Even if you're just a casual "Star Wars" fan, you probably know that George Lucas drew significant inspiration for his sprawling space saga from the samurai films of Akira Kurosawa ("The Hidden Fortress" in particular) and the hero's journey monomyth as explicated by Joseph Campbell. The ideas and tropes contained in these works were combined to form the sturdiest of foundations, one that now supports an ever-expanding collection of TV shows, cartoons, video games, books, and so on.
What you might not know is that when Lucas was building this universe in the early 1970s, he also drew influence from one of the era's most notorious con men.
For as long as people have been into spiritualism and religion, there have always been opportunists seeking to exploit this genuine (if often naive) yearning for financial gain. Barnstorming revivalists and faith healers have made a fortune off the gullibility of the masses,...
What you might not know is that when Lucas was building this universe in the early 1970s, he also drew influence from one of the era's most notorious con men.
For as long as people have been into spiritualism and religion, there have always been opportunists seeking to exploit this genuine (if often naive) yearning for financial gain. Barnstorming revivalists and faith healers have made a fortune off the gullibility of the masses,...
- 9/11/2023
- by Jeremy Smith
- Slash Film
In one of analytic philosopher Ludwig Wittgenstein’s most widely shared quotes, he mused that “if a lion could talk, we would not understand him.” The barrier of language and gulf of understanding between man and animal is the subject of the quite wondrous Eo, a true surprise from the great Polish filmmaker Jerzy Skolimowski, now enjoying his mid-80s. It is adapted—freely inspired may be a better term—from Robert Bresson’s iconic 1966 film Au Hasard Balthazar; from Eo’s opening minutes any memory or sense of that masterpiece’s forbidding stature is banished—we’re dealing with quite a different animal here. No, it isn’t as good. But it’s different, and a companion piece that flatters both that film and itself.
For Bresson—a cruel moralist, but definitely not a sadist—the donkey Balthazar was meant to unveil the human capacity for sin; with intensely...
For Bresson—a cruel moralist, but definitely not a sadist—the donkey Balthazar was meant to unveil the human capacity for sin; with intensely...
- 5/20/2022
- by David Katz
- The Film Stage
Although it has been around for many centuries and was one of the highest arts of ancient Greek scholars, in recent years disciplines such as philosophy have come under attack due to their use for the modern man, or for that matter, the students of today. In his provoking essay “The Usefulness of the Useless” the author Nuccio Ordine, a professor for literature at the University of Calabria, states that especially today it has become increasingly challenging for some to understand the use of a poem, a piece of art, or for that matter, a philosophical argument when compared to the practicality of tools. However, while the point certainly has some value, the “usefulness” (for lack of a better word) in philosophy lies much deeper and cannot be defined directly, since most authors and scholars of the field go into much detail, analyzing hidden meanings and layers below the surface,...
- 2/5/2021
- by Rouven Linnarz
- AsianMoviePulse
Werner Schroeter's Malina (1991) is exclusively on Mubi on October 22, 2020 in Mubi's Rediscovered series.Malina (1991), Werner Schroeter’s searing and serrated adaptation of Austrian writer Ingeborg Bachmann’s 1971 cult novel, begins with a flurry of typing and the scratching of pen against paper. An anonymous woman writer (Isabelle Huppert), surrounded by papers, scrawls the letters of a feminine name not her own: Malina. Or as Humbert Humbert wrote of Lolita—Lo-lee-ta—Malina’s hypnotic chain of vowels guides “the tip of the tongue [on] a trip of three steps down the palate.” Ma-Lee.-Na. Flushed with the heat of obsession, she takes the word apart and rearranges its letters: Malina. Anima. Animal. Animus. The figure on the page—Malina (Mathieu Carrière), the woman’s housemate—then enters. Through the mirrors on the walls and doors, his figure becomes distorted and projected across every surface while the camera circles the maze-like estate.
- 10/22/2020
- MUBI
The 18th annual Jihlava International Documentary Film Festival takes place 23-28 October 2014. From over 2,800 submissions, the programming committee has selected over 200 films from 42 countries, including 57 world, international or European premieres. These premieres include 10 Czech films in competition in the Czech Joy section.
Over the course of its existence, the Jihlava festival has become an indispensable Czech and worldwide documentary event, and an active contributor to the promotion and distribution of documentary films. The Jihlava festival is a co-founder and member of Doc Alliance, a prestigious union of seven important European documentary festivals.
Program – Year Eighteen
As in past years, the largest celebration of original documentary film in Central and Eastern Europe will present a diverse range of Czech and foreign films, with many world, international, European, and Czech premieres.
“This year’s festival is a true tribute to the artistic and independent film scene. This tribute will take place in the presence of such special guests as Kidlat Tahimik (which translates to “Quiet Lightning”), founder of independent Filipino cinema, whose films from the 1970s were declared by Werner Herzog to be among the most free to come out during that time, and noted Chinese director Wang Bing, winner of awards at festivals in Venice, Rotterdam, Yamagata and Marseilles,” said festival director Marek Hovorka.
The Face Of The Festival
The central motif of the 18th festival is a stark black-and-white symbol of a factory. It’s not only the dominant visual feature of the festival, but has also found its way into the films themselves. The poster was designed by artist, educator and publisher Juraj Horváth. This year’s festival trailer was created by the legend of Czech and world cinematography Jan Němec. This was his very first experience with this format; the intensity of the final form, however, can be felt in his short statement on the trailer’s filming:
“There are no ‘small’ or ‘big’ films. Twenty seconds expresses concern about the possible demise of film. I sound the alarm myself and the shadow of my hand is my signature.”
