| Photos (See all 14 | slideshow) | Videos (see all 3) |
| Tom Cruise | ... | Jack | |
| Mia Sara | ... | Lili | |
| Tim Curry | ... | Darkness | |
| David Bennent | ... | Gump | |
| Alice Playten | ... | Blix | |
| Billy Barty | ... | Screwball | |
| Cork Hubbert | ... | Brown Tom | |
| Peter O'Farrell | ... | Pox | |
| Kiran Shah | ... | Blunder | |
| Annabelle Lanyon | ... | Oona | |
| Robert Picardo | ... | Meg Mucklebones | |
| Tina Martin | ... | Nell | |
| Ian Longmur | ... | Demon Cook (as Ian Longmuir) | |
| Mike Crane | ... | Demon Cook | |
| Liz Gilbert | ... | Dancing Black Dress | |
| Eddie Powell | ... | Mummified Guard | |
| rest of cast listed alphabetically: | |||
| Mike Edmonds | ... | Tic (uncredited) | |
Directed by | |||
| Ridley Scott | |||
Writing credits | ||
| William Hjortsberg | (written by) | |
Produced by | |||
| Joseph P. Grace | .... | executive producer | |
| Tim Hampton | .... | co-producer | |
| Arnon Milchan | .... | producer | |
Original Music by | |||
| Eric Allaman | |||
| Jerry Goldsmith | (European version) | ||
| Tangerine Dream | |||
Cinematography by | |||
| Alex Thomson | (director of photography) | ||
Film Editing by | |||
| Terry Rawlings | |||
Casting by | |||
| Noel Davis | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Donna Isaacson | |||
| Marci Liroff | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Production Design by | |||
| Leslie Dilley | |||
| Assheton Gorton | |||
Art Direction by | |||
| Norman Dorme | (supervising art director) | ||
Set Decoration by | |||
| Ann Mollo | |||
Costume Design by | |||
| Charles Knode | |||
Makeup Department | |||
| Rob Bottin | .... | special makeup effects creator | |
| Lois Burwell | .... | makeup artist | |
| Linda DeVetta | .... | makeup artist | |
| Nick Dudman | .... | prosthetic makeup artist | |
| Eithne Fennel | .... | hair stylist (as Eithne Fennell) | |
| Betty Glasow | .... | hair stylist | |
| Pauline Heys | .... | makeup artist | |
| Robert Lobetta | .... | hair stylist: Mia Sara | |
| Vincent Prentice | .... | lead special makeup artist | |
| Barbara Ritchie | .... | key hair stylist | |
| Peter Robb-King | .... | makeup artist | |
| Jane Royle | .... | makeup artist | |
| Joan White | .... | hair stylist | |
| Jean Ann Black | .... | makeup artist (uncredited) | |
Production Management | |||
| David Barron | .... | unit manager | |
| Joel Chernoff | .... | executive in charge of production | |
| Hugh Harlow | .... | production supervisor | |
Sound Department | |||
| Michael A. Carter | .... | dubbing mixer | |
| Roy Charman | .... | sound mixer | |
| Martin Crane | .... | footsteps editor | |
| Ken Dufva | .... | foley artist | |
| Glenn Freemantle | .... | assistant dubbing editor | |
| Chris Greenham | .... | supervising dialogue editor | |
| Graham V. Hartstone | .... | sound re-recording mixer | |
| Nicolas Le Messurier | .... | sound re-recording mixer | |
| Chris Reed | .... | assistant dialogue editor | |
| George Rice | .... | sound maintenance | |
| Jim Shields | .... | dubbing editor | |
| John Stevenson | .... | boom operator | |
| Lionel Strutt | .... | adr mixer | |
| Kevin Phelan | .... | dubbing theatre projectionist: De Lane Lea London (uncredited) | |
Special Effects by | |||
| Nick Allder | .... | special effects supervisor | |
| Henry Alvarez | .... | effects sculpturial designer: Rob Bottin Crew | |
| Max Alvarez | .... | effects crew: Rob Bottin Crew | |
| Bobby Belnap | .... | effects crew: Rob Bottin Crew | |
| Ed Branson | .... | effects crew: Rob Bottin Crew | |
| Patricia Brewer | .... | effects crew: Rob Bottin Crew | |
| Pat Cardamone | .... | effects crew: Rob Bottin Crew | |
| Ron Castro | .... | effects crew: Rob Bottin Crew | |
| Jerry Chin | .... | effects crew: Rob Bottin Crew | |
| Mike Cobos | .... | effects crew: Rob Bottin Crew | |
| Ralph Cobos | .... | craft shop supervisor: Rob Bottin Crew | |
| Guy Deel | .... | effects crew: Rob Bottin Crew | |
| Ken Diaz | .... | effects crew: Rob Bottin Crew | |
