Emma Stone has nabbed some of the hottest roles in Hollywood, but her rise to stardom hasn't always been easy. What roles did she miss out on along the way?
At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.
Director:
Guillermo del Toro
Stars:
Sally Hawkins,
Octavia Spencer,
Michael Shannon
A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.
A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences.
Director:
Nick Cassavetes
Stars:
Gena Rowlands,
James Garner,
Rachel McAdams
A frontiersman on a fur trading expedition in the 1820s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.
Director:
Damien Chazelle
Stars:
Miles Teller,
J.K. Simmons,
Melissa Benoist
Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.Written by
Eirini
The interiors of Mia's apartment were shot at The Langham Apartments in Los Angeles. The Langham, a 180 room apartment building, opened in 1927 offering a restaurant, beauty salon, barber shop, billiard room and commissary. The showstopper at the Langham in 1927 was the country's first rooftop swimming pool. See more »
Goofs
Throughout the movie, Mia has her hair parted on the right side. This includes of course the scene where she walks outside the studio buildings with Sebastian. However right before the end of the walk, there is a close shot of her where her hair is parted on the left side. In addition the background of the close shot features a black and white building or trailer which wasn't there during the walk. See more »
Quotes
Mia:
Maybe I'm not good enough!
Sebastian:
Yes, you are.
Mia:
Maybe I'm not! It's like a pipe dream.
Sebastian:
This is the dream! It's conflict and it's compromise, and it's very, very exciting!
See more »
Crazy Credits
There is a title card at the very beginning that says "Presented in CinemaScope." See more »
Tainted Love
Written by Ed Cobb (as Edward Cobb)
Performed by Soft Cell
Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises See more »
Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.
The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.
From that point on, the film is hypnotic.
We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.
Except for the musical interludes, of course, which are pitch perfect and totally wonderful.
Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.
Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.
As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.
Destined to be a classic. Recommended.
593 of 1,023 people found this review helpful.
Was this review helpful to you?
| Report this
Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.
The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.
From that point on, the film is hypnotic.
We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.
Except for the musical interludes, of course, which are pitch perfect and totally wonderful.
Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.
Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.
As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.
Destined to be a classic. Recommended.