1. Organization And Awards
The festival is organized by the Jsaf civic association. In 2013, the festival issued more than 2,900 festival passes. Of these, 782 were for film professionals and festival guests from the Czech Republic and abroad, and 156 were for journalists. The festival screenings were attended by a total of more than 30,000 viewers.
The following awards will be presented as part of the 2014 Jihlava Idff:
· 2014 Best International Documentary Film Award (Opus Bonum competition)
· 2014 Best Central and Eastern European Documentary Film Award (Between the Seas competition)
· 2014 Best Czech Documentary Film Award (Czech Joy competition)
· 2014 Best Experimental Documentary Film Award (Fascinations competition)
· 2014 Best Debut Film Award (First Lights competition)
· 2014 Best Short Film Award (Short Joy competition)
· 2014 Contribution to World Cinematography
2014 Spectators Prize 2014 Respekt Award for the best television or video reportage · Silver Eye Award in the categories of short, mid-length, and feature documentary
(part of the East Silver market organized by the Institute of Documentary Film)
· 2014 Award for the Most Beautiful Festival Poster
· 2014 Audience Award for the Most Beautiful Festival Poster
2. New At The 18th Jihlava Idff
This year’s festival brings two new competitions: the former non-competition section Short Joy, focusing on short films, has received competition status, and in the new competition First Lights, the jury will choose the best debut film from the Opus Bonum, Between the Seas and Czech Joy sections. And of course there’s our annual retrospective of distinctive personalities and unique thematic sections.
The Complete Letters
This unique project is the brainchild of the Centre for Contemporary Culture in Barcelona, in which five pairs of world-renowned directors exchanged audio-visual “letters”. These letters will be presented at Jihlava in their Eastern European premiere. Filmmakers such as meditative artist Naomi Kawase, legend of the New York avant-garde Jonas Mekas, “lone wolf” Albert Serra and critical chronicler of contemporary China Wang Bing invite viewers into their private lives and into the secrets of their artistic poetics.
“It’s remarkable to see how much each letter reflects the personal style of each of the directors. Never have two directors with such radically different styles come together like this,” commented festival programmer David Čeněk.
Forgotten Filmmaker JIŘÍ PolÁK
This photographer, director and sensitive individual who escaped to the “place where dreams are made real” – the island of Hormuz in the Persian Gulf prior to the August occupation of Czechoslovakia – is one of the forgotten figures of Czech cinema. Jiří Polák was able to film Hospital in Kuks, but did not enjoy any domestic recognition. After his emigration and short stays in Vienna and Switzerland, he accepted film assignments in Iran.
Tribute: Alain Resnais
“Renowned French director passed away on 1 March 2014 at the age of 91. In memory of his work, we have prepared two screenings of his lesser-known or completely unknown films. He himself was instrumental to an unprecedented extent to the development of documentary filmmaking in France, and showed its new stylistic possibilities,” says festival programmer David Čeněk about this unique presentation of Resnais’ (mainly) early work. Alain Resnais The majority of Resnais’ works being presented at this year’s Jihlava Idff have been shown only a few times in France, and are being screened in the Czech Republic for the first time ever.
Retrospective: Kidlat Tahimik
A special guest at this year’s Jihlava festival will be the “father of Filipino independent film” – director, actor, screenwriter and producer Kidlat Tahimik, the founder of the so-called Filipino New Wave and an influential commentator on post-colonialism and power imbalances throughout the world, praised in the West by Werner Herzog when he said that [Tahimik’s] films from the 1970s are among some of the most free works on film of their time.
3. Jurors
The jury for the competition section Opus Bonum traditionally consists of just one person – a notable personality from world cinema. This year, this honour has been bestowed on a significant figure from the Yugoslav Black Wave – Želimir Žilnik.
The best film in the Between the Seas section will be chosen by:
· French film theoretician Raymond Bellour
· Spanish director Albert Serra
American artist Deborah Stratman Artist Kateřina Šedá Czech Joy Jury:
Poet Petr Hruška Former director of Czech Television Ivo Mathé Film historian Tereza Czesany Dvořáková Documentary filmmaker Bohdan Bláhovec The winner of the experimental competition Fascination will be determined by the Austrian master of found footage Peter Tscherkassky and his wife, filmmaker Eve Heller.
The historic first judging of the Short Joy section will be conducted by members of the art group Rafani.
4. Competition Sections
Czech Joy
Competition for the Best Czech Documentary Film 2014.
A prestigious selection of new Czech documentaries, including 10 world premieres. Films include Daniel’s World (Veronika Lišková), a look at the last taboo of modern society – paedophilia. The delightful film Long Live Hunting! (Jaroslav Kratochvíl) takes aim at Czech hunting. Shadows of the past are revealed in the film Pavel Wonka Commits to Cooperate ( Libuše Rudinská), which examines whether the last Communist prisoner was a dissident and symbol of the revolution – or an StB collaborator. The section also includes a pair of family portraits: Family Business / from Videodiary (Jakub Wagner), and Marislav Janek’s eagerly awaited new film The Gospel According to Brabenec, about Vratislav Brabenec of the Plastic People of the Universe.
