| Photos (See all 64 | slideshow) | Videos (see all 14) |
| Jason Segel | ... | Tom Solomon | |
| Emily Blunt | ... | Violet Barnes | |
| Chris Pratt | ... | Alex Eilhauer | |
| Alison Brie | ... | Suzie Barnes-Eilhauer | |
| Lauren Weedman | ... | Chef Sally | |
| Mimi Kennedy | ... | Carol Solomon | |
| David Paymer | ... | Pete Solomon | |
| Jacki Weaver | ... | Sylvia Dickerson-Barnes | |
| Jim Piddock | ... | George Barnes | |
| Eric Scott Cooper | ... | B&B Manager | |
| Dakota Johnson | ... | Audrey | |
| Jane Carr | ... | Grandma Katherine | |
| Clement von Franckenstein | ... | Grandpa Baba | |
| Michael Ensign | ... | Grandpa Harold | |
| Madge Levinson | ... | Grandma Leonora | |
| Murray Miller | ... | SF Wedding Barn Manager | |
| Eileen Grubba | ... | Botanical Garden Manager | |
| Mark Rademacher | ... | Priest | |
| Kevin Yon | ... | Rabbi | |
| Heather Mathieson | ... | Female Justice of the Peace | |
| Rhys Ifans | ... | Winton Childs | |
| Mindy Kaling | ... | Vaneetha | |
| Randall Park | ... | Ming | |
| Kevin Hart | ... | Doug | |
| Kumail Nanjiani | ... | Pakistani Chef | |
| Wajid | ... | Pakistani Chef | |
| Gerry Bednob | ... | Pakistani Chef | |
| Tim Heidecker | ... | Negotiating Chef | |
| Molly Shannon | ... | Onion Chef | |
| Brian Posehn | ... | Tarquin | |
| Suzie Kluce | ... | Deli Customer | |
| Tracee Chimo | ... | Margaret | |
| Chris Parnell | ... | Bill | |
| Gina Ragnone | ... | Ashley | |
| Kenneth Small | ... | Not Zach | |
| Francesca DelBanco | ... | Cake Shop Owner | |
| Stephanie Faracy | ... | Florist | |
| Zoe Niemkiewicz | ... | Vanessa | |
| Tyler Hamway | ... | Vaneetha's Date in Bar | |
| Michele Messmer | ... | Band Manager | |
| Fred Lindholm | ... | Bingo Caller | |
| Rocky Rector | ... | Randy (as Richard Rector) | |
| Aaron Lustig | ... | Michigan Rabbi | |
| Chris Newman | ... | Used Car Lot Guy | |
| Da'Vone McDonald | ... | Taco Customer | |
| Laurie Brown | ... | Professor Walch | |
| Nicholas Delbanco | ... | Professor Delbanco | |
| Corey Fischer | ... | Male Justice of the Peace | |
| Nicholas Totis | ... | Vaneetha's Boyfriend | |
| rest of cast listed alphabetically: | |||
| Adam Campbell | ... | Gideon | |
| Stephanie Chi | ... | House Party Goer | |
| Sujan Soo-Jung Hong | ... | That Korean (as Sujan Soo-Jung Joyner) | |
| Rim Kasputis | ... | Accordion Player | |
| Dayton Knoll | ... | First Customer | |
| Kef Lee | ... | Restaurant Patron | |
| Carl Marino | ... | New Years Eve Reveler | |
| Rebecca Mccarthy | ... | Rehearsal Dinner | |
| Jessica McLarty | ... | Restaurant Patron | |
| Caleb and Matthew Paddock | ... | Harris | |
| Nicholas Ritz | ... | Professor Party Goer | |
| Madison Stalker | ... | Hot Girl | |
| Robert Tarpinian | ... | Zoomba Dancer | |
| Nathalie Tedrick | ... | Party Girl | |
| Stacey Whelan | ... | Funeral Attendee | |
| Michelle Lynne Balser | ... | Jazz Bar Goer (uncredited) | |
| E.C. Burke | ... | Party-goer (uncredited) | |
| Ron Causey | ... | Clam Bar Chef (uncredited) | |
| Cabran E. Chamberlain | ... | Tourist (uncredited) | |
| Kimberly Koltyk | ... | Funeral Mourner (uncredited) | |
| Sean Mann | ... | Wedding Guest (uncredited) | |
| Matt McClelland | ... | Shirtless Frat Guy (uncredited) | |
| Ralph H. Meyer | ... | Mourner (uncredited) | |
| Danny Mooney | ... | Little Jake (uncredited) | |
| Caroline Rankin | ... | Student (uncredited) | |
| Eric Tuchelske | ... | Psych Lab Participant (uncredited) | |
Directed by | |||
| Nicholas Stoller | |||
Writing credits(in alphabetical order) | ||
| Jason Segel | screenplay | |
| Nicholas Stoller | screenplay | |
Produced by | |||
| Judd Apatow | .... | producer | |
| Rodney Rothman | .... | producer | |
