Mary Shelley's Frankenstein (1994)
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- R
- 2h 3min
- Drama, Horror
- 04 Nov 1994 (USA)
- Movie
When the brilliant but unorthodox scientist Dr. Victor Frankenstein rejects the artificial man that he has created, the Creature escapes and later swears revenge.
Director:
Writers:
Stars:
Awards:
- Nominated for 1 Oscar. Another 19 nominations.
- See more »
Photos and Videos
Cast verified as complete
| Robert De Niro | ... |
Creature / Sharp Featured Man
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| Kenneth Branagh | ... |
Victor Frankenstein
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| Tom Hulce | ... |
Henry Clerval
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| Helena Bonham Carter | ... |
Elizabeth Lavenza
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| Aidan Quinn | ... |
Captain Walton
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| Ian Holm | ... |
Victor's Father
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| Richard Briers | ... |
Grandfather
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| John Cleese | ... |
Professor Waldman
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| Robert Hardy | ... |
Professor Krempe
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| Cherie Lunghi | ... |
Victor's Mother
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| Celia Imrie | ... |
Mrs. Moritz
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| Trevyn McDowell | ... |
Justine Moritz
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| Gerard Horan | ... |
Claude
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| Mark Hadfield | ... |
Felix
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| Joanna Roth | ... |
Marie
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Sasha Hanau | ... |
Maggie
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Joseph England | ... |
Thomas
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Alfred Bell | ... |
Landlord
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| Richard Clifford | ... |
Minister
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| George Asprey | ... |
Policeman
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| Hugh Bonneville | ... |
Schiller
(as Richard Bonneville)
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| Ryan J-W Smith | ... |
William Frankenstein
(as Ryan Smith)
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Charles Wyn-Davies | ... |
Young William
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Rory Jennings | ... |
Young Victor
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Christina Cuttall | ... |
Young Justine
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| Hannah Taylor Gordon | ... |
Young Elizabeth
(as Hannah Taylor-Gordon)
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| Susan Field | ... |
Frau Brach
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| Jimmy Yuill | ... |
Grigori
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Chris Barnes | ... |
Ships Crew
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| Shaun Prendergast | ... |
Ships Crew
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Tommy Wright | ... |
Ships Crew
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| David Kennedy | ... |
Ships Crew
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| Paul Gregory | ... |
Ships Crew
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Chris Hollis | ... |
Ships Crew
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Robin Lloyd | ... |
Ships Crew
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Alex Lowe | ... |
Ships Crew
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Graham Loughridge | ... |
Ships Crew
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Simon Cox | ... |
Ships Crew
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Robert Hines | ... |
Ships Crew
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Lonnie James | ... |
