Stars: Ruth Galliers, Leo Gregory, Andrew McHale, Fabien Buller, Kristofer Dayne, Ian Saynor, Tim Heath, Paul Lavers, Kimberly Jaraj, Linny Bushey, Honey Holmes | Written by Stuart Bedford, Andy Davie, Tony Jopia, Stu Jopia | Directed by Tony Jopia
When a deadly virus which reanimates the recently deceased is deliberately exposed across the world causing an epidemic on a phenomenal scale, the scientist responsible for creating the virus entrusts the details of his experiments to the only person he feels he can trust; a troubled ex-war correspondent turned anchor woman Katya (Ruth Galliers). Powerless to act and trapped in a building, Katya and her crew can only watch the world collapse through video feeds from around the globe. Unbeknown to them an agent now ascends through the building with the intent of keeping the secrets help by the scientist and now Katya lost for good. As the zombies continue to flood into...
When a deadly virus which reanimates the recently deceased is deliberately exposed across the world causing an epidemic on a phenomenal scale, the scientist responsible for creating the virus entrusts the details of his experiments to the only person he feels he can trust; a troubled ex-war correspondent turned anchor woman Katya (Ruth Galliers). Powerless to act and trapped in a building, Katya and her crew can only watch the world collapse through video feeds from around the globe. Unbeknown to them an agent now ascends through the building with the intent of keeping the secrets help by the scientist and now Katya lost for good. As the zombies continue to flood into...
- 11/8/2017
- by Philip Rogers
- Nerdly
A stag weekend gone wrong is the basis for a surprising amount of comic depth, minus the excesses of the Hangover franchise
Owing a debt to the creaky Brit-pic Staggered in which Martin Clunes woke up bollock naked on a remote island on the eve of his wedding, this innocuous but good-hearted Irish comedy finds a misfit group of men going native in the woods when a fussy groom is strong-armed into a stag weekend by his altogether more forceful bride. The fly in the ointment is his future brother-in-law, a destructive irritant played with more comic depth than you might expect by co-writer Peter McDonald.
Inevitably relieved of their clothes, the men bicker and bond, with old rivalries and new acceptances blossoming among the bared buttocks and breast beatings. A long-running gag about the awfulness of U2 turns out to have a disappointingly soft centre (Bono would approve, which...
Owing a debt to the creaky Brit-pic Staggered in which Martin Clunes woke up bollock naked on a remote island on the eve of his wedding, this innocuous but good-hearted Irish comedy finds a misfit group of men going native in the woods when a fussy groom is strong-armed into a stag weekend by his altogether more forceful bride. The fly in the ointment is his future brother-in-law, a destructive irritant played with more comic depth than you might expect by co-writer Peter McDonald.
Inevitably relieved of their clothes, the men bicker and bond, with old rivalries and new acceptances blossoming among the bared buttocks and breast beatings. A long-running gag about the awfulness of U2 turns out to have a disappointingly soft centre (Bono would approve, which...
- 3/16/2014
- by Mark Kermode
- The Guardian - Film News
A stag weekend gone wrong is the basis for a surprising amount of comic depth, minus the excesses of the Hangover franchise
Owing a debt to the creaky Brit-pic Staggered in which Martin Clunes woke up bollock naked on a remote island on the eve of his wedding, this innocuous but good-hearted Irish comedy finds a misfit group of men going native in the woods when a fussy groom is strong-armed into a stag weekend by his altogether more forceful bride. The fly in the ointment is his future brother-in-law, a destructive irritant played with more comic depth than you might expect by co-writer Peter McDonald.
Inevitably relieved of their clothes, the men bicker and bond, with old rivalries and new acceptances blossoming among the bared buttocks and breast beatings. A long-running gag about the awfulness of U2 turns out to have a disappointingly soft centre (Bono would approve, which...
Owing a debt to the creaky Brit-pic Staggered in which Martin Clunes woke up bollock naked on a remote island on the eve of his wedding, this innocuous but good-hearted Irish comedy finds a misfit group of men going native in the woods when a fussy groom is strong-armed into a stag weekend by his altogether more forceful bride. The fly in the ointment is his future brother-in-law, a destructive irritant played with more comic depth than you might expect by co-writer Peter McDonald.
Inevitably relieved of their clothes, the men bicker and bond, with old rivalries and new acceptances blossoming among the bared buttocks and breast beatings. A long-running gag about the awfulness of U2 turns out to have a disappointingly soft centre (Bono would approve, which...