World Premieres · Daniel’s World, Veronika Lišková, Czech Republic 2014, 75 min
· The Gospel According to Brabenec , Miroslav Janek, Czech Republic 2014, 85 min
· Long Live Hunting! , Jaroslav Kratochvíl, Czech Republic 2014, 62 min
· Pavel Wonka Commits to Cooperate , Libuše Rudínská, Czech Republic 2014, 73 min
· The Plan , Benjamin Tuček, Czech Republic 2014, 91 min
· The Czech Way , Martin Kohout, Czech Republic 2014, 90 min
· Family Business / from Videodiary , Jakub Wagner, Czech Republic 2014, 60 min
· František of His Own Kind , Jan Gogola Jr., Czech Republic 2014, 26 min
· Lets Block , Martina Malinová, Czech Republic 2014, 47 min
My Farm Is My Castle , Jiří Stejskal, Czech Republic 2014, 87 min
Opus Bonum
Competition for the 2014 Best World Documentary Film
Opus Bonum selects the best noteworthy documentaries representing diverse trends from around the world. Sixteen films are in the Opus Bonum competition for best world documentary film, including 5 world premieres, 5 international premieres and 1 European premiere. Films in this section include Rock On Bones, a personal view of the Russian independent music scene, and the film-poem Fovea Centralis, which skirts the fringe of video art, composed of multiplied images from the Fukushima nuclear power plant’s closed-circuit cameras.20 Cents shows what happens when public transportation fares in São Paulo are increased and the carnival atmosphere is replaced by one of guerrilla warfare.
World Premieres · Aged , Philip Hoffman, Canada 2014, 45 min
· Rock on Bones , Caroline Troubetzkoy, France 2014, 145 min
· I Am the People , Anna Roussillon, France 2014, 110 min
· In Your Eyes , Pietro Albino Di Pasquale, Italy 2014, 78 min
Fovea Centralis , Philippe Rouy, France 2014, 50 min International Premieres · Chasing After The Wind , Juan Camilo Olmos Feris, Colombia 2014, 60 min
· Water to Tabato , Paulo Carneiro, Guinea-Bissau, Portugal 2014, 45 min
· 20 Cents , Tiago Tambelli, Brazil 2014, 52 min
· Buenos Aires Free Party , Homero Cirelli, Argentina 2014, 74 min
The Shelter , Fernand Melgar, Switzerland 2014, 101 min European Premiere The Beijing Ants , Ryuji Otsuka, China 2014, 88 min
Between The Seas
Competition for the 2014 Best Documentary Film from Central and Eastern Europe.
Between the Seas is a competition section for the countries and nations of Central and Eastern Europe. Between the Seas presents 17 films, of which 4 are world premieres, 2 are international premieres, and 2 are European premieres. The Serbian Lawyer is one of the films seeing its world premiere at Jihlava – a film about the man who defended Slobodan Milošević and Radovan Karadžić, criminals from whom he had fled during the old regime. Another premiere in this section is Zuzana Piussi’s Transference , which sketches a dark picture of the state social care system for threatened children in Slovakia after the death of an abused child. Also in competition is the latest film by unsparing Austrian analyst Ulrich Seidl. In the Basement reveals that the basement is a rather important place for many Austrians, where you’ll find the usual hunting trophies and unusual bars, but also town council members and their swastikas, sadomasochism and other “hobbies”.
World Premieres · Transference , Zuzana Piussi, Slovakia/Czech Republic 2014, 57 min
· The Serbian Lawyer , Aleksandar Nikolić, Germany/Great Britain/Serbia 2014, 82 min
· Pill Junkies , Bartosz Staszewski, Poland 2014, 76 min
Ocean , Tamara Drakulić, Serbia 2014, 77 min International Premieres · 6 Degrees , Bartosz Dombrowski, Poland 2013, 81 min
A Last Year in 114 Minutes , Daniel Nicolae Djamo, Romania 2014, 114 min European Premieres Euromaidan: Rough Cut , Roman Bondarchuk et al., Ukraine 2014, 60 min Don’t Breathe, Nino Kirtadzé, France 2014, 86 min
Fascinations
Competition for the 2014 Best Experimental Documentary Film.
Fascinations is a competition screening of experimental films that offer us unique approaches to the depiction of reality. The section will present 33 films, including 7 world premieres, 6 international premieres, and 4 European premieres.
Premiere films include:
An animated work based on Ludwig Wittgenstein’s Tractatus Logico-Philisophicus (Active Image O directed by Becky James); the unguided choreography of white points in black space (Fascinating Moments by Yoshiki Nishimura); a memorial to one’s father using old photographs and chemical manipulation of the film itself using salt and seaweed (Dark Matter by Karel Doing); and a journey through a digitally manipulated landscape (L by Jacques Perconte).
World Premieres
· Active Image O , Becky James, USA 2014, 8 min
· Dark Matter , Karel Doing, Netherlands/Great Britain 2014, 20 min
· Fascinating Moments , Yoshiki Nishimura, Japan 2014, 4 min
· L , Jacques Perconte, France 2014, 15 min
· Our Hands Are Empty , Sj Ramir, Australia/New Zealand 2014, 10 min
· Jupiter Lolopop , Charlotte Dunker, Belgium 2014, 5 min
Study of Synchromy , Patrick Bergeron, Canada 2014, 3 min International Premieres
· Cut Out , Guli Silberstein, Great Britain 2014, 4 min
· The Civilization Desire , Carolina Astudillo, Spain 2014, 7 min
· A.D.A.M. , Vladislav Knežević, Croatia 2014, 13 min
· Digital Landscaping , Sangsok Ko, South Korea 2013, 4 min
· Field , Yi Myun, South Korea 2014, 6 min
Salers , Fernando Dominguez, Argentina/France 2014, 9 min European Premieres
· Beep , Kyungman Kim, South Korea 2014, 10 min
· Callisto , Youjin Moon, USA 2014, 14 min
· Droga! , Miko Revereza, Philippines 2013, 7 min
Frame Walk , Hayoung Jeon, South Korea 2014, 6 min Short Joy
Competition for the Best Short Film 2014 .
