
The Way We Were (1973)
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- PG
- 1h 58min
- Drama, Romance
- 19 Oct 1973 (USA)
- Movie
During post-WWII McCarthyism, a diametrically opposed couple come together only to find out that genuine friendship and physical attraction is not enough to overcome fundamental societal beliefs.
Director:
Awards:
- Won 2 Oscars. Another 4 wins & 8 nominations.
- See more »
Photos and Videos
Cast verified as complete
Barbra Streisand | ... |
Katie Morosky
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Robert Redford | ... |
Hubbell Gardiner
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Bradford Dillman | ... |
J. J.
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Lois Chiles | ... |
Carol Ann
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Patrick O'Neal | ... |
George Bissinger
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Viveca Lindfors | ... |
Paula Reisner
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Allyn Ann McLerie | ... |
Rhea Edwards
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Murray Hamilton | ... |
Brooks Carpenter
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Herb Edelman | ... |
Bill Verso
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Diana Ewing | ... |
Vicki Bissinger
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Sally Kirkland | ... |
Pony Dunbar
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Marcia Mae Jones | ... |
Peggy Vanderbilt
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Don Keefer | ... |
Actor
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George Gaynes | ... |
El Morocco Captain
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Eric Boles | ... |
Army Corporal
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Barbara Peterson | ... |
Ashe Blonde
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Roy Jenson | ... |
Army Captain
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Brendan Kelly | ... |
Rally Speaker
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James Woods | ... |
Frankie McVeigh
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Constance Forslund | ... |
Jenny
(as Connie Forslund)
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Robert Gerringer | ... |
Dr. Short
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Susan Blakely | ... |
Judianne
(as Susie Blakely)
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Edward Power | ... |
Airforce
(as Ed Power)
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Susanne Zenor | ... |
Dumb Blonde
(as Suzanne Zenor)
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Dan Seymour | ... |
Guest
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Rest of cast listed alphabetically: | |||
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Mikel Angel | ... |
Man Wearing Brown Jacket in Rowdy Crowd (uncredited)
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Larry Arnold | ... |
Nightclub Patron (uncredited)
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Nick Borgani | ... |
Protester (uncredited)
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Dick Cherney | ... |
Nightclub Patron (uncredited)
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Robert Cole | ... |
Nightclub Patron (uncredited)
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Sean Collins | ... |
Army Corporal (uncredited)
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Dorian Cusick | ... |
Professor's Wife (uncredited)
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Robert Dahdah | ... |
Officer Passing Plaza (uncredited)
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Brent Dunsford | ... |
Nightclub Patron (uncredited)
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Sig Frohlich | ... |
Reporter (uncredited)
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Beverly Goodman | ... |
Young Lady Pedestrian (uncredited)
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Buzz Green | ... |
Bartender (uncredited)
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Marvin Hamlisch | ... |
Guest at Movie Screening (uncredited)
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Bob Harks | ... |
Bus Boy (uncredited)
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Robert Hitchcock | ... |
Protester (uncredited)