- 3/16/2014
- by Mark Kermode, Observer film critic
- The Guardian - Film News
This male-centred comedy holds back the willy-waving to examine how a set of Irishmen might interact if pushed beyond their usual boundaries
Some day, all male-centred comedies will be modelled after The Hangover. This present account – of a wayward walking weekend in Wicklow – at least forms one of the more likable variations, holding back the willy-waving to examine how a set of middle-class Irishmen might well interact if pushed beyond their usual boundaries. As the BBC's short-lived The Great Outdoors recognised, there's considerable mileage in the way these jaunts throw together diverse types. The process by which Andrew Scott's lovelorn best man is undermined by alpha-ish interloper Peter McDonald is well-observed, while the inclusion of two gay travellers rather smartly sidesteps one of this subgenre's signature panics. One or two set pieces don't quite have the requisite heft, yet the movie clicks whenever co-writer/director John Butler stops to...
Some day, all male-centred comedies will be modelled after The Hangover. This present account – of a wayward walking weekend in Wicklow – at least forms one of the more likable variations, holding back the willy-waving to examine how a set of middle-class Irishmen might well interact if pushed beyond their usual boundaries. As the BBC's short-lived The Great Outdoors recognised, there's considerable mileage in the way these jaunts throw together diverse types. The process by which Andrew Scott's lovelorn best man is undermined by alpha-ish interloper Peter McDonald is well-observed, while the inclusion of two gay travellers rather smartly sidesteps one of this subgenre's signature panics. One or two set pieces don't quite have the requisite heft, yet the movie clicks whenever co-writer/director John Butler stops to...
- 3/14/2014
- by Mike McCahill
- The Guardian - Film News
This male-centred comedy holds back the willy-waving to examine how a set of Irishmen might interact if pushed beyond their usual boundaries
Some day, all male-centred comedies will be modelled after The Hangover. This present account – of a wayward walking weekend in Wicklow – at least forms one of the more likable variations, holding back the willy-waving to examine how a set of middle-class Irishmen might well interact if pushed beyond their usual boundaries. As the BBC's short-lived The Great Outdoors recognised, there's considerable mileage in the way these jaunts throw together diverse types. The process by which Andrew Scott's lovelorn best man is undermined by alpha-ish interloper Peter McDonald is well-observed, while the inclusion of two gay travellers rather smartly sidesteps one of this subgenre's signature panics. One or two set pieces don't quite have the requisite heft, yet the movie clicks whenever co-writer/director John Butler stops to...
Some day, all male-centred comedies will be modelled after The Hangover. This present account – of a wayward walking weekend in Wicklow – at least forms one of the more likable variations, holding back the willy-waving to examine how a set of middle-class Irishmen might well interact if pushed beyond their usual boundaries. As the BBC's short-lived The Great Outdoors recognised, there's considerable mileage in the way these jaunts throw together diverse types. The process by which Andrew Scott's lovelorn best man is undermined by alpha-ish interloper Peter McDonald is well-observed, while the inclusion of two gay travellers rather smartly sidesteps one of this subgenre's signature panics. One or two set pieces don't quite have the requisite heft, yet the movie clicks whenever co-writer/director John Butler stops to...
- 3/13/2014
- by Mike McCahill
- The Guardian - Film News
This charming Irish comedy came out of nowhere to surprise and delight many a 2013 Tiff goer, with all three of its film fest screenings selling out completely. Those lucky enough to find themselves on the right side of the theatre door were treated to an hilarious and surprisingly heartwarming tale of a bachelor party gone way, Way off the rails.
When husband-to-be Fionnan (Hugh O’Conor) -- a modern metrosexual man more interested in a night-in playing backgammon then a night out with the lads -- gets himself just a little too involved with his wedding plans, his frustrated soon-to-be wife Ruth (Amy Huberman) begs his best man (Andrew Scott) to take him away for a stag weekend. Reluctant at first, the guys finally agree to spend a weekend camping in the Irish wilderness. Insert brother-in-law ‘The Machine’ (Peter McDonald), and you've got the perfect recipe for disaster...and entertainment.
When husband-to-be Fionnan (Hugh O’Conor) -- a modern metrosexual man more interested in a night-in playing backgammon then a night out with the lads -- gets himself just a little too involved with his wedding plans, his frustrated soon-to-be wife Ruth (Amy Huberman) begs his best man (Andrew Scott) to take him away for a stag weekend. Reluctant at first, the guys finally agree to spend a weekend camping in the Irish wilderness. Insert brother-in-law ‘The Machine’ (Peter McDonald), and you've got the perfect recipe for disaster...and entertainment.
