"We are on the verge of a new era." Dogwoof has revealed an official trailer for an indie documentary film titled Eternal You, made by filmmakers Hans Block & Moritz Riesewieck. This first premiered at the 2024 Sundance Film Festival in January and also played at the Cph:dox & Thessaloniki Documentary Fests. If you had the chance to talk to a loved one who died, would you take it? Eternal You delves into the world of startups using artificial intelligence to create avatars of the deceased - a fascinating experiment of this era. Startups are trying to utilize AI to create avatars that allows to talk with their loved ones after death. The film explores the deep human desire for immortality, questioning consequences of commodifying this age-old dream. For those against A.I., this film isn't entirely positive. Sundance says: "Little is known about the effects that this kind of generative A.I.
- 4/22/2024
- by Alex Billington
- firstshowing.net
Exclusive: London-based Dogwoof has locked a series of international deals on Eternal You, a documentary about AI startups set to screen at this month’s Hot Docs Fest following a debut bow at Sundance.
The doc has been picked up by Film Movement (USA), BBC Storyville (UK TV), Movistar (Spain), Canal+ (Poland), and Vertigo (Hungary). Dogwoof will release the pic theatrically in the UK and Ireland on 28 June. A release in Germany via farbfilm verleih will follow at the end of May after a premiere screening at Dok Fest Munich.
The plot of Eternal You delves into the world of startups using AI to create avatars of the deceased. Synopsis reads: Eternal You is a film about what might become one of the greatest human experiments of our time. Examining the story of people who live on as digital replicants in the pockets of their loved ones, with the help...
The doc has been picked up by Film Movement (USA), BBC Storyville (UK TV), Movistar (Spain), Canal+ (Poland), and Vertigo (Hungary). Dogwoof will release the pic theatrically in the UK and Ireland on 28 June. A release in Germany via farbfilm verleih will follow at the end of May after a premiere screening at Dok Fest Munich.
The plot of Eternal You delves into the world of startups using AI to create avatars of the deceased. Synopsis reads: Eternal You is a film about what might become one of the greatest human experiments of our time. Examining the story of people who live on as digital replicants in the pockets of their loved ones, with the help...
- 4/18/2024
- by Zac Ntim
- Deadline Film + TV
After premiering at the Sundance Film Festival, Hans Block and Moritz Riesewieck’s documentary “Eternal You” is set to be theatrical released by Dogwoof in the U.K. and Farbfilm in Germany.
The buzzed-about documentary explores ways that AI is being used by help people cope with grief, allowing them to interact with avatars of their deceased loved ones. Dogwoof, which is repping worldwide sales, is negotiating a U.S. deal and sales in other territories. “Eternal You” is now premiering at Cph:dox in Denmark.
Block and Riesewieck also examine the moral and emotional ramifications of this segment of the digital afterlife industry, as well as the ethics of startup companies which are using AI to create digital replicas of the dead.
“Eternal You” is produced by Davis Guggenheim’s Concordia Studio, Julie Goldman and Chris Clements’ Motto Pictures, Christian Beetz and Georg Tschurtschenthaler’s Beetz Brothers, as well as Jenny Raskin’s Impact Partners.
The buzzed-about documentary explores ways that AI is being used by help people cope with grief, allowing them to interact with avatars of their deceased loved ones. Dogwoof, which is repping worldwide sales, is negotiating a U.S. deal and sales in other territories. “Eternal You” is now premiering at Cph:dox in Denmark.
Block and Riesewieck also examine the moral and emotional ramifications of this segment of the digital afterlife industry, as well as the ethics of startup companies which are using AI to create digital replicas of the dead.
“Eternal You” is produced by Davis Guggenheim’s Concordia Studio, Julie Goldman and Chris Clements’ Motto Pictures, Christian Beetz and Georg Tschurtschenthaler’s Beetz Brothers, as well as Jenny Raskin’s Impact Partners.
