Festival
Cary Joji Fukunaga’s long awaited Bond flick “No Time to Die,” the final instalment featuring long-time lead Daniel Craig, will close this year’s EnergaCamerimage International Film Festival, presented by Joji Fukunaga (“Beasts of No Nation”) himself and the film’s Oscar-winning cinematographer Lunus Sandgren (“La La Land”).
“This is the first time Cary Joji Fukunaga and Linus Sandgren collaborated on a film project, yet the result is just the kind of visual spectacle we hoped for given their artistic portfolios,” said the festival in a release accompanying the announcement.
This will be Joji Fukunaga’s first time attending EnergaCamerimage in person, although his film “Jane Eyre” and the “True Detective” pilot episode he directed both screened at the fest. Sandgren is becoming something of an EnergaCamerimage regular, having presented in person two films on which he worked, Damien Chazelle’s “La La Land” and “First Man.”
“No Time to Die...
Cary Joji Fukunaga’s long awaited Bond flick “No Time to Die,” the final instalment featuring long-time lead Daniel Craig, will close this year’s EnergaCamerimage International Film Festival, presented by Joji Fukunaga (“Beasts of No Nation”) himself and the film’s Oscar-winning cinematographer Lunus Sandgren (“La La Land”).
“This is the first time Cary Joji Fukunaga and Linus Sandgren collaborated on a film project, yet the result is just the kind of visual spectacle we hoped for given their artistic portfolios,” said the festival in a release accompanying the announcement.
This will be Joji Fukunaga’s first time attending EnergaCamerimage in person, although his film “Jane Eyre” and the “True Detective” pilot episode he directed both screened at the fest. Sandgren is becoming something of an EnergaCamerimage regular, having presented in person two films on which he worked, Damien Chazelle’s “La La Land” and “First Man.”
“No Time to Die...
- 10/29/2021
- by Jamie Lang
- Variety Film + TV
Variety Director to Watch Prano Bailey-Bond (“Censor”) and BAFTA-nominated “After Love” filmmaker Aleem Khan are among the 39 filmmakers longlisted in the British Independent Film Awards (BIFA) new talent categories.
The 39 longlisted filmmakers will be invited to join BIFA’s Springboard scheme, a tailored program of professional development, peer-to-peer support, mentoring, networking and skills enhancement aimed to nurture emerging talent as they build on the success of their first features.
The final five nominations in each category will be announced on Nov. 3. Winners will be revealed at the ceremony on Dec. 5.
The longlists:
The Douglas Hickox Award
(Best Debut Director)
Aleem Khan – “After Love”
Matt Chambers – “The Bike Thief”
Prano Bailey-Bond – “Censor”
Jonathan Butterell – “Everybody’s Talking About Jamie”
Sonita Gale – “Hostile”
Jack Clough – “People Just Do Nothing: Big In Japan”
Reggie Yates – “Pirates”
Celeste Bell “Poly Styrene: I Am A Cliché” [also Directed By Paul Sng]
Corinna Faith – “The Power”
Charlotte Colbert – “She Will...
The 39 longlisted filmmakers will be invited to join BIFA’s Springboard scheme, a tailored program of professional development, peer-to-peer support, mentoring, networking and skills enhancement aimed to nurture emerging talent as they build on the success of their first features.
The final five nominations in each category will be announced on Nov. 3. Winners will be revealed at the ceremony on Dec. 5.
The longlists:
The Douglas Hickox Award
(Best Debut Director)
Aleem Khan – “After Love”
Matt Chambers – “The Bike Thief”
Prano Bailey-Bond – “Censor”
Jonathan Butterell – “Everybody’s Talking About Jamie”
Sonita Gale – “Hostile”
Jack Clough – “People Just Do Nothing: Big In Japan”
Reggie Yates – “Pirates”
Celeste Bell “Poly Styrene: I Am A Cliché” [also Directed By Paul Sng]
Corinna Faith – “The Power”
Charlotte Colbert – “She Will...
- 10/20/2021
- by Naman Ramachandran
- Variety Film + TV
Ryan Andrew Hooper’s film stars Michael Smiley, Annes Elwy
Great Point Media has sold Welsh crime thriller The Toll to key territories, at last month’s Pre-Cannes Screenings.
It has a deal for UK-Ireland and Australia-New Zealand with Signature, which will release the film in late August in the UK and Ireland.
Further deals include France with Family Films, and the US with Samuel Goldwyn Films.
“This year’s Pre-Cannes set-up allowed buyers the extra time needed to give each film the attention it deserves, which resulted in more thorough negotiation and better-structured deals,” said Toby Melling, VP of sales at Great Point.
