An officer finds himself caught in a time loop in a war with an alien race. His skills increase as he faces the same brutal combat scenarios, and his union with a Special Forces warrior gets him closer and closer to defeating the enemy.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
An alien race has hit the Earth in an unrelenting assault, unbeatable by any military unit in the world. Major William Cage (Cruise) is an officer who has never seen a day of combat when he is unceremoniously dropped into what amounts to a suicide mission. Killed within minutes, Cage now finds himself inexplicably thrown into a time loop-forcing him to live out the same brutal combat over and over, fighting and dying again...and again. But with each battle, Cage becomes able to engage the adversaries with increasing skill, alongside Special Forces warrior Rita Vrataski (Blunt). And, as Cage and Vrataski take the fight to the aliens, each repeated encounter gets them one step closer to defeating the enemy. Written by
Warner Bros. Pictures
Filming started while the script was going over multiple revisions. See more »
On the map seen at the start of the movie, the capital of Croatia is labeled as Ljubljana, which is in fact the capital of Slovenia. See more »
[after Bill gets hit during training]
You alright Cage?
Lt. Col. Bill Cage:
I think I broke something...
Lt. Col. Bill Cage:
My back. The only thing I can feel are my lips.
Now listen carefully. This is a very important rule. This is the ONLY rule. You get injured on the field; you better make sure you die.
Lt. Col. Bill Cage:
Last time I was in combat, I was hit. I was bleeding out, just not fast enough. I woke up in a field hospital with three pints of someone else's blood and I was out. I lost the power, do you understand? Then you better ...
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The Warner Bros, Village Roadshow Pictures and RatPac Entertainment logos are interrupted by static. See more »
Trip Into The Light
Written by Jeremy Lublin, Stephan Lublin, Craig Bonich, Patrick Meyer and Nathan Post
Performed by Jeremy & The Harlequins
Courtesy of Harlequin Music
By arrangement with Secret Road Music Services, Inc. See more »
Clever, intense Sci-Fi spectacle; offers nearly as much humor as it does excitement along with a great, unexpected turn from Tom Cruise
Wow - this was unexpected. The trailers had me believe that after 'Battle L.A.' and 'Oblivion' this would be yet another bleak, action- packed, special effects driven Sci-Fi blockbuster about an alien invasion - what the trailers failed to convey almost entirely is that over long stretches, this is also seasoned with nearly as much humor as 'Groundhog Day'. That it would invite comparisons with the Harold Ramis/ Bill Murray classic was obvious, given the time loop premise, but I never expected to what extent those comparisons would actually be justified and that this film would really tap into a similar kind of comedy. Luckily, it is all the better for it.
Most unexpected of all, the main reason the comical aspects during the first half of the film work so well, is Tom Cruise's character, Major William Cage. This is easily Cruise's meatiest role since his turn in 'Magnolia' as Frank T.J. Mackey; forget his usual stern, poster boy heroes: here he plays an entirely different character and he really seems to relish the opportunity. I won't give away too much, but be prepared to chuckle and laugh when you see a new side of Tom Cruise.
Yet while this is not nearly as bleak as the trailers suggested, it certainly isn't a comedy either. And it absolutely IS an action-packed, special effects driven Sci-Fi blockbuster about battling an alien invasion (the trailers got that right), albeit one with a funny bone and great characters. Speaking of which, the rest of the cast is also very good, especially the gorgeous Emily Blunt. It seems that no matter what she does, she always comes across as genuine and real; here she succeeds in portraying her character - a tough, seasoned soldier other soldiers refer to as "full metal bitch" (no kidding!) - with just the right touch of vulnerability to make her that much more believable. Bill Paxton and Brendon Gleeson are always a welcome addition to any movie, and while they are great (as usual), character-wise, they don't do anything here that you haven't seen them do before.
As for the Sci-Fi spectacle that the trailers promised, I'm glad to report that the film delivers. The battle scenes are beautifully orchestrated (not the Transformer-style blur where you can't make out anything anymore), and there are moments when the intensity of the fighting recalls the landing on Omaha Beach in 'Saving Private Ryan' - without the gore, obviously (after all, this is PG-13). The design of the aliens - the production design in general - is incredibly well done, although I would lie if I said it was something ground-breaking and new the way the first 'Matrix' was (it IS breathtaking, though).
So my verdict: With one of the most inventive (adapted) scripts for an original (mega-budget) film in a long time and the best Tom Cruise we've seen in years, 'Edge of Tomorrow' will have you chuckle and laugh nearly as much as drop your jaw in awe: this is what Hollywood should take as a blueprint for exciting summer entertainment henceforth. 9 stars out of 10.