The love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey's ex-girlfriend, while Mickey impulsively marries a stranger.
Director:
Writer:
Awards:
- 3 nominations.
- See more »
Photos and Videos
Cast verified as complete
| John Mahoney | ... |
Mr. Fitzpatrick
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| Edward Burns | ... |
Mickey Fitzpatrick
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| Michael McGlone | ... |
Francis Fitzpatrick
(as Mike McGlone)
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Maxine Bahns | ... |
Hope
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| Jennifer Aniston | ... |
Renee
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| Cameron Diaz | ... |
Heather
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| Malachy McCourt | ... |
Tom
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| Leslie Mann | ... |
Connie
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| Amanda Peet | ... |
Molly
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| Anita Gillette | ... |
Carol
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| Frank Vincent | ... |
Ron
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Beatrice Winde | ... |
Older Woman
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Eugene Osborne Smith | ... |
Older Man
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| Robert Weil | ... |
Mr. Deluca
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Tom Tammi | ... |
Father John
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Raymond De Marco | ... |
Doorman
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Ron Farrell | ... |
Scott
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| Rest of cast listed alphabetically: | |||
| Mark Belasco | ... |
Business Man at Airport (uncredited)
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Ian Eagle | ... |
Self (uncredited) (voice)
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Anne Marie Stefani | ... |
Young Girl (uncredited)
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Directed by
| Edward Burns | ||
Written by
| Edward Burns | ... | (written by) |
Produced by
| Alysse Bezahler | ... | line producer |
| Edward Burns | ... | producer |
| Ted Hope | ... | producer |
| Michael Nozik | ... | executive producer |
| Robert Redford | ... | executive producer |
| James Schamus | ... | producer |
| John Sloss | ... | co-executive producer |
Cinematography by
| Frank Prinzi | ... | director of photography |
Editing by
| Susan Graef | ||
Editorial Department
| Glen Basner | ... | post-production assistant |
| Rand M. Harper | ... | post-production intern (as Rand Harper) |
| Adina Klein | ... | apprentice editor |
| Dave Pultz | ... | color timer (as David Pultz) |
| Philip Weisman | ... | assistant editor |
Casting By
| Laura Rosenthal | ||
Production Design by
| William Barclay | ||
Art Direction by
| Caty Maxey | ||
Set Decoration by
| Harriet Zucker | ||
Costume Design by
| Susan Lyall | ||
Makeup Department
| Bobby H. Grayson | ... | key hair stylist |
| Tracy Warbin | ... | key makeup artist |
Production Management
| Alysse Bezahler | ... | production manager |
| Eddy Collyns | ... | assistant production manager |
| Jake Myers | ... | assistant unit manager |
| Jamey Pryde | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Greg Hale | ... | second assistant director |
| Linda Perkins | ... | second second assistant director |
| Julian Wall | ... | first assistant director |
Art Department
| James R. Bilz | ... | property master (as James Bilz) |
| Stephen Caldwell | ... | charge scenic |
| D. Kelly Cummins | ... | assistant property master |
| George Drohan | ... | additional dresser |
| Betty Eng | ... | art intern |
| Stephen Finkin | ... | on-set dresser |
| Christine Frankeberger | ... | lead dresser |
| Alisa Grifo | ... | art intern |
| Chris Jordan | ... | additional dresser |
| Ruth Katz | ... | additional dresser |
| Alan Muzeni | ... | additional dresser |
| Jamey Pryde | ... | art department coordinator |
Sound Department
| Steve Borne | ... | supervising sound editor |
| Joe Dohner | ... | machine room operator (as Joseph Dohner) |
