Directed by
| Michael Curtiz | ||
Writing Credits
| Clarence Day | ... | (memoir "Life with Father") |
| Donald Ogden Stewart | ... | (screen play) |
| Howard Lindsay | ... | (from the original play by) and |
| Russel Crouse | ... | (from the original play by) |
Cast (in credits order) verified as complete
Produced by
| Robert Buckner | ... | producer |
| Jack L. Warner | ... | executive producer |
Music by
| Max Steiner | ||
Cinematography by
| J. Peverell Marley | ... | director of photography (as Peverell Marley) |
| William V. Skall | ... | director of photography |
Editing by
| George Amy | ... | film editor |
Art Direction by
| Robert M. Haas | ... | (as Robert Haas) |
Set Decoration by
| George James Hopkins | ... | (as James Hopkins) (set decorations) |
Costume Design by
| Marjorie Best | ... | (uncredited) |
Makeup Department
| Perc Westmore | ... | makeup artist |
| Della Barnes | ... | hair stylist (uncredited) |
| Stephanie Garland | ... | hair stylist (uncredited) |
| Rose Lehman | ... | makeup artist (uncredited) |
| Hank Mann | ... | makeup artist (uncredited) |
| Eve Newing | ... | hair stylist (uncredited) |
| Norman Pringle | ... | makeup artist (uncredited) |
| Helen Turpin | ... | hair color specialist (uncredited) |
Production Management
| Eric Stacey | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
| Russell Llewellyn | ... | second assistant director (uncredited) |
| Robert Vreeland | ... | assistant director (uncredited) |
Art Department
| C.A. Basseler | ... | assistant props (uncredited) |
| Donald P. Desmond | ... | set construction (uncredited) |
| Edward L. Ilou | ... | assistant art director (uncredited) |
| Herbert Plews | ... | props (uncredited) |
| Levi C. Williams | ... | assistant props (uncredited) |
Sound Department
| C.A. Riggs | ... | sound |
Special Effects by
| Ray Foster | ... | special effects |
| William C. McGann | ... | special effects director (as William McGann) |
Camera and Electrical Department
| George Dye | ... | camera technician (uncredited) |
| Frank Flanagan | ... | gaffer (uncredited) |
| Gibby Germaine | ... | best boy (uncredited) |
| Henry Lehman | ... | assistant camera (uncredited) |
| Jim L. Mathews | ... | assistant camera (uncredited) |
| George Gordon Nogle | ... | second camera (uncredited) |
| Jack Woods | ... | still photographer (uncredited) |
| Warren Yaple | ... | grip (uncredited) |
Costume and Wardrobe Department
| Milo Anderson | ... | wardrobe |
| Roy Dumont | ... | wardrobe (uncredited) |
| Helen Goodman | ... | wardrobe (uncredited) |
| Eugene Joseff | ... | costume jeweller (uncredited) |
| Rydo Loshak | ... | wardrobe (uncredited) |
| Mina Willowbird | ... | wardrobe (uncredited) |
Editorial Department
| Natalie Kalmus | ... | color director: Technicolor |
| James Leicester | ... | montage |
| Lee Huntington | ... | assistant editor (uncredited) |
Music Department
| Murray Cutter | ... | orchestral arrangements |
| Leo F. Forbstein | ... | musical director |
Script and Continuity Department
| Fred Applegate | ... | script supervisor (uncredited) |
Additional Crew
| Monroe W. Burbank | ... | associate technicolor color director |
| Herschel Daugherty | ... | dialogue director |
| Katherine Briggs Dodge | ... | technical advisor (as Mrs. Clarence Day) |
| Oscar Serlin | ... | from the stage production |
| Fred Banker | ... | unit publicist (uncredited) |
| Amelia de Ferris | ... | teacher (uncredited) |
| John Roche | ... | stand-in: William Powell (uncredited) |
| Hildegarde Scott | ... | diction coach (uncredited) |
| Jacqueline Warrington | ... | stand-in: Irene Dunne (uncredited) |