| Katalin Elek | .... | effects crew: Rob Bottin Crew | |
| Fernando Favila | .... | effects production assistant: Rob Bottin Crew | |
| Gunnar Ferdinandsen | .... | effects crew: Rob Bottin Crew | |
| Laura Filip | .... | effects crew: Rob Bottin Crew | |
| Tamara Fites | .... | effects crew: Rob Bottin Crew | |
| Art Flores | .... | effects crew: Rob Bottin Crew | |
| Camille Forcy | .... | effects crew: Rob Bottin Crew | |
| Susan Forrest | .... | effects crew: Rob Bottin Crew | |
| Eddie Garcia | .... | effects crew: Rob Bottin Crew | |
| Richard Glass | .... | contact lens consultant | |
| John Goodwin | .... | lab technician supervisor: Rob Bottin Crew | |
| Joe Griffith | .... | effects crew: Rob Bottin Crew | |
| Matthew Harlow | .... | special effects technician | |
| Mike Hill | .... | effects crew: Rob Bottin Crew | |
| Garth Inns | .... | special effects | |
| Jack Johnson | .... | effects crew: Rob Bottin Crew | |
| Clive R. Kay | .... | contact lens consultant (as Clive Kay) | |
| Martin A. Kline | .... | effects crew: Rob Bottin Crew | |
| Phil Knowles | .... | special effects | |
| Iva Labianka | .... | effects production coordinator: Rob Bottin Crew | |
| Ralph M. Leo | .... | effects production auditor: Rob Bottin Crew | |
| Phil Mantione | .... | effects crew: Rob Bottin Crew | |
| Lauren Marems | .... | effects crew: Rob Bottin Crew (as Laurie Marems) | |
| John Markwell | .... | special effects | |
| Richard Medina | .... | effects crew: Rob Bottin Crew | |
| Chuck Montova | .... | effects production coordinator: Rob Bottin Crew | |
| Robert Newman | .... | effects crew: Rob Bottin Crew | |
| Becky Ochoa | .... | cosmetic paint supervisor: Rob Bottin Crew | |
| Roberto Olivas | .... | effects crew: Rob Bottin Crew | |
| Dennis Pawlik | .... | effects crew: Rob Bottin Crew | |
| Melvyn Pearson | .... | special effects | |
| Patrick Philben | .... | effects crew: Rob Bottin Crew | |
| Art Pimentel | .... | effects crew: Rob Bottin Crew | |
| Alan Poole | .... | special effects technician | |
| Margaret Prentice | .... | cosmetic paint supervisor: Rob Bottin Crew (as Margaret Beserra) | |
| Vincent Prentice | .... | lead special makeup artist: Rob Bottin Crew | |
| John Rizzo | .... | effects crew: Rob Bottin Crew | |
| Sheri Roskie | .... | effects crew: Rob Bottin Crew | |
| Richard Ruiz | .... | effects crew: Rob Bottin Crew | |
| Terry Schubert | .... | special effects | |
| Ernie Shelton | .... | effects crew: Rob Bottin Crew | |
| Dwight Shundo | .... | effects crew: Rob Bottin Crew | |
| Tom Small | .... | effects crew: Rob Bottin Crew | |
| Mike Sorrentino | .... | effects production coordinator: Rob Bottin Crew | |
| Wayne Strong | .... | effects crew: Rob Bottin Crew | |
| Jackie Tichenor | .... | effects crew: Rob Bottin Crew | |
| Josephine Turner | .... | effects crew: Rob Bottin Crew | |
| Richard White | .... | effects production manager: Rob Bottin Crew | |
Visual Effects by | |||
| Andrew Eio | .... | visual effects technician | |
| Kent Houston | .... | visual effects | |
Stunts | |||
| Vic Armstrong | .... | stunts & doubles | |
| Terry Cade | .... | stunts & doubles | |
| Perry Davey | .... | stunts & doubles | |
| Anthony Georghiou | .... | stunts & doubles | |
| Nick Gillard | .... | stunts & doubles | |
| Paul Grant | .... | stunts & doubles | |
| Kevin Hudson | .... | stunts & doubles | |
| Wendy Leech | .... | stunts & doubles | |
| Danny Potts | .... | stunts & doubles | |
| Jordan Scott | .... | stunts & doubles | |
| Dean Shackelford | .... | stunts & doubles (as Dean Shackleford) | |
| Nick Gillard | .... | stunt double: Mr. Cruise (uncredited) | |
| Eddie Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| George Beavis | .... | grip | |
| David Cadwallader | .... | grip | |
| Raymond Flindall | .... | rigger | |
| Martin Foley | .... | clapper loader | |
| Kenny Groom | .... | clapper loader | |
| Mark Hanlon | .... | electrician | |
| Martin Hume | .... | assistant camera | |
| Malcolm Huse | .... | grip | |
| Jordan Klein Jr. | .... | underwater camera operator | |