| Tom Fleischman | ... | sound re-recording engineer |
| Dave Flynch | ... | machine room operator (as David Flynch) |
| Jeff Formosa | ... | apprentice sound editor |
| Mick Gormany | ... | assistant sound editor |
| Kenton Jakub | ... | adr editor |
| Bruce Kitzmeyer | ... | foley editor |
| George A. Lara | ... | foley recordist (as George Lara) |
| Lisa J. Levine | ... | adr editor (as Lisa Levine) |
| Sylvia Menno | ... | dialogue editor |
| Branka Mrkic | ... | dialogue editor |
| T.J. O'Mara | ... | sound mixer |
| Paul P. Soucek | ... | sound effects editor |
| Reilly Steele | ... | sound re-recording engineer |
| Brian Vancho | ... | foley artist |
| Dale Whitman | ... | boom operator |
| Tom Winslow | ... | assistant: Jim Scott |
Visual Effects by
| John Alagna | ... | opticals |
Stunts
| Douglas Crosby | ... | stunt coordinator |
Camera and Electrical Department
| K.C. Bailey | ... | still photographer |
| Maria Calvaruso | ... | camera trainee |
| Edward Cohen | ... | additional electrician (as Eddie Cohen) |
| Fred Cohen | ... | additional electrician |
| Frank Deverna | ... | additional grip |
| Samuel G. Friedman | ... | electrician |
| John Gabriele | ... | additional grip (as John Gabrielle) |
| Michael Gallart | ... | best boy electric |
| Haddon Hufford | ... | dolly grip |
| Bruce Jordan | ... | additional grip |
| Jenny Kane | ... | additional electrician |
| Eric M. Klein | ... | grip (as Eric Klein) |
| Kurt Lennig | ... | electrician |
| Paul Loret | ... | additional grip |
| Peter Marzulli | ... | additional electrician |
| Andy Niceberg | ... | electrician |
| Myron Odegaard | ... | additional electrician |
| George Pattison | ... | camera operator |
| Kurt Rimmel | ... | key grip |
| Marc Rogers | ... | gaffer |
| Matt Saccio | ... | grip |
| Douglas W. Shannon | ... | additional electrician (as Doug Shannon) |
| Jay Silver | ... | camera trainee |
| Chris Skutch | ... | best boy grip |
| Sean Strong | ... | second assistant camera |
| Derrick Tseng | ... | additional electrician |
| Alan Wolfe | ... | first assistant camera |
| Jim Galvin | ... | electrician (uncredited) |
| Abe Schrager | ... | camera operator: second unit (uncredited) |
Casting Department
| Ali Farrell | ... | casting assistant |
| Susan Fried | ... | extras casting |
| Christian Kaplan | ... | executive in charge of casting (uncredited) |
Costume and Wardrobe Department
| Frank L. Fleming | ... | assistant costume designer |
| Jennifer Ingram | ... | wardrobe supervisor |
| Wendy Van Dyke | ... | wardrobe supervisor |
Location Management
| Jeremy Kroll | ... | location production assistant |
| Trudi Manino | ... | location intern |
| Carla Raij | ... | assistant location manager |
| Joe Sevey | ... | location production assistant |
| Diana Strauss | ... | location manager |
Music Department
| Curt Bisquera | ... | musician: score |
| Mike Campbell | ... | musician: score |
| Howie Epstein | ... | musician: score |
| James Flatto | ... | music editor |
| Lili Haydn | ... | musician: score |
| Robert Kraft | ... | executive in charge of music |
| Ling Ling Li | ... | assistant technical music consultant |
| Robert Randles | ... | technical music consultant |
| Jim Scott | ... | music recording supervisor |
| Michael Severens | ... | musician: score |
| Gerri Sutyak | ... | musician: score (as Gerry Sutyak) |
| Benmont Tench | ... | musician |
| Chris Trujillo | ... | musician: score |
| Alan 'Bugs' Weidel | ... | music recording assistant |
| Frank Wolf | ... | film music recording consultant |
| Thomas Cavanaugh | ... | music business & legal affairs (uncredited) |
Script and Continuity Department
| Christine Gee | ... | script supervisor |
Transportation Department
| Frank J. Apicelli | ... | driver |
| Oscar Beguiristain | ... | driver |
| Howard Brooks | ... | genny driver |
| Jimmy Clark | ... | driver |
| Tom Fennimore | ... | driver: car rig |
| Kevin Flynn | ... | driver |
| Jimmy Nugent | ... | transportation captain |
| Daniel Palmer | ... | driver (as Dan Palmer) |
Additional Crew
| Glen Basner | ... | assistant: Ted Hope |
| Paul Brennan | ... | legal counsel |
| Cyndi Brenner | ... | product placement coordinator |