Rough Woman
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| Jenny Galloway | ... |
Vendor's Wife
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Peter Jonfield | ... |
Rough Man
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| Edward Jewesbury | ... |
City Official
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| Siobhan Redmond | ... |
Midwife
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Francine Morgan | ... |
Assistant Midwife
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Sue Long | ... |
Woman in Labor
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| Angus Wright | ... |
Guard
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| Michael Gould | ... |
Stablehand
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| Max Gold | ... |
Servant
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Abigail Reynolds | ... |
Mansion Staff
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Theresa Fresson | ... |
Mansion Staff
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Mark Inman | ... |
Mansion Staff
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Dudi Appleton | ... |
Mansion Staff
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Meriel Scholfield | ... |
Mansion Staff
(as Meriel Schofield)
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| Rest of cast listed alphabetically: | |||
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Paul Bannon | ... |
Townfolk (uncredited)
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Kenneth W Caravan | ... |
Medical Student (uncredited)
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| Jim Carter | ... |
Executioner (uncredited)
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| Patrick Doyle | ... |
Ballroom Orchestra Conductor (uncredited)
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| Stuart Hazeldine | ... |
Man in crowd scene (uncredited)
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| Kevin Hudson | ... |
Choir Boy (uncredited)
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Peter Noble | ... |
Medical student (uncredited)
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| Fay Ripley | ... |
Dead Woman (uncredited)
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Kelvin West | ... |
The Blacksmith (uncredited)
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Directed by
| Kenneth Branagh | ||
Written by
| Mary Shelley | ... | (novel) |
| Steph Lady | ... | (screenplay) and |
| Frank Darabont | ... | (screenplay) |
Produced by
| David Barron | ... | associate producer |
| Kenneth Branagh | ... | co-producer |
| Francis Ford Coppola | ... | producer |
| Robert De Niro | ... | associate producer |
| Fred Fuchs | ... | executive producer |
| James V. Hart | ... | producer |
| Jeff Kleeman | ... | associate producer |
| David Parfitt | ... | co-producer |
| John Veitch | ... | producer |
Music by
| Patrick Doyle | ||
Cinematography by
| Roger Pratt | ... | director of photography |
Editing by
| Andrew Marcus | ||
Editorial Department
| Hermione Byrt | ... | assistant film editor |
| Simon Cozens | ... | assistant editor |
| Tritia Espinoza | ... | international editor |
| Rob Green | ... | assistant editor |
| Kerry Kohler | ... | associate editor |
| Susan Midgley | ... | assistant editor |
| Nick Moore | ... | assistant editor |
| Melanie Viner-Cuneo | ... | assistant editor |
| Scot Deer | ... | telecine colorist (uncredited) |
Casting By
| Priscilla John | ||
Production Design by
| Tim Harvey | ||
Art Direction by
| Martin Childs | ... | supervising art director |
| Desmond Crowe | ||
| John Fenner | ||
Costume Design by
| James Acheson | ||
Makeup Department
| Christine Allsopp | ... | makeup artist |
| Linda Armstrong | ... | makeup artist: Alpine unit |
| Janice Barnes | ... | hair supervisor: special effects makeup unit |
| Mark Coulier | ... | prosthetic makeup artist |
| Paul Engelen | ... | key makeup artist |