| Jason Segel | .... | executive producer | |
| Nicholas Stoller | .... | producer | |
| Richard Vane | .... | executive producer | |
| Lisa Yadavaia | .... | associate producer | |
Original Music by | |||
| Michael Andrews | |||
Cinematography by | |||
| Javier Aguirresarobe | |||
Film Editing by | |||
| William Kerr | |||
| Peck Prior | |||
Production Design by | |||
| Julie Berghoff | |||
Art Direction by | |||
| John B. Josselyn | |||
Set Decoration by | |||
| Sophie Neudorfer | |||
Costume Design by | |||
| Leesa Evans | |||
Makeup Department | |||
| Ellen Arden | .... | makeup artist | |
| Leo Corey Castellano | .... | special makeup effects designer | |
| Clifton Chippewa | .... | additional hair | |
| Emilie Cockels | .... | hair stylist | |
| Mia Collie | .... | hair stylist | |
| Elizabeth Cortez | .... | key hair stylist | |
| Maggie Fung | .... | key makeup artist | |
| Christin Hanson | .... | additional makeup artist | |
| Dalton Kutsch | .... | special makeup effects technician: Corey Castellano | |
| Kris Ravetto | .... | makeup artist | |
| Peter Robb-King | .... | makeup department head | |
| Susan Schuler-Page | .... | hair stylist | |
| Bree Shea | .... | makeup artist | |
| John Tarro | .... | additional hairstylist | |
| Jennifer Tremont | .... | hair stylist | |
| Nancie Marsalis | .... | additional makeup artist (uncredited) | |
| Nacoma Whobrey | .... | makeup artist (uncredited) | |
Production Management | |||
| Lisa Rodgers | .... | post-production supervisor | |
Art Department | |||
| Dean Backer | .... | set buyer: San Francisco | |
| Mike Barnard | .... | set dresser: San Francisco (as Michael Bernard) | |
| Boyd Bossler | .... | prop maker | |
| Bonnie Briggs | .... | on set dresser: San Francisco | |
| Hilary Bristoll | .... | art department coordinator | |
| James Burke | .... | greensman: San Francisco | |
| Frank Casaceli | .... | b-unit set dresser | |
| Katherine Covell | .... | assistant props: San Francisco | |
| Tom Day | .... | assistant property master: San Francisco (as Thomas Day) | |
| Erick Donaldson | .... | set designer | |
| Jim Edelhauser | .... | assistant greens: San Francisco (as James Edelhauser) | |
| Scotty Evans | .... | propmaker | |
| Kathy Fennessy | .... | assistant property master | |
| Liz Georgoff | .... | property assistant | |
| J. Michael Glynn | .... | assistant property master | |
| Amy Graham | .... | set dresser | |
| Kemper Harris | .... | on-set dreser | |
| Jason Helton | .... | plasterer | |
| Lawrence Hornbeck | .... | on-set dresser: San Francisco | |
| Sharon Jonah | .... | set painter | |
| Jamie Klenk | .... | art department assistant | |
| Kate J. Kogelman | .... | lead scenic | |
| Zachariah Kuczynski | .... | food stylist | |
| Arin Ladish | .... | buyer | |
| Justin Noble Lang | .... | set designer | |
| Garrett Lowe | .... | scenic artist | |
| Mike Maher | .... | graphic designer | |
| Sean Mannion | .... | property master | |
| Dan Molnar | .... | set dresser: San Francisco | |
| Ali Mukstar | .... | set dresser | |
| Justin Mutschler | .... | additional on-set dresser | |
| Christopher Reams | .... | set dresser | |
| Eric Rhodes | .... | greens foreman | |
| Tom Richardson | .... | painter: San Francisco unit | |
| Brittin Richter | .... | set dresser | |
| Lucy Schiefer | .... | set buyer | |
| Mark Sejnowski | .... | set dresser | |
| Brett V. Shirley | .... | gang boss | |
| Michael Spatola | .... | special props maker | |
| Matt Stankovich | .... | set dresser: SF unit | |
| Mike Sunga | .... | leadman | |
| Kim Thrasher | .... | set buyer | |
| Tina Tottis | .... | set buyer | |
| Michael Trosper | .... | set dresser | |
