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The Way We Were (1973)

PG  |   |  Drama, Romance  |  19 October 1973 (USA)
7.1
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Ratings: 7.1/10 from 14,588 users  
Reviews: 95 user | 32 critic

Two desperate people have a wonderful romance, but their political views and convictions drive them apart.

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Title: The Way We Were (1973)

The Way We Were (1973) on IMDb 7.1/10

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Won 2 Oscars. Another 5 wins & 7 nominations. See more awards »

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Cast

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Storyline

The movie begins with the Katie (Barbra Streisand) running into Hubbell Gardner, an All-American popular jock she went to college with, some time after World War II. Though some other summaries claim it's been about 20 years, that is not really the case. It's probably been more like 10 years since college and Hubbell has written his first novel and later joined the navy while Katie continues to work hard and remains very much involved in the grassroots level of politics. Katie who had a crush on Hubbell back in college is still very attracted to him and soon the two start an "on again off again" relationship. Eventually Katie ends up giving up her voice and her interest in politics in order to hold on to Hubbell and they get married. However when Hubbell begins to compromise his literary talent by abandoning his novel writing for writing Screenplays for Hollywood their marriage begins its downfall. When the government begins its witch-hunt for communists among Hollywood writers and ... Written by bberry

Plot Summary | Add Synopsis

Taglines:

Everything seemed so important then .. even love! See more »

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

19 October 1973 (USA)  »

Also Known As:

Nuestros años felices  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Despite their differences, Barbra Streisand and Robert Redford had a deep respect for each other and worked well together. They were both opposite in many ways, just like their characters, and they used those differences to the benefit of the film. See more »

Goofs

At the end of the movie, Barbra Streisand and Robert Redford embrace. He's wearing a trench coat with the collar up. In the course of the embrace, shot from behind Redford, Streisand's gloved hand moves down the back of his head, ultimately flattening the collar of the trench coat. In the next shot, face-on to Redford, the collar of the trench coat is back up. See more »

Quotes

[discussing advocacy for political causes]
Hubbell Gardner: I don't see how you can do it.
Katie Morosky Gardner: And I don't see how you can't
See more »

Connections

Referenced in Awkward.: The Way We Weren't (2011) See more »

Soundtracks

In The Mood
(1939) (uncredited)
Music by Joe Garland and Andy Razaf
From Wingy Manone's "Tar Paper Stomp" (1930)
Played on a radio (probably by Glenn Miller and His Orchestra)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Hollywood schmaltz or deeply felt love story?
4 September 2005 | by (las vegas, nv) – See all my reviews

Actually, "The Way We Were" is both, and happily so. It's a classy romantic period drama about a 1940s wallflower in New York who blooms in love with her ex-jock boyfriend (an old acquaintance from their college days), and the movie overflows with star-power. None of today's celebrities have the kind of chemistry Barbra Streisand and Robert Redford bring to the screen, and Streisand in particular is so deeply into this character that the herky-jerky editing and breathless writing don't harm her or get in the way (the faults can easily be overlooked). When writer Redford adapts his novel into a screenplay and the couple marries and moves to Hollywood in the McCarthy-Blacklist era, her passion for politics gets them both in hot water; that's where this script hits a snag, with increasingly melodramatic plotting (Redford's affair with a former flame) and confusion in the character motivations (this primarily due to hasty, eleventh-hour editing). Still, it is a handsomely-produced movie with a great tearjerker ending and two fine stars who plow right through the nonsense and bumpy continuity. They transcend the make-believe surroundings, turning the picture into something really special, something to remember. ***1/2 from ****


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