Prepare to feast. Or dance. This week’s streaming debuts include two visually sumptuous films that will whet your Easter-weekend appetite.
The contender to watch this week: “The Taste of Things“
France lost out on an Oscar nomination when the country’s selection committee chose Trần Anh Hùng‘s savory romance about a venerable chef (Benoît Magimel) and a gifted cook (Juliette Binoche) instead of eventual Best Picture nominee “Anatomy of a Fall.” But even if the movie didn’t make the Best International Feature Film category, it earned an immediate spot in the culinary canon. Like the documentary “Menus-Plaisirs — Les Troisgros,” last year’s other great food movie, “The Taste of Things” is kitchen porn. In the warmly lit countryside, the gourmands prepare veal loins, roasted vegetables, baked Alaska, and the creamiest omelet you’ve ever seen. Select theaters are still showing the film, but it’s newly available on VOD.
The contender to watch this week: “The Taste of Things“
France lost out on an Oscar nomination when the country’s selection committee chose Trần Anh Hùng‘s savory romance about a venerable chef (Benoît Magimel) and a gifted cook (Juliette Binoche) instead of eventual Best Picture nominee “Anatomy of a Fall.” But even if the movie didn’t make the Best International Feature Film category, it earned an immediate spot in the culinary canon. Like the documentary “Menus-Plaisirs — Les Troisgros,” last year’s other great food movie, “The Taste of Things” is kitchen porn. In the warmly lit countryside, the gourmands prepare veal loins, roasted vegetables, baked Alaska, and the creamiest omelet you’ve ever seen. Select theaters are still showing the film, but it’s newly available on VOD.
- 3/30/2024
- by Matthew Jacobs
- Gold Derby
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drift (Anthony Chen)
Singaporean director Anthony Chen’s English-language debut follows a West African refugee, Jacqueline (Cynthia Erivo), who washes up on a Greek island homeless, cashless, and friendless. She doesn’t speak until ten minutes into Drift, taking in her surroundings, plagued by a fear that’s nestled deep within her. Understandably, she’s scared of everyone and everything, living in a cave, eating whatever she can find, making money by washing tourists’ feet on the beach. – Michael F. (full review)
Where to Stream: VOD
A Drifting Up (Jacob Lee)
Coming off antidepressants for the first time, young London-based filmmaker Jacob Lee decided to dance his way through it and record the process. This BAFTA-nominated short documentary captures his joyful interactions...
Drift (Anthony Chen)
Singaporean director Anthony Chen’s English-language debut follows a West African refugee, Jacqueline (Cynthia Erivo), who washes up on a Greek island homeless, cashless, and friendless. She doesn’t speak until ten minutes into Drift, taking in her surroundings, plagued by a fear that’s nestled deep within her. Understandably, she’s scared of everyone and everything, living in a cave, eating whatever she can find, making money by washing tourists’ feet on the beach. – Michael F. (full review)
Where to Stream: VOD
A Drifting Up (Jacob Lee)
Coming off antidepressants for the first time, young London-based filmmaker Jacob Lee decided to dance his way through it and record the process. This BAFTA-nominated short documentary captures his joyful interactions...
- 3/29/2024
- by Jordan Raup
- The Film Stage
Ever since his high school golf teammates realized he couldn’t hit a straight tee shot, Carter (David Krumholtz) has been saddled with a nickname that doesn’t allow much room for charitable interpretations. His days of athletic mediocrity are now far behind him, but the “Lousy Carter” moniker has followed him throughout his adult life — and frankly, it’s hard to argue he doesn’t deserve it. The question of whether his high school bullies were abnormally clairvoyant or he simply lived down to their insults is a chicken-and-egg dilemma, but the middle-aged iteration of Carter that we meet in Bob Byington’s latest film is an undeniably lousy man.
The literature professor has spent the bulk of his adult life coasting on the glimmer of promise that he showed as an animator when he released his first film 13 years ago. He parlayed those 15 seconds of fame into a...
The literature professor has spent the bulk of his adult life coasting on the glimmer of promise that he showed as an animator when he released his first film 13 years ago. He parlayed those 15 seconds of fame into a...
- 3/29/2024
- by Christian Zilko
- Indiewire
The spice must flow, and take over most theaters. While Denis Villeneuve’s gargantuan-sized blockbuster will suck up much of the oxygen when it comes to discussions around March’s releases, there’s plenty more to uncover. From adventurous festival favorites to micro-sized productions to a would-be blockbuster relegated to streaming, here are my picks for what to see next month.
