Following the recent votes by VFX workers at Walt Disney Pictures and Marvel to unionize with IATSE, a call for collective bargaining received enthusiastic applause during an intimate Visual Effects Society Honors ceremony and reception Friday at Los Angeles’ Skirball Cultural Center.
Referencing the SAG-AFTRA strike and recently ended WGA strike, honoree Bob Coleman, a veteran VFX artist agent and exec, said “a lot of damage has been done, but progress has been made for those two guilds. But the artists in this room and artists all around the world have not fared so well without collective bargaining. And without collective bargaining, there will be no progress for them.” He added, “I believe this is one of the greatest inequities in our industry, and I hope this inequity can be righted.”
Each October, the organization holds a gathering to recognize leaders in its close-knit community. This year, Tim McGovern,...
Referencing the SAG-AFTRA strike and recently ended WGA strike, honoree Bob Coleman, a veteran VFX artist agent and exec, said “a lot of damage has been done, but progress has been made for those two guilds. But the artists in this room and artists all around the world have not fared so well without collective bargaining. And without collective bargaining, there will be no progress for them.” He added, “I believe this is one of the greatest inequities in our industry, and I hope this inequity can be righted.”
Each October, the organization holds a gathering to recognize leaders in its close-knit community. This year, Tim McGovern,...
- 10/14/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Bradley Cooper’s “Maestro” will close out AFI Fest on Oct. 29.
The film which screened at the Venice Film Festival to a 7-minute standing ovation follows the life of legendary stage composer Leonard Bernstein and his relationship with Felicia Montealegre (Carey Mulligan).
“’Mastro’ displays Bradley Cooper’s symphony of talent with the power of a cymbal crash,” said Bob Gazzale, AFI President and CEO. “It is AFI’s honor to shine a light upon this extraordinary work of art on the festival’s Closing Night.”
Aside from directing and starring in the film, Cooper co-wrote the script with Josh Singer. The supporting cast includes Matt Bomer (as Bernstein’s lover), Maya Hawke (as Bernstein’s daughter Jamie) and Sarah Silverman (as Bernstein’s sister Shirley).
Kaitlyn Dever Comes Face to Face With an Alien Invader in ‘No One Will Save You’ Trailer
Kaitlyn Dever is battling an alien invader in...
The film which screened at the Venice Film Festival to a 7-minute standing ovation follows the life of legendary stage composer Leonard Bernstein and his relationship with Felicia Montealegre (Carey Mulligan).
“’Mastro’ displays Bradley Cooper’s symphony of talent with the power of a cymbal crash,” said Bob Gazzale, AFI President and CEO. “It is AFI’s honor to shine a light upon this extraordinary work of art on the festival’s Closing Night.”
Aside from directing and starring in the film, Cooper co-wrote the script with Josh Singer. The supporting cast includes Matt Bomer (as Bernstein’s lover), Maya Hawke (as Bernstein’s daughter Jamie) and Sarah Silverman (as Bernstein’s sister Shirley).
Kaitlyn Dever Comes Face to Face With an Alien Invader in ‘No One Will Save You’ Trailer
Kaitlyn Dever is battling an alien invader in...
- 9/6/2023
- by Jazz Tangcay, Jaden Thompson and McKinley Franklin
- Variety Film + TV
Clockwise from top left: A Trip To The Moon (Flicker Alley), 2001: A Space Odyssey (Warner Bros.), King Kong (Warner Bros.), Avatar (Disney), The Matrix (Warner Bros.)Graphic: AVClub
Though they may seem a recent phenomenon, special-effects driven movies have been with us since the dawn of cinema. From the...
Though they may seem a recent phenomenon, special-effects driven movies have been with us since the dawn of cinema. From the...
- 6/8/2023
- by Luke Y. Thompson
- avclub.com
A few years ago the editors of Shadowlocked asked me to compile a list of what was initially to be, the ten greatest movie matte paintings of all time. A mere ten selections was too slim by a long shot, so my list stretched considerably to twenty, then thirty and finally a nice round fifty entries. Even with that number I found it wasn’t easy to narrow down a suitably wide ranging showcase of motion picture matte art that best represented the artform. So with that in mind, and due to the surprising popularity of that 2012 Shadowlocked list (which is well worth a visit, here Ed), I’ve assembled a further fifty wonderful examples of this vast, vital and more extensively utilised than you’d imagine – though now sadly ‘dead and buried’ – movie magic.
