Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
In San Francisco, after a year's relationship, Tom proposes to Violet; she accepts. She's an experimental psychologist, hoping for a post-doc at Cal. He's a sous chef who runs the kitchen when the chef is away. When Cal falls through and she gets an offer in Ann Arbor, Tom agrees to support the move, turning down a job as chef at a new restaurant. The move requires postponing the wedding. At Michigan, Violet is in her element, but Tom is underemployed and frustrated; he's Stoic for a while, but when two years in Michigan become four, Tom's frustrations boil over, and on the eve of yet another wedding date, they must make a choice. Is there any other alternative? Written by
Violet's outfit changes during the viewing of the donut testing participants. She starts in the same outfit, changes to another, then is suddenly back in the original outfit. See more »
He kissed me, Tom!
K, you know what? That is a cop out. That is not fair. Yes, he may have been the one who kissed you. But there is a reason that he felt like that was an option. You know that's the truth.
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The first minutes of this movie seemed promising, but it quickly sank into a horrible, slow paced film where nothing seemed important. The length of this movie is just silly, I love slow movies and sat through this movie longer than I would have anyway because I liked that it was a different pacing than most Hollywood flicks. But by half way through I realised that this pacing does not work for this film, because there is not enough happening to keep us interested through the slow points. The characters are not highly complex, the drama isn't compelling, and neither is their relationship or any of the relationships around them.
I feel as though half of this film should have been left on the cutting room floor, a very poor job in editing as well as script editing. This seems to me as a first draft. I loved forgetting Sarah Marshall, and feel as though the producers probably rushed the script of 'The Five Year Engagement' into production before it was developed. So what we are left with is a very slow, very boring, and sometimes plain laughable movie.
I never walk out on movies, and I walked out on this one because I felt the horror couldn't go on any longer - and surely it would come to an end soon, only to realise there was another hour to go. A really poor movie.
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