| Kevin Vanderhoff | .... | set dresser | |
| Amy Vinson | .... | art department production assistant | |
| Austin Wagner | .... | prop maker | |
| Jody Weisenfeld | .... | assistant props: San Francisco | |
| Erica Wernick | .... | graphic designer: additional photography | |
| Mark Whitehead | .... | props researcher | |
| Douglas Womack | .... | construction coordinator | |
| Anthony Yarbrough | .... | set dresser | |
| Michael Zambiski | .... | greensman: on-set | |
| Lilia Zurick | .... | art department production assistant: additional photography | |
| Paulette Georges | .... | art department coordinator (uncredited) | |
Visual Effects by | |||
| Chris Chappell | .... | compositor | |
| Myong Choi | .... | compositor: Level 256 | |
| Scott M. Davids | .... | visual effects supervisor | |
| Seth Kleinberg | .... | visual effects producer | |
| Mark Larranaga | .... | visual effects supervisor | |
| Miles Lauridsen | .... | compositor: Level 256 | |
| Adam Lima | .... | digital compositor | |
| Shawn Shaman | .... | digital asset manager | |
Stunts | |||
| Ele Bardha | .... | stunt driver | |
| Joe Bucaro III | .... | co-stunt coordinator | |
| Bryant Burnett | .... | stunt double: Rhys Ifans | |
| Jeffrey J. Dashnaw | .... | stunt coordinator | |
| Cody Bo Kruger | .... | stunt performer | |
| Nancy McCrumb | .... | stunt double: Emily Blunt (as Nancy McBradley) | |
| Tim Meredith | .... | stunt driver | |
| Wesley Scott | .... | stunts | |
| Toni Staniewicz | .... | stunt driver | |
Camera and Electrical Department | |||
| Brad Baker | .... | additional focus puller: "a" camera | |
| Brad Baker | .... | second assistant camera: "a" camera | |
| Steve Bellen | .... | first assistant "c" camera: San Francisco (as Alex Steven Bellen) | |
| Jean-Philippe Belliard | .... | electrician: re-shoots | |
| Charles John Bukey | .... | key grip | |
| Michael Ryan Burns | .... | additional rigging gaffer: San Francisco | |
| Tiffany Burns | .... | additional grip | |
| Dave Childers | .... | rigging key grip: San Francisco (as David Childers) | |
| John P. Chittick | .... | additional grip | |
| Ian Chriss | .... | best boy rigging electric: San Francisco | |
| Brent Christy | .... | additional grip | |
| Michael J. Conner | .... | additional rigging electrician | |
| Jason Cox | .... | videographer | |
| Nick Cutway | .... | additional second assistant camera | |
| Nick Cutway | .... | digital loader | |
| Tommy Daguanno | .... | dolly grip: "a" camera | |
| Louis DiCesare | .... | gaffer | |
| Carlos Doerr | .... | first assistant camera | |
| Scott Eagle | .... | electrician | |
| Joe Elrom | .... | digital imaging technician: second unit | |
| Joe Elrom | .... | digital loader | |
| Kevin Fannon | .... | grip | |
| Ryan Faulkner | .... | rigging electric | |
| David Favenyesi | .... | electrician | |
| Jeph Folkins | .... | second assistant camera: "b" camera, San Francisco | |
| Jule Fontana | .... | second assistant camera | |
| Hilario Gonzalez | .... | grip | |
| Ben Groeger | .... | camera production assistant: San Francisco | |
| Tim Guffin | .... | second assistant "c" camera: San Francisco | |
| Don L. Henderson | .... | "a" dolly grip: San Francisco (as Don Henderson) | |
| Gregg Horvath | .... | first assistant camera | |
| Brad Irvin | .... | rigging electrician | |
| Willow Jenkins | .... | video assist | |
| Mark Karavite | .... | b camera / steadicam operator | |
| Brian Kelly | .... | best boy rigging electric | |
| Sean T. Kelly | .... | key grip | |
| Brad Knopf | .... | electrician | |
| James Kumarelas | .... | local rigging gaffer: San Francisco | |
| John Lacy | .... | best boy electric: San Francisco | |
| Jon Lindsay | .... | second assistant camera | |