It would of course be so easy to simply concentrate on the well known, iconic,...
It would of course be so easy to simply concentrate on the well known, iconic,...
- 12/28/2015
- Shadowlocked
The art of the glass shot or matte painting is one which originated very much in the early ‘teens’ of the silent era. Pioneer film maker, director, cameraman and visual effects inventor Norman Dawn is generally acknowledged as the father of the painted matte composite, with other visionary film makers such as Ferdinand Pinney Earle, Walter Hall and Walter Percy Day being heralded as making vast contributions to the trick process in the early 1920’s.
Boiled down, the matte process is one whereby a limited film set may be extended to whatever, or wherever the director’s imagination dictates with the employment of a matte artist. In it’s most pure form, the artist would set up a large plate of clear glass in front of the motion picture camera upon which he would carefully paint in new scenery an ornate period ceiling, snow capped mountains, a Gothic castle or even an alien world.
Boiled down, the matte process is one whereby a limited film set may be extended to whatever, or wherever the director’s imagination dictates with the employment of a matte artist. In it’s most pure form, the artist would set up a large plate of clear glass in front of the motion picture camera upon which he would carefully paint in new scenery an ornate period ceiling, snow capped mountains, a Gothic castle or even an alien world.
- 5/27/2012
- Shadowlocked
Have you visited the Harry Ransom Center? This world-class museum on the grounds of The University of Texas at Austin is perhaps best known for housing one of only five complete copies in the U.S. of the Gutenberg Bible. Or you may have heard the collection includes the world's first photograph taken in 1826. The Ransom Center's collection doesn't just include old books, photos and paintings. It is also home to cultural materials including film, digital, and other media.
Film collections at the Ransom Center include those of producer David O. Selznick; actor, producer and director Robert De Niro; screenwriters Paul Schrader, Ernest Lehman and Jay Presson Allen; actress Gloria Swanson; and early special-effects creator Norman Dawn. The museum also has some of the original costumes from Gone with the Wind, which will be featured in an exhibit this fall.
Slackerwood received word this week that Thomas Smith, visual effects...
Film collections at the Ransom Center include those of producer David O. Selznick; actor, producer and director Robert De Niro; screenwriters Paul Schrader, Ernest Lehman and Jay Presson Allen; actress Gloria Swanson; and early special-effects creator Norman Dawn. The museum also has some of the original costumes from Gone with the Wind, which will be featured in an exhibit this fall.
Slackerwood received word this week that Thomas Smith, visual effects...
- 4/2/2012
- by Mike Saulters
- Slackerwood
Another great documentary has gone online from visual effects supervisor Dennis Lowe (Alien, Neverending Story, Labyrinth, Perfume: The Story of a Murderer). Lowe has become a prolific and valuable documentarian of visual effects history, starting out with his Alien documentaries a couple of years back, and recently looking into the life and work of matte painter Leigh Took (Clash of the Titans, Batman, Neverending Story II, The Da Vinci Code).
Now Lowe has turned his attention to one of the founding fathers of visual effects photography, the fine-artist-turned-matte-painter Percy Day O.B.E.
Day stumbled across the technique of 'original negative matte painting' when working as a matte artist in France for the production of Au Bonheur Des Dames (1931). Up until this point, matte painting was a very public spectacle, with the artist working live on location to add dimensions to a set by depicting scenes on glass, which would...
Now Lowe has turned his attention to one of the founding fathers of visual effects photography, the fine-artist-turned-matte-painter Percy Day O.B.E.
Day stumbled across the technique of 'original negative matte painting' when working as a matte artist in France for the production of Au Bonheur Des Dames (1931). Up until this point, matte painting was a very public spectacle, with the artist working live on location to add dimensions to a set by depicting scenes on glass, which would...
- 12/13/2010
- Shadowlocked
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