- 9/19/2013
- by Emma Badame
- Cineplex
It’s an ancient debate that refuses to go away: Melbourne versus Sydney. Is the power in media and advertising drifting up north, asks Robin Hicks
The first story I wrote since moving from Sydney to Melbourne six months ago was on the closure of DraftFCB Melbourne, a decent but painfully shy ad agency with a 50-year history that, as it turned out, was too reliant on one major client.
A fortnight later, I covered Publicis Mojo’s Melbourne office making a bunch of redundancies. Some jobs were relocated to Sydney, leaving the once-great office on Southbank with eight staff, down from more than 100 just three years ago.
This news came just three months after the collapse of another ‘once-great’ agency brand The Campaign Palace, which started life on Melbourne’s Cecil Street more than four decades ago.
(By the way, this is a long read. You can read it...
The first story I wrote since moving from Sydney to Melbourne six months ago was on the closure of DraftFCB Melbourne, a decent but painfully shy ad agency with a 50-year history that, as it turned out, was too reliant on one major client.
A fortnight later, I covered Publicis Mojo’s Melbourne office making a bunch of redundancies. Some jobs were relocated to Sydney, leaving the once-great office on Southbank with eight staff, down from more than 100 just three years ago.
This news came just three months after the collapse of another ‘once-great’ agency brand The Campaign Palace, which started life on Melbourne’s Cecil Street more than four decades ago.
(By the way, this is a long read. You can read it...
- 2/1/2013
- by Robin Hicks
- Encore Magazine
Austria, the 1500′s. The work of Martin Luther and the ensuing Protestant Reformation are about to sweep across continental Europe, but Roman Catholicism still holds the medieval world in thrall. Two brothers, abandoned as infants and raised by the church grow up to very different vocations. Martin (Nikolaj Coster-Waldau) becomes a soldier in the Emperor’s army, while the more timid and mild-mannered Georg (Peter McDonald) trains to become a priest. Martin marries the executioner’s daughter, but as she is an “untouchable” the church will not sanction it and so he is helped by a minister of the newly-founded Anabaptist sect.
That sect is increasingly seen as a heretical threat to the Catholic Church and along with the machinations of the envious and vile Fabio (Eddie Marsan) who had his eyes on the executioner’s daughter as well, Georg and Martin soon find themselves on opposing sides of a...
That sect is increasingly seen as a heretical threat to the Catholic Church and along with the machinations of the envious and vile Fabio (Eddie Marsan) who had his eyes on the executioner’s daughter as well, Georg and Martin soon find themselves on opposing sides of a...
- 10/29/2012
- by Dave Roper
- HeyUGuys.co.uk
The opportunities for Australia’s agencies to win new business fell by 11% in the last quarter, according to figures from The Agency Register.
Peter McDonald, MD of The Agency Register, noted that over the past five months new business had ‘cooled down’ after a busy previous quarter.
The number of brand moves, or ‘chances of winning’, fell from January to August. Retail, alcoholic beverages and consumer goods were the most active categories, with smaller projects rather than big brand moves dominating the new business scene.
Number of brand moves in Sydney and Melbourne, last quarter (moving annual total)
The major creative accounts now in play are Honda, Target and Westpac.
Ddb and Ogilvy face off for Westpac. DraftFCB is defending Honda while Ted Horton’s Big Red, which has lost Westpac, is also pitching for its relationship with Target.
In media, Nab and News Corp are up for grabs, with ZenithOptimedia defending both.
Peter McDonald, MD of The Agency Register, noted that over the past five months new business had ‘cooled down’ after a busy previous quarter.
The number of brand moves, or ‘chances of winning’, fell from January to August. Retail, alcoholic beverages and consumer goods were the most active categories, with smaller projects rather than big brand moves dominating the new business scene.
Number of brand moves in Sydney and Melbourne, last quarter (moving annual total)
The major creative accounts now in play are Honda, Target and Westpac.
Ddb and Ogilvy face off for Westpac. DraftFCB is defending Honda while Ted Horton’s Big Red, which has lost Westpac, is also pitching for its relationship with Target.
In media, Nab and News Corp are up for grabs, with ZenithOptimedia defending both.