| Peter MacDonald | .... | camera operator (as Peter McDonald) | |
| Andy Matthews | .... | electrician | |
| Max Mowdray | .... | additional photographer | |
| Shaun O'Dell | .... | camera operator | |
| Harry Oakes | .... | additional photographer | |
| Andrew Shields | .... | video playback operator | |
| Stefan Stankowski | .... | focus puller | |
| Robert Toft | .... | video operator | |
| John Tythe | .... | gaffer | |
| Peter Versey | .... | assistant camera | |
| George Whitear | .... | still photographer | |
| Harry Woodley | .... | gaffer | |
| Carlos Melville | .... | electrician (uncredited) | |
| Chyna Thomson | .... | camera trainee (uncredited) | |
Costume and Wardrobe Department | |||
| Betty Adamson | .... | wardrobe supervisor | |
| Christopher Alderson | .... | costume supervisor | |
| Lola Boomer | .... | costume maker | |
| Sue Cable | .... | costume maker | |
| Zena Carter | .... | costume maker | |
| Elizabeth Charlesworth | .... | assistant costume designer | |
| Graham Churchyard | .... | assistant costume designer | |
| Karen Elton | .... | costume maker | |
| Helen Gill | .... | wardrobe assistant | |
| Barbara Gillett | .... | wardrobe assistant | |
| John Hilling | .... | wardrobe assistant | |
| Janet Lucas | .... | wardrobe assistant | |
| Karen McLean | .... | costume maker | |
| Penny McVitie | .... | costume supervisor | |
| Day Murch | .... | costume maker | |
| Patty Pope | .... | costume supervisor | |
| Barbara Rutter | .... | assistant costume designer | |
| Patrick Sharkey | .... | wardrobe assistant | |
| Ro Sylvester-Fisher | .... | costume maker (as Rosemary Sylvester Fisher) | |
| John Cowell | .... | costume painter (uncredited) | |
Editorial Department | |||
| Pamela Power | .... | additional editor | |
| Gordon Stainforth | .... | assistant editor | |
Music Department | |||
| Michael Clifford | .... | music editor | |
| Alexander Courage | .... | orchestrator | |
| Ernie Locket | .... | music copyist | |
| Michael Redfern | .... | assistant music editor | |
| Mike Ross-Trevor | .... | music mixer (as Mike Ross) | |
| Jerry Goldsmith | .... | conductor (uncredited) | |
Transportation Department | |||
| Mark White | .... | transportation | |
Other crew | |||
| Yarek Alfer | .... | technician | |
| Vic Armstrong | .... | unicorn master | |
| Tony Coroon | .... | production accountant | |
| Gordon Davis | .... | assistant accountant | |
| Kay Fenton | .... | script supervisor | |
| Bryan Ferry | .... | appears courtesy of E G Records, Ltd/Warner Bros. Records, Inc | |
| Andrea Fontaine | .... | assistant to director | |
| Geoff Freeman | .... | unit publicist | |
| Peter Govey | .... | title designer: main titles | |
| Danny Graber | .... | animal trainer | |
| Jordan Klein Sr. | .... | underwater team (as Jordan Klein) | |
| Sandy Langdale | .... | assistant accountant (as Sandra Langdale) | |
| Tim Lewis | .... | production runner | |
| John McCloughlin | .... | underwater team | |
| Gavin McKinney | .... | underwater team | |
| Arnon Milchan | .... | presenter | |
| Arlene Phillips | .... | choreographer | |
| Jean Simmons | .... | accounting assistant | |
| Joyce Turner | .... | production assistant | |
| Wayne Docksey | .... | animal master (uncredited) | |
| Marsha Bentley Hale | .... | researcher (uncredited) | |
Thanks | |||
| Scott Milne | .... | the producers gratefully acknowledge the assistance and co-operation of | |
| Bette Smith | .... | the producers gratefully acknowledge the assistance and co-operation of | |
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| The Lord of the Rings: The Return of the King | The Lord of the Rings: The Fellowship of the Ring | Prince Valiant | Krull | Eragon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb USA section |
