In this sequel to Father of the Bride (1950), newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father having to come to grips with the fact that he will soon be a granddad.
In late nineteenth century New York a Wall Street broker likes to think his house runs his way, but finds himself constantly bemused at how much of what happens is down to his wife. His children are also stretching their wings, discovering girls and making money out of patent medicine selling. When it comes to light he has never been baptized and everyone starts insisting he must do so, it all starts to get a bit too much. Written by
Jeremy Perkins <email@example.com>
During its run at the Radio City Music Hall, the management alternated top billing between Willam Powell and Irene Dunne daily during the course of its run there. See more »
When Vinnie is ill, Dr. Humphries goes out and brings back Dr. Somers. When they go upstairs, Dr. Somers is going up first, but in the next shot he is behind Dr. Humphries. See more »
I guess the minister is coming to baptize father so he won't have to go to hell.
He can't be baptized in a house. You gotta have water.
We have lots of water.
Not the right kind!
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Although 'William Powell' is listed first and Irene Dunne is listed second in the viewed print on AMC, half of the actual prints listed Dunne first and Powell second. Not only did each version alternate daily in theaters, but so did the advertisements of the movie in newspapers. See more »
When I first saw this movie, I thought it was fair at best. On the second viewing, I really, really liked it. I'm almost afraid to see it for the third time, as I could almost dislike it again since I seem to flip-flop on this.
THE GOOD: The film has "charm" written all over it. Although Irene Dunne has some Grace Allen-type gag lines, William Powell is the one who provides most of the laughs in this tale of upper-crust family life in the 1880s. However, both Powell and Dunne are excellent and play off each other well. The story revolves around the personal and business life of the Clarence Day family, a true family in the sense of the word it, which is nice to see. Every character is interesting and the supporting cast includes Edmund Gwenn and Zasu Pitts (love that name!). Nice Technicolor, too.
THE BAD: The romance between Jimmy Lydon and a young Elizabeth Taylor gets a little sappy. Powell's constant exclamation "Gad!" is very annoying as a close as screenwriters apparently could get to saying "God" all the time in 1947.
All in all, it's a nice period piece that takes you back life a little over a century ago, and provides us another one of these more-innocent family stories. To my knowledge, there has never been a good print made of this, either on tape or DVD, which doesn't make sense considering the fine cast and good reputation of this movie.
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