- 8/23/2012
- by Robin Hicks
- Encore Magazine
The jury members for this year’s Mumbrella Awards can be today revealed.
The 27 jurors are among the most senior and experienced panels seen for an industry awards.
The official closing date for the Mumbrella Awards is this Friday.
The chairman of the juries is Telstra’s chief marketing officer Mark Buckman.
The jury features marketers from some of Australia’s biggest brands, recruiters and headhunters who have had a hand in some of the biggest roles in the industry and consultants whose expertise spans the entire landscape. To minimise conflict, there are few people on the jury with current agency roles, although many of the jurors have in depth experience on agency side.
The jury:
Chairman of juries – Mark Buckman, chief marketing officer, Telstra
Peter Cornelius, principal, Kinesis Media Nick Williams, principal, Williams International William Leach and Sangeeta Leach, owners, The Leach Partnership Esther Clerehan, owner, Clerehan David Thomason,...
The 27 jurors are among the most senior and experienced panels seen for an industry awards.
The official closing date for the Mumbrella Awards is this Friday.
The chairman of the juries is Telstra’s chief marketing officer Mark Buckman.
The jury features marketers from some of Australia’s biggest brands, recruiters and headhunters who have had a hand in some of the biggest roles in the industry and consultants whose expertise spans the entire landscape. To minimise conflict, there are few people on the jury with current agency roles, although many of the jurors have in depth experience on agency side.
The jury:
Chairman of juries – Mark Buckman, chief marketing officer, Telstra
Peter Cornelius, principal, Kinesis Media Nick Williams, principal, Williams International William Leach and Sangeeta Leach, owners, The Leach Partnership Esther Clerehan, owner, Clerehan David Thomason,...
- 8/1/2012
- by mumbrella
- Encore Magazine
Ikon: "an employer of choice"
Ikon Communications is Australia’s best media agency, according to an industry perception study released today at Mumbrella360.
The Stw Group-owned company, which only ranks seventh in the Nielsen billings rankings, was rated top of a list of 18 media agencies by Mumbrella readers and an expert panel.
Ikon got the highest average score across 10 assessment criteria that included talent, innovation, strategy and industry impact.
It narrowly beat GroupM’s MediaCom and Omnicom Media Group’s Phd – which tied second. Phd’s Omnicom sibling Omd was fourth, followed by independent player Slingshot.
Mumbrella Media Agency Review 2012: average score overall out of 10
Ikon, which was named Mumbrella’s media agency of the year for 2011 and featured in a significant seven best media companies to work for, came top for planning, talent, account management and industry impact.
Both the panel and Mumbrella readers highlighted culture as the agency’s strong point.
Ikon Communications is Australia’s best media agency, according to an industry perception study released today at Mumbrella360.
The Stw Group-owned company, which only ranks seventh in the Nielsen billings rankings, was rated top of a list of 18 media agencies by Mumbrella readers and an expert panel.
Ikon got the highest average score across 10 assessment criteria that included talent, innovation, strategy and industry impact.
It narrowly beat GroupM’s MediaCom and Omnicom Media Group’s Phd – which tied second. Phd’s Omnicom sibling Omd was fourth, followed by independent player Slingshot.
Mumbrella Media Agency Review 2012: average score overall out of 10
Ikon, which was named Mumbrella’s media agency of the year for 2011 and featured in a significant seven best media companies to work for, came top for planning, talent, account management and industry impact.
Both the panel and Mumbrella readers highlighted culture as the agency’s strong point.
- 6/7/2012
- by Robin Hicks
- Encore Magazine
Dr Mumbo always had high hopes for the Cock Up Confessional at Mumbrella360.
The first of the videos for the session curated by The Works went up last night. And those confessions from the likes of Peter McDonald, Mark Holden and Simon Corah are certainly worth a look.
But The Works’ own CD Kevin MacNamara takes the cake. Who’d have thought that it was a blunder to pull a gun – even a fake one on a client?
What particularly chills Dr Mumbo is the cold look that comes into MacNamara’s eyes when he contemplates what he would do next time. His menacing East End accent doesn’t help much either.
This is one creative with whom Dr Mumbo will not mess.
The first of the videos for the session curated by The Works went up last night. And those confessions from the likes of Peter McDonald, Mark Holden and Simon Corah are certainly worth a look.
But The Works’ own CD Kevin MacNamara takes the cake. Who’d have thought that it was a blunder to pull a gun – even a fake one on a client?
