8.4/10
121,636
316 user 202 critic

(1931)

M - Eine Stadt sucht einen Mörder (original title)
When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.

Director:

Fritz Lang

Writers:

Thea von Harbou (script), Fritz Lang (script)
Reviews
Popularity
2,582 ( 102)

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Cast

Cast overview, first billed only:
Peter Lorre ... Hans Beckert
Ellen Widmann Ellen Widmann ... Frau Beckmann
Inge Landgut ... Elsie Beckmann
Otto Wernicke ... Inspector Karl Lohmann
Theodor Loos ... Inspector Groeber
Gustaf Gründgens ... Schränker
Friedrich Gnaß Friedrich Gnaß ... Franz
Fritz Odemar ... The Cheater
Paul Kemp ... Pickpocket with Six Watches
Theo Lingen ... Bauernfänger
Rudolf Blümner Rudolf Blümner ... Beckert's Defender
Georg John ... Blind Panhandler
Franz Stein Franz Stein ... Minister
Ernst Stahl-Nachbaur Ernst Stahl-Nachbaur ... Police Chief
Gerhard Bienert Gerhard Bienert ... Criminal Secretary
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Storyline

In Germany, Hans Beckert is an unknown killer of girls. He whistles Edvard Grieg's 'In The Hall of the Mountain King', from the 'Peer Gynt' Suite I Op. 46 while attracting the little girls for death. The police force pressed by the Minister give its best effort trying unsuccessfully to arrest the serial killer. The organized crime has great losses due to the intense search and siege of the police and decides to chase the murderer, with the support of the beggars association. They catch Hans and briefly judge him. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

IT STAGGERS THE SENSES!...SHOCKS the Imagination - It will leave you Gasping - It is the Sensation of 3 Continents!


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany

Language:

German

Release Date:

31 August 1931 (Sweden) See more »

Also Known As:

M See more »

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Box Office

Opening Weekend USA:

$6,123, 14 March 1931, Limited Release

Gross USA:

$35,566, 31 December 2013
See more on IMDbPro »

Company Credits

Production Co:

Nero-Film AG See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (2004 Criterion DVD edition) | (2000 restored) | (re-release)

Sound Mix:

Mono

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

The film has a very sour vision of contemporary life in Germany. This is probably due to the fact that Fritz Lang--a Jew--was alarmed at the rapid rise of Nazism and that even his wife Thea von Harbou had become a party member. See more »

Goofs

[All goofs for this title are spoilers.] See more »

Quotes

Frau Beckmann: Elsie?... Elsie?... ELSIE!
See more »

Crazy Credits

All of the original credits appear only in the beginning with no music. See more »

Connections

Referenced in Meet Me on the Southbank (2013) See more »

Soundtracks

La Marseillaise
(uncredited)
Written by Claude Joseph Rouget de Lisle
Performed by Peter Lorre
See more »

Frequently Asked Questions

See more »

User Reviews

 
Ahead of its time
16 January 2010 | by calvinnmeSee all my reviews

This is a very interesting film on so many levels. It's interesting to see just how far ahead German cinema was of its American counterpart at this point in time. Although there is not that much talking in this early German talking picture - Fritz Lang resisted going to sound in the first place - what conversation that does take place is well done and natural sounding. Compare it with any American film from 1931 and you can't help but see the difference.

The murderer, artfully played by Peter Lorre, has been killing children that have no link to him personally for months. The police, despite all of their efforts, are unable to catch him, mainly because there is no rhyme or reason in his choice of victims. At first there is a focus on the victims and the hole left in their families by their killing. Then, the film shifts to two normally opposed groups - the police and the underworld. After several months of no results by the authorities, the police are unhappy because it reflects badly upon them, and the underworld is unhappy because their activities are being disrupted because of the police doing constant raids in their efforts to capture the killer.

In a particularly well-done part of the film the scene shifts back and forth between a conference of police and one of the underworld. They discuss how they are going to catch the killer. The police settle upon the idea of looking for people with a history of past mental problems that were pronounced cured and released. The underworld decides to enlist an invisible group - the beggars - to follow every child at all times and therefore catch the killer. Both groups focus on the right suspect, the question is - who gets there first? M is a fascinating film that raises many topics - the death penalty, a group of criminals that are criminals by choice causing less stress on society than a lone criminal that acts out of an uncontrollable compulsion, and the motivations of the authorities often being their own bureaucratic survival rather than the larger issue of ending a series of horrible acts against humanity.


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