Great Point Media has sold Welsh crime thriller The Toll to key territories, at last month’s Pre-Cannes Screenings.
It has a deal for UK-Ireland and Australia-New Zealand with Signature, which will release the film in late August in the UK and Ireland.
Further deals include France with Family Films, and the US with Samuel Goldwyn Films.
“This year’s Pre-Cannes set-up allowed buyers the extra time needed to give each film the attention it deserves, which resulted in more thorough negotiation and better-structured deals,” said Toby Melling, VP of sales at Great Point.
- 7/11/2021
- by Ben Dalton
- ScreenDaily
If you like quirky characters, deadpan comedy and the occasional stylistic flourish, you may enjoy this Welsh indie effort, which Ryan Andrew Hooper and Matt Redd have developed from their 2019 short, Ambition. It's not one for everybody but won some loyal fans when screening at the Glasgow Film Festival, and for all the difficulties it runs into, it certainly has spirit.
The film focuses on an unnamed tollbooth operator (Michael Smiley) working on a remote rural road which it's not clear why many people would want to drive along anyway, and collecting so little that it's difficult to see how he can earn enough to pay for his sandwiches. He's been there for years and is well known in his small community, but unbeknownst to people there, he has a secret past. When, one day, an elegantly dressed stranger in an expensive yellow car recognises him, he knows that...
The film focuses on an unnamed tollbooth operator (Michael Smiley) working on a remote rural road which it's not clear why many people would want to drive along anyway, and collecting so little that it's difficult to see how he can earn enough to pay for his sandwiches. He's been there for years and is well known in his small community, but unbeknownst to people there, he has a secret past. When, one day, an elegantly dressed stranger in an expensive yellow car recognises him, he knows that...
- 3/15/2021
- by Jennie Kermode
- eyeforfilm.co.uk
What do you get when you blend together an Elvis impersonator and well-crafted political satire against the backdrop of a rural setting in Wales? You get the unexpected in Ryan Hooper’s feature length directorial debut, The Toll.
Written by Matt Redd it is a story, like the ‘Toll Booth Man’ himself (Michael Smiley), that lures you into a false sense of security as appearing to be remarkably unremarkable. You instantly get Fargo vibes but swap the distinctive tones of Minnesota for Wales when we meet local policewoman Catrin (Annes Elwy). It is a strong, subtle and at points an emotional performance from Elwy.
The story starts with our two main characters in the toll booth where Smiley is calmly about to tell the tale of the series of events that led to this particular moment with an air of smoke and mirrors.
We are then taken on a retrospective journey,...
Written by Matt Redd it is a story, like the ‘Toll Booth Man’ himself (Michael Smiley), that lures you into a false sense of security as appearing to be remarkably unremarkable. You instantly get Fargo vibes but swap the distinctive tones of Minnesota for Wales when we meet local policewoman Catrin (Annes Elwy). It is a strong, subtle and at points an emotional performance from Elwy.
The story starts with our two main characters in the toll booth where Smiley is calmly about to tell the tale of the series of events that led to this particular moment with an air of smoke and mirrors.
We are then taken on a retrospective journey,...
- 2/26/2021
- by Thomas Alexander
- HeyUGuys.co.uk
Titles include Catherine Linstrum’s ’This Earth Is Not Our Home’.
The UK’s Welsh film agency Ffilm Cymru Wales has selected five feature projects by Welsh filmakers to receive a total of £63,230 in its latest round of development funding.
They are comprised of two documentaries and three fiction films.
The Earth Is Not Our Home, a sci-fi drama exploring mental health issues set on a dusty volcanic island off the coast of Africa, has received £15,000. It will be the second feature from writer-director Catherine Linstrum and producer Stella Nwimo through their company Fireparty, following their forthcoming debut Nuclear, which...
The UK’s Welsh film agency Ffilm Cymru Wales has selected five feature projects by Welsh filmakers to receive a total of £63,230 in its latest round of development funding.
They are comprised of two documentaries and three fiction films.
The Earth Is Not Our Home, a sci-fi drama exploring mental health issues set on a dusty volcanic island off the coast of Africa, has received £15,000. It will be the second feature from writer-director Catherine Linstrum and producer Stella Nwimo through their company Fireparty, following their forthcoming debut Nuclear, which...
- 7/17/2019
- by Ben Dalton
- ScreenDaily
Iwan Rheon also stars in feature from Western Edge Pictures.
Ryan Andrew Hooper’s feature debut The Toll, starring Michael Smiley and Annes Elwy, has wrapped after shooting on location in Wales.
