Script and Continuity Department
| Samantha Armstrong | ... | script supervisor |
| Jeb Stuart | ... | script revisions (uncredited) |
Transportation Department
| Josef Dytrych | ... | unit driver |
| Zdenek Flídr | ... | transportation coordinator |
| Silvie Janculová | ... | transportation captain |
Additional Crew
| John Adams | ... | Military Consultant |
| Vivian Al-Samarrai | ... | interpreter |
| Adrian Ayres | ... | aircraft assistant |
| Ota Bares | ... | animal trainer |
| Bianca Bezdek-Goodloe | ... | legal counsel / legal services |
| Michael Buster | ... | dialect coach |
| Magda Chýlková | ... | first assistant accountant |
| Sarka Cimbalova | ... | accommodation captain / production assistant |
| Hal Cook | ... | military advisor |
| Hannah Davies | ... | assistant: Rachel Portman |
| Robert C. Doyle | ... | historical consultant |
| Edwin Dunkley | ... | video services (as Ed Dunkley) |
| Megan Dunleavy | ... | assistant: David Ladd |
| Hana Duplinska | ... | assistant: Gregory Hoblit (as Hanka Duplinská) |
| Jakub Eliasek | ... | production assistant |
| Sam S Fernandes | ... | marketing & distribution |
| Larry Garrison | ... | unit publicist |
| Martha Haight | ... | assistant: Arnold Rifkin |
| Ryan E. Heppe | ... | development executive |
| Veronika Horka | ... | production coordinator |
| Roman Illovsky | ... | interpreter |
| Lenka Kadlecova | ... | production assistant |
| Ernestine Kahn | ... | dialogue coach |
| Jiri Kotlas | ... | production assistant |
| Klara Kralova | ... | interpreter (as Klara Holubova) |
| Nigel Lamb | ... | pilot: P-51 |
| Robs Lamplough | ... | pilot: P-51 |
| Mike Lane | ... | client services |
| Al LeBrun | ... | adr voice |
| Lukas Libal | ... | set pa |
| Betsy Megel | ... | producer's assistant: Mr. Foster |
| Sean Mewshaw | ... | key set production assistant: Los Angeles |
| Silvie Michajlova | ... | interpreter |
| Petr Moravec | ... | managing director |
| Jack Murphy | ... | choreographer |
| Marie Namai | ... | assistant: Gregory Hoblit |
| Eva Napolean | ... | client services |
| Gordon Ng | ... | client services |
| Carol Phiniotis | ... | screening coordinator |
| Lucie Pokorná | ... | assistant: Wolfgang Glattes |
| Lee Proudfoot | ... | pilot: P-51 |
| Eda Raban | ... | caterer |
| Peggy Rosson | ... | accountant (as Peggy Ann Rosson) |
| Bill Silcock | ... | copyist |
| Katerina Silna | ... | assistant production coordinator (as Katka Silná) |
| Debra Silverman | ... | clearance |
| Greg SmithAldridge | ... | production assistant: re-shoot (as Greg Smith) |
| Janice F. Sperling | ... | production coordinator |
| Mike Stokey | ... | technical advisor (as Michael Stokey) |
| Martin Supka | ... | first aid |
| Michael Swafford | ... | first assistant accountant |
| John T. Sweeney | ... | production coordinator |
| John Torrijos | ... | video services (as John 'J.T.' Torrijos) |
| Louise Weber | ... | assistant: Bruce Willis |
| Pierre Weidemann | ... | assistant: David Foster |
| Marc Wolff | ... | aerial co-ordinator |
| Robert 'Bobby Z' Zajonc | ... | helicopter pilot |
| Eugene Alper | ... | additional voice (uncredited) |
| Shannon K. Irvin-Sansaricq | ... | Manager: Production Finance Accountant MGM/UA (uncredited) |
Production Companies
Distributors
- Metro-Goldwyn-Mayer (MGM) (2002) (World-wide)
- Metro-Goldwyn-Mayer (MGM) (2002) (United States) (theatrical) (as MGM Distribution Co.)
- Metro-Goldwyn-Mayer Distributing Corporation (MGM) (2002) (United States) (theatrical)
- MGM Home Entertainment (2002) (United States) (video)
- 20th Century Fox Argentina (2002) (Argentina) (theatrical)
- 20th Century Fox India (2002) (India) (theatrical) (as Twentieth Century Fox India, Inc.)