| Darlene Forrester | ... | assistant prosthetics makeup artist |
| Betty Glasow | ... | hair stylist |
| Richard Glass | ... | contact lens optician |
| Debbie Gower | ... | assistant prosthetic makeup artist |
| Carol Hemming | ... | hair designer |
| Ilona Herman | ... | hair consultant: Robert DeNiro / makeup artist: Robert DeNiro |
| Giacomo Iovino | ... | mould maker/animatronics assistant |
| Callum King | ... | assistant prosthetic makeup artist |
| Melissa Lackersteen | ... | makeup artist: Alpine unit |
| Deborah Lanser | ... | makeup artist |
| Chris Lyons | ... | special effects teeth |
| Paolo Mantini | ... | key hair stylist |
| Daniel Parker | ... | creature makeup |
| Jemma Scott-Knox-Gore | ... | contact lens technician |
| Amber Sibley | ... | assistant prosthetic makeup artist |
| Michelle Taylor | ... | assistant prosthetic makeup artist |
| David White | ... | prosthetic makeup artist |
| Jeremy Woodhead | ... | assistant prosthetic makeup artist |
Production Management
| David Barron | ... | unit production manager |
| Leonhard Gmür | ... | production manager: alpine unit |
Second Unit Director or Assistant Director
| Marian Barlow | ... | third assistant director: second unit |
| Bernard Bellew | ... | second assistant director |
| Simon Crane | ... | action unit director |
| Sallie Hard | ... | third assistant director (as Sallie Anne Hard) |
| Nick Heckstall-Smith | ... | first assistant director: second unit |
| Ben Howarth | ... | third assistant director |
| Andrew Marcus | ... | second unit director |
| Simon Moseley | ... | second assistant director |
| Christopher Newman | ... | assistant director |
| Richard Styles | ... | third assistant director: second unit |
| Richard Whelan | ... | second assistant director: second unit |
Art Department
| Darren Bailey | ... | stagehand |
| Paul Barrett-Brown | ... | props |
| Bruce Bigg | ... | property master |
| Brian Bishop | ... | scenic artist |
| Doug Bishop | ... | scenic artist |
| Celia Bobak | ... | production buyer |
| Michael Boone | ... | draughtsman |
| Barry Brown | ... | supervising rigger |
| Jane Clark | ... | storyboard artist |
| Dan Dray | ... | art department assistant |
| Daniel Dray | ... | art department |
| Fred Evans | ... | sculptor |
| Colin Fox | ... | drapery master |
| Peter Francis | ... | set designer |
| Gavin Gordon | ... | carpenter |
| Martin Hubbard | ... | carpenter |
| Danny Hunter | ... | lead stand-by props |
| Neil Lamont | ... | assistant art director |
| Steven Lawrence | ... | assistant art director |
| Richard Lyon | ... | construction storeman |
| Jonathan McKinstry | ... | assistant art director |
| Allan Moss | ... | sculptor |
| Jim O'Hare | ... | dressing consultant |
| Adam O'Neill | ... | draughtsman |
| Ken Pattenden | ... | construction manager |
| Brian Pegg | ... | plasterer |
| Michael Redding | ... | construction coordinator |
| John Riddell | ... | prop maker |
| Ray Rose | ... | property storeman (as Raymond Rose) |
| Ted Stickley | ... | lead dressing props (as Edward Stickley) |
| Gary Tomkins | ... | draughtsman |
| Keith Dyett | ... | carpenter (uncredited) |
| Jane Henwood | ... | assistant prop buyer (uncredited) |
Sound Department
| Campbell Askew | ... | supervising sound editor |
| Don Banks | ... | boom operator |
| John Bateman | ... | foley mixer |
| Geoff R. Brown | ... | assistant sound effects editor |
| Mike Dowson | ... | adr mixer / foley mixer |
| Robert Gavin | ... | dialogue editor |
| Pauline Griffith | ... | foley artist |
| David Lawson | ... | digital sound effects (as Dave Lawson) |
| Jenny Lee Wright | ... | foley artist (as Jenny Lee-Wright) |
| Dominic Lester | ... | re-recording mixer |
| Tom Meadows | ... | sound mixer |
| Colin Miller | ... | sound effects editor |
| David Motta | ... | sound assistant |
| Chris Munro | ... | sound mixer: Alpine unit |
| Robin O'Donoghue | ... | re-recording mixer |
| Mark Sale | ... | assistant dialogue editor |