- 3/18/2024
- by Elsa Keslassy
- Variety Film + TV
The modern world is increasingly paying attention to the implications of artificial intelligence tools like Chat Gpt are for the world of work. But Eternal You, the latest documentary from Moritz Riesewieck and Hans Block, scrutinises the burgeoning industry growing up around death and grieving, which sees tech companies attempting to put the ghosts of deceased loved ones inside their machines. In its simplest form, this technology is present as chatbots, called “thanobots”, which use dead loved ones’ online history as a springboard for AI to conduct conversations after death. Eternal You also dives into more complex forms of AI, including a mother who was given a chance to “meet” her dead daughter in virtual reality for a TV show. We caught up with the directors after the film’s premiere at the Sundance Film Festival...
- 2/1/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
The Sundance Film Festival 2024 brought two fascinating projects surrounding the concept of artificial intelligence.
The first is an ambitious love story set at the end of the world involving two unlikely machines.
The second is a documentary called Eternal You, which examines the merits of bringing dead people back to life using AI.
Both films are captivating for different reasons, and each has something compelling to say about “artificiality.”
Not to mention, one of these might end up being our favorite from Sundance 2024.
Here are our reviews of Love Me and Eternal You from the Sundance Film Festival.
Love Me
Love Me is a film critic’s catnip. There are robots, humor, romance, a dystopia, and a narrative with layers of themes and ideas to decipher.
The film, directed by Sam & Andy Zuchero, is an audacious feature film debut, taking a simplistic concept and making it feel as vast as the movie’s billion-year timeline.
The first is an ambitious love story set at the end of the world involving two unlikely machines.
The second is a documentary called Eternal You, which examines the merits of bringing dead people back to life using AI.
Both films are captivating for different reasons, and each has something compelling to say about “artificiality.”
Not to mention, one of these might end up being our favorite from Sundance 2024.
Here are our reviews of Love Me and Eternal You from the Sundance Film Festival.
Love Me
Love Me is a film critic’s catnip. There are robots, humor, romance, a dystopia, and a narrative with layers of themes and ideas to decipher.
The film, directed by Sam & Andy Zuchero, is an audacious feature film debut, taking a simplistic concept and making it feel as vast as the movie’s billion-year timeline.
- 1/28/2024
- by John Dotson
- Monsters and Critics
For as long as people have been dying, their loved ones have wanted to keep in touch. A natural urge, of course, and one that connects the necromancers from ancient civilisations like the Assyrians and the Greeks through to modern spiritualists. Now, the latest documentary from Hans Block and Moritz Riesewieck informs us that the medium of choice could well become a computer screen. “We are on the verge of a new era,” we are told - although this film goes on to suggest that new doesn’t necessarily mean improved.
In this absorbing and, frequently, disturbing film the pair explore how Artificial Intelligence is being taught to mimic our nearest and dearest. In its most simple form, they exist as chatbots known as “thanobots”, with programming that is extrapolated from the digital back and forths the person had when they were still among us.
“I wanted to have the last conversation I.
In this absorbing and, frequently, disturbing film the pair explore how Artificial Intelligence is being taught to mimic our nearest and dearest. In its most simple form, they exist as chatbots known as “thanobots”, with programming that is extrapolated from the digital back and forths the person had when they were still among us.
“I wanted to have the last conversation I.
- 1/21/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
Eternal You, a new documentary premiering at Sundance about the nauseating new world of digital afterlife technology, opens on a woman, Christi Angel, staring into a computer screen. She’s messaging with a dead loved one and tears are streaming down her face.
“This experience… It was creepy,” she says. “There were things that scared me. And a lot of stuff I didn’t want to hear [and] I wasn’t prepared to hear.”
We soon learn that Angel — quite the name, given this otherworldly endeavor — is a New Yorker who...
“This experience… It was creepy,” she says. “There were things that scared me. And a lot of stuff I didn’t want to hear [and] I wasn’t prepared to hear.”
We soon learn that Angel — quite the name, given this otherworldly endeavor — is a New Yorker who...