This year, this originally non-competition section devoted to short films has been transformed into a new competition section. The fifteen competition entries include films from all over the world, dealing with a wide spectrum of topics, and representing many current trends in contemporary documentary filmmaking. The Czech entry, Arguments by Andran Abramjan (who received an honourable mention in last year’s Czech Joy competition), considers the possibilities of dialogue on the Ukrainian crisis from both the eastern and western points of view. The purely observational film The Limits of Europe, underscored by the noise and sounds of protests, explores the spontaneous architecture of seven Kiev barricades erected in the streets leading to Independence Square. The contemplative and imaginatively filmed The Length enters the world of jazz legend Ted Curson.
First Lights
Competition for the Best Debut of 2014
Further evidence of Jihlava’s mission to support the film industry and share in the discovery of new talents is the presentation of a new competition section that rewards the best first work. Debut films presented as part of the traditional competition sections Opus Bonum, Czech Joy and Between the Seas have the opportunity to “battle it out” in a space that is not limited by territory. Comparing Czech and other Eastern European documentaries with their competition from the rest of the world can be a valuable experience, an opportunity to see commonalities and differences. It can also provide mutual inspiration not only for the films’ creators, but also for producers and other film professionals.
5. Non-competition Sections
Exprmntl.Cz
Experimental films from the Czech lands
This section is a non-competition survey of contemporary trends in Czech experimental film. Screenings will include films by renowned artists as well as filmmakers who just starting out.The unsettling video art of Zbyňek Baladrán, who focuses primarily on “archaeological” work with found material, can be seen in Dead Reckoning, showing the sterility of modern man’s life in four sequences featuring statistics, psychoanalysis, income and paranoia in the leading roles. Alice Růžičková’s film Autonomous Calábek takes a look into the plant kingdom. Made from a montage of scientific and film experiments, her portrait of a pioneer in plant physiology takes on surrealistic qualities.
Special Event
New world and Czech films, pre-premieres and festival hits
Alice Nellis presents Adoption: A Piece of Fortune, a kaleidoscope of stories with the same ending – a longed-for child. This opening film of the Jihlava Idff is a documentary exploration of a complex topic. In contrast, American master Errol Morris’ film The Unknown Known is a chilling look at former Us Secretary of Defence Donald Rumsfeld. The Last of the Unjust by Claude Lanzmann captures the testimony of Benjamin Murmelstein, the “puppet king” appointed at the end of the Nazi era to the position of the last “Ältester” of the Judenrat at a model Jewish ghetto. Also worth mentioning is Regarding Susan Sontag, director Nancy Kates’s portrait of one the most important intellectuals of the 20th century.
Doc-fi
Documentary and fiction are not opposites
Doc-fi expresses the conviction that the boundary between documentary and fiction is permeable. This year, three unusual films will be screened. Requiem for Beauty by Chinese author and Nobel Prize winner Gao Xingjian examines the space between film, poetry and painting. His multi-language monologues touch on themes that people do not speak about much anymore. In Beyond Icebergland, a man, a woman and a child occupy an invisible common film space, but not the same reality. It’s an ephemeral chronicle of a frozen time and a collage of images from a disappearing world, a film on the frontier of documentary, mystification and delightful genre games. Czech filmmaker Ondřej Vavrečka’s Among Us is an experimentally tinged love story that takes place during the time when the country was coming to grips with the death of Václav Havel.
6. Doc Alliance
Doc Alliance is the result of a creative partnership of seven key European documentary film festivals: Cph:dox Copenhagen, Doclisboa, Dok Leipzig, Fid Marseille, Jihlava Idff, Planete Doc Film Festival and Visions du Réel Nyon.
The aim of Doc Alliance is to help documentary films reach as many viewers as possible, and to systematically support their distribution through their festival markets and through the alliance’s online platform www.DAFilms.com.
Over the course of its existence, the Jihlava festival has become an indispensable Czech and worldwide documentary event, and an active contributor to the promotion and distribution of documentary films. The Jihlava festival is a co-founder and member of Doc Alliance, a prestigious union of seven important European documentary festivals.
Program – Year Eighteen
As in past years, the largest celebration of original documentary film in Central and Eastern Europe will present a diverse range of Czech and foreign films, with many world, international, European, and Czech premieres.
“This year’s festival is a true tribute to the artistic and independent film scene. This tribute will take place in the presence of such special guests as Kidlat Tahimik (which translates to “Quiet Lightning”), founder of independent Filipino cinema, whose films from the 1970s were declared by Werner Herzog to be among the most free to come out during that time, and noted Chinese director Wang Bing, winner of awards at festivals in Venice, Rotterdam, Yamagata and Marseilles,” said festival director Marek Hovorka.
The Face Of The Festival
The central motif of the 18th festival is a stark black-and-white symbol of a factory. It’s not only the dominant visual feature of the festival, but has also found its way into the films themselves. The poster was designed by artist, educator and publisher Juraj Horváth. This year’s festival trailer was created by the legend of Czech and world cinematography Jan Němec. This was his very first experience with this format; the intensity of the final form, however, can be felt in his short statement on the trailer’s filming:
“There are no ‘small’ or ‘big’ films. Twenty seconds expresses concern about the possible demise of film. I sound the alarm myself and the shadow of my hand is my signature.”
