Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
Evicted from his apartment, James has to move in with his girlfriend of 3 months. He quickly discovers that she's everything he never wanted in a woman. His only option is to get her to ... See full summary »
In San Francisco, after a year's relationship, Tom proposes to Violet; she accepts. She's an experimental psychologist, hoping for a post-doc at Cal. He's a sous chef who runs the kitchen when the chef is away. When Cal falls through and she gets an offer in Ann Arbor, Tom agrees to support the move, turning down a job as chef at a new restaurant. The move requires postponing the wedding. At Michigan, Violet is in her element, but Tom is underemployed and frustrated; he's Stoic for a while, but when two years in Michigan become four, Tom's frustrations boil over, and on the eve of yet another wedding date, they must make a choice. Is there any other alternative? Written by
Throughout the film, Violet and her colleagues refer to people taking part in their psychology experiments as "subjects". This term is no longer used in psychology (and has not been used for decades) as it is thought to be disrespectful and has unethical, dehumanising connotations. Rather, today psychologists use the term "participant" to refer to people who take part in an experiment. See more »
How could you do this to me?
I haven't done anything to you, Violet did something to you; not me. If a woman wants to kiss me I'm going to fucking kiss her. Underneath all that polite bullshit we're all running on caveman software. If she's got a husband, or a fiancé, or a boyfriend it's on her conscience, not mine.
You should run.
Look Tom, this is ridiculous. Let's just put a stop to this now, please. Come on, I'm sorry. I really am.
Winton, if you feel bad at all for what you did then you'll...
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There are risks when romantic comedy is injected with "truth." Too little, and it feels like a desperate attempt to give the film credibility. Too much and it starts to feel uncomfortable as the comedy is buried in what appear to be a string of life lessons. The Five-Year Engagement tries to find a balance between comedy and truth and after a bit over two hours, almost succeeds.
That's not to say the film is bad. It's far from it, especially compared to what usually passes for a romantic comedy these days. Its leads (Emily Blunt and Jason Segel) have a surprising, easy chemistry and director Nicholas Stoller (who co-wrote with Segel) uses the talented supporting cast to add new perspective and layers to what is a pretty straightforward story.
Violet (Blunt) is a post-doctorate student. Tom (Segel) is a rising star of a chef in San Francisco. They get engaged on their first anniversary and while most romantic comedies would end here, The Five-Year Engagement does something that romantic comedies fail to do - showing what happens after the "happy ending." In doing so, we get to see every crack, seam and bump in their relationship, from Tom's resentment at leaving his dream job behind to follow Violet after she receives a fellowship at the University of Michigan, to Violet's increasing frustration at how Tom changes during his relocation.
It's a credit to Segel and Stoller that the situations that arise do so organically and don't feel forced in for shock value, and when things start to deteroriate, we not only see it coming, we solemnly nod because it is inevitable.
The film has issues, though, and they almost capsize the film. The most glaring one is the running time. The film clocks in at a bit over two hours, and you feel every grueling minute of it. The pacing and editing are a near disaster and at times, watching feels more like a chore than a good time. This is partially because the film, while billed as a romantic comedy, is only funny in spurts. The serious 'truths' of being in a relationship take center stage, which is in itself not a bad thing, but in a comedy, it really drags the film down.
The ending is typical rom-com schmaltz, though, as if the filmmakers snapped out of their malaise, thought "hey, aren't we making a comedy?" and wisely ended the film on an acceptably quirky note.
In the end, The Five-Year Engagement is serviceable entertainment, but could have been a lot more had they been able to strike the delicate balance they were trying for.
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