The Aristocats
Directed by Wolfgang Reitherman
Written by Ken Anderson, Larry Clemmons, Eric Cleworth, Vance Garry, Tom McGowan, Tom Rowe, Julius Svendsen, Frank Thomas, and Ralph Wright
Starring Phil Harris, Eva Gabor, Scatman Crothers
Complacency is always a dangerous tone to strike in filmmaking. Combined with cheapness, it can be a killer. Those two concepts are what stand out most of all from the Wolfgang Reitherman era of Walt Disney Pictures. For various reasons, most of which were beyond Reitherman’s control, most of the films from Walt Disney Pictures between 1959’s Sleeping Beauty and 1989’s The Little Mermaid felt cheap and lazy. (Being fair, Reitherman’s time at the company ended, for the most part, with 1977’s The Rescuers, but the four films between that and Mermaid have varying aspects of laziness on display, I think.) And make no mistake: the word “cheap” does not need to be a criticism.
Directed by Wolfgang Reitherman
Written by Ken Anderson, Larry Clemmons, Eric Cleworth, Vance Garry, Tom McGowan, Tom Rowe, Julius Svendsen, Frank Thomas, and Ralph Wright
Starring Phil Harris, Eva Gabor, Scatman Crothers
Complacency is always a dangerous tone to strike in filmmaking. Combined with cheapness, it can be a killer. Those two concepts are what stand out most of all from the Wolfgang Reitherman era of Walt Disney Pictures. For various reasons, most of which were beyond Reitherman’s control, most of the films from Walt Disney Pictures between 1959’s Sleeping Beauty and 1989’s The Little Mermaid felt cheap and lazy. (Being fair, Reitherman’s time at the company ended, for the most part, with 1977’s The Rescuers, but the four films between that and Mermaid have varying aspects of laziness on display, I think.) And make no mistake: the word “cheap” does not need to be a criticism.
- 9/8/2012
- by Josh Spiegel
- SoundOnSight
The Green Slime Directed by: Kinji Fukasaku Written by: William Finger, Ivan Reiner, Tom Rowe, Charles Sinclair Starring: Robert Horton, Luciana Paluzzi, Richard Jaeckel In the futuristic world of The Green Slime, people travel through space freely, and nuke incoming asteroids by drilling into them a whole lot easier than Bruce Willis and crew did. With all of these gadgets around, blinking lights on sterile-colored walls, the epitome of '60s sci-fi, one has to question why a woman is clearly seen using a typewriter in the control room's second floor. Computers can transfer video calls, control all of the equipment aboard space station Gamma 3, but word processing? Forget it. It's one of those ludicrous details that makes this obscure Japanese/American/Italian production such a blast, a kooky space saga involving miniatures from Godzilla effects artist Akira Watanabe, English-speaking actors who still seem to be dubbed over, and a...
- 11/8/2010
- by Matt P.
- FilmJunk
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