| Edward Burns | ... | executive advisor |
| Jerome Bynder | ... | stand-in |
| Jean-Christophe Castelli | ... | assistant: James Schamus (as Jean Castelli) |
| Nadeen Currie | ... | office intern |
| Linda Davis | ... | assistant: Michael Nozik |
| Pamela Degelsmith | ... | craft service |
| Jennifer Del Grande | ... | office intern |
| Andrew Dickson | ... | office intern |
| Quentin Dunne | ... | office intern |
| Bill Garvey | ... | set intern |
| Rodney Gary | ... | set production assistant |
| Theresa Giardino Finnerty | ... | second assistant accountant |
| Bernard Gough | ... | set production assistant |
| Mary-Kate Gunthier | ... | assistant: Edward Burns |
| Terry Ham | ... | set production assistant |
| Timothy Hollis | ... | set production assistant |
| Gallia Hoshia | ... | set production assistant |
| Joyce Hsieh | ... | post-production accountant |
| Mike Janson | ... | office intern |
| Jon Jolles | ... | set production assistant (as Jonathan Jolles) |
| Judy Landgraf | ... | office intern |
| Alison Levy | ... | assistant production coordinator |
| Ann Lewis | ... | electronic press kit crew |
| Melissa Logan | ... | assistant accountant |
| Kim Maitland | ... | electronic press kit crew |
| Manuel Cuotemoc Malle | ... | office production assistant (as Manuel Malle) |
| Michael Marson | ... | electronic press kit crew |
| Mary Mullane | ... | office intern |
| Ruth Mullen | ... | production coordinator |
| Stuart Nicolai | ... | set intern |
| Hetakaisa Paarte | ... | assistant: Ted Hope / office production assistant |
| Jodi Peikoff | ... | legal counsel |
| Andy Redmond | ... | stand-in |
| Mark Roberts | ... | set intern |
| Ryan Rothmaier | ... | office intern |
| Tony Salerno | ... | electronic press kit crew (as Anthony Salerno) |
| Tobi Schmidt | ... | assistant: Edward Burns |
| Carla M. Schorr | ... | production accountant |
| John Sloss | ... | legal counsel |
| Rose Sorbara | ... | stand-in |
| J.H. Torrance Downes | ... | stand-in |
| Noreen Ward | ... | post-production accountant |
| Melissa Zaroff | ... | assistant: Steve Borne |
| Michelle Zechowski | ... | craft service intern |
| Peter Himmelstein | ... | title designer (uncredited) |
| Bill Timoney | ... | adr loop group (uncredited) |
Thanks
| Giorgio Armani | ... | special thanks |
| Mat Baxt | ... | special thanks (as Matt Baxt) |
| Anthony Bregman | ... | special thanks |
| Brian Burns | ... | special thanks |
| Molly Burns | ... | special thanks |
| Myfa Cirinna | ... | special thanks |
| Sam Cohn | ... | special thanks |
| Mason Daring | ... | special thanks |
| Mary DeFuria | ... | special thanks |
| Otto DeFuria | ... | special thanks |
| Tony Dimitriades | ... | special thanks |
| Chris Fratiello | ... | special thanks |
| Joe Funicello | ... | special thanks |
| William Hananer | ... | special thanks (as William Hanauer) |
| Paul Hashagen | ... | special thanks |
| Karen Hefler | ... | special thanks |
| Kevin Hyman | ... | special thanks |
| Mary Klauzer | ... | special thanks |
| Vinny Lee | ... | special thanks |
| Matthew D. Loeb | ... | special thanks (as Matt Loeb) |
| Molly Madden | ... | special thanks |
| Paula P. Manzanedo | ... | special thanks (as Paula Schmit) |
| Michael Marson | ... | special thanks |
| Peter Metsopoulos | ... | special thanks |
| Ross Miller | ... | special thanks |
| Kelly Miracco | ... | special thanks (as Kelly Miller) |
| Robert Newman | ... | special thanks |
| Bill Nisselson | ... | special thanks |
| Tom O'Donnell Jr. | ... | special thanks |
| Paul Schmidt | ... | special thanks |
| Amy Schulz | ... | special thanks |
| Sue Simon | ... | special thanks |
| Mary Jane Skalski | ... | special thanks |
| Larry Struber | ... | special thanks |
| Nick Styne | ... | special thanks |
| Bart Walker | ... | special thanks |
| Kurt Woolner | ... | special thanks |
| Rick Yorn | ... | special thanks |
Production Companies
Distributors
- Fox Searchlight Pictures (1996) (United States) (theatrical)
- Cine Company S.A. (1996) (Spain) (theatrical)
- Kommunenes Filmcentral (KF) (1996) (Norway) (theatrical)
- Twentieth Century Fox (1996) (United Kingdom) (theatrical)