Produced by Vaughan Sivell and Mark Hopkins for Western Edge Pictures through the Ffilm Cymru Wales’ Cinematic scheme, the thriller features Smiley as a man working solo shifts in the quietest toll booth in Wales, hiding from a criminal past where nobody would ever look. Elwy plays a traffic cop who heads to the booth at exactly the wrong time. It is written by Matt Redd.
Smiley’s...
Ryan Andrew Hooper’s feature debut The Toll, starring Michael Smiley and Annes Elwy, has wrapped after shooting on location in Wales.
Produced by Vaughan Sivell and Mark Hopkins for Western Edge Pictures through the Ffilm Cymru Wales’ Cinematic scheme, the thriller features Smiley as a man working solo shifts in the quietest toll booth in Wales, hiding from a criminal past where nobody would ever look. Elwy plays a traffic cop who heads to the booth at exactly the wrong time. It is written by Matt Redd.
Smiley’s...
- 12/10/2018
- by Tom Grater
- ScreenDaily
The film is the directorial debut of ‘Dreaming Of Joseph Lees’ screenwriter Catherine Linstrum.
Emilia Jones and George MacKay are starring in supernatural thriller Nuclear, which is currently shooting in Wales.
The Ffilm Cymru Wales and BFI-backed project is from debut director Catherine Linstrum, whose previous work as a screenwriter includes California Dreamin’ and Dreaming Of Joseph Lees. Her short films include Nadger, which was a Bafta Cymru Award-winner.
The film was developed and is being produced through the second edition of Ffilm Cymru Wales’s low-budget Cinematic scheme, which is financed by the BFI, using National Lottery funding,...
Emilia Jones and George MacKay are starring in supernatural thriller Nuclear, which is currently shooting in Wales.
The Ffilm Cymru Wales and BFI-backed project is from debut director Catherine Linstrum, whose previous work as a screenwriter includes California Dreamin’ and Dreaming Of Joseph Lees. Her short films include Nadger, which was a Bafta Cymru Award-winner.
The film was developed and is being produced through the second edition of Ffilm Cymru Wales’s low-budget Cinematic scheme, which is financed by the BFI, using National Lottery funding,...
- 5/12/2018
- by Tom Grater
- ScreenDaily
Exclusive: Three Welsh films head to production in scheme backed by BFI, S4C.
Three Welsh features have been selected for production through Ffilm Cymru Wales’ Cinematic scheme, supported by the BFI and broadcaster S4C.
Nuclear is a supernatural thriller and directorial feature debut from writer-director Catherine Linstrum.
Set in a small village under the shadow of a nuclear power station, the film follows a toxic family with a combustible past which must face the ghosts that threaten their future.
Linstrum, whose writing credits include Dreaming of Joseph Lees and California Dreamin’, has co-written the script with David John Newman, while Stella Nwimo will produce. The three had previously collaborated on the short film Things That Fall from the Sky, starring Ophelia Lovibond and Steve Waddington, through BFI Network Wales’ Beacons scheme.
Cadi (previously Gwrach) is a contemporary Welsh-language horror, set in the beautiful but brutal landscape of Snowdonia. The movie will...
Three Welsh features have been selected for production through Ffilm Cymru Wales’ Cinematic scheme, supported by the BFI and broadcaster S4C.
Nuclear is a supernatural thriller and directorial feature debut from writer-director Catherine Linstrum.
Set in a small village under the shadow of a nuclear power station, the film follows a toxic family with a combustible past which must face the ghosts that threaten their future.
Linstrum, whose writing credits include Dreaming of Joseph Lees and California Dreamin’, has co-written the script with David John Newman, while Stella Nwimo will produce. The three had previously collaborated on the short film Things That Fall from the Sky, starring Ophelia Lovibond and Steve Waddington, through BFI Network Wales’ Beacons scheme.
Cadi (previously Gwrach) is a contemporary Welsh-language horror, set in the beautiful but brutal landscape of Snowdonia. The movie will...
- 7/13/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Exclusive: Discussions to cover Brexit, animation and the state of the industry in Scotland.
The Edinburgh International Film Festival (Eiff) has unveiled the line-up of industry events set to take place alongside this year’s festival.
Industry events
The nine-day industry events program held at the Press and Industry Centre in the Traverse theatre begins with the annual Eiff Screen Summit on 21 June, in partnership with the University of Edinburgh and Creative Scotland, and in association with the BFI.
