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Marcello is in the compartment of an Italian train, facing forward when the mineral water of the woman seated across from him starts to fall toward him. He catches the bottle and makes eye contact and follows her when she leaves the compartment. For a few moments she finds him attractive too. Then suddenly she gets off the train and starts walking through a field. Marcello follows her, loses her, finds himself in a large hotel surrounded by women. A feminist conference is taking place and he tries to escape. Written by
Dale O'Connor <firstname.lastname@example.org>
This film is a real feast for the legion of Federico Fellini fans.It has everything: the dream-like Felliniesque atmosphere, the nostalgic soundtrack by Louis Bacalov (Fellini's constant composer and co-creator of his masterpieces, Nino Rota, died in 1979),the scathing satire on the feminism and male chauvinism, and on the society at large,in which Fellini grew more and more disappointed (the best and final example is his last film "The Voice of the Moon").Perhaps, the great director is a little more bitter than ever, a little more sarcastic and nostalgic,but as a piece of art, "The City of Women" is one of the best films he has ever made.Needless to say that all the actors are superb,including the incomparable Marcello Mastroianni, Fellini's alter ego in "Otto e Mezzo". The great Art of Federico Fellini is timeless: even today, in my Cinema Class,my students appreciate it as much as their Professor did thirty years ago.
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