| Ivan Sharrock | ... | sound mixer |
| Ian Silvester | ... | technical engineer |
| Graham Sutton | ... | foley editor |
| Michael Trent | ... | assistant sound editor |
| William Trent | ... | dialogue editor (as Bill Trent) |
| Ricky Butt | ... | foley artist (uncredited) |
Special Effects by
| Jonathan Angell | ... | senior technician |
| Marion Appleton | ... | chief painter, special effects makeup unit |
| Richard Conway | ... | special effects supervisor |
| Mark Coulier | ... | sculptor: special effects makeup unit |
| Steve Crawley | ... | wire effects supervisor |
| Dave Crownshaw | ... | special effects technician |
| Simon Davey | ... | special effects trainee |
| Robin Dufay | ... | hair/skin prosthetics |
| Dave Eltham | ... | special effects |
| Neil Farrow | ... | special effects editor |
| Pauline Fowler | ... | head sculptor, special effects makeup unit |
| Darrell Guyon | ... | special effects technician |
| Steve Hamilton | ... | special effects floor supervisor (as Stephen Hamilton) |
| Roland Hathaway | ... | snow effects technician |
| Curtis Iggulden | ... | special effects trainee |
| Garth Inns | ... | special effects |
| Michelle Jones | ... | special effects makeup unit: assistant to Daniel Parker |
| Andrew Kelly | ... | senior technician |
| Peter Lange | ... | special effects: Alpine unit |
| Joshua Lee | ... | animatronic designer |
| Kevin Mathews | ... | special effects wire technician |
| Nick Millington | ... | special effects makeup unit: assistant to Daniel Parker |
| Lulu Morgan | ... | special effects unit coordinator |
| Julian Murray | ... | sculptor: special effects makeup unit |
| Roger Nichols | ... | senior technician |
| Nigel Nixon | ... | special effects buyer |
| Stephen Onions | ... | senior technician |
| Peter Pickering | ... | senior technician |
| Graham Povey | ... | special effects technician |
| Sean Robinson | ... | prop builder |
| Stuart Robinson | ... | senior technician |
| Jaki Sale | ... | special effects makeup unit: department coordinator |
| Paul Stephenson | ... | special effects modeller |
| David Watson | ... | senior technician |
| David White | ... | designer, special effects makeup unit |
| Nik Williams | ... | animatronic designer special effects makeup unit |
| Joe Bullen | ... | special effects assistant (uncredited) |
Visual Effects by
| Terry Bridle | ... | model designer |
| Nicholas Brooks | ... | digital effects designer (as Nick Brooks) |
| Richard Conway | ... | visual effects supervisor |
| Paddy Eason | ... | digital effects designer |
| Pete Hanson | ... | studio manager: CFC |
| Colin Kinnear | ... | non-linear technician |
| Dennis Lowe | ... | special visual effects cameraman |
| Roz Lowrie | ... | editor: CFC |
| Mark Nelmes | ... | digital effects designer |
| Chris Panton | ... | digital effects designer |
| Dominic Parker | ... | digital effects designer |
| Graham Riddell | ... | animatronic designer |
| Val Wardlaw | ... | visual effects supervisor |
| Chris Watts | ... | visual effects producer |
| Jason Chalmers | ... | visual effects trainee (uncredited) |
Stunts
| Marc Cass | ... | stunts |
| Stuart Clark | ... | utility stunts |
| Simon Crane | ... | stunt coordinator |
| David Cronnelly | ... | stunts |
| Graeme Crowther | ... | stunt double: Creature |
| Ray De-Haan | ... | stunts |
| Tracey Eddon | ... | stunt double: Elizabeth |
| Jamie Edgell | ... | stunts |
| Terry Forrestal | ... | stunts |
| Sarah Franzl | ... | stunt performer |
| Paul Jennings | ... | stunts |
| Tim Lawrence | ... | stunts |
| Sean McCabe | ... | stunt double: Kenneth Branagh |
| Ray Nicholas | ... | stunts |
| Andreas Petrides | ... | stunts |
| Gary Powell | ... | stunts |
| Lee Sheward | ... | stunt double: Robert De Niro / stunts |
| Mark Southworth | ... | stunts |
| Joss Gower | ... | stunts (uncredited) |
Camera and Electrical Department
| John Abrahams | ... | dolly grip: second unit |
| Matthew Allwork | ... | aerial camera operator: Alpine unit |