- 1/21/2024
- by Marlow Stern
- Rollingstone.com
One of the stranger developments to emerge since the debut of ChatGPT and other large language models (LLMs) is the sudden rise of the digital afterlife industry, which promises consumers the opportunity to talk and interact with A.I.-rendered avatars of their deceased loved ones via text, audio, or VR. At the start of Eternal You, it seems as if the documentary may be all in on the utopian vision of the numerous tech bros currently marketing this technology. Directors Hans Block and Moritz Riesewieck, though, soon peer beneath the sunny surface of good intentions claimed by the A.I. industry to reveal the moral, emotional, and psychological effects that have emerged and are still emerging from products like these.
Eternal You presents a nuanced portrait of how generative A.I. technology is being employed and how it’s already begun to impact the mental health of people who’ve used it,...
Eternal You presents a nuanced portrait of how generative A.I. technology is being employed and how it’s already begun to impact the mental health of people who’ve used it,...
- 1/21/2024
- by Derek Smith
- Slant Magazine
The advent of AI now offers the bereaved an opportunity to connect with deceased loved ones via avatars, a creation that captured the interest of filmmakers Hans Block and Moritz Riesewieck. Their documentary Eternally You investigates the benefits and dangers of digital immortality. Cinematographers Tom Bergmann and Konrad Waldmann reveal how they collaborated on this project, which required equal parts empathy and adhering to a specific artistic vision. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? Bergmann: Georg Tschurtschenthaler, producer extraordinaire, reached out to me […]
The post “To Get Soaked Into the Story and Not Be Aware of the Camera”: DPs Tom Bergmann and Konrad Waldmann on Eternal You first appeared on Filmmaker Magazine.
The post “To Get Soaked Into the Story and Not Be Aware of the Camera”: DPs Tom Bergmann and Konrad Waldmann on Eternal You first appeared on Filmmaker Magazine.
- 1/20/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The advent of AI now offers the bereaved an opportunity to connect with deceased loved ones via avatars, a creation that captured the interest of filmmakers Hans Block and Moritz Riesewieck. Their documentary Eternally You investigates the benefits and dangers of digital immortality. Cinematographers Tom Bergmann and Konrad Waldmann reveal how they collaborated on this project, which required equal parts empathy and adhering to a specific artistic vision. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? Bergmann: Georg Tschurtschenthaler, producer extraordinaire, reached out to me […]
The post “To Get Soaked Into the Story and Not Be Aware of the Camera”: DPs Tom Bergmann and Konrad Waldmann on Eternal You first appeared on Filmmaker Magazine.
The post “To Get Soaked Into the Story and Not Be Aware of the Camera”: DPs Tom Bergmann and Konrad Waldmann on Eternal You first appeared on Filmmaker Magazine.
- 1/20/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The prospect of creating personal AI avatars to comfort loved ones after death is the premise of Eternal You, a film by co-directors Hans Block and Moritz Riesewieck premiering at the 2024 Sundance Film Festival in the World Cinema Documentary Competition. Below, co-editors Anne Juenemann and Lisa Zoe Geretschläger discuss how they divvied up the workload while being based between Berlin and Vienna, with Block and Riesewieck also splitting their time between the two cities. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What […]
The post “Bringing Different Stories Together To Create an Exciting Narrative”: Editors Anne Juenemann and Lisa Zoe Geretschläger on Eternal You first appeared on Filmmaker Magazine.
The post “Bringing Different Stories Together To Create an Exciting Narrative”: Editors Anne Juenemann and Lisa Zoe Geretschläger on Eternal You first appeared on Filmmaker Magazine.
- 1/20/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The prospect of creating personal AI avatars to comfort loved ones after death is the premise of Eternal You, a film by co-directors Hans Block and Moritz Riesewieck premiering at the 2024 Sundance Film Festival in the World Cinema Documentary Competition. Below, co-editors Anne Juenemann and Lisa Zoe Geretschläger discuss how they divvied up the workload while being based between Berlin and Vienna, with Block and Riesewieck also splitting their time between the two cities. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What […]
The post “Bringing Different Stories Together To Create an Exciting Narrative”: Editors Anne Juenemann and Lisa Zoe Geretschläger on Eternal You first appeared on Filmmaker Magazine.