What particularly chills Dr Mumbo is the cold look that comes into MacNamara’s eyes when he contemplates what he would do next time. His menacing East End accent doesn’t help much either.
This is one creative with whom Dr Mumbo will not mess.
- 5/23/2012
- by mumbrella
- Encore Magazine
Mumbrella360 delegates are to be asked to admit their biggest marketing cock ups in a confessional booth set up by at the conference.
The Cock Up Confessional is being curated by creative agency The Works, with the most insightful, and amusing, confessions being played to delegates as one of the final sessions of the conference.
Marketing cock ups – and how to learn from them – will be discussed by a panel featuring Ray Noble, brand director of Beam Global Australia; Nick Stace, CEO of consumer organisation Choice; Anthony Gregorio, group CEO of Euro Rscg Australia and Jon Bradshaw, brands director of Lion. The session will be moderated by Damian Pincus, creative partner at The Works
All of those recording Cock Up Confessional videos will be asked two questions: “What’s your biggest Marketing cock up?” And “What did you learn from this cock-up?”
Early cock up contributions come from Mark Holden,...
The Cock Up Confessional is being curated by creative agency The Works, with the most insightful, and amusing, confessions being played to delegates as one of the final sessions of the conference.
Marketing cock ups – and how to learn from them – will be discussed by a panel featuring Ray Noble, brand director of Beam Global Australia; Nick Stace, CEO of consumer organisation Choice; Anthony Gregorio, group CEO of Euro Rscg Australia and Jon Bradshaw, brands director of Lion. The session will be moderated by Damian Pincus, creative partner at The Works
All of those recording Cock Up Confessional videos will be asked two questions: “What’s your biggest Marketing cock up?” And “What did you learn from this cock-up?”
Early cock up contributions come from Mark Holden,...
- 5/23/2012
- by mumbrella
- Encore Magazine
Peter McDonald
In the first quarter of 2012, new business activity in Sydney and Melbourne has seen the biggest jump in 15 years, according to The Agency Register.
Big account moves such as Woolworths, Optus, CommBank and Vodafone have seen the value of clients changing agencies reach almost $1bn – the largest spike since The Agency Register began measuring the market 15 years ago.
The increase follows a ‘scary’ period towards the end of last year, when the value of the new business market crashed to a three-year low.
However, the number of account moves – and the number of opportunities to win new business – has fallen by 20% between March this year and last.
“In a good year, you’ll see around $1.2bn in accounts move – we’ve seen not far off this amount move in just one quarter. The market has done a Lazarus act,” said Peter McDonald, MD of The Agency Register. “However,...
In the first quarter of 2012, new business activity in Sydney and Melbourne has seen the biggest jump in 15 years, according to The Agency Register.
Big account moves such as Woolworths, Optus, CommBank and Vodafone have seen the value of clients changing agencies reach almost $1bn – the largest spike since The Agency Register began measuring the market 15 years ago.
The increase follows a ‘scary’ period towards the end of last year, when the value of the new business market crashed to a three-year low.
However, the number of account moves – and the number of opportunities to win new business – has fallen by 20% between March this year and last.
“In a good year, you’ll see around $1.2bn in accounts move – we’ve seen not far off this amount move in just one quarter. The market has done a Lazarus act,” said Peter McDonald, MD of The Agency Register. “However,...
- 4/11/2012
- by Robin Hicks
- Encore Magazine
Tomorrow is the day where the Academy of Motion Pictures Arts and Sciences celebrates the movies. We’ve waited all year and its finally here. By the time host Billy Crystal delivers his last punchline and concludes the 84th Academy Awards, the evening will have seen many celebrity-presenters appear on the Oscar stage at the Kodak Theatre.
Here’s my predictions for Hollywood’s big night.
Actor in a Leading Role
Demián Bichir in .A Better Life.
George Clooney in .The Descendants.
Jean Dujardin in .The Artist.
Gary Oldman in .Tinker Tailor Soldier Spy.
Brad Pitt in .Moneyball.
Clooney’s performance was like none other he’s given before and with Slumdog Millionaire, Natalie Portman (Black Swan) and Jeff Bridges (Crazy Heart), Fox Searchlight is on a roll. However, The Artist’s Dujardin will take home his first Academy Award.
Possible upset – Brad Pitt is an all around good guy...
Here’s my predictions for Hollywood’s big night.
Actor in a Leading Role
Demián Bichir in .A Better Life.
