Directed by
Wim Wenders |
Writing Credits
Robert Kramer | ... | (screenplay) & |
Wim Wenders | ... | (screenplay) & |
Joshua Wallace | ... | (writer) |
Cast (in credits order)
Isabelle Weingarten | ... | Anna | |
Rebecca Pauly | ... | Joan | |
Jeffrey Kime | ... | Mark | |
Geoffrey Carey | ... | Robert | |
Camila Mora-Scheihing | ... | Julia (as Camila Mora) | |
Alexandra Auder | ... | Jane | |
Patrick Bauchau | ... | Friedrich Munro | |
John Paul Getty III | ... | Dennis (as J. Paul Getty III) | |
Viva | ... | Kate | |
Samuel Fuller | ... | Joe | |
Artur Semedo | ... | Production Manager | |
Francisco Baião | ... | Soundman | |
Robert Kramer | ... | Camera Operator | |
Allen Garfield | ... | Gordon | |
Roger Corman | ... | The Lawyer | |
Gisela Getty | ... | Secretary (as Martina Getty) | |
Monty Bane | ... | Herbert | |
Janet Graham | ... | Karen (as Janet Rasak) | |
Judy Mooradian | ... | Waitress | |
Rest of cast listed alphabetically: | |||
Adelaide João | ... | Woman in Texas Bar (uncredited) | |
Wim Wenders | ... | Tram passenger (uncredited) |
Produced by
Paulo Branco | ... | associate producer |
Pierre Cottrell | ... | associate producer |
Renée Gundelach | ... | consulting producer: financing |
Christoph Holch | ... | commissioning editor: ZDF |
Chris Sievernich | ... | producer |
Wim Wenders | ... | producer |
Music by
Jim Jarmusch | ||
Jürgen Knieper |
Cinematography by
Henri Alekan | ||
Fred Murphy | ||
Martin Schäfer |
Editing by
Jon Neuburger | ||
Peter Przygodda | ||
Barbara von Weitershausen |
Costume Design by
Maria Gonzaga |
Makeup Department
Maria Gonzaga | ... | makeup artist: Portugal |
Production Management
António Gonçalo | ... | production manager: Portugal |
Second Unit Director or Assistant Director
João Canijo | ... | trainee assistant director: Portugal |
Greg Gears | ... | assistant director |
Carlos Santana | ... | assistant director: Portugal |
Art Department
Zé Branco | ... | set designer: Portugal |
Sound Department
Anna R. Delanzo | ... | boom operator: Los Angeles |
Jean-Paul Mugel | ... | boom operator: Portugal |
Neal Marshad | ... | sound re-recordist (uncredited) |
Visual Effects by
Andrea D'Amico | ... | optical effects: EFX Unlimited, New York |
Laurie Spiegel | ... | computer graphics |
Camera and Electrical Department
Joaquín Amaral | ... | key grip: Portugal |
Manuel Carlos da Silva | ... | gaffer: Portugal |
Steve Dubin | ... | assistant camera |
Pedro Efe | ... | grip: Portugal |
Jack English | ... | gaffer: Los Angeles |
Agnès Godard | ... | assistant camera |
Domingos Guicho | ... | grip: Portugal |
Charles Libin | ... | gaffer: nyc inserts |
Gabriel Lopes | ... | still photographer: Portugal |
Carlos Mena | ... | loader: Portugal |
Francisco Silva | ... | second assistant camera: Portugal |
Raul Soares | ... | grip: Portugal |
Costume and Wardrobe Department
Irene Assis | ... | seamstress: Portugal |
Judy Shrewsbury | ... | costume assistant: Portugal |
Editorial Department
Philipp Orgassa | ... | digital restoration colorist |
Additional Crew
Jorge Alves | ... | production assistant: Portugal |
Maria Amaral | ... | production secretary: Portugal |
António Luís Campos | ... | production assistant: Portugal (as Antonio Luis Campos) |
Mário Castanheira | ... | production assistant: Portugal |
Nuno Martins | ... | production assistant |
Pedro M. Ruivo | ... | script: Portugal (as Pedro Ruivo) |
José Maria Vaz da Silva | ... | production assistant: Portugal |
Mickey Cottrell | ... | publicist (uncredited) |
David DeCoteau | ... | production assistant: Los Angeles (uncredited) |
Thanks
Peter Przygodda | ... | thanks |