Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Adapted from William Shakespeare's play "The Taming of the Shrew," 10 Things I Hate About You starts off with Cameron, new student at Padua High, sitting in the office of the quirky guidance counselor Ms. Perky. He is then shown around the school by Michael, who will become his best friend. During his tour is when Cameron first sees Bianca Stratford, a beautiful sophomore with one problem: she isn't allowed to date. And neither is her "shrew" sister, Katarina, a senior who loves indie rock and feminist prose and hates conformity. But Kat and Bianca's father alters his house rule: now, Bianca can date... as long as Kat has a date, too. Now, in order for Cameron to date Bianca, he has to find someone to date Kat. So Michael helps him enlist the help of pretty-boy/jerk/model Joey Donner, tricking him into thinking that *he* will get to take Bianca out if he pays someone to take out Kat. His choice: Patrick Verona, a bad-boy with a mysterious reputation--some say he ate a live duck once, ... Written by
One of the taglines for this movie is "How do I loathe thee? Let me count the ways" which is an obvious play on "How do I love thee? Let me count the ways." Although this movie contains multiple references to William Shakespeare and "The Taming of the Shrew", the line "How do I love thee? Let me count the ways" was written not by Shakespeare, but by Elizabeth Barrett Browning. It is the first line of Sonnet 43 from Barrett Browning's "Sonnets from the Portuguese" See more »
When Patrick and Kat are in the pedal boat, though they are pedaling, they do not move. See more »
So, I hear you were terrorizing Mr. Morgan's class... again.
Expressing my opinion is not a terrorist action.
The way you expressed your opinion to Bobby Ridgeway? By the way, his testicle retrieval operation went quite well, in case you're interested.
I still maintain that he kicked himself in the balls.
See more »
During the credits there are practical jokes made by cast and crew and also goofs - including scenes that didn't make the final cut. See more »
When hiring this movie was first suggested I turned up my nose at it. I thought, another teenagers flick where the hottest guy in school has to appreciate a lesser unpopular chick etc etc etc. Since seeing it it has enterred my all time favourites list. Any old somebody can take the formula of The Taming of the Shrue and put it into a school yard, and any old somebody can avoid cle she's in the finer details, coming up with decent alternatives is the hard part, whatever they did here works like clockwork. I would easily give it the best teen flick mantle.
Firstly, the acting is perfect, the roles are not overly demanding but Julia Stiles and Heath Ledger play this to perfection. The supporting cast is great aswell, there is not a soul that doesn't contribute to the perfection of it all. Realism is neither what they were really going for nor what makes the movie. The language and vocabulary of these kids is phenominal, words like, Vapid, Pensive, Hanus, Tempestuous, Miscreants. There are lots of words like these throughout the movie. It is the thing that does the most to enable adult enjoyment.
For once they avoided the school bully theme, the bad guy in this is just a model who the chicks like and some of the guys hang with and alot of others just realise he is a fool. The recessive geek role is this time given alot more credibility, he is given the majority of the genuinely witty one liners and finds a soul mate for himself, instead of them just making it a joke that he stays a joke. There are a few parts you can really cheer in, you have to watch it to appreciate them. There is truly never a dull moment.
The best quote of the whole movie would have to be "it's just an excuse for all the nerds at our school to rub up against each other to distract themselves from the pathetic emptiness of thier meaningless consumer driven lives" that pretty much sums up the purpose of teen parties these days. For once you actually identify with the "bitch" role in this, both she and the guy that is falsely pursuing her take a backward step, usually when it comes time for the leading man to apolagise for his deceit you really cant believe him after they have focused for so long on his efforts, this time for some reason you do, it fits straight into the story. There is another half to that situation here aswell but I wont disclose, it is probably the best bit of the movie.
And the last major point is that this time the father character is a hell of alot stronger than before, if that had been weak so would the rest of the movie have been, but he is not. He has a reason for being there and you identify with him aswell. It is clear to see they were making the characters all strong in thier own right and stronger than the actual story.
To sum it all up the characters, story and acting are all perfect, adults can enjoy this one aswell, also because the main relationships are more stable and adult than the unpredictability of true teenage relationships, if they can be called such. So here is the count.
Production Values 2/2, Acting 2/2, Quality and Meaning 1.5/2, Screenplay 2/2, Originality 1/2
Anyone can get something from this movie and most can get alot. This is a must. For the movie it is I would give it 10 but going by the main qualities listed above which all movies can be measured by it would get
43 of 60 people found this review helpful.
Was this review helpful to you?