A deranged scientist is using his employer's top-secret bio-laboratory to engage in clandestine eugenics experiments. When he starts kidnapping leading citizens for use in his twisted tests... See full summary »
A baby sitter is stuck watching over a young brat on Halloween night who keeps playing vicious pranks on her. To add to her trouble the boy's deranged father has escaped from an asylum and is planning on making a visit.
A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!Written by
The original storyline for The Green Slime (1968) originated in Italy, where MGM also had dealings. Years before The Green Slime went into production, MGM had contracted Italian filmmaker Antonio Margheriti to direct what was originally intended to be a series of four television movies about the adventures of a space station called Gamma One. Margheriti's films in the series consisted of The Wild, Wild Planet (1966), The War of the Planets (1966), War Between the Planets (1966) and Snow Devils (1967), all created over a period of three months and released in 1965. MGM was impressed with Margheriti's films and released the four films theatrically. Gamma One producers Walter Manley and Ivan Reiner were eager to take advantage of these films and made The Green Slime as an unofficial fifth entry in the film series. The only connection the film has to Margheriti's films is the space station, re-titled Gamma Three, which has a similar design as the one in Margheriti's films. See more »
When the team is on the asteroid, the overhead studio lights are clearly reflected on the helmets. See more »
[examining a charred corpse from which smoke is still rising]
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Although "The Green Slime" was released in the U.S. as a 90 minute version, director Kinji Fukasaku and his editor prepared a much more tightly edited 77 minute version (called "Gamma III: Big Military Space Operation") for release in Japan. This "Japanese" version eliminates the Robert Horton/Richard Jaeckel/Luciana Paluzzi relationship triangle, and is much more "militaristic" in tone. Several scenes are edited differently, additional alternate music cues are used (which are less "sci-fi" sounding than the "Amercian" version), and the rock and roll theme song is omitted entirely (replaced by a military march theme). The ending before the credit roll has additional scenes inserted with Paluzzi and Jaeckel, which change the tone of the ending from optimistic to downbeat. See more »
Robert Horton was on the downslide and poor Richard Jaeckel was stuck in one more film unworthy of his talents. Luciana Paluzzi....well, with neither talent nor anywhere to slide, I guess she belongs in this movie.
It's bright, loud and brassy and everything in the space station screams of the 1960's, including the theme song which has to be the most unusual ever tacked on to a sci-fi film. The color process they used (is it Technicolor?) is so unreal that the whole thing reminds me of a comic book. Watch "Danger,Diabolik" and you'll get that same feeling. Bile greens and mucous yellows.....ugh.
The story line is not much but the special effects, frankly, may be better than some of that period. This was made before fx came into their own, so be a little forgiving. The monsters are not very well conceived and they are soooo slow moving.
Just watch this one for the fun of it and try to forget how embarrassed the actors must have been mouthing those lines, wearing those outfits and running around in cardboard sets while being pursued (very slowly) by a bunch of green Jello. What a hoot!!
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