A video artist looking for work drives to a remote house in the forest to meet a man claiming to be a serial killer. But after agreeing to spend the day with him, she soon realizes that she made a deadly mistake.
In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks ... See full summary »
Paul Andrew Williams
Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
Heading home late one night after a party, Kate falls asleep while waiting for her train. She awakens to find herself trapped in the London underground, with all the doors locked for the evening. While being attacked by a co-worker who has followed her, a mysterious unseen creature drags him away and kills him. This begins a terrifying ordeal, as Kate and a young homeless couple are stalked through the dark tunnels by something dangerous with payback on its mind.Written by
The image of the bloody hand on a carriage window was allowed to be displayed in London Underground stations for the DVD release, unlike the poster for the theatrical release. See more »
The unexpected train that Kate boards at Charing Cross and where she is followed by Guy is a 1996 Stock Jubilee Line train. When she runs into the cab and gets out of the train into the tunnel the train has switched to a 1972 Stock Train. See more »
[after Kate explains an attack]
It sounds to me like some vigilante train driver got a wee bit carried away. The way I see it, you should be thankin' the man, not runnin' away from him.
No, no, no, you have no idea. You didn't see what he did to Guy.
Can I have a fag, Jim?
I'm telling you, something is not *right* down here!
[after he hands Mandy a cigarette, which she is not aware of]
There's a lot of things not right doon 'ere, sweetheart.
Can I have a fag, Jim?
You've got one in ...
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"Creep" is a new horror film that, without a doubt, will please many genre fans simply because it's so down to the point and unscrupulous! It has many genuine shock-moments, a whole lot of repulsive gore-sequences and a rare claustrophobic tension. What it hasn't got is logic and a solid plot but, to tell you the truth, that didn't bother me for one second. When the end-credits start to roll, there are still many unanswered questions to ponder on but director/writer Christopher Smith (in his debut) seemly preferred to fully focus on tension and adrenalin-rushing action instead of long, soporific speeches and theories that could explain the existence of the "creep" in the London subway. The story revolves on the young and haughty Kate, who leaves her own party in order to go and meet the famous actor George Clooney who's in town to present his new film. She falls asleep in the subway, misses the last train and she finds herself trapped in the underground subway network. Things really get terrifying when she encounters a mad-raving lunatic who lives in the old tunnels and kills/kidnaps people to experiment upon. Even experienced homeless people, security guards or sewer-workers can't rescue her from this ravenous monster! I really dug the creep-character! He's nauseating, hideous and primitive but in a strange way fascinating. Christopher Smith only leaves us clues and hints, and it's merely up to the viewer to guess this vile creature's origin and background. I reckon this isn't very original, and I'm sure many people won't appreciate the lack of content, but I forgive Smith and I think it's better this way than going over the top completely, "Jeepers Creepers"-style (that particular film started out great as well, but as soon as the Creeper's identity was clear it turned into a very mediocre horror effort). The obvious aspect-to-love is the outrageous gore! There's some severe butchering going on in this film and the make-up, as well as the sound effects, are very convincing. The ominous setting of the abandoned London subway during night is effectively used. There also is some acting-talent present in this film, with Franka Potenta (Run Lola Run) returning to graphic horror nearly five years after the cool German film "Anatomie". Creep is terrific entertainment when you're in an undemanding mood and Christopher Smith definitely is a director I'll keep an eye on. Make sure you don't have to take the subway right after watching this film...
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