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Michael Jeffers | ... |
Newspaper Vendor (uncredited)
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R.C. Keene | ... |
College Student (uncredited)
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Don Koll | ... |
Officer Dining (uncredited)
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John Marlin | ... |
Waiter (uncredited)
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Hans Moebus | ... |
Nightclub Patron (uncredited)
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Bruce Pecheur | ... |
Party Guest (uncredited)
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Leoda Richards | ... |
Protester (uncredited)
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Al Roberts | ... |
Nightclub Patron (uncredited)
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Clark Ross | ... |
Protester (uncredited)
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Cornelia Sharpe | ... |
Girl at Party (uncredited)
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Robert Strong | ... |
Protester (uncredited)
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Andrea True | ... |
Extra (uncredited)
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Directed by
Sydney Pollack |
Written by
Arthur Laurents | ... | (written by) |
Francis Ford Coppola | ... | () (uncredited) |
Paddy Chayefsky | ... | () (uncredited) |
Herb Gardner | ... | () (uncredited) |
Dalton Trumbo | ... | () (uncredited) |
Produced by
Richard N. Roth | ... | associate producer (as Richard Roth) |
Ray Stark | ... | producer |
Music by
Marvin Hamlisch | ... | (music) |
Cinematography by
Harry Stradling Jr. | ... | director of photography |
Editing by
John F. Burnett |
Editorial Department
Margaret Booth | ... | supervising film editor |
Production Design by
Stephen B. Grimes | ... | (as Stephen Grimes) |
Set Decoration by
William Kiernan |
Costume Design by
Dorothy Jeakins | ||
Moss Mabry |
Makeup Department
Donald Cash Jr. | ... | makeup |
Gary Liddiard | ... | makeup |
Kaye Pownall | ... | hairstyles |
Production Management
Russell Saunders | ... | unit production manager (as Russ Saunders) |
Second Unit Director or Assistant Director
Hawk Koch | ... | assistant director (as Howard Koch Jr.) |
Jerry Ziesmer | ... | second assistant director |
Michael Britton | ... | assistant director (uncredited) |
Art Department
Richard M. Rubin | ... | properties |
Bob Frazier | ... | swing gang (uncredited) |
Bill Gold | ... | poster designer (uncredited) |
Carl Hansen | ... | swing gang (uncredited) |
Robert Hart | ... | carpenter (uncredited) |
Jack Iannarelli | ... | props (uncredited) |
Richie Kent | ... | swing gang (uncredited) |
George Luxemberg | ... | props (uncredited) |
Bud Pine | ... | construction coordinator (uncredited) |
George Tours | ... | swing gang (uncredited) |
Sound Department
Richard Portman | ... | re-recording |
Kay Rose | ... | sound effects |
Jack Solomon | ... | sound |
Kitty Malone | ... | foley artist (uncredited) |
Sharron Miller | ... | sound editor (uncredited) |
Jerry Trent | ... | dance foley (uncredited) |
Paul Wolfe | ... | sound (uncredited) |
Al Yaylian | ... | sound (uncredited) |
Camera and Electrical Department
Richard Craig Meinardus | ... | first assistant camera |
James Dean | ... | grip (uncredited) |
Ralph Gerling | ... | camera operator (uncredited) |
Clifford Hutchison | ... | electrician (uncredited) |
Carl Manoogian | ... | grip (uncredited) |
Ray Marshall | ... | electrician (uncredited) |
Glenn Maschmeyer | ... | grip (uncredited) |
Richard Craig Meinardus | ... | camera operator (uncredited) |
Herb Neft | ... | electrician (uncredited) |
Charles J. Renaud | ... | grip (uncredited) |
Frank Shugrue | ... | still photographer (uncredited) |
Dick Singer | ... | electrician (uncredited) |
Robert Spence | ... | camera operator (uncredited) |
Albert Taffet | ... | camera operator (uncredited) |
Bill Tharp | ... | grip (uncredited) |
Bob Wooten | ... | electrician (uncredited) |
Costume and Wardrobe Department
Richard Bruno | ... | costumes (uncredited) |
Marie Osborne | ... | costumes (uncredited) |
Bernie Pollack | ... | costume supervisor (uncredited) |
Shirlee Strahm | ... | costumes (uncredited) |
Location Management
Charles W. Geiger | ... | location manager (uncredited) |
Vince Martinez | ... | location auditor (uncredited) |
Music Department