1. Organization And Awards
The festival is organized by the Jsaf civic association. In 2013, the festival issued more than 2,900 festival passes. Of these, 782 were for film professionals and festival guests from the Czech Republic and abroad, and 156 were for journalists. The festival screenings were attended by a total of more than 30,000 viewers.
The following awards will be presented as part of the 2014 Jihlava Idff:
· 2014 Best International Documentary Film Award (Opus Bonum competition)
· 2014 Best Central and Eastern European Documentary Film Award (Between the Seas competition)
· 2014 Best Czech Documentary Film Award (Czech Joy competition)
· 2014 Best Experimental Documentary Film Award (Fascinations competition)
· 2014 Best Debut Film Award (First Lights competition)
· 2014 Best Short Film Award (Short Joy competition)
· 2014 Contribution to World Cinematography
2014 Spectators Prize 2014 Respekt Award for the best television or video reportage · Silver Eye Award in the categories of short, mid-length, and feature documentary
(part of the East Silver market organized by the Institute of Documentary Film)
· 2014 Award for the Most Beautiful Festival Poster
· 2014 Audience Award for the Most Beautiful Festival Poster
2. New At The 18th Jihlava Idff
This year’s festival brings two new competitions: the former non-competition section Short Joy, focusing on short films, has received competition status, and in the new competition First Lights, the jury will choose the best debut film from the Opus Bonum, Between the Seas and Czech Joy sections. And of course there’s our annual retrospective of distinctive personalities and unique thematic sections.
The Complete Letters
This unique project is the brainchild of the Centre for Contemporary Culture in Barcelona, in which five pairs of world-renowned directors exchanged audio-visual “letters”. These letters will be presented at Jihlava in their Eastern European premiere. Filmmakers such as meditative artist Naomi Kawase, legend of the New York avant-garde Jonas Mekas, “lone wolf” Albert Serra and critical chronicler of contemporary China Wang Bing invite viewers into their private lives and into the secrets of their artistic poetics.
“It’s remarkable to see how much each letter reflects the personal style of each of the directors. Never have two directors with such radically different styles come together like this,” commented festival programmer David Čeněk.
Forgotten Filmmaker JIŘÍ PolÁK
This photographer, director and sensitive individual who escaped to the “place where dreams are made real” – the island of Hormuz in the Persian Gulf prior to the August occupation of Czechoslovakia – is one of the forgotten figures of Czech cinema. Jiří Polák was able to film Hospital in Kuks, but did not enjoy any domestic recognition. After his emigration and short stays in Vienna and Switzerland, he accepted film assignments in Iran.
Tribute: Alain Resnais
“Renowned French director passed away on 1 March 2014 at the age of 91. In memory of his work, we have prepared two screenings of his lesser-known or completely unknown films. He himself was instrumental to an unprecedented extent to the development of documentary filmmaking in France, and showed its new stylistic possibilities,” says festival programmer David Čeněk about this unique presentation of Resnais’ (mainly) early work. Alain Resnais The majority of Resnais’ works being presented at this year’s Jihlava Idff have been shown only a few times in France, and are being screened in the Czech Republic for the first time ever.
Retrospective: Kidlat Tahimik
A special guest at this year’s Jihlava festival will be the “father of Filipino independent film” – director, actor, screenwriter and producer Kidlat Tahimik, the founder of the so-called Filipino New Wave and an influential commentator on post-colonialism and power imbalances throughout the world, praised in the West by Werner Herzog when he said that [Tahimik’s] films from the 1970s are among some of the most free works on film of their time.
3. Jurors
The jury for the competition section Opus Bonum traditionally consists of just one person – a notable personality from world cinema. This year, this honour has been bestowed on a significant figure from the Yugoslav Black Wave – Želimir Žilnik.
The best film in the Between the Seas section will be chosen by:
· French film theoretician Raymond Bellour
· Spanish director Albert Serra
American artist Deborah Stratman Artist Kateřina Šedá Czech Joy Jury:
Poet Petr Hruška Former director of Czech Television Ivo Mathé Film historian Tereza Czesany Dvořáková Documentary filmmaker Bohdan Bláhovec The winner of the experimental competition Fascination will be determined by the Austrian master of found footage Peter Tscherkassky and his wife, filmmaker Eve Heller.
The historic first judging of the Short Joy section will be conducted by members of the art group Rafani.
4. Competition Sections
Czech Joy
Competition for the Best Czech Documentary Film 2014.
A prestigious selection of new Czech documentaries, including 10 world premieres. Films include Daniel’s World (Veronika Lišková), a look at the last taboo of modern society – paedophilia. The delightful film Long Live Hunting! (Jaroslav Kratochvíl) takes aim at Czech hunting. Shadows of the past are revealed in the film Pavel Wonka Commits to Cooperate ( Libuše Rudinská), which examines whether the last Communist prisoner was a dissident and symbol of the revolution – or an StB collaborator. The section also includes a pair of family portraits: Family Business / from Videodiary (Jakub Wagner), and Marislav Janek’s eagerly awaited new film The Gospel According to Brabenec, about Vratislav Brabenec of the Plastic People of the Universe.