The post “Bringing Different Stories Together To Create an Exciting Narrative”: Editors Anne Juenemann and Lisa Zoe Geretschläger on Eternal You first appeared on Filmmaker Magazine.
- 1/20/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? For our film we were interested in contrasting the world of digital afterlife with traditional forms of remembrance and commemoration. There is one scene in which the camera floats at some height, almost vertically above the graves of a large cemetery in western […]
The post “The Gravestones Appear Almost Like Signs” | Hans Block and Moritz Riesewieck, Eternal You first appeared on Filmmaker Magazine.
The post “The Gravestones Appear Almost Like Signs” | Hans Block and Moritz Riesewieck, Eternal You first appeared on Filmmaker Magazine.
- 1/20/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? For our film we were interested in contrasting the world of digital afterlife with traditional forms of remembrance and commemoration. There is one scene in which the camera floats at some height, almost vertically above the graves of a large cemetery in western […]
The post “The Gravestones Appear Almost Like Signs” | Hans Block and Moritz Riesewieck, Eternal You first appeared on Filmmaker Magazine.
The post “The Gravestones Appear Almost Like Signs” | Hans Block and Moritz Riesewieck, Eternal You first appeared on Filmmaker Magazine.
- 1/20/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Hans Block and Moritz Riesewieck’s documentary “Eternal You,” which will premiere at the Sundance Film Festival in the world cinema doc competition section on Saturday, explores ways that artificial intelligence is being used to comfort the bereaved.
The doc follows people from around the globe who are using AI to to create avatars of the deceased people to allow their loved ones to interact with them. The 87-minute film features one subject who chats with the digital clone of his deceased first love and lets her take part in his everyday life. Another subject meets the VR clone of her deceased seven year-old daughter.
Block and Riesewieck, whose debut film, “The Cleaners,” made its world premiere at Sundance in 2018, also explore the moral responsibility of the startup companies that are using AI to create digital replicas of the dead.
“Moritz and I discovered a void that hundreds of millions people feel,...
The doc follows people from around the globe who are using AI to to create avatars of the deceased people to allow their loved ones to interact with them. The 87-minute film features one subject who chats with the digital clone of his deceased first love and lets her take part in his everyday life. Another subject meets the VR clone of her deceased seven year-old daughter.
Block and Riesewieck, whose debut film, “The Cleaners,” made its world premiere at Sundance in 2018, also explore the moral responsibility of the startup companies that are using AI to create digital replicas of the dead.
“Moritz and I discovered a void that hundreds of millions people feel,...
- 1/18/2024
- by Addie Morfoot
- Variety Film + TV
Exclusive: Germany’s Gebrueder Beetz Filmproduktion is gearing up for Sundance Film Festival by changing its corporate identity to Beetz Brothers Film Production, and unveiling new projects on Boney M and the Titan Disaster as part of an international push.
The Leonine Studios-owned producer’s new name reflects the relationship of its co-founders, brothers Christian and Reinhardt Beetz, and comes as the company lines up a series of new projects that form part of its push into international premium docs. It also comes ahead of Beetz Brothers’ latest doc, Eternal You, competing in the World Cinema Documentary Competition at Sundance in Utah, as announced earlier this week.
Christian Beetz told Deadline the company will is also co-developing a feature-length doc about the Germany cult music group Boney M alongside the Twilight saga producer Temple Hill. Beetz Brothers senior producer Kerstin Meyer-Beetz is developing the project alongside Temple Hill’s Marty Bowen,...
The Leonine Studios-owned producer’s new name reflects the relationship of its co-founders, brothers Christian and Reinhardt Beetz, and comes as the company lines up a series of new projects that form part of its push into international premium docs. It also comes ahead of Beetz Brothers’ latest doc, Eternal You, competing in the World Cinema Documentary Competition at Sundance in Utah, as announced earlier this week.
Christian Beetz told Deadline the company will is also co-developing a feature-length doc about the Germany cult music group Boney M alongside the Twilight saga producer Temple Hill. Beetz Brothers senior producer Kerstin Meyer-Beetz is developing the project alongside Temple Hill’s Marty Bowen,...