This year it will focus on two issues; the UK screen sector in Europe as the UK moves towards Brexit; and the key developments in Scotland’s screen sector in the past 12 months. This session will begin with a keynote address from Fiona Hyslop, cabinet secretary for culture, tourism and external relations at the Scottish government.
Other industry events include a networking event in partnership with the BFI Network and Prs for Music connecting filmmakers with producers and with...
The Edinburgh International Film Festival (Eiff) has unveiled the line-up of industry events set to take place alongside this year’s festival.
Industry events
The nine-day industry events program held at the Press and Industry Centre in the Traverse theatre begins with the annual Eiff Screen Summit on 21 June, in partnership with the University of Edinburgh and Creative Scotland, and in association with the BFI.
This year it will focus on two issues; the UK screen sector in Europe as the UK moves towards Brexit; and the key developments in Scotland’s screen sector in the past 12 months. This session will begin with a keynote address from Fiona Hyslop, cabinet secretary for culture, tourism and external relations at the Scottish government.
Other industry events include a networking event in partnership with the BFI Network and Prs for Music connecting filmmakers with producers and with...
- 6/7/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
Exclusive: Discussions to cover Brexit, animation and the state of the industry in Scotland.
The Edinburgh International Film Festival (Eiff) has unveiled the line-up of industry events set to take place alongside this year’s festival.
Industry events
The nine-day industry events program held at the Press and Industry Centre in the Traverse theatre begins with the annual Eiff Screen Summit on 21 June, in partnership with the University of Edinburgh and Creative Scotland, and in association with the BFI.
This year it will focus on two issues; the UK screen sector in Europe as the UK moves towards Brexit; and the key developments in Scotland’s screen sector in the past 12 months. This session will begin with a keynote address from Fiona Hyslop, cabinet secretary for culture, tourism and external relations at the Scottish government.
Other industry events include a networking event in partnership with the BFI Network and Prs for Music connecting filmmakers with producers and with...
The Edinburgh International Film Festival (Eiff) has unveiled the line-up of industry events set to take place alongside this year’s festival.
Industry events
The nine-day industry events program held at the Press and Industry Centre in the Traverse theatre begins with the annual Eiff Screen Summit on 21 June, in partnership with the University of Edinburgh and Creative Scotland, and in association with the BFI.
This year it will focus on two issues; the UK screen sector in Europe as the UK moves towards Brexit; and the key developments in Scotland’s screen sector in the past 12 months. This session will begin with a keynote address from Fiona Hyslop, cabinet secretary for culture, tourism and external relations at the Scottish government.
Other industry events include a networking event in partnership with the BFI Network and Prs for Music connecting filmmakers with producers and with...
- 6/7/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
Exclusive: Ten feature projects include drama about First World War camp for Muslim prisoners.
The writers on the inaugural Adapt to Film initiative in the UK are wrapping the five-month programme and pitched their projects to a group of invited industry experts such as producers and agents earlier this week in London.
The scheme, spearheaded by Broadway in Nottingham and run by script and talent development executives Anna Seifert-Speck and Caroline Cooper Charles, was designed for writers adapting source material for film. The scheme is supported by Creative Skillset’s Film Skills Fund, with BFI’s Film Forever National Lottery funds.
The ten writers and their projects are:
Raisah Ahmed presented Half-Moon Camp, which she is writing based on newspaper articles and original research about a prisoner of war camp in Germany that was home to Muslim prisoners in the First World War.
The Glasgow-based writer is also working on Meet Me By The Water, about a young...
The writers on the inaugural Adapt to Film initiative in the UK are wrapping the five-month programme and pitched their projects to a group of invited industry experts such as producers and agents earlier this week in London.
The scheme, spearheaded by Broadway in Nottingham and run by script and talent development executives Anna Seifert-Speck and Caroline Cooper Charles, was designed for writers adapting source material for film. The scheme is supported by Creative Skillset’s Film Skills Fund, with BFI’s Film Forever National Lottery funds.
The ten writers and their projects are:
Raisah Ahmed presented Half-Moon Camp, which she is writing based on newspaper articles and original research about a prisoner of war camp in Germany that was home to Muslim prisoners in the First World War.
The Glasgow-based writer is also working on Meet Me By The Water, about a young...
- 3/16/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: Ten feature projects include drama about First World War camp for Muslim prisoners.
The writers on the inaugural Adapt to Film initiative in the UK are wrapping the five-month programme and pitched their projects to a group of invited industry experts such as producers and agents earlier this week in London.
The scheme, spearheaded by Broadway in Nottingham and run by script and talent development executives Anna Seifert-Speck and Caroline Cooper Charles, was designed for writers adapting source material for film. The scheme is supported by Creative Skillset’s Film Skills Fund, with BFI’s Film Forever National Lottery funds.