World Premieres · Daniel’s World, Veronika Lišková, Czech Republic 2014, 75 min
· The Gospel According to Brabenec , Miroslav Janek, Czech Republic 2014, 85 min
· Long Live Hunting! , Jaroslav Kratochvíl, Czech Republic 2014, 62 min
· Pavel Wonka Commits to Cooperate , Libuše Rudínská, Czech Republic 2014, 73 min
· The Plan , Benjamin Tuček, Czech Republic 2014, 91 min
· The Czech Way , Martin Kohout, Czech Republic 2014, 90 min
· Family Business / from Videodiary , Jakub Wagner, Czech Republic 2014, 60 min
· František of His Own Kind , Jan Gogola Jr., Czech Republic 2014, 26 min
· Lets Block , Martina Malinová, Czech Republic 2014, 47 min
My Farm Is My Castle , Jiří Stejskal, Czech Republic 2014, 87 min
Opus Bonum
Competition for the 2014 Best World Documentary Film
Opus Bonum selects the best noteworthy documentaries representing diverse trends from around the world. Sixteen films are in the Opus Bonum competition for best world documentary film, including 5 world premieres, 5 international premieres and 1 European premiere. Films in this section include Rock On Bones, a personal view of the Russian independent music scene, and the film-poem Fovea Centralis, which skirts the fringe of video art, composed of multiplied images from the Fukushima nuclear power plant’s closed-circuit cameras.20 Cents shows what happens when public transportation fares in São Paulo are increased and the carnival atmosphere is replaced by one of guerrilla warfare.
World Premieres · Aged , Philip Hoffman, Canada 2014, 45 min
· Rock on Bones , Caroline Troubetzkoy, France 2014, 145 min
· I Am the People , Anna Roussillon, France 2014, 110 min
· In Your Eyes , Pietro Albino Di Pasquale, Italy 2014, 78 min
Fovea Centralis , Philippe Rouy, France 2014, 50 min International Premieres · Chasing After The Wind , Juan Camilo Olmos Feris, Colombia 2014, 60 min
· Water to Tabato , Paulo Carneiro, Guinea-Bissau, Portugal 2014, 45 min
· 20 Cents , Tiago Tambelli, Brazil 2014, 52 min
· Buenos Aires Free Party , Homero Cirelli, Argentina 2014, 74 min
The Shelter , Fernand Melgar, Switzerland 2014, 101 min European Premiere The Beijing Ants , Ryuji Otsuka, China 2014, 88 min
Between The Seas
Competition for the 2014 Best Documentary Film from Central and Eastern Europe.
Between the Seas is a competition section for the countries and nations of Central and Eastern Europe. Between the Seas presents 17 films, of which 4 are world premieres, 2 are international premieres, and 2 are European premieres. The Serbian Lawyer is one of the films seeing its world premiere at Jihlava – a film about the man who defended Slobodan Milošević and Radovan Karadžić, criminals from whom he had fled during the old regime. Another premiere in this section is Zuzana Piussi’s Transference , which sketches a dark picture of the state social care system for threatened children in Slovakia after the death of an abused child. Also in competition is the latest film by unsparing Austrian analyst Ulrich Seidl. In the Basement reveals that the basement is a rather important place for many Austrians, where you’ll find the usual hunting trophies and unusual bars, but also town council members and their swastikas, sadomasochism and other “hobbies”.
World Premieres · Transference , Zuzana Piussi, Slovakia/Czech Republic 2014, 57 min
· The Serbian Lawyer , Aleksandar Nikolić, Germany/Great Britain/Serbia 2014, 82 min
· Pill Junkies , Bartosz Staszewski, Poland 2014, 76 min
Ocean , Tamara Drakulić, Serbia 2014, 77 min International Premieres · 6 Degrees , Bartosz Dombrowski, Poland 2013, 81 min
A Last Year in 114 Minutes , Daniel Nicolae Djamo, Romania 2014, 114 min European Premieres Euromaidan: Rough Cut , Roman Bondarchuk et al., Ukraine 2014, 60 min Don’t Breathe, Nino Kirtadzé, France 2014, 86 min
Fascinations
Competition for the 2014 Best Experimental Documentary Film.
Fascinations is a competition screening of experimental films that offer us unique approaches to the depiction of reality. The section will present 33 films, including 7 world premieres, 6 international premieres, and 4 European premieres.
Premiere films include:
An animated work based on Ludwig Wittgenstein’s Tractatus Logico-Philisophicus (Active Image O directed by Becky James); the unguided choreography of white points in black space (Fascinating Moments by Yoshiki Nishimura); a memorial to one’s father using old photographs and chemical manipulation of the film itself using salt and seaweed (Dark Matter by Karel Doing); and a journey through a digitally manipulated landscape (L by Jacques Perconte).
World Premieres
· Active Image O , Becky James, USA 2014, 8 min
· Dark Matter , Karel Doing, Netherlands/Great Britain 2014, 20 min
· Fascinating Moments , Yoshiki Nishimura, Japan 2014, 4 min
· L , Jacques Perconte, France 2014, 15 min
· Our Hands Are Empty , Sj Ramir, Australia/New Zealand 2014, 10 min
· Jupiter Lolopop , Charlotte Dunker, Belgium 2014, 5 min
Study of Synchromy , Patrick Bergeron, Canada 2014, 3 min International Premieres
· Cut Out , Guli Silberstein, Great Britain 2014, 4 min
· The Civilization Desire , Carolina Astudillo, Spain 2014, 7 min
· A.D.A.M. , Vladislav Knežević, Croatia 2014, 13 min
· Digital Landscaping , Sangsok Ko, South Korea 2013, 4 min
· Field , Yi Myun, South Korea 2014, 6 min
Salers , Fernando Dominguez, Argentina/France 2014, 9 min European Premieres
· Beep , Kyungman Kim, South Korea 2014, 10 min
· Callisto , Youjin Moon, USA 2014, 14 min
· Droga! , Miko Revereza, Philippines 2013, 7 min
Frame Walk , Hayoung Jeon, South Korea 2014, 6 min Short Joy
Competition for the Best Short Film 2014 .
