When seventeen vessels blow-up and sink nearby Odo Island, Professor Kyohei Yamane, his daughter Emiko Yamane and the marine Hideto Ogata head to the island to investigate. Soon they witness a giant monster called Gojira by the locals destroying the spot. Meanwhile Emiko meets her boyfriend, the secluded scientist Serizawa, and he makes she promise to keep a secret about his research with oxygen. She agrees and he discloses the lethal weapon Oxygen Destroyer that he had developed. When Gojira threatens Tokyo and other Japanese cities and the army and the navy are incapable to stop the monster, Emiko discloses Serizawa's secret to her lover Ogata. Now they want to convince Serizawa to use the Oxygen Destroyer to stop Gojira.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Godzilla suit used for the film was so hot inside that the actor passed out. See more »
A machine or device to "destroy the (free) oxygen" in water (since H2O is 88% oxygen by volume) would just leave its marine inhabitants sufficated - not skeletonized. And since Godzilla can breathe in air as well as water, all he'd have to do is hold his breath and surface. With unfortunate consequences for the ship above . . . See more »
I can't believe that Godzilla was the only surviving member of its species... But if we continue conducting nuclear tests, it's possible that another Godzilla might appear somewhere in the world again.
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Another version of Gojira was released in 1977 in Italy. Supervised by Luigi Cozzi, it used a crude colorization process, in which colored gels were pasted over general areas of the frames; at the time, the only other method of colorizing a film was to hand paint every frame as if making an animated film, which was impossible in the time frame Cozzi was given. Additional footage was added from other movies and war reels to pad out the American version's 80 minute run time. The crude colorizing and badly matching extra footage was added due to Italian theaters refusing to screen a black-and-white movie that was less than 90 minutes (Cozzi could only get rights to the shorter American version, so could not reintroduce the cut scenes from the Japanese version.) See more »