When seventeen vessels blow-up and sink nearby Odo Island, Professor Kyohei Yamane, his daughter Emiko Yamane and the marine Hideto Ogata head to the island to investigate. Soon they witness a giant monster called Gojira by the locals destroying the spot. Meanwhile Emiko meets her boyfriend, the secluded scientist Serizawa, and he makes she promise to keep a secret about his research with oxygen. She agrees and he discloses the lethal weapon Oxygen Destroyer that he had developed. When Gojira threatens Tokyo and other Japanese cities and the army and the navy are incapable to stop the monster, Emiko discloses Serizawa's secret to her lover Ogata. Now they want to convince Serizawa to use the Oxygen Destroyer to stop Gojira.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Famous American stop-motion animator Ray Harryhausen harbored a resentment for Godzilla, because it was heavily inspired by the classic monster movie The Beast from 20,000 Fathoms (1953) (for which he had animated the monster) and because he saw suitmation as an unimaginative and unconvincing special effect technique. See more »
You can see the wires leading from the planes as they attack Gojira. See more »
If my device can serve a good purpose, I would announce it to everyone in the world! But in its current form, it's just a weapon of horrible destruction. Please understand, Ogata!
I understand. But if we don't use your device against Godzilla, what are we going to do?
Ogata, if the Oxygen Destroyer is used even once, politicians from around the world will see it. Of course, they'll want to use it as a weapon. Bombs versus bombs, missiles versus missiles, and now a new superweapon to throw upon ...
[...] See more »
The German version significantly toned down the movie's dark and tragic tone and its thematic allegory, removing scenes referencing the A-bombs and H-bombs and altering the dialogue -- for example, in the famous scene during Godzilla's rampage, where a mother attempts to comfort her children by saying that they will soon be reunited with their deceased father, the woman's line is changed to "Don't worry, the mean Godzilla won't get you, your mother will protect you." See more »
Along with the 1933-version of "King Kong", this original Japanese release of "Gojira" is THE most essential giant monster movie ever and one the very few horror movies that every film lover in general has to see at least once. Why? Because, it's so much more than just silly drive-in cinema with a cheap looking monster! This is dark and apocalyptic Sci-Fi with a nearly allegorical rant about nuclear warfare and the honest fear for new types of weaponry. But I really don't feel like going into the deeper meaning behind "Gojira", as it primarily is an adrenalin rushing and overpowering action classic that doesn't need intellectual defense at all. One of the many reasons why I love this film so much (and same goes for "King Kong") is that we don't have to wait a dreadfully long time and/or endure a large amount of tedious speeches before we see the monster we want to see! Godzilla makes his highly memorable first appearance after approximately 20 minutes (by stretching his neck over a cliff!) and, from then on, this is deliciously hectic and paranoid monster-madness! The little bugger is presumably the result of too much H-bomb radiation and lives in the depths of the ocean, near the island of Odo. But now he's heading for Tokyo with his unnameable strength, fiery breath and oh yeah insatiable appetite for destruction! Particularly this extended sequence in which Godzilla blasts his way through the Japanese capital, crushing buildings and setting monuments on fire, is very impressive and legendary. The actor-in-monster-costume works a lot better than any form of computer engineered effects and the carefully imitated Tokyo sets are truly enchanting. The absolute best aspect about this production is its powerful score, which makes Godzilla even more threatening. Great stuff!
This milestone simultaneously meant the go-ahead for an innumerable amount of quickly shot sequels ("Son of Gozilla", "Godzilla vs. Mothra"), spin-offs ("Godzilla VS. King Kong"), remakes ("Godzilla 1984", the hi-tech American version) and of course an overload of pathetic imitations ("Reptilicus", "Monster from a Prehistoric Planet"). I still have to see all the direct sequels but don't really know what to expect from them. I guess that even if they're only half as good as this original, I'll be very satisfied.
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