| David Appleby | ... | still photographer |
| Jeremy Brookner | ... | video assistant |
| Fred Brown | ... | rigging gaffer |
| Neil Brown | ... | second assistant camera: second unit |
| Peter Butler | ... | dolly grip |
| Trevor Coop | ... | additional cinematographer / camera operator: "a" camera |
| Barney Davis | ... | camera trainee |
| Sascha Dhillon | ... | camera trainee |
| Mike Evans | ... | first assistant camera: second unit |
| Joe Felix | ... | dolly grip: second unit |
| Chuck Finch | ... | gaffer |
| Robert Finch | ... | gaffer |
| Stephen Finch | ... | electrician |
| Anne Marie Fox | ... | still photographer: additional photography |
| Mark Gardiner | ... | vfx camera operator |
| Graham Hall | ... | first assistant camera: second unit |
| Gordon Hayman | ... | camera operator: second unit |
| Mike House | ... | camera grip: second unit |
| Simon Hume | ... | first assistant camera |
| Bill Kaye | ... | additional still photographer: second unit |
| Roger Lanser | ... | director of photography: second unit |
| Clive Mackey | ... | first assistant camera: second unit |
| Skip Margetts | ... | second assistant camera: second unit |
| Billy Merrell | ... | best boy electric (as Billy Merrill) |
| Scot A. Nederman-Paul | ... | loader: second unit (as Scott Nederman) |
| John Palmer | ... | camera operator: second unit |
| Robert Palmer | ... | second assistant camera |
| John Payne | ... | dolly grip |
| Nick Penn | ... | first assistant camera |
| Ray Potter | ... | gaffer electric: second unit |
| Peter Robertson | ... | steadicam operator |
| Kate Robinson | ... | steadicam operator |
| Roger Sharland | ... | video assistant: second unit |
| Ian Speed | ... | aerial camera: Alpine unit |
| Simon Starling | ... | assistant camera |
| Martin Gooch | ... | Additional Loader (uncredited) |
Casting Department
| Lucinda Syson | ... | casting assistant |
Costume and Wardrobe Department
| Jane Clive | ... | costume painter |
| Susan Coates | ... | costumer |
| Lorraine Cooksley | ... | costumer |
| Naomi Critcher | ... | costume painter |
| Richard Evans | ... | costumer |
| Tony Hughes | ... | costumer |
| Fiona Kebbell | ... | costumer |
| Rosemary Lis | ... | costumer (as Rosemary Worth) |
| Richard Pointing | ... | costume supervisor |
| Lisa Shanley | ... | costumer |
| Anne Taylor | ... | assistant costume designer |
| Vernon White | ... | costumer |
| Pat Williamson | ... | costume master |
| Rosemary Worth | ... | costumer |
| Jane Law | ... | costumes (uncredited) |
Location Management
| Paul Shersby | ... | location manager / unit location manager |
| Stefan Zürcher | ... | location manager: Alpine unit |
Music Department
| Lawrence Ashmore | ... | orchestrator |
| Tonia Davall | ... | musician assembler |
| Geoff Foster | ... | music engineer |
| Paul Hulme | ... | music engineer |
| Gerard McCann | ... | music editor |
| Roy Prendergast | ... | supervising music editor |
| Maggie Rodford | ... | music supervisor |
| David Snell | ... | conductor |
| Pete Beachill | ... | musician: trombone (uncredited) |
| Mark Berrow | ... | musician: violin (uncredited) |
| Rachel Bolt | ... | musician: viola (uncredited) |
| Richard Cookson | ... | musician: viola (uncredited) |
| Derek Watkins | ... | musician: trumpet (uncredited) |
Script and Continuity Department
| Annie Penn | ... | script supervisor (as Annie Wotton) |
| Anna Worley | ... | script supervisor: second unit |
Transportation Department
| Mike Crawley | ... | transportation captain (as Michael Crawley) |
| Terry Pritchard | ... | transportation captain |
Additional Crew
| Ray Adams | ... | laboratory supervisor: Rank Laboratories |
| Walter Aeberli | ... | armorer: Alpine unit |
| Michael Besman | ... | production executive |
| Jane Biro | ... | assistant publicist |
| Linda Bowen | ... | assistant accountant |
| Robin Chambers | ... | assistant: Mr. DeNiro |
| Hugh Cruttwell | ... | performance consultant |