This year, this originally non-competition section devoted to short films has been transformed into a new competition section. The fifteen competition entries include films from all over the world, dealing with a wide spectrum of topics, and representing many current trends in contemporary documentary filmmaking. The Czech entry, Arguments by Andran Abramjan (who received an honourable mention in last year’s Czech Joy competition), considers the possibilities of dialogue on the Ukrainian crisis from both the eastern and western points of view. The purely observational film The Limits of Europe, underscored by the noise and sounds of protests, explores the spontaneous architecture of seven Kiev barricades erected in the streets leading to Independence Square. The contemplative and imaginatively filmed The Length enters the world of jazz legend Ted Curson.
First Lights
Competition for the Best Debut of 2014
Further evidence of Jihlava’s mission to support the film industry and share in the discovery of new talents is the presentation of a new competition section that rewards the best first work. Debut films presented as part of the traditional competition sections Opus Bonum, Czech Joy and Between the Seas have the opportunity to “battle it out” in a space that is not limited by territory. Comparing Czech and other Eastern European documentaries with their competition from the rest of the world can be a valuable experience, an opportunity to see commonalities and differences. It can also provide mutual inspiration not only for the films’ creators, but also for producers and other film professionals.
5. Non-competition Sections
Exprmntl.Cz
Experimental films from the Czech lands
This section is a non-competition survey of contemporary trends in Czech experimental film. Screenings will include films by renowned artists as well as filmmakers who just starting out.The unsettling video art of Zbyňek Baladrán, who focuses primarily on “archaeological” work with found material, can be seen in Dead Reckoning, showing the sterility of modern man’s life in four sequences featuring statistics, psychoanalysis, income and paranoia in the leading roles. Alice Růžičková’s film Autonomous Calábek takes a look into the plant kingdom. Made from a montage of scientific and film experiments, her portrait of a pioneer in plant physiology takes on surrealistic qualities.
Special Event
New world and Czech films, pre-premieres and festival hits
Alice Nellis presents Adoption: A Piece of Fortune, a kaleidoscope of stories with the same ending – a longed-for child. This opening film of the Jihlava Idff is a documentary exploration of a complex topic. In contrast, American master Errol Morris’ film The Unknown Known is a chilling look at former Us Secretary of Defence Donald Rumsfeld. The Last of the Unjust by Claude Lanzmann captures the testimony of Benjamin Murmelstein, the “puppet king” appointed at the end of the Nazi era to the position of the last “Ältester” of the Judenrat at a model Jewish ghetto. Also worth mentioning is Regarding Susan Sontag, director Nancy Kates’s portrait of one the most important intellectuals of the 20th century.
Doc-fi
Documentary and fiction are not opposites
Doc-fi expresses the conviction that the boundary between documentary and fiction is permeable. This year, three unusual films will be screened. Requiem for Beauty by Chinese author and Nobel Prize winner Gao Xingjian examines the space between film, poetry and painting. His multi-language monologues touch on themes that people do not speak about much anymore. In Beyond Icebergland, a man, a woman and a child occupy an invisible common film space, but not the same reality. It’s an ephemeral chronicle of a frozen time and a collage of images from a disappearing world, a film on the frontier of documentary, mystification and delightful genre games. Czech filmmaker Ondřej Vavrečka’s Among Us is an experimentally tinged love story that takes place during the time when the country was coming to grips with the death of Václav Havel.
6. Doc Alliance
Doc Alliance is the result of a creative partnership of seven key European documentary film festivals: Cph:dox Copenhagen, Doclisboa, Dok Leipzig, Fid Marseille, Jihlava Idff, Planete Doc Film Festival and Visions du Réel Nyon.
The aim of Doc Alliance is to help documentary films reach as many viewers as possible, and to systematically support their distribution through their festival markets and through the alliance’s online platform www.DAFilms.com.
- 10/28/2014
- by Peter Belsito
- Sydney's Buzz
Widely considered to be the greatest sitcom ever made, Seinfeld has spawned a parade of imitators that have sought (and frequently failed) to emulate its deceptively simple chemical composition. Following on from Seinfeld’s template, but injecting a little more saccharine romance, Friends similarly concerned itself with the lives of young adults surviving New York in a state of arrested development; and it likewise revolved around a group that meets to yammer about their day at the local coffee shop, frequently getting distracted by the particulars of dating and relationships. Shows like How I Met Your Mother have drawn inspiration from Seinfeld’s playful vocabulary, trying to engineer terminology like ‘suit up’ and the dating ‘Lemon Law’ and the many governing strictures of ‘The Bro Code’. Always Sunny in Philadelphia has proudly declared itself ‘Seinfeld on crack’, steering characters already skewed toward selfishness straight into the abyss of a destructive,...
- 5/6/2013
- by drayfish
- Obsessed with Film
"If a lion could speak, we could not understand him," said Ludwig Wittgenstein, and he certainly could not tell us his name. Wittgenstein, that great lover of movies, was not talking about Disney Studios' True-Life Adventures though he might well have been, as he lived long enough to have seen that anthropomorphic series of natural history documentaries which began in 1948 (three years before his death) and continued until 1960. It was revived in 2008 as Disneynature, with headquarters in Paris, and is still patronising its young audiences with the storylines and names it imposes upon the excellent wildlife material its intrepid photographers bring home.
