After turning heads with the well-received but short-lived Netflix original horror series Marianne, French director Samuel Bodin moves into features with the visually compelling though ultimately disappointing chiller, Cobweb. Written by Chris Thomas Devlin, who took a stab at rejuvenating the Texas Chainsaw Massacre franchise in 2022, the script landed on the Black List, among the best unproduced screenplays of 2018, as well as its horror counterpart, the Blood List. That pedigree clearly helped draw a solid cast and crafts team, but after a promising set-up, the story’s internal logic gets scrambled.
Suspenseful though seldom scary, the film is set a week before Halloween and hinges for a good part of its run time on the reliable horror trope of the threat coming from inside the house.
It effectively defies the natural family dynamic of parents as protectors of the vulnerable by giving the young protagonist, Peter (Woody Norman, from C...
Suspenseful though seldom scary, the film is set a week before Halloween and hinges for a good part of its run time on the reliable horror trope of the threat coming from inside the house.
It effectively defies the natural family dynamic of parents as protectors of the vulnerable by giving the young protagonist, Peter (Woody Norman, from C...
- 7/19/2023
- by David Rooney
- The Hollywood Reporter - Movie News
Drum & Lace (Sofia Hultquist) and Ian Hultquist go back to the past for "Rosaline." The composers, known for their work on "Dickinson" and "Good Girls," score the twist on Romeo & Juliet with a similar spin of their own. There's the throwback to needle drops from early-2000s romantic comedies, as well as the renaissance instruments expected from a (loose) William Shakespeare adaptation.
The duo's score features a cover of Robyn's bittersweet feel-good classic "Dancing on My Own," as well as an Enrique Iglesias cover. The irreverent choices were tailored for the titular lead, Juliet's cousin (played by Kaitlyn Dever), whose voice helped lead the way for the composers' choices. Drum & Lace and Ian Hultquist met back in college and have made music together ever since, although both have solo projects and careers as well. Recently, the duo talked to us about their work on "Rosaline," how they approach film scoring,...
The duo's score features a cover of Robyn's bittersweet feel-good classic "Dancing on My Own," as well as an Enrique Iglesias cover. The irreverent choices were tailored for the titular lead, Juliet's cousin (played by Kaitlyn Dever), whose voice helped lead the way for the composers' choices. Drum & Lace and Ian Hultquist met back in college and have made music together ever since, although both have solo projects and careers as well. Recently, the duo talked to us about their work on "Rosaline," how they approach film scoring,...
- 10/18/2022
- by Jack Giroux
- Slash Film
‘Rosaline’ Composer Drum & Lace On Mixing Renaissance and Modern Instruments for Shakespearian Score
Hulu’s “Rosaline” (streaming Oct. 14) puts a rom-com spin on Shakespeare’s classic love story “Romeo and Juliet.” With that, composers Drum & Lace (Sofia Hultquist and Ian Hultquist) put a similar spin on their musical approach to scoring.
The film stars Kaitlyn Dever as Rosaline, the story’s jilted ex-lover.
Drum & Lace integrated traditional instruments of the time, such as harpsichord, lute, wooden flutes, renaissance drums and more, into a score with a pop sensibility.
But for the composers whose credits include “Dickinson,” scoring comedy was more of a challenge than scoring drama. Sofia Hultquist said, “You have comedic timing to keep very much in mind. For ‘Rosaline,’ we tried to find very strong themes that we could use often so as to build a familiarity with the characters as well as play up the emotional arcs that were happening on-screen.”
The “Scheming” theme can be heard throughout the film.
The film stars Kaitlyn Dever as Rosaline, the story’s jilted ex-lover.
Drum & Lace integrated traditional instruments of the time, such as harpsichord, lute, wooden flutes, renaissance drums and more, into a score with a pop sensibility.
But for the composers whose credits include “Dickinson,” scoring comedy was more of a challenge than scoring drama. Sofia Hultquist said, “You have comedic timing to keep very much in mind. For ‘Rosaline,’ we tried to find very strong themes that we could use often so as to build a familiarity with the characters as well as play up the emotional arcs that were happening on-screen.”
The “Scheming” theme can be heard throughout the film.
- 10/13/2022
- by Jazz Tangcay
- Variety Film + TV
A total of 145 scores were recently announced as being eligible for this year’s Academy Award, with everything from perceived frontrunner “La La Land” (Justin Hurwitz) and “Jackie” (Mica Levi) to outliers like “Sausage Party” and “Elle.” The final five will be nominated on January 24. In the meantime, avail yourself of this Spotify playlist featuring selections from 110 of the eligible scores — as well as the full list of every eligible score.
Read More: Oscar Best Score Contenders: The Inside Story of Creating 5 Diverse Frontrunners
Read More: Oscars 2017: Listen to 70 Songs Eligible for This Year’s Academy Award
The Abolitionists,” Tim Jones, composer
“Absolutely Fabulous The Movie,” Jake Monaco, composer
“The Accountant,” Mark Isham, composer
“Alice through the Looking Glass,” Danny Elfman, composer
“Allied,” Alan Silvestri, composer
“Almost Christmas,” John Paesano, composer
“American Pastoral,” Alexandre Desplat, composer
“The Angry Birds Movie,” Heitor Pereira, composer
“Anthropoid,” Robin Foster, composer
“Armenia, My Love,...