- 1/12/2024
- by Jesse Whittock
- Deadline Film + TV
The 40th edition of the Sundance Film Festival unveiled the aorta of its lineup which runs from Jan. 18-28 in Park City, Ut, with movies about AI being a running theme in the politically and socially conscious event as well as 80% of movies up for grabs for distribution.
In addition there are movies starring Kristen Stewart, Jesse Eisenberg (who is also back directing), Pedro Pascal, Sebastian Stan, Riley Keough, Woody Harrelson, Laura Linney with the return of Sundance darling Aubrey Plaza.
Coming out of a dual strike in which the guilds were adamant about setting guardrails for AI to protect actors and writers, several titles are taking various angles on the technology.
‘Eno’ Courtesy of Sundance Institute.
In the New Frontier section there’s the documentary Eno about the legendary music producer of David Bowie, Talking Heads, U2 and other artists. The movie is billed as a “groundbreaking generative documentary...
In addition there are movies starring Kristen Stewart, Jesse Eisenberg (who is also back directing), Pedro Pascal, Sebastian Stan, Riley Keough, Woody Harrelson, Laura Linney with the return of Sundance darling Aubrey Plaza.
Coming out of a dual strike in which the guilds were adamant about setting guardrails for AI to protect actors and writers, several titles are taking various angles on the technology.
‘Eno’ Courtesy of Sundance Institute.
In the New Frontier section there’s the documentary Eno about the legendary music producer of David Bowie, Talking Heads, U2 and other artists. The movie is billed as a “groundbreaking generative documentary...
- 12/6/2023
- by Anthony D'Alessandro and Dominic Patten
- Deadline Film + TV
The festival’s co-production and co-financing market runs 24-27 November.
60 projects are pitching at this year’s International Documentary Film Festival Amsterdam (Idfa) Forum, the festival’s co-production and co-financing market which runs 24-27 November.
Among the titles which theatrical buyers, streamers and commissioning editors are already circling are Erik Gandini’s After Work, produced through Fasad Films, which explores if conventional jobs might disappear within decades. Gandini’s previous films Gitmo, Videocracy and The Swedish Theory Of Love all sold around the world and played at multiple festivals. After Work is in development but already has Cinetic aboard for...
60 projects are pitching at this year’s International Documentary Film Festival Amsterdam (Idfa) Forum, the festival’s co-production and co-financing market which runs 24-27 November.
Among the titles which theatrical buyers, streamers and commissioning editors are already circling are Erik Gandini’s After Work, produced through Fasad Films, which explores if conventional jobs might disappear within decades. Gandini’s previous films Gitmo, Videocracy and The Swedish Theory Of Love all sold around the world and played at multiple festivals. After Work is in development but already has Cinetic aboard for...
- 11/26/2019
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
‘Emu Runner’, which debuted at Tiff, will screen as part of Adelaide’s feature competition.
Adelaide Film Festival launched its full program today, including a variety of highlights direct from Venice, Toronto and Telluride.
Among the films announced today are Venice’s Golden Lion winner Roma, from director Alfonso Cuarón; the Coen Brothers’ best screenplay winner The Ballad of Buster Scruggs, and Julian Schnabel’s At Eternity’s Gate, for which Willem Dafoe won best actor.
Overall this year’s program includes more than 130 features, documentaries, shorts, virtual reality and installation works, including 17 world premieres and 30 Australian premieres.
Almost 45 per cent of the films in the line-up are Australian. They include, as previously announced, some of the most anticipated local films of the year, such as Jennifer Kent’s The Nightingale, which just won Venice’s Special Jury Prize and the Marcello Mastroianni award for star Baykali Ganambarr; Anthony Maras...
Adelaide Film Festival launched its full program today, including a variety of highlights direct from Venice, Toronto and Telluride.
Among the films announced today are Venice’s Golden Lion winner Roma, from director Alfonso Cuarón; the Coen Brothers’ best screenplay winner The Ballad of Buster Scruggs, and Julian Schnabel’s At Eternity’s Gate, for which Willem Dafoe won best actor.