| Kay Cutts | ... | animal trainer |
| Steve Dent | ... | horse master |
| John Falkener | ... | mountain safety: Alpine unit |
| Barbra Flinder | ... | title designer |
| Ueli Frei | ... | mountain safety: Alpine unit |
| Andrew Fuchs | ... | mountain safety: Alpine unit |
| Jonathan Glendening | ... | character research assistant: Robert De Niro |
| Dan Harvey | ... | trainer: Mr. Branagh and Mr. DeNiro |
| Stacey Haynes | ... | assistant choreographer |
| Lil Heyman | ... | assistant production coordinator |
| Richard Hooper | ... | armorer |
| Stuart Hopps | ... | choreographer |
| Jayne Issott | ... | production runner |
| Michael John | ... | hat maker |
| Debbie Kaye | ... | horse master |
| Sara Keene | ... | unit publicist |
| Roger McGowan | ... | safety boat operator |
| Ernst Aschi Michel | ... | mountain safety: Alpine unit (as Ernst Michel) |
| Steve Morphew | ... | stand-in: Robert De Niro |
| Gary Nixon | ... | assistant accountant |
| Iona Price | ... | production coordinator |
| Josh Salzmann | ... | trainer: Mr. DeNiro |
| Helen Seery | ... | assistant accountant |
| Mike Smith | ... | production accountant |
| Tamar Thomas | ... | assistant: Mr. Branagh |
| Petra Ullrich | ... | accountant: Alpine unit |
| Chris Warren | ... | video coordinator |
| Hanka Weiszflog | ... | production coordinator: Alpine unit |
| Rebecca West | ... | Publicity Assistant |
| Tom White | ... | production runner |
| Julia Wilson Dickson | ... | dialogue coach: Mr. DeNiro (as Julia Wilson-Dickson) |
| Leonard Wolf | ... | historical consultant |
| Peter Pedrero | ... | body double (uncredited) |
Production Companies
- TriStar Pictures (presents)
- Japan Satellite Broadcasting (JBS) (in association with)
- IndieProd Company Productions (in association with)
- American Zoetrope
- Tribeca Productions
Distributors
- TriStar Pictures (1994) (United States) (theatrical)
- Columbia TriStar Films (1994) (United Kingdom) (theatrical)
- Columbia TriStar Films de Argentina (1994) (Argentina) (theatrical)
- Columbia Tristar Films Korea (1994) (South Korea) (theatrical)
- Columbia TriStar Film (1995) (Germany) (theatrical)
- Columbia TriStar Films (1995) (France) (theatrical)
- Columbia TriStar Films de España (1995) (Spain) (theatrical)
- Columbia TriStar Films AB (1995) (Sweden) (theatrical)
- Svenska Filminstitutet (SFI) (1995) (Sweden) (theatrical)
- Columbia TriStar Films (1995) (Netherlands) (theatrical)
- Columbia Tristar Films of India (1995) (India) (theatrical) (Bombay)
- Finnkino (1995) (Finland) (theatrical)
- Falcon (1995) (Czechia) (theatrical)
- Columbia TriStar Home Video (1995) (Germany) (laserdisc)
- Columbia TriStar Home Video (1995) (United Kingdom) (laserdisc)
- Columbia TriStar Home Video (1995) (Netherlands) (VHS)
- Columbia TriStar Home Video (1995) (United States) (VHS) (Widescreen)
- Columbia TriStar Home Video (1995) (United States) (laserdisc)
- Egmont Film (1995) (Sweden) (VHS)
- LK-TEL (1995) (Argentina) (VHS)
- Nordisk Film Home Entertainment (1995) (Finland) (VHS)
- Columbia Tristar Television Distribution (1996) (United States) (tv) (syndication)
- Canal+ (1997) (France) (tv) (dubbed version)
- Columbia TriStar Home Video (1997) (Mexico) (VHS)
- Columbia TriStar Home Video (1997) (United States) (VHS)
- Columbia TriStar Home Entertainment (1998) (Netherlands) (DVD)
- Columbia TriStar Home Video (1998) (Canada) (DVD)
- Columbia TriStar Home Video (1998) (Netherlands) (VHS)
- Columbia TriStar Home Video (1998) (United States) (DVD)
- Egmont Entertainment (1998) (Finland) (DVD)
- Hollydan Works (1998) (Yugoslavia) (DVD)
- LK-TEL (1998) (Argentina) (DVD)
- LK-TEL (1998) (Argentina) (VHS)
- Yleisradio (YLE) (1999) (Finland) (tv)
- Columbia TriStar Domestic Television (2001) (United States) (tv) (syndication)
- Columbia TriStar Home Video (2000) (Germany) (DVD)
- Columbia TriStar Home Video (2000) (Netherlands) (DVD)
- Columbia TriStar Home Video (2000) (France) (DVD)
- Columbia TriStar Home Entertainment (2001) (United States) (DVD) (superbit edition)