15. Road House (Doug Liman; March 21)
While his recent output hasn’t touched the entertainment value of Edge of Tomorrow, The Bourne Identity, or Mr. & Mrs. Smith, Doug Liman seems quite confident in the crowdpleaser appeal of his Jake Gyllenhaal-led Road House remake. While he won’t be getting the theatrical release he believes he deserves, those at SXSW will at least be able to experience it in a crowd before it lands on Prime Video soon after.
14. Yuni (Kamila Andini; March 22)
One of our favorite undistributed films...
15. Road House (Doug Liman; March 21)
While his recent output hasn’t touched the entertainment value of Edge of Tomorrow, The Bourne Identity, or Mr. & Mrs. Smith, Doug Liman seems quite confident in the crowdpleaser appeal of his Jake Gyllenhaal-led Road House remake. While he won’t be getting the theatrical release he believes he deserves, those at SXSW will at least be able to experience it in a crowd before it lands on Prime Video soon after.
14. Yuni (Kamila Andini; March 22)
One of our favorite undistributed films...
- 2/28/2024
- by Jordan Raup
- The Film Stage
If you haven’t been following him on Twitter, David Krumholtz has been one of the very few reasons to stay up to date on the happenings of that godforsaken site, sharing gloriously told tales of his time in Hollywood. The Oppenheimer actor’s next feature, Bob Byington’s comedy Lousy Carter, will now arrive this March, which finds him leading an ensemble also including Martin Starr, Olivia Thirlby, Jocelyn DeBoer, Luxy Banner, and Stephen Root. Ahead of the March 29 release, Magnolia Pictures have now released the first trailer and poster.
Here’s the synopsis: “In Lousy Carter, David Krumholtz (Oppenheimer) stars as a ne’er-do-well literature professor adrift on a soulless college campus who learns he only has six months to live. With the clock ticking, will he change his ways? Probably not. Auteur writer/director Bob Byington’s slyly subversive comedy also features comedy all-stars Martin Starr, Olivia Thirlby,...
Here’s the synopsis: “In Lousy Carter, David Krumholtz (Oppenheimer) stars as a ne’er-do-well literature professor adrift on a soulless college campus who learns he only has six months to live. With the clock ticking, will he change his ways? Probably not. Auteur writer/director Bob Byington’s slyly subversive comedy also features comedy all-stars Martin Starr, Olivia Thirlby,...
- 2/20/2024
- by Leonard Pearce
- The Film Stage
"Even my therapist is fed up." Magnolia Pictures has revealed an official trailer for an indie comedy titled Lousy Carter, the latest indie film from auteur filmmaker Bob Byington. This originally premiered at the 2023 Locarno Film Festival last year, and it also played at the Philadelphia and Montclair Film Festivals. The film stars Oppenheimer's stand out actor David Krumholtz in a lead role as a very "lousy" guy at a university who is suddenly told he has six months left to live. So he goes off on everyone around him. Man-baby Lousy Carter struggles to complete his animated Nabokov adaptation, teaches a graduate seminar on Gatsby, and sleeps with his best friend's wife. He has six months to live. The film also features comedy all-stars Martin Starr, Olivia Thirlby, Jocelyn DeBoer, Macon Blair, and Stephen Root. This opens in March in theaters and on VOD for everyone to enjoy. This...
- 2/20/2024
- by Alex Billington
- firstshowing.net
Well, this is certainly good timing. David Krumholtz, who appears in Christopher Nolan’s “Oppenheimer” as Isidor Isaac Rabi, one of Oppenheimer’s best friends from an early age, is having a moment. Sure, you probably know Krumholtz from roles in movies like “The Santa Clause” franchise (1994–present), “10 Things I Hate About You” (1999), the “Harold & Kumar” film trilogy (2004–2011), or the CBS drama series “Numb3rs,” but the actor has lit up social media in the last two weeks with a kind of Dgaf attitude.
Continue reading ‘Lousy Carter’ Trailer: David Krumholtz Stars in Bob Byington’s New Dark Comedy About A Teacher With 6 Months To Live at The Playlist.
Continue reading ‘Lousy Carter’ Trailer: David Krumholtz Stars in Bob Byington’s New Dark Comedy About A Teacher With 6 Months To Live at The Playlist.
- 2/20/2024
- by Edward Davis
- The Playlist
Comedy to open in February 2024.
Magnolia Pictures has acquired North American rights to Bob Byington’s Locarno comedy Lousy Carter and has earmarked a February 2024 release.
