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The AristoCats (1970)

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With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.

Writers:

Larry Clemmons (story), Vance Gerry (story) | 7 more credits »
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3,389 ( 50)
3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Phil Harris ... O'Malley (voice)
Eva Gabor ... Duchess (voice)
Sterling Holloway ... Roquefort (voice)
Scatman Crothers ... Scat Cat (voice)
Paul Winchell ... Shun Gon - Chinese Cat (voice)
Lord Tim Hudson Lord Tim Hudson ... Hit Cat - English Cat (voice)
Vito Scotti ... Peppo - Italian Cat (voice)
Thurl Ravenscroft Thurl Ravenscroft ... Billy Bass - Russian Cat (voice)
Dean Clark Dean Clark ... Berlioz (voice)
Liz English Liz English ... Marie (voice)
Gary Dubin ... Toulouse (voice)
Nancy Kulp ... Frou-Frou (voice)
Pat Buttram ... Napoleon (voice)
George Lindsey ... Lafayette (voice)
Monica Evans ... Abigail (voice)
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Storyline

Retired madame Adelaide Bonfamille enjoys the good life in her Paris villa with even classier cat Duchess and three kittens: pianist Berlioz, painter Toulouse and sanctimonious Marie. When loyal butler Edgar overhears her will leaves everything to the cats until their death, he drugs and kidnaps them. However retired army dogs make his sidecar capsize on the country. Crafty stray cat Thomas O'Malley takes them under his wing back to Paris. Edgar tries to cover his tracks and catch them at return, but more animals turn on him, from the cart horse Frou-Frou to the tame mouse Roquefort and O'Malley's jazz friends. Written by KGF Vissers

Plot Summary | Plot Synopsis

Taglines:

A purr-fectly wonderful new cartoon feature See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

24 December 1970 (USA) See more »

Also Known As:

Los aristogatos See more »

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$3,168,071, 10 April 1987, Limited Release

Gross USA:

$55,675,257
See more on IMDbPro »

Company Credits

Production Co:

Walt Disney Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)| Mono (1939 re-release)| Mono (Mono)| Mono (1935 re-release)| Mono (MovieTone)| Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.75 : 1
See full technical specs »
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Did You Know?

Trivia

The character of Scat Cat was designed to be voiced by Louis Armstrong. The character's look was modeled after Armstrong - the way he played his trumpet, his roly-poly physique, right down to the prominent gap between his teeth. However, Armstrong was unable to record a single line due to illness. His replacement, Scatman Crothers, was directed to "Pretend you're Satchmo." See more »

Goofs

The number of whiskers on the cats' faces is inconsistent. See more »

Quotes

Chinese Cat: Shang-hai Hong Kong egg fu yung! Fortune cookie always wrong!
See more »

Crazy Credits

At the end of the final reprise of "Everybody Wants to Be a Cat" Lafayette says, "Hey, Napoleon. That sounds like the end". Napoleon responds, "Wait a minute. I'm the leader, I'll say when it's the end". The title "The End" bumps into Napoleon's head and he says, "It's the end". The title then throbs to the music. During the final fade out we hear Toulouse say "Oh, yeah." See more »

Alternate Versions

In the UK VHS version of The Aristocats, the opening song "THE ARISTOCATS" by Maurice Chevalier is sung half in English and half in French, differently from the soundtrack. See more »


Soundtracks

The Aristocats
Words and Music by Richard M. Sherman and Robert B. Sherman
Sung by Maurice Chevalier
See more »

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User Reviews

One of Disney's better features
22 July 2004 | by rapt0r_claw-1See all my reviews

The Aristocats is one of my favorite animated movies, but the comparisons between this movie and past Disney classics are reasonable. The dog napping plot of One Hundred and One Dalmatians is adapted to fit the catnapping plot of The Aristocats. O'Malley and Duchess are reconstructions of Lady and the Tramp at heart. But, as long as the end result is just as enjoyable as the past movies, why complain? No matter how the success was achieved, as long as it was achieved.

The plot is simple. Madame Adelaide Bonfamille is an old millionaires spinster in Paris, 1910. The only other people in her lonely life are her cat, Duchess, and her kittens, Toulouse, Marie and Berlioz, as well as the faithful butler, Edgar. When Madame's lawyer, Georges, comes over to make Madame's will, Edgar overhears her plans. She wants to leave all her belongings to her cats, and at the end of their lifespan, the vast sums of money will go to Edgar. Quite unreasonably, Edgar is infuriated, and drugs and catnaps the kittens and dumps them in the French countryside, miles from home. There they find Thomas O'Malley, an alley cat who helps them back home, mainly because of Duchess.

The characterization of O'Malley certainly doesn't seem to have been a problem. Voiced by Phil Harris (Baloo from The Jungle Book), he also acts like the lovable bear and even looks just like you would imagine Baloo to look like, were he transmogrified into a cat. His bunch of jazz cats, led by Scat Cat, are some of the more effective Disney cameo-players. My favorite was the long-haired, blonde English Cat (besides Scat Cat, the rest have no names but clearly distinct nationalities). Roquefort the house-mouse and Frou-Frou the horse have brief roles, but shine in these glimpses. Edgar isn't really the real Disney villain in that he is not evil...he is simply impatient. He is not cruel from the start--his only sin is impatience. If he hadn't known about the will, he would've taken care of the cats as if nothing had happened. One sees his point in a way--what would those cats DO with the money? Madame could have given her estate to Edgar, and the butler would never have abandoned the cats had they not been privileged more than himself. So I like Edgar, in some ways.

The story is a mix of other Disney classics. Besides Fantasia--which had NO plot--this was Disney's first shot at writing an original story for an animated feature, and even so they had to take shortcuts. Here are the main plot elements repeated: 1) Villain-pet naps-animals-for-personal-gain from One Hundred and One Dalmatians. 2) Pampered-pet-learns-of-life-on-streets-through-streetwise-friend from Lady and the Tramp. It also borrows a little bit from Chuck Jones and Abe Levitow's Gay Purr-ee (1962). The plot is berated for being too shallow, but I don't see how it can be with so many elements of faultless classics. Again, as in the first paragraph: If the audience enjoys a story, it doesn't matter how the story developed.

The animation, so often blasted for being lazy and flawed, can never be seen the same way by everyone. It's solely a matter of opinion. The animation isn't bad, like television cartoons: it's a different style, radically different from, say, Sleeping Beauty. If that great fairy tale were portrayed by such animation, it would be the greatest failure in history; the same way, the sketchy, loose, carefree style of The Aristocats is perfect to tell that kind of story with those characters. Sleeping Beauty needed to be immaculate, as near to photography as could be; The Aristocats is the most cartoony of Disney animated features.

The Aristocats will always have an advantage over many films in my book. It was one of the few movies my dad saw in theater, so I was exposed to it more than several other movies. Besides that, it has always been one of Disney's more enjoyable features, more fun than most. It doesn't aim for the realism and drama of Bambi. It's just wholesome entertainment.

9/10


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