| Jordan Livingston | .... | digital loader: second unit, San Francisco | |
| William MacLeod | .... | bb rigging grip: Michigan (as Bill MacLeod) | |
| Patrick McArdle | .... | first assistant "c" camera: San Francisco | |
| Robert 'Boomer' McCann | .... | best boy rigging grip: San Francisco | |
| Christopher TJ McGuire | .... | b-camera operator: additional photography | |
| Chris McLeod | .... | electrician | |
| Dan Mikulski | .... | grip | |
| Aaron Mohr | .... | grip | |
| Ryan Joseph Moran | .... | grip | |
| Ignacio Musich | .... | first assistant camera: "b" camera | |
| Kjell Ness | .... | b cam dolly grip: San Francisco | |
| Ted Nimz | .... | rigging electrician | |
| Cory O'Dea | .... | electrician | |
| Tim O'Dea | .... | gaffer (as Timothy O'Dea) | |
| Orlando Orona | .... | best boy grip: San Francisco | |
| Joseph Parise | .... | grip | |
| Trevor Rios | .... | second assistant camera: "b" camera | |
| Chris Ritter | .... | rigging gaffer | |
| Jim Rogers | .... | rigging grip | |
| Omar Sabeh | .... | lighting technician | |
| Casey Sherrier | .... | digital imaging technician | |
| Stephen Smith | .... | digital loader | |
| Amy Snell | .... | rigging grip | |
| Mariana Sánchez de Antuñano | .... | first assistant camera: "a" camera | |
| Jonathan Terpstra | .... | electrician | |
| Aaron Ulrich | .... | additional grip | |
| Keith Wandrei | .... | dolly grip | |
| John Wendling | .... | best boy electric | |
| Glen Wilson | .... | still photographer | |
| Alex Worster | .... | digital loader: San Francisco | |
| Scott Zuckerberg | .... | rigging key grip | |
| Gregory M. Childers | .... | rigging grip (uncredited) | |
| Gregory Collis | .... | grip: San Francisco (uncredited) | |
| Richard A. Hunt | .... | grip: San Francisco (uncredited) | |
| Brook Johnson | .... | grip: San Francisco (uncredited) | |
Casting Department | |||
| Joanne Bloom | .... | casting associate | |
| Jaime Harlan | .... | casting | |
| Nancy Hayes | .... | extras casting director: San Francisco | |
| Jennifer Lurey | .... | casting | |
| Kathy Remski | .... | extras casting | |
| Eve Streger | .... | casting assistant | |
| Dixie Webster | .... | extras casting: los angeles | |
Costume and Wardrobe Department | |||
| Kate Abraham | .... | seamstress (as Kate Bennett) | |
| Jessica Albertson | .... | key set costumer | |
| Mark Avery | .... | costumer | |
| Cynthia Bond | .... | key tailor | |
| Diane Cornelius | .... | costumer: San Francisco | |
| Cameron Folan | .... | costumer | |
| Ariel Gold | .... | costume supervisor | |
| Kayti Haugh | .... | costume assistant | |
| Kristi Hoffman | .... | additional costumer | |
| Michelle Hutchins | .... | costumer | |
| Valerie Keiser | .... | costume assistant | |
| Michelle Moore | .... | costume production assistant | |
| Hilary Sahn | .... | costume shopper | |
| Sabra Temple | .... | set costumer | |
Editorial Department | |||
| Michael Feld | .... | editorial production assistant | |
| Craig Herring | .... | additional editor | |
| Annie Johnson | .... | digital intermediate producer | |
| Rudy Lopez | .... | digital intermediate editor | |
| Kenny Marsten | .... | first assistant editor | |
| Brian Scott Olds | .... | first assistant editor | |
| Mitch Rosin | .... | assistant editor | |
| Stefan Sonnenfeld | .... | digital intermediate colorist | |
| Emily Streetz | .... | assistant editor | |
Music Department | |||
| Celeste Chada | .... | score coordinator | |
| Jonathan Karp | .... | music editor | |
| Jonathan Karp | .... | music supervisor | |
| Stephen Kaye | .... | scoring engineer | |
| Stephen Kaye | .... | scoring mixer | |
