Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
In San Francisco, after a year's relationship, Tom proposes to Violet; she accepts. She's an experimental psychologist, hoping for a post-doc at Cal. He's a sous chef who runs the kitchen when the chef is away. When Cal falls through and she gets an offer in Ann Arbor, Tom agrees to support the move, turning down a job as chef at a new restaurant. The move requires postponing the wedding. At Michigan, Violet is in her element, but Tom is underemployed and frustrated; he's Stoic for a while, but when two years in Michigan become four, Tom's frustrations boil over, and on the eve of yet another wedding date, they must make a choice. Is there any other alternative? Written by
In order to fine-tune her character Suzie's British accent, Alison Brie listened to recordings of readings provided by her British co-star Emily Blunt. See more »
Violet's outfit changes during the viewing of the donut testing participants. She starts in the same outfit, changes to another, then is suddenly back in the original outfit. See more »
I think I understand why I have communication issues. Mom, maybe you should slow down on the Bloody Mary's. You don't need any more.
Let her have it.
You're going to tell me what to do? No. I am going to ask you again. What are you doing with Violet? You're being dumb! You are being so fucking dumb, you idiot. You love Violet. I love Violet. Your father loves Violet and you're letting her go. Fuck you, you dummy.
Since when do you talk like this?
It's not funny, Tom.
[...] See more »
While the movie started strong and quickly reached the first set of wedding delays, once the characters moved to Michigan, things bogged down quickly. Without spoiling the movie, the antics in the Wolverine State were more like bad SNL skits than part of this movie.
The characters, both primary and secondary, were very likable and were also very well developed. Some of the fringe characters (I talking to you, Dakota!) tended to be overly done and one-note. They could have been scaled back to fit their place in the movie thus adding to rather than subtracting from the story. (Math in a movie review? Who would have guessed?) Tom's job hunt problems seemed to be oriented toward setting up jokes than based in reality. A man with his background would have landed a position in Ann Arbor in a New York minute. However, Violet's drama was much better written and more believable.
Once back in San Francisco, everything picked up again and you began rooting for the home team to finally make it to the goal line.
So go enjoy the beginning and end but be ready to take a 30-minute nap in the middle. Maybe the Director's Cut with actually cut out the boring parts. One can hope.
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