Read More: Oscar Best Score Contenders: The Inside Story of Creating 5 Diverse Frontrunners
Read More: Oscars 2017: Listen to 70 Songs Eligible for This Year’s Academy Award
The Abolitionists,” Tim Jones, composer
“Absolutely Fabulous The Movie,” Jake Monaco, composer
“The Accountant,” Mark Isham, composer
“Alice through the Looking Glass,” Danny Elfman, composer
“Allied,” Alan Silvestri, composer
“Almost Christmas,” John Paesano, composer
“American Pastoral,” Alexandre Desplat, composer
“The Angry Birds Movie,” Heitor Pereira, composer
“Anthropoid,” Robin Foster, composer
“Armenia, My Love,...
- 1/3/2017
- by Michael Nordine
- Indiewire
The Academy of Motion Picture Arts and Sciences today announced that 145 scores from eligible feature-length motion pictures released in 2016 are in contention for nominations in the Original Score category for the 89th Academy Awards.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“The Abolitionists,” Tim Jones, composer
“Absolutely Fabulous The Movie,” Jake Monaco, composer
“The Accountant,” Mark Isham, composer
“Alice through the Looking Glass,” Danny Elfman, composer
“Allied,” Alan Silvestri, composer
“Almost Christmas,” John Paesano, composer
“American Pastoral,” Alexandre Desplat, composer
“The Angry Birds Movie,” Heitor Pereira, composer
“Anthropoid,” Robin Foster, composer
“Armenia, My Love,” Silvia Leonetti, composer
“Assassin’s Creed,” Jed Kurzel, composer
“Autumn Lights,” Hugi Gudmundsson and Hjörtur Ingvi Jóhannsson, composers
“The Bfg,” John Williams, composer
“Believe,” Michael Reola, composer
“Ben-Hur,” Marco Beltrami and Buck Sanders, composers
“Bilal,” Atli Ӧrvarsson, composer
“Billy Lynn’s Long Halftime Walk,” Mychael Danna and Jeff Danna,...
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“The Abolitionists,” Tim Jones, composer
“Absolutely Fabulous The Movie,” Jake Monaco, composer
“The Accountant,” Mark Isham, composer
“Alice through the Looking Glass,” Danny Elfman, composer
“Allied,” Alan Silvestri, composer
“Almost Christmas,” John Paesano, composer
“American Pastoral,” Alexandre Desplat, composer
“The Angry Birds Movie,” Heitor Pereira, composer
“Anthropoid,” Robin Foster, composer
“Armenia, My Love,” Silvia Leonetti, composer
“Assassin’s Creed,” Jed Kurzel, composer
“Autumn Lights,” Hugi Gudmundsson and Hjörtur Ingvi Jóhannsson, composers
“The Bfg,” John Williams, composer
“Believe,” Michael Reola, composer
“Ben-Hur,” Marco Beltrami and Buck Sanders, composers
“Bilal,” Atli Ӧrvarsson, composer
“Billy Lynn’s Long Halftime Walk,” Mychael Danna and Jeff Danna,...
- 12/14/2016
- by Melissa Thompson
- WeAreMovieGeeks.com
The Academy of Motion Picture Arts and Sciences (AMPAS) has announced the 145 scores eligible in the Best Original Score category, includeing work from “Jackie” and “La La Land.” The latter film, a musical directed by “Whiplash” helmer Damien Chazelle, picked up the Los Angeles Film Critics Association’s award for Best Music earlier this month; “Jackie” was the category’s runner-up. Notably absent, meanwhile, are “Arrival” (which just landed a Golden Globe nod), “Manchester by the Sea” and “Silence.”
Read: ‘La La Land’: Emma Stone and Ryan Gosling’s ‘City of Stars’ Duet Will Sweep You Off Your Feet – Listen
Justin Hurwitz composed and orchestrated the “La La Land” score, while “Jackie” marks “Under the Skin” composer Mica Levi’s second silver-screen effort. Decades after becoming one of the world’s most renowned film composers, Ennio Morricone won last year’s Oscar for his work on Quentin Tarantino’s “The Hateful Eight.
Read: ‘La La Land’: Emma Stone and Ryan Gosling’s ‘City of Stars’ Duet Will Sweep You Off Your Feet – Listen
Justin Hurwitz composed and orchestrated the “La La Land” score, while “Jackie” marks “Under the Skin” composer Mica Levi’s second silver-screen effort. Decades after becoming one of the world’s most renowned film composers, Ennio Morricone won last year’s Oscar for his work on Quentin Tarantino’s “The Hateful Eight.
- 12/14/2016
- by Michael Nordine
- Indiewire
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