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The Da Vinci Code (2006)

PG-13 | | Mystery, Thriller | 19 May 2006 (USA)
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A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.

Director:

Ron Howard

Writers:

Akiva Goldsman (screenplay), Dan Brown (novel)
Popularity
1,521 ( 47)
Nominated for 1 Golden Globe. Another 8 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Hanks ... Robert Langdon
Audrey Tautou ... Sophie Neveu
Ian McKellen ... Sir Leigh Teabing
Jean Reno ... Captain Bezu Fache
Paul Bettany ... Silas
Alfred Molina ... Bishop Manuel Aringarosa
Jürgen Prochnow ... Andre Vernet
Jean-Yves Berteloot ... Remy Jean
Etienne Chicot ... Lt. Collet
Jean-Pierre Marielle ... Jacques Saunière
Marie-Françoise Audollent ... Sister Sandrine
Rita Davies Rita Davies ... Elegant Woman at Rosslyn
Francesco Carnelutti Francesco Carnelutti ... Prefect
Seth Gabel ... Michael
Shane Zaza ... Youth on Bus
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Storyline

Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy ...

Plot Summary | Plot Synopsis

Taglines:

Break The Codes See more »

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for disturbing images, violence, some nudity, thematic material, brief drug references and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Malta | France | UK

Language:

English | French | Latin | Spanish

Release Date:

19 May 2006 (USA) See more »

Also Known As:

El código Da Vinci See more »

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Box Office

Budget:

$125,000,000 (estimated)

Opening Weekend USA:

$77,073,388, 21 May 2006, Wide Release

Gross USA:

$217,536,138, 20 August 2006

Cumulative Worldwide Gross:

$758,239,851, 25 November 2011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended cut)

Sound Mix:

Dolby Digital | DTS | SDDS (8 channels)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The mural on the ceiling at the Cardinals' meeting place is called Hell, representing Aringarosa as a Fallen Angel. See more »

Goofs

The bandage Sophie puts onto her leg, while riding the bus, disappears then reappears later in the movie, with no sign of the injury while it is gone. See more »

Quotes

[first lines]
Silas: Stop now. Tell me where it is.
[removes hood]
Silas: You and your brethren possess what is not rightfully yours.
Jacques Saunière: I... I don't know what you are talking about.
Silas: Is it a secret you will die for?
Jacques Saunière: Please.
Silas: As you wish.
[cocks gun]
See more »

Crazy Credits

SPOILER: In the closing credits, there are special thanks to "Marie de Paris". This refers to the Mayor of Paris. This does not refer to Mary of Paris. See more »

Alternate Versions

An extended version is available on DVD and is 26 minutes longer. The additional scenes include, among others, Sophie threatening to deface 'The Madonna of the rocks' to aid her and Langdon's escape from the Louvre, flashbacks of Silas killing the other Senechaux, Silas' escape from Prison, Collet discovering the surveillance room, Fache debriefing and apologizing to Langdon and Sophie, and a scene is which Sophie and Langdon discuss religion during the flight sequence. Many verbal exchanges between characters in many scenes are extended. See more »

Connections

Referenced in Arrested Development: Blockheads (2013) See more »

Soundtracks

Secrets
Written by Flipper Dalton
Performed by Flipper Dalton, Libera Benedetti & Irina Björklund (as Irina Bjorklund)
Courtesy of Da Silva Entertainment
See more »

Frequently Asked Questions

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User Reviews

 
The best movie critic is YOU
23 May 2006 | by Flagrant-BaronessaSee all my reviews

So I suggest not writing this off as a Hollywood hack film, simply because it's the bandwagon thing to do. Before you go and see The Da Vinci Code, let all the negative and positive hype surrounding this production cancel each other out, clear your mind, and judge this film fairly. Do NOT judge it on its usually weak director, do NOT judge it entirely on the source material and do NOT judge it on your religious beliefs. All this will be rewarding.

I have not read the book so I will not attempt any kind of comparison.

Plot essentially goes like this: In the middle of the night, Professor Robert Langdon (Tom Hanks) is summoned as an expert to a crime scene in Le Louvre where a terrible murder has been committed. The victim's body is self-placed in such a bizarre, symbolic way next to one of the world's most famous paintings that the investigation gradually unlocks age-old mysteries that many do not wish to be unlocked.

The Da Vinci Code is a chilling, thrilling and well-sewn together mystery thriller that often keeps you on the edge of your seat. The cast do not disappoint either. Paul Bettany is genuinely creepy as Silas and thereby reinforces the stereotype that all albinos are evil. While Audrey Tatou is annoyingly frail as Sophie Neveu, she is captivating and lovely and is able to project both charisma and presence on screen in this film. However, Tom Hanks did not at all feel like the protagonist in the story and I am unaware whether that was intentional or not but I'm guessing no, in which case Hanks definitely fails in both attracting and keeping our interest.

So the cast usually perform well (with the exception of Hanks) and the story is also facilitated by some very striking visuals. A big plus for this film which elevates it slightly above generic formula is its beautiful locations often seen through epic aerial shots. Good call, Howard! Another big plus is its distinctly Euro-centric feel in both style and substance. This surprised me since it is Tom Hanks and Ron Howard in the same film, but they do manage to keep the overblown Hollywood clichés to a minimum. This is even apparent in the score by Hans Zimmer; it is not overblown, but subtle and appropriate in the scenes to which it was scored. Similarly, Frenchmen do not speak English with a French accent when they were alone together, but speak in French. That said, the plot does unfold in a somewhat Hollywood fashion -- and the plot happens to be thinner than an Olsen twin.

To counter the good parts, two big minuses in The Da Vinci Code are its wooden and sometimes even placeholder dialogue and its distinct lack of humor. I felt the actors were much too serious for this kind of film, which is first and foremost an adventure story, fast-paced and constantly unlocking new mysteries. The issues in the film were serious enough and needed more comedy to balance them.

As I write this review, more and more bad points about it spring to mind. This is strange, since I remember sitting in the cinema with my friends just a few hours ago and being thoroughly entertained and captivated by the whole thing. So, never mind the occasionally insultingly far-fetched plot and plot-twists by Dan Brown; The Da Vinci Code is a nicely done and very entertaining film in which nothing feels missing or incomplete.

7/10


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