David Krumholtz stars as a ne’er-do-well literature professor adrift on a soulless college campus who learns he only has six months to live.
With the clock ticking, will he change his ways? Probably not.
The cast includes Martin Starr, Olivia Thirlby, Jocelyn DeBoer, Macon Blair, and Stephen Root, and will next screen at the Orcas Island Film Festival.
“Bob Byington and his marvelous cast have delivered a twisted comedy of the highest order,...
Magnolia Pictures has acquired North American rights to Bob Byington’s Locarno comedy Lousy Carter and has earmarked a February 2024 release.
David Krumholtz stars as a ne’er-do-well literature professor adrift on a soulless college campus who learns he only has six months to live.
With the clock ticking, will he change his ways? Probably not.
The cast includes Martin Starr, Olivia Thirlby, Jocelyn DeBoer, Macon Blair, and Stephen Root, and will next screen at the Orcas Island Film Festival.
“Bob Byington and his marvelous cast have delivered a twisted comedy of the highest order,...
- 10/13/2023
- by Jeremy Kay
- ScreenDaily
Exclusive: On the heels of its August world premiere at the Locarno Film Festival, the comedy Lousy Carter led by Oppenheimer‘s David Krumholtz has been picked up for North American theatrical distribution in early 2024 by Magnolia Pictures.
Written and directed by Bob Byington (Frances Ferguson), the film follows a ne’er-do-well literature professor adrift on a soulless college campus who learns he only has six months to live. With the clock ticking, will he change his ways? Probably not.
Next set to screen at the Orcas Island Film Festival in Washington, pic also stars Martin Starr (Party Down), Olivia Thirlby (Dumb Money), Jocelyn DeBoer (Greener Grass), Macon Blair (The Toxic Avenger), and Stephen Root (Barry). Byington and Chris McKenna produced, alongside executive producers Stuart Bohart and Tim League.
Said Magnolia Pictures co-CEOs Eamonn Bowles and Dori Begley, “Bob Byington and his marvelous cast have delivered a twisted comedy of the highest order.
Written and directed by Bob Byington (Frances Ferguson), the film follows a ne’er-do-well literature professor adrift on a soulless college campus who learns he only has six months to live. With the clock ticking, will he change his ways? Probably not.
Next set to screen at the Orcas Island Film Festival in Washington, pic also stars Martin Starr (Party Down), Olivia Thirlby (Dumb Money), Jocelyn DeBoer (Greener Grass), Macon Blair (The Toxic Avenger), and Stephen Root (Barry). Byington and Chris McKenna produced, alongside executive producers Stuart Bohart and Tim League.
Said Magnolia Pictures co-CEOs Eamonn Bowles and Dori Begley, “Bob Byington and his marvelous cast have delivered a twisted comedy of the highest order.
- 10/12/2023
- by Matt Grobar
- Deadline Film + TV
The business side of the fall film festivals — the backroom bidding wars and late night sales sessions in which hype and buzz around a big Venice-Toronto-Telluride premiere is transmuted into a seven- or eight-figure distributor’s check — could be Mia this year. New conditions placed on film sales for movies that received SAG-AFTRA waivers to attend and promote at the fall fests mean the markets’ biggest buyers — the studios and streamers, members of the production guild, the AMPTP — may be sitting things out this season.
On Aug. 15, SAG chief negotiator Duncan Crabtree-Ireland outlined to the press the terms of the interim promotional agreements given to movies to allow them to bring SAG-affiliated talent to festivals. If a film gets a SAG-AFTRA waiver, the film’s seller has to adhere to the terms the guild has proposed for its new contract with AMPTP, including higher residual payments for actors and...
On Aug. 15, SAG chief negotiator Duncan Crabtree-Ireland outlined to the press the terms of the interim promotional agreements given to movies to allow them to bring SAG-affiliated talent to festivals. If a film gets a SAG-AFTRA waiver, the film’s seller has to adhere to the terms the guild has proposed for its new contract with AMPTP, including higher residual payments for actors and...
- 8/30/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
What a year it’s been for David Krumholtz. In 2023, the actor has added a Tony-winning play (Tom Stoppard’s Leopoldstadt) and a box-office sensation (you know which one) to his resumé. In both cases that affable face, so often in the margins, nudged toward center stage. Krumholtz goes one further with deadbeat comedy Lousy Carter, a premiere last week in competition at the Locarno Film Festival wherein the actor plays a graduate lecturer who learns he has six months to live and decides to try seducing a student. It’s less creepy than it sounds and, at its best, it’s all his.
