In 1942, a Canadian intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
In the middle of World War II, in turbulent 1942, the fearless Wing Commander, Max Vatan, lands on the desert dunes of Morocco to meet with the skilful Parisian member of the French Resistance, Marianne Beauséjour. After a suicide mission in the heart of Casablanca, Max and Marianne will flee to England with plans on making a family; however, heavy clouds of distrust and suspicion will burden their relationship, when Max receives a shocking call from the Secret Service Division. In disbelief, with a terrible task in his hands and crushed under a devastating dilemma, Max must find the courage to seek for answers in the perilous streets of a bombarded London, regardless of the outcome. In the end, amid duty and love, who shall live and who shall die?Written by
This is the kind of film I go in to with a very forgiving attitude. Historical dramas are among my top choices and it was fantastic watching two of my all-time favorite stars trying to play multi-layered characters and doing pretty good. Then Zemeckis decided to add coke heads and other modern Hollywood projections in scenes of WW2 Britain. Not only was the language, behavior and attitude not historically accurate, it was so distracting and unnecessary in a period piece. Beautiful cinematography and set pieces and a good story all ruined by a need to desecrate old, traditional behavior and values. And by the way, people in the 40's rarely said F but here it was in every sentence. Sad and disappointing.
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