George Clooney in .The Descendants.
Jean Dujardin in .The Artist.
Gary Oldman in .Tinker Tailor Soldier Spy.
Brad Pitt in .Moneyball.
Clooney’s performance was like none other he’s given before and with Slumdog Millionaire, Natalie Portman (Black Swan) and Jeff Bridges (Crazy Heart), Fox Searchlight is on a roll. However, The Artist’s Dujardin will take home his first Academy Award.
Possible upset – Brad Pitt is an all around good guy...
- 2/26/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Oscar 2012 group photo The nominees for the 2012 Academy Awards pose for a (very, very, very large) group photo at the Academy of Motion Picture Arts and Sciences' Oscar Nominees Luncheon, held in Beverly Hills on Monday, February 6, 2012. Here's the link to the full-size Oscar 2012 group photo. Seated (left to right): Matthew Butler, Julie Anderson, Kira Carstensen Tsunami, Mark Bridges, Demián Bichir, Lon Bender, Michael De Luca, Danfung Dennis, Rebecca Cammisa, Joe Berlinger, Bérénice Bejo, Letty Aronson, Max von Sydow, Kirk Baxter and J.C. Chandor. (Photo: Greg Harbaugh / © A.M.P.A.S.) 2nd row (left to right): Erik Aadahl, Ron Bochar, Deb Adair with guest, Amanda Forbis, Stan Chervin, Glenn Close, Jean Dujardin, George Clooney, Chris Columbus, Marshall Curry, Ludovic Bource, Terry George, Patrick Doyon, Gigi Causey, Erik Nash, Jeff Cronenweth, Viola Davis, Siedah Garrett, Dave Giammarco, Lisy Christl, Nick Dudman, Enrico Casarosa, Sam Cullman, Kenneth Branagh, and Scott Benza.
- 2/23/2012
- by D. Zhea
- Alt Film Guide
Here’s a glimpse inside the Oscar Nominees Luncheon for the 84th Academy Awards which took place in Beverly Hills, California, Monday, February 6, 2012. The 84th Academy Awards will be presented on Sunday, February 26, 2012, at the Kodak Theatre at Hollywood & Highland Center, and televised live by the ABC Television Network. On the menu was chopped vegetable salad, roasted Asian barbecued duck, soy-mirin seared Atlantic Salmon and a trio of sorbets in a chocolate cup.
Anne Thompson reported, “Oscarcast co-producer Brian Grazer promised a classy show. Filming of the Billy Crystal intro skit is under way (along with interviews with many of the nominees) — “everyone is in the film,” he said. The Kodak Theatre stage will be dressed like an old-time movie palace to sell the theme of going out to the movies. “Seeing films in that environment is a magnifier of how you feel emotionally,” he said. “You’ll feel like...
Anne Thompson reported, “Oscarcast co-producer Brian Grazer promised a classy show. Filming of the Billy Crystal intro skit is under way (along with interviews with many of the nominees) — “everyone is in the film,” he said. The Kodak Theatre stage will be dressed like an old-time movie palace to sell the theme of going out to the movies. “Seeing films in that environment is a magnifier of how you feel emotionally,” he said. “You’ll feel like...
- 2/7/2012
- by Michelle McCue
- WeAreMovieGeeks.com
The 55th Corona Cork Film Festival has come to a close with the news that this year's Best Irish Short Film award was presented to 'Pentecost' from Peter McDonald; whilst Brian Power's 'Kettle' scooped the 'Made In Cork' Award for Best Short Film. The festival's Audience Award for Best International Short Film went to the Irish/Swedish/Danish co-production 'Miss Remarkable & Her Career' from Joanna Rubin Dranger whilst David Freyne's 'Passing' nabbed the Audience Award for Best Irish Short Film.
- 11/15/2010
- IFTN
The Ifb brings 'Signatures' and 'Reality Bites' to the Cork Film Festival on November 13th whilst Gavin Keane's 'Cold Turkey has won the Audience Award at the 2010 Sapporo International Short Film Festival in Japan. The latest series of 'Signatures' and 'Reality Bites', consisting of eight short films and documentaries, will be premiering at this year's 55th Corona Cork Film Festival on Saturday 13th November. This latest batch of shorts includes Michael Peter McDonald's 'Pentecost', Brian O'Malley's, 'Crossing Salween', Nick Kelly's 'Shoe' and Oonagh Kearney's The Christening'.
- 11/12/2010
- IFTN
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