Rocky Graziano is building a career in crime, when he's finally caught and arrested. In jail, he is undisciplined, always getting into trouble. When he gets out after many years he has ... See full summary »
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The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Rocky Graziano is building a career in crime, when he's finally caught and arrested. In jail, he is undisciplined, always getting into trouble. When he gets out after many years he has decided to start a new life. However, he is immediately drafted to the army. But they can't keep him and he goes AWOL. Rocky discovers boxing as a way of earning quick money, and is discovered as a new talent. Written by
Originally the movie was to be filmed on location in New York in Technicolor. However, after James Dean's death it was decided the film should be in black & white and filmed on studio sets. Director Robert Wise felt the sets looked very fake and only used them for night scenes, while filming the daytime scenes on location. See more »
During the scene where the manager comes to the house, passing all the news crews, the door of the house has three small windows in descending order. Once inside the house with Rocky's wife the door in the background has an arched window instead of three small windows. See more »
[after hearing an actor in the movie say "i love you" on screen]
You've been tellin' her for two hours ya creep!
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The "Hollywood" version of boxer Rocky Graziano's autobiographical life story has Paul Newman (as Mr. Graziano, née Barbella) beaten by an abusive father, growing into criminal gangland activity, and rising up to succeed in the sport of boxing. This is, of course, the inspirational plot of the "boxing picture"; and, it was very much a part of the "American Dream". Graziano was one of the biggest boxing stars of his time - according to my grandfather, the era feathered several Muhammad Ali-caliber boxers (which must have been quite exciting). Grandfather saw Mr. Newman as a good casting choice; better, in fact, than the originally cast James Dean.
Mainly, "Somebody Up There Likes Me" falters under its increasingly implausible "based-on-fact" storyline. Director Robert Wise starts off well, foreshadowing his own "West Side Story" (1961). Soon, the stylization becomes hard to stomach; and, the movie, obviously, compares unfavorably with more realistic boxing films. The "love story" between Newman and Pier Angeli (as Norma) is particularly unrealistic; romantically, they act like a couple of 12-year-olds.
Sal Mineo (as Romolo) heads up an enjoyable supporting cast, as Newman's friend from childhood. Certainly the film's "Best Supporting Actor", Mr. Mineo provides Newman with a warm bed, and cheers on his career. Pool-hustling Steve McQueen (as Fidel) and Michael Dante (as Shorty) are two other interesting members of Mineo's gang. Mr. McQueen is quite charismatic; and, Mr. Dante's enviable prowess with women is depicted very effectively. A slew of other notables appear; including impressionable Everett Sloane (as Irving Cohen). Eileen Heckart and Harold J. Stone are a little strange, as Rocky's parents.
The photography (Joseph Ruttenberg) and writing (Ernest Lehman) are strengths. Listen up for Newman telling a smiling Mineo, "I need to get some shut-eye before the bed cools"; and, wisecracking Sloane's observation, "I should have never left the lingerie business; I was the happiest man in ladies underwear." You will have no problem reading the credit identifying PERRY COMO as the mawkish title song singer; at the time, he was probably the biggest name associated with the film.
****** Somebody Up There Likes Me (7/3/56) Robert Wise ~ Paul Newman, Pier Angeli, Sal Mineo, Everett Sloane
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