Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
In San Francisco, after a year's relationship, Tom proposes to Violet; she accepts. She's an experimental psychologist, hoping for a post-doc at Cal. He's a sous chef who runs the kitchen when the chef is away. When Cal falls through and she gets an offer in Ann Arbor, Tom agrees to support the move, turning down a job as chef at a new restaurant. The move requires postponing the wedding. At Michigan, Violet is in her element, but Tom is underemployed and frustrated; he's Stoic for a while, but when two years in Michigan become four, Tom's frustrations boil over, and on the eve of yet another wedding date, they must make a choice. Is there any other alternative? Written by
During Tom's conversation with his parents at breakfast, Tom picks up his fork and in the next shot he picks it up again. His mom's drink also changes positions and levels throughout the meal. See more »
I am always leery of actors who want to take more control of their careers by either writing, directing or producing movies. It is painfully obvious Jason Segel is more suited to be given lines and directed than to try to write his own scripts. This fell into the same category as American Pie and had the same mean spiritedness as The Breakup." It was just a train wreck from jump street.
What I also found offensive was the buffoonery of the supporting cast. He is supposed to be some up and coming chef working in a high end restaurant in San Francisco where is co-worker, mind you simulates masturbation with a carrot replete with a facial money shot in an exhibition kitchen. How do you spell FAIL? His chef is depicted as some crazy lesbian who is nothing but unhinged and the whole thing was frustrating to watch since I've been in the industry for over 25 years.
They depict these two as great communicators deeply in love but for the life of them cannot work out their futures together and as stereotypes in Hollywood go, Segel then proceeds to fall completely apart now becoming a rabid hunter coupled with really bad ironic facial hair. We almost turned this horrid thing off it weren't for the voyeur in us try to see the movie could get any worse. It did. The two scenes Segel actually uses the knife is to basically butcher the living hell out of onions. Ugh.
Laughs were to a minimum and crass and unrealistic gags were never ending. I didn't buy the genuine connection between the two that the writers were trying to create and frankly,I want my $5.99 back from Comcast. What a complete waste of money.
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