- UGC-Fox Distribution (UFD) (1996) (France) (theatrical)
- 20th Century Fox Argentina (1997) (Argentina) (theatrical)
- Filmes Castello Lopes (1997) (Portugal) (theatrical)
- CBS/Fox (1997) (United States) (video) (laserdisc)
- Gativideo (1998) (Argentina) (VHS)
- CBS/Fox (2000) (United States) (DVD)
- Fox Video (2000) (United States) (DVD)
- 20th Century Fox Home Entertainment (2002) (Brazil) (DVD)
- 20th Century Fox Home Entertainment (2002) (Germany) (DVD)
- 20th Century Fox Home Entertainment (2006) (United States) (DVD)
- RTL Entertainment (2016) (Netherlands) (tv) (RTL8)
- Disney+ (2021) (Australia) (video) (VOD) (Star)
- Disney+ (2021) (Japan) (video) (VOD)
- Disney+ (2021) (Taiwan) (video) (VOD)
- Disney+ (2022) (Canada) (video) (VOD) (Star)
- Disney+ (2022) (United Kingdom) (video) (VOD) (Star)
- 20th Century Fox Home Entertainment (United States) (video) (laserdisc)
- Abril Vídeo (Brazil) (VHS)
Special Effects
Other Companies
- Clein & White (unit publicity)
- Coast to Coast Catering (catering)
- Disc Insurance Services (production insurance)
- Entertainment Partners (payroll services)
- Film Finances (completion bond)
- Giorgio Armani (special thanks: clothes)
- Goodedit (picture post-production services)
- Larson Studios (additional adr studio)
- Noëlle Penraat (negative matching)
- Peter Himmelstein Design (titles)
- Planet 10 Post (audio post-production services)
- Republic National Bank of New York (production banking)
- Sloss Eckhouse Dasti Haynes LawCo (legal counsel)
- Sound City Studios (music recorded at)
- Sound One Corporation (re-recording)
- The Effects House (opticals)
- The Village Recorder (music recorded at)
- Warner Bros. Records (soundtrack)
- Xeno Lights (grip and lighting equipment)
Storyline
| Plot Summary |
How do siblings deal with each other in their targets? This is the question tackled in this movie. Blue-collared Mickey drives a New York taxicab since the breakup with his promiscuous ex-fiancée Heather two years ago. His younger, white-collared brother, Francis, cannot let Mickey forget the tragedy of the "hairy ass": (Mickey's image of his apartment floor of the guy having sex with Heather after walking in on them). Finding relief in driving his cab, Mickey meets an art student named Hope whom he marries after knowing her for only 24 hours. Mickey also meets his old lover Heather, and learns more about life itself as taxi fares in the course of a summer. Francis, a young Wall Street corporate raider, unhappy in his marriage to Renee and led by his infidelity, continues his shots at Mickey throughout the film, only to find himself a plot device that lends humor and lessons about marriage and brotherhood when he meets and starts an dangerous affair with Heather, despite Mickey's warnings that Heather is a gold-digging nymphomaniac who goes through sexual partners as often as a person changes clothes. Given Mickey's frame of reference on the past and his bride of 24 hours, it is no wonder that the two brothers, along with their father, an ego-eccentric and emotionally bereft bigot and a hard-core chauvinist who does not allow women aboard his fishing boat, learn about the strength of women, and their own lives.
Written by Don Copeland |
| Plot Keywords | |
| Taglines | A romantic comedy about two brothers... and the one thing that came between them. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
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Box Office
| Budget | $3,500,000 (estimated) |
| Opening Weekend United States | $2,088,492, 25 Aug 1996 |
Did You Know?
| Trivia | Entire soundtrack composed of original songs by Tom Petty. See more » |
| Goofs | When Francis and Renee are first in the bedroom, Francis' leg is alternately raised/lowered between shots while he is reading. See more » |
| Movie Connections | Featured in A Very Brady Sequel/She's the One/Kansas City/Girls Town/The Spitfire Grill (1996). See more » |
| Soundtracks | Walls (Circus) See more » |
| Quotes |
Mickey Fitzpatrick:
Why are you getting so upset Dad? You don't even believe in God. Mr. Fitzpatrick: That doesn't mean I'm going to stop being a good Catholic. See more » |