- Columbia TriStar Home Entertainment (2002) (Germany) (DVD)
- Nelonen (2002) (Finland) (tv)
- Sony Pictures Television (2002) (United States) (tv) (syndication)
- Columbia TriStar Home Entertainment (2003) (Mexico) (VHS)
- Columbia TriStar Home Entertainment (2004) (United Kingdom) (DVD)
- Sony Pictures Home Entertainment (2005) (Canada) (DVD)
- Sony Pictures Home Entertainment (2005) (United States) (DVD) (double feature with "Bram Stoker's Dracula")
- Sony Pictures Television International (2005) (United States) (tv) (syndication)
- Sony Pictures Home Entertainment (2009) (Germany) (Blu-ray) (DVD)
- Sony Pictures Home Entertainment (2009) (Netherlands) (Blu-ray) (DVD)
- Sony Pictures Home Entertainment (2009) (Brazil) (Blu-ray)
- Sony Pictures Home Entertainment (2009) (United States) (Blu-ray) (DVD)
- Umbrella Entertainment (2012) (Australia) (DVD)
- BBC One (2016) (United Kingdom) (tv)
- Vinegar Syndrome (2025) (United States) (Ultra HD Blu-ray)
Special Effects
- ReelEye Company (special effects contact lenses)
- The Computer Film Company (CFC)
Other Companies
- Shepperton Studios (movie studio)
- Air Lyndhurst Studios (music recorded at)
- Air-Edel Associates (music services)
- Epic Soundtrax (soundtrack)
- Lee Lighting (grip and lighting equipment)
- London Lyndhurst Orchestra (orchestra)
- Reeltime Creative (trailer music)
- SDDS Sony Dynamic Digital Sound (in selected theatres)
- Salon (editing equipment)
Storyline
| Plot Summary |
In 1794, in the Arctic Sea, Captain Robert Walton is a man obsessed to reach the North Pole, pushing his crew to exhaustion. When his ship hits an iceberg, it is stranded in the ice. Out of the blue, Captain Walton and his men overhear a dreadful cry and they see a stranger coming to the ship. He introduces himself as Victor Frankenstein and he tells the Captain the story of his life since he was a little boy in Geneva. Victor is a barilliant student, and in love with his stepsister Elizabeth, an orphan that was raised by his father Baron Victor von Frankenstein. In 1793, Victor moves to Ingolstadt to study at the university, and he promises to get married to Elizabeth. At the university, Victor befriends Henry Clerval, who becomes his best friend. Victor gets close to Professor Waldman and decides to create life to cheat death, but Waldman advises him that he should not try this experiment, since the result would be an abomination. When Waldman dies, Victor steals his notes and tries to create life. He succeeds and gives life to a strong Creature, composed of parts of deceased people. However, he realizes that his experiment is a mistake and he abandons the Creature, expecting that it will die alone. However the Creature survives and learns how to read and write, but he is a monster rejected by society and his own creator. The Creature decides to seek revenge from Victor by killing everyone he loves. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Taglines | Be warned. It's alive. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $45,000,000 (estimated) |
| Opening Weekend United States | $11,212,889, 06 Nov 1994 |
| Cumulative Worldwide Gross | $112,006,296 |
Did You Know?
| Trivia | Robert De Niro studied stroke victims to get a purchase on speech that is struggling to emerge. See more » |
| Goofs | The opening crawl states that Captain Robert Walton set sail in the early 19th century. Then the next caption states that it is 1794, which is still in the 18th century. The prologue actually states that it is "the dawn of the 19th Century," which in common English vernacular refers to the period of time around the start of the new century. The year 1794 would fall within this reference. See more » |
| Movie Connections | Featured in The Road to Wellville/Silent Fall/Stargate/The Last Seduction/Vanya on 42nd Street (1994). See more » |
| Quotes |
The Creature:
I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other. See more » |