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First Man (2018)

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A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

Director:

Damien Chazelle

Writers:

Josh Singer (screenplay by), James R. Hansen (based on the book by)
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Director's Trademarks: The Films of Damien Chazelle

First Man director Damien Chazelle's cinematic world is populated by characters driven by singular ambition and framed with technical and stylistic flourishes.

Watch our guide to Damien's films

Nominated for 4 Oscars. Another 20 wins & 150 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Gosling ... Neil Armstrong
Claire Foy ... Janet Armstrong
Jason Clarke ... Ed White
Kyle Chandler ... Deke Slayton
Corey Stoll ... Buzz Aldrin
Patrick Fugit ... Elliot See
Christopher Abbott ... Dave Scott
Ciarán Hinds ... Bob Gilruth
Olivia Hamilton ... Pat White
Pablo Schreiber ... James Lovell
Shea Whigham ... Gus Grissom
Lukas Haas ... Mike Collins
Ethan Embry ... Pete Conrad
Brian d'Arcy James ... Joe Walker
Cory Michael Smith ... Roger Chaffee
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Storyline

A Biopic on the life of the legendary American Astronaut Neil Armstrong from 1961-1969, on his journey to becoming the first human to walk the moon. Exploring the sacrifices and costs on the Nation and Neil himself, during one of the most dangerous missions in the history of space travel. Written by Matthew Villella

Plot Summary | Add Synopsis

Taglines:

The most dangerous mission in history See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some thematic content involving peril, and brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Japan

Language:

English

Release Date:

12 October 2018 (USA) See more »

Also Known As:

First Man See more »

Filming Locations:

Atlanta, Georgia, USA See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$16,006,065, 14 October 2018, Wide Release

Gross USA:

$44,936,545

Cumulative Worldwide Gross:

$100,546,153, 6 January 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos | DTS (DTS: X)| Auro 11.1

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

This was the only film nominated for Best Sound Mixing at the Academy Awards for the year that was not also nominated for Best Picture. See more »

Goofs

The astronauts can see out of what appears to be all of the Command Module windows during the Apollo 11 launch. The launch escape tower actually covered the windows on the Command Module, except for the hatch window, until the Launch Escape tower is jettisoned. See more »

Quotes

Neil Armstrong: I don't know what space exploration will uncover, but I don't think it'll be exploration just for the sake of exploration. I think it'll be more the fact that it allows us to see things. That maybe we should have seen a long time ago. But just haven't been able to until now.
See more »

Crazy Credits

Near the end of the closing credits, the music is replaced by radio chatter from the mission. See more »

Connections

Referenced in Entertainment Tonight Canada: 06-11-2018 (2018) See more »

Soundtracks

Here Comes Santa Claus (Right Down Santa Claus Lane)
Written by Gene Autry, Oakley Haldeman (as Oakley Haideman)
Performed by Gene Autry
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
See more »

Frequently Asked Questions

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User Reviews

 
Bore-opic
13 October 2018 | by peggynight-24258See all my reviews

Overall, I have to say, I found this pretty boring. Felt like I'd gone to church or something, if you can dig that type of boredom. Kind of a bewildered boredom that you can't put your finger on, but you know you'd have rather been doing something else. Almost anything else.

Yes, it told the story from the human side, from the side of a father and husband. Yes it was nice that the film wasn't over-glamorised with a whole heap of American chest-beating and back-slapping; if anything it showed the petty pride of the space race perhaps for what it was: a dick-swinging contest. And yes, it showed just how primitive 60s tech was, as though they were being strapped into a rocket-tomb. But boy is this film dry. When it ended I felt underwhelmed and wanting more.

Great acting from the two leads, who held the space really well. Certainly didn't find this 'visually stunning' as some reviews have said; I thought the visual treatment of the film was well considered and appropriate in that it felt very mid 60s. In fact, that's how I'd describe the film: considered and appropriate. Except for the music/score, which was c grade. But do we go to films because they're considered and appropriate? I know my father does. Yawn.


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