Ken Runyon | ... | music editor |
Marvin Hamlisch | ... | conductor (uncredited) |
Jack Hayes | ... | orchestrator (uncredited) |
Carol Kaye | ... | musician: bass (uncredited) |
Louise Di Tullio | ... | musician: flute (uncredited) |
Dan Wallin | ... | scoring mixer (uncredited) |
Script and Continuity Department
Betty Crosby | ... | script supervisor |
David Rayfiel | ... | script revisions (uncredited) |
Alvin Sargent | ... | script revisions (uncredited) |
Transportation Department
Paulie DiCocco | ... | driver: Barbra Streisand (uncredited) |
Bill Meredith | ... | transportation (uncredited) |
James Morris | ... | transportation (uncredited) |
Ron Riner | ... | transportation (uncredited) |
Kay Watson | ... | transportation (uncredited) |
Additional Crew
Phill Norman | ... | titles |
Carol Shapiro | ... | unit publicist |
Nicholas Barber | ... | stand-in (uncredited) |
Sheila Barnes | ... | secretary to director (uncredited) |
Grover Dale | ... | choreographer (uncredited) |
Peter Guber | ... | executive in charge (uncredited) |
Ken Hardie | ... | craft service (uncredited) |
Art Smith Jr. | ... | production assistant (uncredited) |
Production Companies
- Columbia Pictures (present)
- Rastar Productions (present)
- Tom Ward Enterprises (casting)
Distributors
- Columbia Pictures (1973) (United States) (theatrical) (as Columbia)
- Columbia-Warner Distributors (1974) (United Kingdom) (theatrical)
- Warner-Columbia Film (1974) (Sweden) (theatrical)
- Warner Bros. (1974) (Norway) (theatrical)
- Warner-Columbia Films (1974) (Finland) (theatrical)
- Warner-Columbia Films (1974) (Argentina) (theatrical)
- Columbia C.E.I.A.D. (1974) (Italy) (theatrical)
- Damaskinos-Mihailidis (DM) [gr] (1974) (Greece) (theatrical)
- Sony Pictures Releasing (1975) (India) (theatrical) (as Columbia Films of India)
- American Broadcasting Company (ABC) (1976) (United States) (tv) (original airing) (pan/scan)
- VideoVisa (1987) (Mexico) (VHS)
- LK-TEL Vídeo (Brazil) (VHS)
- LK-TEL (Argentina) (VHS)
- RCA/Columbia-Hoyts Home Video (Australia) (video)
- Pioneer Entertainment (1991) (United States) (video) (LaserDisc)
- Télé Monte Carlo (1997) (Monaco) (tv) (dubbed version)
- Columbia TriStar Home Entertainment (2001) (Germany) (DVD)
- Sony Pictures Television (2002) (United States) (tv) (syndication)
- Sony Pictures Television International (2005) (United States) (tv) (syndication)
- Sony Pictures Home Entertainment (2013) (Germany) (Blu-ray) (DVD)
- Twilight Time (2013) (World-wide) (Blu-ray)
- Columbia Pictures (1974) (Australia) (theatrical)
- Columbia TriStar Home Video (Brazil) (DVD)
Special Effects
Other Companies
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of: affiliated with A.F.L.-C.I.O.)
- MTI Film (restoration services)
- Solters & Digney (publicity)
Storyline
Plot Summary |
Set in the period from the mid-1930s to the 1950s, a love story involving two markedly different people. Katie is an idealistic, uptight, Stalin-loving political activist. Hubbell is an easy-going, athletic, All American-type, and a talented writer. We see their different personalities affect their relationship and how they manage despite the differences... Written by grantss |
Plot Keywords | |
Taglines | Everything seemed so important then .. even love! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $5,000,000 (estimated) |
Did You Know?
Trivia | Filmed amid the ongoing Watergate political scandal, Robert Redford initially wanted the film to focus on the blacklisting of actors and writers during the McCarthy era and was unhappy with cuts made to the film following a preview. He said, "I think we'd both have preferred a more political Dalton Trumbo-type script, but finally Sydney came down on the side of the love story. He said, 'This is first and foremost a love affair,' and we conceded that. We trusted his instincts, and he was right." See more » |
Goofs | In California, Katie is holding a "hot" pot and offers it to Hubbell. He takes a spoonful and notes that it is, indeed, hot. However, moments later, Katie is holding the bottom of the pot with her bare hands. See more » |
Movie Connections | Featured in Sydney Pollock (1973). See more » |
Soundtracks | The Way We Were See more » |
Quotes |
Hubbell Gardner:
People are more important than their principles. Katie Morosky Gardner: People ARE their principles. See more » |