Lousy Carter is directed by Bob Byington, returning to the Swiss festival for the first time since 2012, when his Nick Offerman starring Somebody Up There Likes Me took home the Special Jury Prize. Byington’s script plants the nominatively determined character in a community college in Austin,...
Lousy Carter is directed by Bob Byington, returning to the Swiss festival for the first time since 2012, when his Nick Offerman starring Somebody Up There Likes Me took home the Special Jury Prize. Byington’s script plants the nominatively determined character in a community college in Austin,...
- 8/16/2023
- by Rory O'Connor
- The Film Stage
This year marks 30 years since Bob Byington’s first feature, though it’s only during the last 15 of those — since SXSW midnight-movie breakout “Rso: Registered Sex Offender” — that the Austin-based director has enjoyed “indie darling” status. During that same stretch, the cultural discourse has changed a great deal, while Byington’s voice remains remarkably (if somewhat frustratingly) consistent, churning out self-deprecating feature-length sitcoms about flaccid man-babies. Those aren’t the kind of movies American festivals are looking for so much anymore, which could explain why his latest, “Lousy Carter,” wound up premiering abroad, at the Locarno Film Festival.
Locarno’s programmers typically gravitate toward austere, experimental and/or formally audacious works of cinema. “Lousy Carter” is none of these things, but neither is it lousy. That unfortunate moniker belongs to the film’s lead character, a lumpy failed animator turned tenured literature professor, who’s rendered all the more pathetic...
Locarno’s programmers typically gravitate toward austere, experimental and/or formally audacious works of cinema. “Lousy Carter” is none of these things, but neither is it lousy. That unfortunate moniker belongs to the film’s lead character, a lumpy failed animator turned tenured literature professor, who’s rendered all the more pathetic...
- 8/9/2023
- by Peter Debruge
- Variety Film + TV
Easy to overlook in the looming shadow of the Venice, Telluride, Toronto, and New York Film Festivals (and all of the awards season hoopla they portend), Switzerland’s historic Locarno Film Festival has remained so distinct and essential precisely because of its refusal to concede to industry pressures or chase attention over artistry.
While the magical Piazza Grande has been home to its fair share of glitzy outdoor screenings over the years — last year saw the 8,000-seat town square transform into an impromptu “Bullet Train” station, for example, while this year’s fest will host open-air screenings of everything from “Theater Camp” to Federico Fellini’s “City of Women” — Locarno has always prided itself on providing a more curious and less hostile platform for elite auteurs whose work may not conform to the commercial demands of the international marketplace; recent winners of the festival’s prestigious Golden Leopard award include Hong Sang-soo,...
While the magical Piazza Grande has been home to its fair share of glitzy outdoor screenings over the years — last year saw the 8,000-seat town square transform into an impromptu “Bullet Train” station, for example, while this year’s fest will host open-air screenings of everything from “Theater Camp” to Federico Fellini’s “City of Women” — Locarno has always prided itself on providing a more curious and less hostile platform for elite auteurs whose work may not conform to the commercial demands of the international marketplace; recent winners of the festival’s prestigious Golden Leopard award include Hong Sang-soo,...
- 8/1/2023
- by David Ehrlich
- Indiewire
For his third edition at the helm, Locarno Film Festival artistic director Giona A. Nazzaro has assembled a wide spectrum of films that “do not resemble each other in terms of tone or form” while reflecting “the world in all its expressions and manifestations,” he tells Variety.
This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says “mixes Kung Fu, hard rock and the Orthodox Church.”
There are also lots of titles at Locarno that can broadly be described as “political,” like Ukrainian director Maryna Vroda’s “Stepne” — which marks a rare...
This boundless range is best exemplified by the fact that starkly surrealist Filipino arthouse star Lav Díaz’s latest work, “Essential Truths of the Lake,” will be vying for the fest’s Golden Leopard alongside fare that, at least on paper, appears much lighter. This includes U.S. director Bob Byington’s indie comedy “Lousy Carter” and Estonian helmer Rainer Sarnet’s “The Invisible Flight,” which Nazzaro says “mixes Kung Fu, hard rock and the Orthodox Church.”
There are also lots of titles at Locarno that can broadly be described as “political,” like Ukrainian director Maryna Vroda’s “Stepne” — which marks a rare...
- 7/6/2023
- by Nick Vivarelli
- Variety Film + TV
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