- Bontonfilm (2002) (Czechia) (theatrical)
- Gemini Film (2002) (Russia) (theatrical)
- Hispano Foxfilms S.A.E. (2002) (Spain) (theatrical)
- Twentieth Century Fox Film Company (2002) (United Kingdom) (theatrical)
- Twentieth Century Fox (2002) (Germany) (theatrical)
- Twentieth Century Fox (2002) (Italy) (theatrical)
- Twentieth Century Fox (2002) (Netherlands) (theatrical)
- Twentieth Century Fox (2002) (Norway) (theatrical)
- Twentieth Century Fox (2002) (Sweden) (theatrical)
- UGC-Fox Distribution (UFD) (2002) (France) (theatrical)
- 20th Century Fox Home Entertainment (2002) (Brazil) (video)
- Gaga (2002) (Japan) (as GAGA Communications)
- Gativideo (2002) (Argentina) (video)
- Odeon (2002) (Greece)
- MGM Home Entertainment (2003) (France) (video)
- MGM Home Entertainment (2003) (Germany) (video)
- Film1 (2015) (Netherlands) (tv) (limited)
- StudioCanal (2019) (Germany) (Blu-ray)
- StudioCanal (2019) (Germany) (DVD)
- Action (2022) (France) (tv)
- Ciné+ (2022) (France) (tv)
- Paramount Channel (2022) (France) (tv)
Special Effects
- Area 51 (train yard/factory/encampment sequences)
- Available Light Productions (special effects)
- Boy Wonder Visual Effects (additional visual effects)
- Cinesite Digital Laboratory (digital film mastering)
- Digital Filmworks (digital scanning and film recording)
- Pixel Magic (CGI dogfight and crash sequence)
- Snow Business International (snow effects)
- VanHook Studios (digital animatics)
Other Companies
- American Red Cross (THE PRODUCERS WISH TO THANK: Armed Forces Emergency Services)
- Barrandov Studios (studio facilities provided by)
- Chapman/Leonard Studio Equipment (cranes and dollies)
- Das Musikkorps Leibstandarte-SS "Adolf Hitler" (music performed by)
- Decca Records (soundtrack)
- Flying Pictures (aerial filming services provided by)
- Hollywood Title (titles)
- Howard Anderson Digital Effects (opticals)
- Lansdowne Studios (MIXED AT: Music)
- NT Audio Visual (OPTICAL SOUND NEGATIVE BY)
- Skywalker Sound (POST PRODUCTION SOUND SERVICES PROVIDED BY)
- Sony Pictures Studios (RECORDED AT: Music)
- UMG Soundtracks (soundtrack)
- Universal Combat Limited (military advice)
- Whitfield Street Studios (RECORDED AT: Music)
Storyline
| Plot Summary |
Fourth-generation Army Col. William McNamara is imprisoned in a brutal German POW camp. Still, as the senior-ranking American officer, he commands his fellow inmates, keeping a sense of honor alive in a place where honor is easy to destroy, all under the dangerous eye of the Luftwaffe veteran Col. Wilhelm Visser. Never giving up the fight to win the war, McNamara is silently planning, waiting for his moment to strike back at the enemy. A murder in the camp gives him the chance to set a risky plan in motion. With a court martial to keep Visser and the Germans distracted, McNamara orchestrates a cunning scheme to escape and destroy a nearby munitions plant, enlisting the unwitting help of young Lt. Tommy Hart. Together with his men, McNamara uses a hero's resolve to carry out his mission, ultimately forced to weigh the value of his life against the good of his country. Written by Press kit |
| Plot Keywords | |
| Taglines | Heroes Are Measured By What They Do. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Budget | $70,000,000 (estimated) |
| Opening Weekend United States | $8,907,413, 17 Feb 2002 |
Did You Know?
| Trivia | Former teen hearthrob Jonathan Brandis hoped to revive his stalled career after being cast in a serious, dramatic role in the film. He was reportedly devastated when almost all of his scenes were removed in the final cut. He fell into a deep depression, began drinking heavily, and killed himself the next year. See more » |
| Goofs | There is no way that Col.McNamara could allocate which hut men went into. The Germans controlled this. Also there is no way he could just turn up at the Camp Kommandant's office unannounced and talk to him. See more » |
| Movie Connections | Featured in John Q/Maryam/Hart's War/Crossroads/Metropolis (2002). See more » |
| Soundtracks | Deutschland Uber Alles See more » |
| Quotes |
Col. Werner Visser:
Strange thing about war wounds- the older you get, the less proud of them you become. See more » |