Ridley Scotts' fallen masterpiece "Legend" has, in it's own rite, become one of the most infamous, if not fascinating, legacies in Hollywood. In 1984, Ridley Scott, director of the famed sci-fi "Alien", set out to tell a defining fairy tale. Once he was joined by writer William Hjortsberg, the duo started off on a creative journey to conjure what would become the beloved film "Legend". The film was further more given the appropriate elements for the general fairy tale. The Princess, the Hero, the Villain, the Goblins, the Fairies, and the other magical characters and creatures such as the Unicorns and Honeythorn Gump. Seeing as the film is intended to be a definitive fairy tale, this would also mean tracing the modern genre back to its' roots, Grim style. Indeed, the completed product was pure in it's woven fables. Just as it is tender, and bright, is it also dark, surreal, nightmarish, and ultimately entrancing. More of the film deals with the overshadow of darkness in the magical land. A proper way to show the sudden switch from light and happy, to dark and fearsome indeed.
In the story, we have the world, happy, beautiful, completely compelling in its' own nature. The dark truth lies within its' own reality. Darkness once ruled the world, but has since retreated into the lower levels of the earth, to groan and complain of times in a better existence. The world is happy, because the Unicorn, a very dear, and sacred animal, rules the land. These gorgeous creatures know only love and laughter, and thusly, protect the world from evil. They are attracted to one element in man kind, innocence. Princes Lily is pure at heart, as well as mind and spirit. Her soul friend, Jack, leads her to the creatures, as a gesture of love and affection. Quite unfortunately, however, the Lord Darkness has sent his own army after the creatures too. Once both sides are at the right place, and the wrong time, the Unicorns are harmed, and the earth, in danger. Thus begins a journey full of action, adventure, and suspense.
Tom Cruise has only performed well in this one film, for me anyway. He is actually quite affective, and believable as the hero Jack. He shows both strength and bravery, to contrast with confusion and fear of the unknown. Very plausible indeed. Mia Sara is so gorgeous, naive, and pure as the Princess. Her characteristics consist of a blind ambition, love stricken playfulness, and of course, Innocence. Never, has this genre seen such a perfect portrayal. Now, Tim Curry turns in one hell of a performance. Thanks to modern film-making, Curry is a frightening, disgusting, and yet sexual portrayal of ultimate Darkness. The three stars are all mixed together in a real Fairy Tale, with a message at the end. (note, this message is only seen in the 2002 restored Directors Cut).
I do not feel the need to bring up the controversy that ensued the principal photography, as it is well known by fans and film buffs of all kind. What I can say, is that Ridley Scott was certainly determined to give us the product of his imagination. That said, he gave us a real fantasy. he has given us a real story of magic,, love, hate,adventure, and all kinds of elements that create what a film like this should be. One thing to truly be mentioned, however, is the late Jerry Goldsmith. This master at film composition of the musical persuasion, gave us his ultimate best, and that was being generous and forgetting about getting stabbed in the back during the processing of "Alien". Again, the great musician was tricked, and his beautiful score was thrown out the window from US versions, leaving the film to sugary and sappy. Even worse, important scenes were cut, leaving much of the film uneven and seemingly rushed. Sad enough, this kind of treatment happened a year earlier with 1984's "Supergirl". Fortunately, however, we were given the true version of the film in mid 2002, and rightly so. The film has since then, been seen, and loved by fans as myself, who loved it way back when....as well as now.
The best I can say, is that this movie has a full blown mastermind to it, and the producers and creators etc finally gave the film justice. Same happened with "Supergirl" in 2000. Bottom line, this film is brilliant, and touching, and an ever- glorious masterpiece!