A couple of years ago we had remarkable footage about lions in African Cats, shot all over the place and turned into a turf war between two prides in Kenya, one headed by Kali, the other by Fang, and narrated by Patrick Stewart. Chimpanzee cuts together film shot...
A couple of years ago we had remarkable footage about lions in African Cats, shot all over the place and turned into a turf war between two prides in Kenya, one headed by Kali, the other by Fang, and narrated by Patrick Stewart. Chimpanzee cuts together film shot...
- 5/4/2013
- by Philip French
- The Guardian - Film News
On the occasion of Joseph Nechvatal's upcoming exhibition at Galerie Richard in New York (April 12 through May 26), the recent publication of his new book Immersion into Noise, and a concert of his remastered viral symphOny in surround sound. Taney Roniger is an artist and writer who lives and works in Brooklyn.
Bradley Rubenstein: We really want to get into the new book, as well as the upcoming show, but can you take a minute and give us a little backstory? You have always slipped in and out of categories: actions, painting, sound art, writing....
Joseph Nechvatal: Well, when I was going to undergraduate art school at Southern Illinois University (Siu), I was making drawings and little gouaches and smaller-type paintings on paper, generally. And they were well-received. I was not so interested in painting on canvas at the time. You have to put it in the perspective of the...
Bradley Rubenstein: We really want to get into the new book, as well as the upcoming show, but can you take a minute and give us a little backstory? You have always slipped in and out of categories: actions, painting, sound art, writing....
Joseph Nechvatal: Well, when I was going to undergraduate art school at Southern Illinois University (Siu), I was making drawings and little gouaches and smaller-type paintings on paper, generally. And they were well-received. I was not so interested in painting on canvas at the time. You have to put it in the perspective of the...
- 3/29/2012
- by bradleyrubenstein
- www.culturecatch.com
Director: Álex de la Iglesia Writer: Jorge Guerricaechevarria (screenplay), Álex de la Iglesia (screenplay), Guillermo Martínez (novel) Starring: Elijah Wood, John Hurt, Leonor Watling To quote the Austrian-British philosopher, Ludwig Wittgenstein, from his treatise Tractatus Logico-Philosophicus (1921) (which was penned -- at least according to The Oxford Murders -- smack in the middle of a Wwi battlefield): “There is no such truth outside of mathematics.” The Oxford Murders goes one step beyond the question of whether or not we can handle the truth; it posits the question: “Can we know the truth?” Enter Martin (Elijah Wood), an oversees student donning a black leather jacket. Martin shows up in Julia Eagleton’s (Anna Massey) Oxford, England home -- a home that is decorated with noteworthy mathematical artifacts such as a replica of an Enigma machine and a photograph of Alan Turing. Julia’s husband, Harry Eagleton, was the [fictional] developer of the...
- 8/7/2010
- by Don Simpson
- SmellsLikeScreenSpirit
This interview originally ran in June 2009.
Álex de la Iglesia always has to be the odd man out. At the American Cinematheque's Recent Spanish Cinema series last year, de la Iglesia's thriller "The Oxford Murders" was the lone English-language film shown, serving as a linguistic break from Goya winners like Jose Luis Cuerda's "The Blind Sunflowers" and Agustín Díaz Yanes' "Just Walking."
The film's also a departure from the wild comedies de la Iglesia has become known for, like the cutthroat salesman competition comedy "El Crimen Ferpecto" and the theme park-set spaghetti western "800 Bullets." (If you haven't seen either, we won't be offended if you run out to rent them now.)
Thanks to the questionable state of "Oxford"'s one-time American distributor ThinkFilm, the screening was a rare opportunity to see the Elijah Wood-John Hurt thriller on a U.S. big screen -- up until now.
Álex de la Iglesia always has to be the odd man out. At the American Cinematheque's Recent Spanish Cinema series last year, de la Iglesia's thriller "The Oxford Murders" was the lone English-language film shown, serving as a linguistic break from Goya winners like Jose Luis Cuerda's "The Blind Sunflowers" and Agustín Díaz Yanes' "Just Walking."
The film's also a departure from the wild comedies de la Iglesia has become known for, like the cutthroat salesman competition comedy "El Crimen Ferpecto" and the theme park-set spaghetti western "800 Bullets." (If you haven't seen either, we won't be offended if you run out to rent them now.)
Thanks to the questionable state of "Oxford"'s one-time American distributor ThinkFilm, the screening was a rare opportunity to see the Elijah Wood-John Hurt thriller on a U.S. big screen -- up until now.
- 8/3/2010
- by Stephen Saito
- ifc.com
The two guys in Matmos have adopted lots of different personae, but they've never been especially free-spirited—at least not on conceptual albums devoted to the sounds of surgery, songs from the Civil War, and "audio biographies" of luminaries like Ludwig Wittgenstein. Of course, none of those proved as leaden as their premises might suggest, but Matmos wouldn't be Matmos without an idea to mull. The principle behind Supreme Balloon is a sound focused solely on synthesizers—including weird old ones like the Omnichord and a "breath-controlled oscillator" called the E.V.I.—and the result plays something like a history lesson in all that is cosmic and confined in the electronic-music of old. The songs are generally jubilant, as signaled by the whirring synth giggles and quasi-Cuban bassline in "Rainbow Flag," but also slight in a way that suggests much of Supreme Balloon would have been a lot more fun to make.
- 5/13/2008
- by Andy Battaglia
- avclub.com
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