The ten writers and their projects are:
Raisah Ahmed presented Half-Moon Camp, which she is writing based on newspaper articles and original research about a prisoner of war camp in Germany that was home to Muslim prisoners in the First World War.
The Glasgow-based writer is also working on Meet Me By The Water, about a young...
The writers on the inaugural Adapt to Film initiative in the UK are wrapping the five-month programme and pitched their projects to a group of invited industry experts such as producers and agents earlier this week in London.
The scheme, spearheaded by Broadway in Nottingham and run by script and talent development executives Anna Seifert-Speck and Caroline Cooper Charles, was designed for writers adapting source material for film. The scheme is supported by Creative Skillset’s Film Skills Fund, with BFI’s Film Forever National Lottery funds.
The ten writers and their projects are:
Raisah Ahmed presented Half-Moon Camp, which she is writing based on newspaper articles and original research about a prisoner of war camp in Germany that was home to Muslim prisoners in the First World War.
The Glasgow-based writer is also working on Meet Me By The Water, about a young...
- 3/16/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Broadway’s inaugural initiative welcomes experienced writers to present their projects.
The writers on the inaugural Adapt to Film initiative in the UK are wrapping the five-month programme and pitched their projects to a group of invited industry experts such as producers and agents earlier this week in London.
The scheme, spearheaded by Broadway in Nottingham and run by script and talent development executives Anna Seifert-Speck and Caroline Cooper Charles, was designed for writers adapting source material for film. The scheme is supported by Creative Skillset’s Film Skills Fund, with BFI’s Film Forever National Lottery funds.
The ten writers and their projects are:
Raisah Ahmed presented Half-Moon Camp, which she is writing based on newspaper articles and original research about a prisoner of war camp in Germany that was home to Muslim prisoners in World War I. The Glasgow-based writer is also working on Meet Me By The Water, about a young...
The writers on the inaugural Adapt to Film initiative in the UK are wrapping the five-month programme and pitched their projects to a group of invited industry experts such as producers and agents earlier this week in London.
The scheme, spearheaded by Broadway in Nottingham and run by script and talent development executives Anna Seifert-Speck and Caroline Cooper Charles, was designed for writers adapting source material for film. The scheme is supported by Creative Skillset’s Film Skills Fund, with BFI’s Film Forever National Lottery funds.
The ten writers and their projects are:
Raisah Ahmed presented Half-Moon Camp, which she is writing based on newspaper articles and original research about a prisoner of war camp in Germany that was home to Muslim prisoners in World War I. The Glasgow-based writer is also working on Meet Me By The Water, about a young...
- 3/16/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: Catherine Linstrum and Keri Collins movies shortlisted for development and production scheme.
Ten movie projects have been shortlisted for the Ffilm Cymru Wales/Film Wales’ Cinematic development and production scheme.
This year, nominated features include Nuclear by Cannes award-winning director Catherine Linstrum (California Dreamin’) and Sorted by former Raindance entrant Keri Collins (Convenience).
The programme, for films with budgets up to £300k, is financed in partnership with the BFI and S4C with additional support from Fields Park Entertainment and Warner Music Supervision.
Shortlisted film teams will now receive input from industry professionals including producers Julie Baines (Creep) and Emily Leo (Under the Shadow) as well as director Ben Parker (The Chamber), alongside sales and distribution representatives such as Jezz Vernon, formerly of Metrodome, and Deborah Rowland.
Three selected films will then be made over the next 18 months.
FfCW will invest approximately £180,000 production finance into each of the final three films. As part of...
Ten movie projects have been shortlisted for the Ffilm Cymru Wales/Film Wales’ Cinematic development and production scheme.
This year, nominated features include Nuclear by Cannes award-winning director Catherine Linstrum (California Dreamin’) and Sorted by former Raindance entrant Keri Collins (Convenience).
The programme, for films with budgets up to £300k, is financed in partnership with the BFI and S4C with additional support from Fields Park Entertainment and Warner Music Supervision.
Shortlisted film teams will now receive input from industry professionals including producers Julie Baines (Creep) and Emily Leo (Under the Shadow) as well as director Ben Parker (The Chamber), alongside sales and distribution representatives such as Jezz Vernon, formerly of Metrodome, and Deborah Rowland.
Three selected films will then be made over the next 18 months.
FfCW will invest approximately £180,000 production finance into each of the final three films. As part of...
- 12/6/2016
- ScreenDaily
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