| Carl Sealove | .... | music editor | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| Rob Byer | .... | transportation office coordinator: re-shoots | |
| Demond Dickerson | .... | driver | |
| Darrell Foley | .... | driver | |
| Sue Grasso | .... | driver | |
| Don Haggerty | .... | production driver | |
| William Hissong | .... | driver | |
| Jonathon Isom | .... | driver | |
| David B. Jackson | .... | driver | |
| Kurt Knudsen | .... | transportation captain | |
| Ken Kupchick | .... | driver | |
| Dannie Lenz | .... | transportation captain: San Francisco | |
| Robert Middendorff | .... | driver | |
| Reno S. Mifsud | .... | driver | |
| Dean Miller | .... | production driver | |
| Billy Neckrock | .... | driver | |
| Franco Rea | .... | driver | |
| Robert'Bob'Rice Sr. | .... | driver | |
| Christina Schmidt | .... | dot compliance | |
| Timothy Sheehan | .... | transportation captain | |
| Russ Tolliver | .... | transportation coordinator | |
Thanks | |||
| Nora Ephron | .... | special thanks | |
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| Just One Time | Couch Potatoes | Four Christmases | Table for Three | The 30-Day Challenge |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
There are risks when romantic comedy is injected with "truth." Too little, and it feels like a desperate attempt to give the film credibility. Too much and it starts to feel uncomfortable as the comedy is buried in what appear to be a string of life lessons. The Five-Year Engagement tries to find a balance between comedy and truth and after a bit over two hours, almost succeeds.
That's not to say the film is bad. It's far from it, especially compared to what usually passes for a romantic comedy these days. Its leads (Emily Blunt and Jason Segel) have a surprising, easy chemistry and director Nicholas Stoller (who co-wrote with Segel) uses the talented supporting cast to add new perspective and layers to what is a pretty straightforward story.
Violet (Blunt) is a post-doctorate student. Tom (Segel) is a rising star of a chef in San Francisco. They get engaged on their first anniversary and while most romantic comedies would end here, The Five-Year Engagement does something that romantic comedies fail to do - showing what happens after the "happy ending." In doing so, we get to see every crack, seam and bump in their relationship, from Tom's resentment at leaving his dream job behind to follow Violet after she receives a fellowship at the University of Michigan, to Violet's increasing frustration at how Tom changes during his relocation.
It's a credit to Segel and Stoller that the situations that arise do so organically and don't feel forced in for shock value, and when things start to deteroriate, we not only see it coming, we solemnly nod because it is inevitable.
The film has issues, though, and they almost capsize the film. The most glaring one is the running time. The film clocks in at a bit over two hours, and you feel every grueling minute of it. The pacing and editing are a near disaster and at times, watching feels more like a chore than a good time. This is partially because the film, while billed as a romantic comedy, is only funny in spurts. The serious 'truths' of being in a relationship take center stage, which is in itself not a bad thing, but in a comedy, it really drags the film down.
The ending is typical rom-com schmaltz, though, as if the filmmakers snapped out of their malaise, thought "hey, aren't we making a comedy?" and wisely ended the film on an acceptably quirky note.
In the end, The Five-Year Engagement is serviceable entertainment, but could have been a lot more had they been able to strike the delicate balance they were trying for.
Daniel FilmPulse.net