The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer.
Director:
Tom Hooper
Stars:
Colin Firth,
Geoffrey Rush,
Helena Bonham Carter
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.
Director:
Kathryn Bigelow
Stars:
Jeremy Renner,
Anthony Mackie,
Brian Geraghty
At the close of WWII, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.
Director:
Anthony Minghella
Stars:
Ralph Fiennes,
Juliette Binoche,
Willem Dafoe
A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.
At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.
Director:
Guillermo del Toro
Stars:
Sally Hawkins,
Octavia Spencer,
Michael Shannon
Outside a movie premiere, enthusiastic fan Peppy Miller literally bumps into the swashbuckling hero of the silent film, George Valentin. The star reacts graciously and Peppy plants a kiss on his cheek as they are surrounded by photographers. The headlines demand: "Who's That Girl?" and Peppy is inspired to audition for a dancing bit-part at the studio. However as Peppy slowly rises through the industry, the introduction of talking-pictures turns Valentin's world upside-down.Written by
L. Hamre
The breakfast montage in this movie, showing the breakdown of the marriage, is a direct tribute to an almost identical montage in Orson Welles' Citizen Kane (1941). See more »
Goofs
George's chauffeur driven car is a Lincoln supposedly from 1929. It is actually a later model, most likely a 1932. See more »
The opening credits are styled after the style of opening used in the 1920s and 1930s, complete with technical credits shown the way they would have been then. See more »
Greetings again from the darkness. Remember the last silent film that received this much adoration, acclaim and publicity? Of course you don't. It was 1927 and Clara Bow starred in "Wings", the most recent silent film to be nominated for Best Picture (it won). My guess is, that streak is about to end thanks to French writer/director Michel Hazanavicius.
No doubt many will avoid this one since it is a Black & White silent film. What a mistake that would be. It offers a wonderfully entertaining and captivating story, and two outstanding and expressive lead performances. Jean Dujardin is remarkable as George Valentin, one of the biggest movie stars in 1927 (when this story begins). It's around this time when the "talkies" begin taking over. Valentin is a very likable character, but foolishly believes talking movies are a fad and his fans will remain loyal to him and his traditional silent films. Not only do talkies take off, but the Great Depression also hits. Valentin finds himself out of work and broke.
The most fun in the film occurs when Valentin and Peppy Miller (Berenice Bejo) are together. Their characters have a chance meeting and there is an instant spark. Valentin gets her the first break of her career and before long, she is on the rise as fast as he free falls. Only Valentin's dog and driver (James Cromwell) remain loyal to him during the tough times, but Peppy refuses to let the bond die.
It's impossible to watch this film and not notice the influence of "Singin' in the Rain" and "Sunset Blvd". Also, Dujardin's Valentin looks to be a cross between Douglas Fairbanks and Gene Kelly, replete with the electric matinée idol smile. Both Dujrardin and Ms. Bejo (who is the director's real life girlfriend) have the elastic face and bright eyes necessary for silent film stardom. They really allow us as viewers to forget the silence and enjoy the characters.
This is a fully realized story with excellent character development. You might wonder how this is possible with no dialogue, but that's why this is a must see film garnering an abundance of critical acclaim. It's very easy to access and is purely entertaining ... with both moments of happiness and sadness. It has everything a really good movie should have ... just with fewer lines of dialogue!
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Greetings again from the darkness. Remember the last silent film that received this much adoration, acclaim and publicity? Of course you don't. It was 1927 and Clara Bow starred in "Wings", the most recent silent film to be nominated for Best Picture (it won). My guess is, that streak is about to end thanks to French writer/director Michel Hazanavicius.
No doubt many will avoid this one since it is a Black & White silent film. What a mistake that would be. It offers a wonderfully entertaining and captivating story, and two outstanding and expressive lead performances. Jean Dujardin is remarkable as George Valentin, one of the biggest movie stars in 1927 (when this story begins). It's around this time when the "talkies" begin taking over. Valentin is a very likable character, but foolishly believes talking movies are a fad and his fans will remain loyal to him and his traditional silent films. Not only do talkies take off, but the Great Depression also hits. Valentin finds himself out of work and broke.
The most fun in the film occurs when Valentin and Peppy Miller (Berenice Bejo) are together. Their characters have a chance meeting and there is an instant spark. Valentin gets her the first break of her career and before long, she is on the rise as fast as he free falls. Only Valentin's dog and driver (James Cromwell) remain loyal to him during the tough times, but Peppy refuses to let the bond die.
It's impossible to watch this film and not notice the influence of "Singin' in the Rain" and "Sunset Blvd". Also, Dujardin's Valentin looks to be a cross between Douglas Fairbanks and Gene Kelly, replete with the electric matinée idol smile. Both Dujrardin and Ms. Bejo (who is the director's real life girlfriend) have the elastic face and bright eyes necessary for silent film stardom. They really allow us as viewers to forget the silence and enjoy the characters.
This is a fully realized story with excellent character development. You might wonder how this is possible with no dialogue, but that's why this is a must see film garnering an abundance of critical acclaim. It's very easy to access and is purely entertaining ... with both moments of happiness and sadness. It has everything a really good movie should have ... just with fewer lines of dialogue!