In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
In the waning days of World War II, the United States Navy cargo ship Reluctant and her crew are stationed in the "backwater" areas of the Pacific Ocean. Trouble ensues when the crew members are granted liberty.
1936. Julia Packett, a London chorus girl, is always in trouble financially, but she always seems to manage to land on her feet by using her feminine wiles to manipulate the men in her life... See full summary »
In late nineteenth century New York a Wall Street broker likes to think his house runs his way, but finds himself constantly bemused at how much of what happens is down to his wife. His children are also stretching their wings, discovering girls and making money out of patent medicine selling. When it comes to light he has never been baptized and everyone starts insisting he must do so, it all starts to get a bit too much.Written by
Jeremy Perkins <email@example.com>
The play's original last line "I'm going to be baptized, dammit" had to be changed for the film version due to censor issues. See more »
In the first five minutes of the film an elaborate clock is seen chiming. The clock has an arm that moves with each ring of the chime. The arm stops moving, but the chiming continues for several more tolls. See more »
They can't keep me out of heaven on a technicality!
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Although 'William Powell' is listed first and Irene Dunne is listed second in the viewed print on AMC, half of the actual prints listed Dunne first and Powell second. Not only did each version alternate daily in theaters, but so did the advertisements of the movie in newspapers. See more »
Life With Father, the story of an eccentric, excitable 1880s gentleman and his continually exasperating family is the perfect showcase for the under-appreciated talents of William Powell. Powell, best know for his work with Myrna Loy in the "Thin Man" series of films. Powell uses every second of this plum role to display his charming style and verbal acuity.
The story is simple: Powell and his wife, played by Irene Dunne, face a series of calamities, some serious and some ridiculous, mostly brought on by their four rambunctious, red-headed sons. After a visiting cousin brings along fifteen-year-old Elizabeth Taylor, events are put into motion which threaten to turn Powell's neatly-ordered world upside down.
The performances are uniformly fine, and Powell and Dunne are absolutely sterling. A supporting cast that includes Zasu Pitts, Edmund Gwenn and early appearances from Martin Milner and Elizabeth Taylor round out the picture quite well. If there is anything to detract from the complete enjoyment of the film, it is Taylor's performance, which can get grating, but hey, she's just a kid, and when you look at her, you can already see the amazing beauty still to come. The exceptional visual style of the film makes you long for the day when people rode in horse-carts to Delmonico's for dinner.
Watch for some classic dialogue between Powell and Dunne over the cost of a new coffee pot, between Powell and his son about "the facts of life where women are concerned," and the nonsensical wordplay over the return of a Porcelain Pug-Dog.
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