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Robert Kramer (I) (1939–1999)

Robert Kramer was born on June 22, 1939 in New York City, New York, USA. He was a director and writer, known for Route One USA (1989), Guns (1980) and Notre nazi (1984). He was married to Erika Kramer. He died on November 10, 1999 in Rouen, Seine-Maritime, Haute-Normandie, France. See full bio »

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3 wins & 2 nominations. See more awards »

Known For

Route One USA Director
Guns Director
Notre nazi Director
In the Country Director


Hide Hide Show Show Director (42 credits)
 1999 Destruction d'Images/Document brut (Video short)
 1999 Polaroïds (Video short)
 1998 City Empires (Video short)
 1998 Saykomsa (Video short)
 1997 Des graines dans le vent (Video short)
 1997 The Ghosts of Electricity (Short)
 1996 Le manteau
 1996 Walk the Walk
 1995 Plan-minutes (Video short)
 1994 Starting Place/Point de départ (Documentary)
 1993 Roue (TV Movie documentary) (segments "Greg LeMond/USA", "Andrew Hampsten/USA")
 1991 Berlin 10/90 (Video documentary)
 1991 Sous le vent (Short)
 1991 Contre l'oubli (segment "Pour Fidel Intusca Fernandez, Pérou")
 1990 Dear Doc (Video short)
 1989 Route One USA (Documentary)
 1988 Doc's Kingdom
 1986 Un plan d'enfer (Short)
 1985 Diesel
 1984 Notre nazi (Documentary)
 1983 La peur (TV Movie)
 1983 Passport Strip (Video)
 1983 Télévision de chambre (TV Series) (1 episode)
- À toute allure (1983)
 1981 Naissance (TV Movie documentary)
 1980 Guns
 1975 Milestones (Documentary)
 1970 The People's War (Documentary short)
 1970 Ice
 1968 The Edge
 1965 FALN (Documentary short) (as Robert Remark)
Show Show Writer (30 credits)
Show Show Cinematographer (23 credits)
Show Show Actor (14 credits)
Show Show Producer (11 credits)
Show Show Editor (9 credits)
Show Show Camera and Electrical Department (2 credits)
Show Show Sound department (2 credits)
Show Show Self (19 credits)

Personal Details

Publicity Listings:

1 Interview | 2 Articles | See more »

Alternate Names:

Robert Remark

Did You Know?

Personal Quote:

To all filmmakers who accept the limited, socially determined rules of clarity of exposition, who think that films must use the accepted vocabulary to "convince," we say, essentially: "You only work, whatever your reasons, whatever your presumed 'content,' to support and bolster this society. You are part of the mechanisms which maintain stability through re-integration. Your films are helping to... See more »


In 1980, NY Times movie critic called Kramer "one of the most exciting" directors then working, but found it "incredible" that he could find financing for his movies only in France. See more »

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