Overall this year’s program includes more than 130 features, documentaries, shorts, virtual reality and installation works, including 17 world premieres and 30 Australian premieres.
Almost 45 per cent of the films in the line-up are Australian. They include, as previously announced, some of the most anticipated local films of the year, such as Jennifer Kent’s The Nightingale, which just won Venice’s Special Jury Prize and the Marcello Mastroianni award for star Baykali Ganambarr; Anthony Maras...
- 9/12/2018
- by jkeast
- IF.com.au
The BBC is going inside the Bank of England and exploring gun crime in Britain in a series of factual commissions. The public broadcaster has also picked up feature doc Under The Wire, which tells the story of Sunday Times war correspondent Marie Colvin and photographer Paul Conroy’s mission to Syria.
The shows were revealed at the Sheffield Doc/Fest by Alison Kirkham, Controller BBC Factual Commissioning.
Inside The Bank of England (w/t) lets cameras inside the financial institution throughout 2018 as Governor Mark Carney and his staff try to revive the UK economy. The two-part series, which will air on BBC Two, will look at how the bank’s decisions impact people’s lives and aims to demystify central banking and explores the gold and incredible architecture of the fortress-like Threadneedle Street building. The series is produced by Gold Rush producer Raw and was commissioned by BBC Two Controller Patrick Holland,...
The shows were revealed at the Sheffield Doc/Fest by Alison Kirkham, Controller BBC Factual Commissioning.
Inside The Bank of England (w/t) lets cameras inside the financial institution throughout 2018 as Governor Mark Carney and his staff try to revive the UK economy. The two-part series, which will air on BBC Two, will look at how the bank’s decisions impact people’s lives and aims to demystify central banking and explores the gold and incredible architecture of the fortress-like Threadneedle Street building. The series is produced by Gold Rush producer Raw and was commissioned by BBC Two Controller Patrick Holland,...
- 6/11/2018
- by Peter White
- Deadline Film + TV
“Searching,” from director Aneesh Chaganty and starring John Cho and Debra Messing, won the audience award for North American narrative film at the 34th Los Angeles Asian Pacific Film Festival. The thriller will open nationally in August in theaters through Screen Gems.
The documentary “Minding the Gap,” directed by Bing Liu, won the audience award for documentary feature, and also was given the special jury prize for best director.
The festival gives out awards in both North American and international categories. For international narrative feature divisions, “In the Life of Music,” directed by Caylee So and Visal Sok, was a double winner, with both the audience award and special jury prize.
The international documentary-feature audience award was given to “Late Life: The Chien-Ming Wang Story,” directed by Frank W. Chen.
Other winners: “Call Her Ganda,” directed by Pj Raval, grand jury prize for North American docu feature; “Anote’s Ark” from director Matthieu Rytz,...
The documentary “Minding the Gap,” directed by Bing Liu, won the audience award for documentary feature, and also was given the special jury prize for best director.
The festival gives out awards in both North American and international categories. For international narrative feature divisions, “In the Life of Music,” directed by Caylee So and Visal Sok, was a double winner, with both the audience award and special jury prize.
The international documentary-feature audience award was given to “Late Life: The Chien-Ming Wang Story,” directed by Frank W. Chen.
Other winners: “Call Her Ganda,” directed by Pj Raval, grand jury prize for North American docu feature; “Anote’s Ark” from director Matthieu Rytz,...
- 5/19/2018
- by Tim Gray
- Variety Film + TV
A year of journalistic interest in the role social-media lies played in the Catastrophe of November 2016 is likely a blessing for Hans Block and Moritz Riesewieck's The Cleaners, an important doc that invites viewers to now think more deeply and broadly about what does and doesn't appear in their feed-dominated media diet. Here, the focus is not only political: The "cleaners" in question are "content moderators" who spend much of their time culling porn from places it isn't welcome. But any censor has powers more expansive than he or she'd admit. This arthouse-ready doc will deepen viewers' understanding of,...
- 1/20/2018
- by John DeFore
- The Hollywood Reporter - Movie News
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